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Proof: The Rise of Printmaking in Southern California Norton Simon Museum October 1, 2011­April 2, 2011 Exhibition checklist

Clinton Adams, Golden Tablet, 1961, lithograph, printed by Garo Antreasian, published by Tamarind Lithography Workshop, sheet: 30¼ × 22½ in. (76.8 × 57.2 cm). Norton Simon Museum, museum purchase, Third Biennial Print Exhibition Purchase Award, 1961 Clinton Adams, Melon Slice, 1949, lithograph, printed and published by Lynton Kistler, Kistler Lithography Company, sheet: 17 × 22 in. (43.2 × 55.9 cm). Norton Simon Museum, museum purchase, 1953 Clinton Adams, The Window II, 1959, etching and aquatint with drypoint, printed and published by the artist, plate: 16 × 11 in. (40.6 × 30.2 cm); sheet: 18¾ × 14¾ in. (47.6 × 37.5 cm). Norton Simon Museum, museum purchase, Second Annual Print Exhibition Josef Albers, Embossed Linear Constructions I, 1969, embossing, printed by Ken Tyler and John Dill, published by Gemini G.E.L., sheet: 20 × 26 in. (51.1 × 66.4 cm). Norton Simon Museum, gift of Gemini G.E.L., 1969 Josef Albers, Homage to the Square: Day and Night III, from the series Day and Night, 1963, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 18¾ × 20 in. (47.6 × 51.8 cm). Norton Simon Museum, anonymous gift, 1966 Josef Albers, Homage to the Square: Day and Night V, from the series Day and Night, 1963, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 18¾ × 20 in. (47.6 × 51.8 cm). Norton Simon Museum, anonymous gift, 1966 Josef Albers, White Line Square XI, 1966, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 20 × 20 in. (53 × 53 cm). Gemini G.E.L. John Altoon, About Women (lithograph number 2), 1965­66, lithograph, printed by Ken Tyler, published by Gemini Ltd., sheet: 19 × 19 in. (48.3 × 48.3 cm). Norton Simon Museum, gift of Mr. and Mrs. David Gensburg, 1967

Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

John Altoon, Untitled, 1965, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 22 × 30 in. (55.9 × 76.2 cm). Norton Simon Museum, anonymous gift, 1967 Garo Antreasian, Quantum V, 1967, lithograph, printed by the artist, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1968 Garo Antreasian, Silver Suite IX, from the series The Silver Suite, 1968, lithograph, printed by the artist at the University of New Mexico, published by Tamarind Lithography Workshop, sheet: 22½ × 20½ in. (57.2 × 52.1 cm). Norton Simon Museum, anonymous gift, 1969 Garo Antreasian, Silver Suite X, from the series The Silver Suite, 1968, lithograph, printed by the artist at the University of New Mexico, published by Tamarind Lithography Workshop, sheet: 22½ × 20½ in. (57.2 × 52.1 cm). Norton Simon Museum, anonymous gift, 1969 John Baldessari, The Fallen Easel, 1988, lithograph and screenprint on paper and five pieces of photosensitive aluminum, printed by Francesco Siqueiros, Robert Dansby, and Richard Hammond, published by Cirrus Editions and Multiples, Inc., overall: 74 × 95 in. (188 × 241.3 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Graphic Arts Council and gift of Cirrus Editions Billy Al Bengston, Mecca Dracula, 1968, lithograph, printed by Maurice Sanchez, published by Tamarind Lithography Workshop, sheet: 21½ × 21 in. (54.6 × 54.9 cm). Norton Simon Museum, anonymous gift, 1972 Billy Al Bengston, Untitled, 1972, lithograph, printed by Ed Hamilton at Cirrus Editions, published by Neighbors of Watts, Los Angeles, sheet: 14¾ × 14¾ in. (37.5 × 37.5 cm). Norton Simon Museum, gift of Mrs. Jennifer Jones Simon James Boynton, Pandorasville I: Kremlin, 1967, lithograph, printed by John Butke, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1969 James Boynton, Pandorasville III: Standing Room Only, 1967, lithograph, printed by John Butke, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1969 James Boynton, Pandorasville VI: Truncated Elephant, 1967, lithograph, printed by John Butke, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Museum, anonymous gift, 1969 James Boynton, Pandorasville XI: Striped Wizard, 1967, lithograph, printed by Anthony Stoeveken, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1969 James Boynton, Teeth, 1967, lithograph, printed by Serge Lozingot, published by Tamarind Lithography Workshop, sheet: 41 × 30 in. (104.1 × 76.2 cm). Norton Simon Museum, anonymous gift, 1969 Paul Brach, Oracle, 1964, lithograph, printed by Ken Tyler and Jeff Ruocco, published by Tamarind Lithography Workshop, sheet: 16 × 22 in. (40.6 × 55.9 cm). Norton Simon Museum, anonymous gift, 1966 William Brice, Two Figures, 1966, lithograph, printed by Erwin Erickson, published by Tamarind Lithography Workshop, sheet: 22 × 30 in. (55.9 × 76.2 cm). Norton Simon Museum, anonymous gift, 1968 Salvador Bru, Icaro, 1969, lithograph, printed by Paul Clinton, published by Tamarind Lithography Workshop, sheet: 21 × 31 in. (53.3 × 78.7 cm). Norton Simon Museum, anonymous gift, 1972 Conrad Buff, Cathedral Mountain, Alaska, c. 1930, lithograph, printed and published by Paul Roeher, sheet: 12¼ × 16½ in. (31.1 × 41.9 cm). Norton Simon Museum, bequest of Mrs. E. G. Manuel, 1952 Conrad Buff, Navajo Hogan, c. 1936, lithograph, printed and published by the artist, sheet: 11½ × 16 in. (28.6 × 40.6 cm). Norton Simon Museum, bequest of Mrs. E. G. Manuel Christopher Burden, Untitled, 1974, lithograph and watercolor, printed by Perry Tymeson, published by Cirrus Editions, sheet: 20 × 16 in. (50.8 × 40.6 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Director's Roundtable and gift of Cirrus Editions John Cage, Plexigram #2 from Not Wanting to Say Anything about Marcel, 1969, eight screenprints on Plexiglas in a wooden base, printed by Irwin Hollander, published by Hollander Graphic Workshop, each plexigram: 14 × 20 × 10 in. (36.5 × 51.1 × 27 cm). Norton Simon Museum, gift of Mrs. Judith Thomas, 1970 Greg Card, + ­, 1971, screenprint on Plexiglas, printed by Jean Milant and Jane Aman, published by Cirrus Editions, sheet: 26 × 26 in. (66 × 66 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Director's Roundtable and gift of Cirrus Editions

