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MU202 ­ Instrumento II OBJETIVOS: Continuidade do estudo da literatura da guitarra que subsidie uma performance mais acurada e coerente com os diferentes períodos de produção de repertório guitarristico. Início de um trabalho de revisão de conceitos técnicos específicos aplicados ao instrumento; aquisição de conceitos técnicos específicos aplicados ao instrumento. Discussão critica das diferentes "escolas" técnicas da guitarra. Aprendizado do repertório obrigatório do instrumento, assim como de novas obras também, ambos voltados para a apresentação pública das obras, pelo aluno, incentivando-se assim a atividade de performance. Preparo do guitarrista como professor de guitarra em todos os níveis. (Escolas Livres, Conservatórios, e no Ensino Superior) CONTEÚDO PROGRAMÁTICO: A proposta do curso é de dar continuidade ao estudo da literatura, repertório e técnica do instrumento. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. Leitura à primeira vista - 2 Harmonia aplicada à guitarra - Comping - 2 Improvisação - 2 Música Brasileira 2 ­ Choro: Violão, Cavaquinho e Bandolim Repertório - 2 História e Literatura do Violão e da Guitarra - 2 Ritmos - 2 Estilos e sua Análise - 2 A Técnica da Guitarra Elétrica - 2 Ensemble/Combo ­ 2 Recital de 1° ano

BIBLIOGRAFIA: Itens selecionados das seguintes publicações: 1. Guitarra Baker, Mickey. Jazz Guitar. Lewis Music Publishing Co., Inc. Berle, Arnie. Patterns, Scales and Modes for Jazz Guitar. New York, Amsco Publications. Braunling, Len e Joff Jones. The Best of George Benson. Revised Edition. Milwaukee, WI, Hal Leonard Books. Cavalcante, Marcos S. A Fingerstyle Approach to Improvisation in the Brazilian Choro: A Method on the art of the Improvised Accompaniment of Choro Repertoire as done by Choro Guitarists. Bloomington,USA: Indiana University. 1999. DeMause, Alan. 101 Jazz Guitar Licks. Pacific, MO. Mel Bay Publications. DeMause, Alan. Joe Pass Virtuoso #3. Pacific, Mo, Mel Bay Publications, Inc. Denier, Ralph. Toque, Curso Completo de Violão e Guitarra. Rio de Janeiro, Brasil: Rio Gráfica Editora. 1983. Diorio, Joe. Fusion. Miami, FLA, Belwin Mills Publishing Corporation. Donahue, Jerry. Jerry Donahue's Telemaster Guitar. Miami, FL. Warner Bros. Publications.

