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Related Experience: Denise Youngblood has taught Russian and East European history and film and history at the University of Vermont since 1988. She has extensive experience in program review at UVM, as Vice Provost for Faculty and Academic Affairs (20032005) and as chair of the History Department (19992003) in addition to serving on many university committees including the graduate college executive committee and the university committee on teacher education. She has also been a member of the AHA Professional Division. She has so far conducted three program reviews as external evaluator: Plymouth State University (2009), Miami University (2007), and Slippery Rock University (2003).

The University of Vermont is a small public research university and the only university in Vermont. Its student population of 10,000 (8,000 undergraduates)is largely drawn from out of state. The faculty are unionized: represented by United Academics (AAUP/AFT). The Department of History offers a terminal M.A. in History and a terminal M.S. in Historic Preservation there is no PhD program.

CURRICULUM VITAE

Denise J. Youngblood

CONTACT INFORMATION

Address: Department of History, Wheeler House, 133 South Prospect Street, University of Vermont, Burlington, VT 054050164 Telephone: (802) 6564497 (direct) (802) 6563180 (main office) (802) 8644430 (home) Fax: (802) 6568794 Email: [email protected]

EDUCATION

Ph.D., Stanford University, 1980. M.A., Stanford University, 1975. B.A., magna cum laude, Wright State University, 1974. AllUnion State Institute of Cinematography (VGIK), Moscow, 197879. Vanderbilt University, 197072.

CURRENT POSITION

Professor of History, University of Vermont (Associate Professor, 199499 Assistant Professor, 198894).

OTHER PROFESSIONAL EXPERIENCE

Vice Provost for Faculty & Academic Affairs, University of Vermont, 20032005. In this position

I was responsible for advising the Provost on academic program review and reappointment, tenure and promotion decisions across the university. Chair, Department of History, University of Vermont, 19992003. In this position I wrote program review selfstudy reports for both undergraduate and graduate programs and prepared the accreditation documents. Assistant to the Executive Director, American Association for the Advancement of Slavic Studies, 198288. In this position I reviewed Russian & East European area studies programs nationally. PROFESSIONAL SERVICE RELEVANT TO PROGRAM REVIEW Professional Division, American Historical Association, 200305. Committee on the Status of Women, American Association for the Advancement of Slavic Studies, 200204 (chair, 200304). President's Commission on the Status of Women, ex officio, 200305. University Planning Committee, 200204. Leadership Committee, University Committee on Teacher Education, 200204. Adult Learners' Task Force, Office of the Provost, 200001. Executive Council, Graduate College, 199801, 199194. On this committee, I chaired the program review subcomittee for the Humanities and Social Sciences.

EXTERNAL PROGRAM REVIEWS Plymouth State University, 2009 Miami University (OH), 2007 Slippery Rock University, 2003

PUBLICATIONS Books

Russian War Films: On the Cinema Front, 19142005. Lawrence: University Press of Kansas, 2007. xvi, 319 pp. Choice Outstanding Academic Title, 2008. The Magic Mirror: Moviemaking in Russia, 19081918. Wisconsin Studies in Film. Madison: University of Wisconsin Press, 1999. xvii, 197 pp. Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. Cambridge: Cambridge University Press, 1992 paperback ed., 1993. xix, 259 pp. Cowinner of the Heldt Prize for Best Book by a Woman in Slavic Studies, 1993. Soviet Cinema in the Silent Era, 19181935. Studies in Cinema, no. 35. Ann Arbor: UMI Research Press, 1985 paperback ed., Austin: University of Texas Press, 1991. xi, 336 pp. Excerpted in Celia Rosebury Lighthill, ed., Cinema Century, vol. 1, The First 50 Years. Dubuque, IA: Kendall/Hunt, 1994. Coauthored

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with Josephine Woll. Repentance: The Film Companion. KinoFiles, no. 4. London: I. B. Tauris, 2001. xi, 116 pp.

PeerReviewed Articles and Chapters (2000present)

"'When Will the Real Day Come?' Cinema and Soviet Postwar Society," Histories of the Aftermath, ed. Frank Biess and Robert Moeller, Berghahn Books, forthcoming. "Enemy at the Gates as a `Soviet' War Film," Repicturing the Second World War: Representations in Film and Television, ed. Michael Paris. (London: Palgrave MacMillan, 2007), pp. 14861. "Soviet Cinema: The Old and the New," European Cinema, ed. Elizabeth Ezra. Oxford: Oxford University Press, 2004, pp. 4158. "The Cosmopolitan and the Patriot: The Brothers MikhalkovKonchalovsky and Russian Cinema," Historical Journal of Film, Radio & Television 23, no. 1 (March 2003): 2741. "A War Remembered: Soviet Films of the Great Patriotic War," American Historical Review 106, no. 3 (June 2001): 839856. "A War Forgotten: The Great War in Russian and Soviet Cinema," The First World War and Popular Cinema, ed. Michael Paris. Edinburgh: Edinburgh University Press, 1999/New Brunswick, NJ: Rutgers University Press, 2000, pp. 17291.