Fisher, Jody. Rhythm Guitar Encyclopedia. Van Nuys, CA, Alfred. Galbraith, Barry. The Fingerboard Workbook. Concepts on Logical Fingering. New Albany, Jamey Aebersold Jazz. Galbraith, Barry. Daily Exercises. In the Melodic and Harmonic Minor Modes. New Albany, Jamey Aebersold Jazz. Galbraith, Barry. Jazz Guitar Comping. With Bass Lines in Treble Clef. New Albany, Jamey Aebersold Jazz. Galbraith, Barry. Play Along with Bach. The Complete Bach two part Inventions arranged for 2 guitars. New Albany, Jamey Aebersold Jazz. Galbraith, Barry. Guitar Improv. New Albany, Jamey Aebersold Jazz. Greene, Ted. Jazz Guitar. Single Note Soloing, Vol 1. Miami, FLA, Belwin Mills Publishing Corporation. Greene, Ted. Jazz Guitar. Single Note Soloing, Vol 2. Miami, FLA, Belwin Mills Publishing Corporation Greene, Ted. Chord Chemistry. Miami, FLA, Belwin Mills Publishing Corporation. Greene, Ted. Modern Chord Progressions. Miami, FLA, Belwin Mills Publishing Corporation. Guitar Chord Dictionary. Van Nuys, CA, Alfred. Johnson, Charlton. Swing and Big Band Guitar. Four-to-the-bar comping in the style of Freddie Green. Milwaukee, WI, Hal Leonard Books Just Jazz Guitar Magazine. Joe Pass, Collector's Edition. Atlanta, Georgia. Just Jazz Guitar Magazine. King, Ron, e Randy Waldman. The Best of George Benson. Revised Edition. Milwaukee, WI, Hal Leonard Books. Leavitt, William G. A Modern Method for Guitar. Boston, Massachussets, Berklee Press Publications. Vol. I, II and III. Leavitt, William G. Reading Studies for Guitar. Boston, Massachussets, Berklee Press Publications. Leavitt, William G. Advanced Reading Studies for Guitar. Boston, Massachussets, Berklee Press Publications. Leavitt, William G. Melodic Rhythms for Guitar. Boston, Massachussets, Berklee Press Publications. Leavitt, William G. Classical Studies for Pick-Style Guitar. Boston, Massachussets, Berklee Press Publications. Leone, Roland. Joe Pass "Off the Record". Pacific, Mo, Mel Bay Publications, Inc. Goodrick, Mick. The Advancing Guitarist. Milwaukee, WI, Hal Leonard Books, 1987. Martino, Pat. Creative Force part 1. Miami, Florida. CPP Media. Martino, Pat. Creative Force part 2. Miami, Florida. CPP Media. McCumber, Dennis. Funk Guitar Styles. Van Nuys, CA, Alfred. Meola, Al Di. A Guide to Chords, Scales and Arpeggios. Milwaukee, WI, Hal Leonard Corporation. Mongan, Norman. The History of the Guitar in Jazz. New York, USA: Oak Publications. 1987. Pass, Joe. Joe Pass Live! Pacific, Mo, Mel Bay Publications, Inc. Pass, Joe. The Joe Pass Collection. Milwaukee, WI, Hal Leonard Corporation. Pass, Joe. Joe Pass on Guitar. Miami, Florida. CPP Media. Pass, Joe. Virtuoso Standards. Songbook Collection. Miami, Florida. CPP Media. Pass, Joe. Joe Pass Guitar Solos. Van Nuys, CA, Alfred. Pass, Joe. Joe Pass Chord Solos. Van Nuys, CA, Alfred. Pass, Joe. Joe Pass Guitar Style. Van Nuys, CA, Alfred. Roberts, Howard. Guitar Compendium, Technique, Improvisation, Musicianship, Theory. Vol. I, II, III. Germany: Advance Music. 1989.

Roberts, Howard. Super Chops. Jazz Guitar Technique in 20 Weeks. Edmonds, Washington. Playback Music Publishing Company, 1978. Slutsky, Allan & Chuck Silverman. The Funkmasters, the great James Brown Rhythm Sections, 1960-1973.New York, USA: Manhattan Music, Inc. 1996. Slutsky, Allan. Standing in the Shadows of Motown, the life and music of legendary bassist James Jamerson. Milwaukee, WI: Hal Leonard. 1989. Star, Orrin. Hot Licks for Bluegrass Guitar. New York, Oak Publications. Summerfield, Maurice J. The Jazz Guitar, its evolution and its players. Milwaukee, WI: Hal Leonard. 1978. Szymczak, M.T. Reading Contemporary Guitar Rhythms. Boston, Massachussets, Berklee Press Publications. Wilmott, Bret. Mel Bay's Complete Book of Harmony, Theory and Voicing. Pacific, MO. Mel Bay Publications. RECURSOS OU MATERIAL DE APOIO: Som, imagem, masterclasses, workshops, bibliografia suplementar BIBLIOGRAFIA COMPLEMENTAR: 1. Violão Arenas, Rodriguez. La Escuela de la Guitarra, Vol. 1-7. Buenos Aires, Ricordi Americana, 1985. Carlevaro, Abel. Escuela de la Guitarra, Exposicion de la Teoria Instrumental. Buenos Aires, Argentina: Barry Editorial, Com.,Ind., S.R.L. Carlevaro, Abel. Serie Didactica para Guitarra, Cuadernos 1-4. Buenos Aires, Argentina: Barry Editorial, Com.,Ind., S.R.L. Glise, Anthony. Classical Guitar Pedagogy, a handbook for teachers. Pacific, MO, Mel Bay Publications, Inc., 1997. Isbin, Sharon. The Answer Book. San Anselmo, CA, The String Letter Press, 1994. Noad, Frederick. Solo Guitar Playing, Vol. 1. New York, Schirmer Books, 1976. Pinto, Henrique. Iniciação ao Violão. São Paulo, Ricordi. Pinto, Henrique. Técnica da Mão Direita. São Paulo, Ricordi. Pinto, Henrique. Curso Progressivo de Violão. São Paulo, Ricordi. Sagreras, Julio S. Las Primeras Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Las Segundas Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Las Terceras Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Las Quartas Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Las Quintas Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Las Sextas Lecciones de Guitarra. Buenos Aires, Ricordi Americana. Sagreras, Julio S. Tecnica Superior de Guitarra. Buenos Aires, Ricordi Americana. Sávio, Isaias. Escola Moderna do Violão, Vol. 1 &2. São Paulo, Ricordi, 1961. Shearer, Aaron. Slur, Ornament and Reach Development Exercises. Miami, FLA, Belwin Mills Publishing Corporation, 1969. Shearer, Aaron. Learning the Classic Guitar, Vol. 1. Pacific, MO, Mel Bay Publications, 1990. Tennant, Scott. Pumping Nylon. Van Nuys, CA, Alfred, 1995. Wade, Graham. Traditions of the Classical Guitar. London, John Calder, 1980 2. Ensino de Improvisação e Pedagogia da Improvisação Aebersold, Jamey. A New Approach to Jazz Improvisation. Vol.1-106. New Albany, Jamey Aebersold Jazz.

Baker, David N. A Creative Approach to Practicing Jazz. New Albany, Jamey Aebersold Jazz, 1994. Baker, David N. How to Learn Tunes. New Albany, Jamey Aebersold Jazz. Baker, David N. Jazz Expressions and Explorations. Baker, David N. Ear Training for Jazz Musicians. Baker, David N. Jazz Improvisation. Van Nuys, CA, Alfred. Baker, David N. Advanced Concepts on Jazz Improvisation. Van Nuys, CA, Alfred. Baker, David N. Advanced Ear Training for Jazz Musicians. Baker, David N. Jazz Pedagogy. Van Nuys, CA, Alfred, 1989. Baker, David N. How to Play Bebop for All Instruments, The Bebop Scales and Other Scales in Common Use. Van Nuys, CA, Alfred, 1989. Baker, David N. How to Play Bebop for All Instruments, Learning the Bebop Language: Patterns, Formulae and Other Linking Materials. Van Nuys, CA, Alfred, 1989. Baker, David N. How to Play Bebop for All Instruments, Techniques for Learning and Utilizing Bebop Tunes. Van Nuys, CA, Alfred, 1989. Coker, Jerry. How to Practice Jazz. New Albany, Jamey Aebersold Jazz, 1990. Coker, Jerry. Hearing the Changes. Coker, Jerry. A Complete Method for Jazz Improvisation. Coker, Jerry. Elements of Jazz. Coker, Jerry. Figure Reading Series. Coker, Jerry. How to Listen to Jazz. New Albany, Jamey Aebersold Jazz. Coker, Jerry. Patterns for Jazz. Miami, FL, CPP Belwin, Inc. Coker, Jerry. The Teaching of Jazz. Haerle, Dan. The Jazz Language. A Theory Text for Jazz Composition and Improvisation. Miami, Florida, Studio 224, 1980. Haerle, Dan. The Jazz Sound. A Guide to Analysis and Chord/Scale Choices for Improvisation. Milwaukee, WI, Hal Leonard Corporation, 1989.Jaffe, Andrew. Jazz Theory. Dubuque, Iowa, W.M.C. Brown Company Publishers, 1983.

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