Reference (2005present)

"Dzigan, Efim" and "Ermler, Fridrikh," in Supplement to the Modern Encyclopedia of Russia, Soviet & Eurasian History, vol. 9, ed. Bruce F. Adams. Gulfstream, FL: Academic International Press, 2008. "Donskoi, Mark," in Supplement to the Modern Encyclopedia of Russia, Soviet & Eurasian History, vol. 8, ed. Bruce F. Adams. Gulfstream, FL: Academic International Press, 2007. Chukhrai, Grigorii," in Supplement to the Modern Encyclopedia of Russian, Soviet & Eurasian History, vol. 6, ed. Bruce F. Adams. Gulfstream, FL: Academic International Press, 2005. "Russia," "Drankov, Aleksandr" "Drankov," "Gardin, Aleksandr" "Goncharov, Vasilii" "Khanzhonkov, Aleksandr" "Kholodnaia, Vera" "Thiemann, Pavel," "Thiemann & Reinhardt," in Encyclopedia of Early Cinema, ed. Richard Abel. London: Routledge, 2005. Winner of the Theatre Library Association Prize for Best Book on Recorded Performance.

Book Reviews (2005present)

James Chapman, War and Film, Film & History, forthcoming. Evgeny Dobrenko, Stalinist Cinema and the Production of History, Slavic Review, forthcoming. Stephen M. Norris and Zara M. Torlone, Insiders and Outsiders in Russian Cinema, Russian Review, forthcoming. Birgit Beumers, The Cinema of Russia and the Former Soviet Union, Slavic Review 67, no. 3 (Fall 2008): 78889.

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Amy Nelson, Music for the Revolution: Musicians and Power in Early Soviet Russia, European History Quarterly 38, no. 2 (2008): 34344. James Chapman, War and Film, Film & History, forthcoming. Evgeny Dobrenko, Stalinist Cinema and the Production of History, Slavic Review, forthcoming. Stephen M. Norris and Zara M. Torlone, Insiders and Outsiders in Russian Cinema, Russian Review, forthcoming. Birgit Beumers, The Cinema of Russia and the Former Soviet Union, Slavic Review 67, no. 3 (Fall 2008): 78889. Amy Nelson, Music for the Revolution: Musicians and Power in Early Soviet Russia, European History Quarterly 38, no. 2 (2008): 34344. Emma Widdis, Alexander Medvedkin, Slavic Review 66, no. 2 (Summer 2007): 36970. Sergei Eisenstein, The Eisenstein Collection, ed. Richard Taylor, Historical Journal of Film, Radio & Television 26, no. 4 (October 2006): 599600. David MacFadyen, Yellow Crocodiles and Blue Oranges: Russian Animated Film since World War Two, HRussia, 18 September 2006 (online). Kristian Feigelson, ed. Théorème 8: Caméra politique: cinema et stalinisme, Historical Journal of Film, Radio & Television 26, no. 3 (August 2006): 43233. Anna Lawton, Imaging Russia 2000: Film and Facts, Rethinking History 10, no. 2 (June 2006): 37376. John Haynes, New Soviet Man: Gender and Masculinity in Stalinist Soviet Cinema, Russian Review 64, no. 1 (January 2005): 15758.

CDRom Review

Yuri Tsivian, Immaterial Bodies: A Cultural Analysis of Early Russian Films, Slavic Review 64, no. 3 (Fall 2005): 69192.

Film Reviews (2005present)

Guest Editor, "Special Feature: Thaw Films," Studies in Russian & Soviet Cinema 31 (2009), forthcoming review of Nine Days in One Year. "The Admiral," Kinokultura, forthcoming April 2009. "Riorita," KinoKultura 23 (January 2009), www.kinokultura.com/20009/23rriorita.shtml. "The Living and the Dead," Studies in Russian and Soviet Cinema 2.3 (2008): "A Chronicle for Our Time: Sergei Loznitsa's The Blockade (2006)," Russian Review 66 (October 2007): 69398 (review essay). "Mikhail Segal, Franz + Polina, 2006," KinoKultura 16 (April 2007), www.kinokultura.com.2007/16rfranzpolina.html. "Vasilii Chiginskii, First after God (Pervyi posle boga), 2005," KinoKultura 14 (October 2006), www.kinokultura.com/2006/14rppboga.html. "Aleksei Karelin, A Time to Gather Stones (Vremia sobirat' kamni), 2005," KinoKultura 12 (April 2006), www.kinokultura.com/2006/12rtimestones.html

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CURRENT RESEARCH PROJECT

"Double Vision: Soviet and American Cinema during the Cold War," coauthored with Tony Shaw, under contract to University Press of Kansas, for June 2009 delivery.

TEACHING FIELDS th Russia, East Central & Southeastern Europe, nationalisms, film & history, 20 century European wars

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