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Vija Celmins, Strata, 1983, mezzotint, printed by Doris Simmelink, published by Gemini G.E.L., twenty-five copper plates mounted on aluminum, each plate: 4¾ × 5 in. (12.1 × 14.9 cm); together: 23½ × 29¼ in. (59.7 × 74.3 cm); sheet: 29½ × 35¼ in. (74.9 × 89.5 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, purchase Vija Celmins, Untitled, 1970, lithograph, printed by S. Tracy White, published by Tamarind Lithography Workshop, sheet: 20¼ × 29¼ in. (51.4 × 74.3 cm). Norton Simon Museum, anonymous gift Lee Chesney, Koumiishi, 1959, etching, aquatint, and open bite, printed and published by the artist, plate: 23 × 20 in. (59.4 × 53 cm); sheet: 28½ × 25 in. (72.4 × 63.5 cm). Norton Simon Museum, museum purchase, Second Annual Print Exhibition Lee Chesney, Promise, 1967, lithograph, printed by Anthony Stoeveken, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1967 Judy Chicago, Flash Back, 1965, screenprint, printer unknown, commissioned by a private collector, sheet: 20 × 26 in. (50.8 × 66 cm). Norton Simon Museum, museum purchase Bruce Conner, Rain, 1965, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 26 × 22½ in. (66 × 57.2 cm). Norton Simon Museum, anonymous gift, 1967 Bruce Conner, Thumb Print, 1965, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 41 × 29 in. (104.1 × 73.7 cm). Norton Simon Museum, anonymous gift, 1967 William Crutchfield, Air Land Sea Alphabet, 1970, lithograph, printed by Eugene Sturman, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1972 William Crutchfield, Air Land Sea VI: Block of Sea, 1970, lithograph, printed by Eugene Sturman, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1972 William Crutchfield, Air Land Sea IX: Zepp, 1970, lithograph, printed by S. Tracy White, published by Tamarind Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1972 William Crutchfield, Air Land Sea XII: Narrow-Gauge Valley, 1970, lithograph, printed by S. Tracy White, published by Tamarind

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Lithography Workshop, sheet: 11 × 10 in. (27.9 × 25.4 cm). Norton Simon Museum, anonymous gift, 1972 Jose Luis Cuevas, Charenton IV: Dr. Laforet and His Patients, 1966, lithograph, printed by Ernest de Soto, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1969 Jose Luis Cuevas, Charenton XI: Procuress with Meat, 1966, lithograph, printed by Ernest de Soto, published by Tamarind Lithography Workshop, sheet: 22 × 30 in. (55.9 × 76.2 cm). Norton Simon Museum, anonymous gift, 1969 Jose Luis Cuevas, "Music Is a Higher Revelation than Philosophy," Beethoven, 1966, lithograph, printed by Ernest de Soto at Tamarind Lithography Workshop, published by the Los Angeles Orchestral Society to commemorate the twentieth anniversary of the Los Angeles Music Festival, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1967 Richard Diebenkorn, Reclining Figure II, 1962, lithograph, printed by Joe Zirker, published by Tamarind Lithography Workshop, sheet: 26 × 19¼ in. (66 × 48.9 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, gift of Mrs. Fred Grunwald Richard Diebenkorn, Untitled, 1970, lithograph, printed by David Trowbridge, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1972 H. L. Doolittle, Glimpse of Yosemite, 1922, aquatint, printed and published by the artist, plate: 6¾ × 9 in. (17.1 × 22.9 cm); sheet: 9½ × 12½ in. (24.1 × 31.8 cm). Norton Simon Museum Leonard Edmondson, Botanical Garden #2, 1960, screenprint, printed and published by the artist, sheet (variable): 20 × 32 in. (50.8 × 81.3 cm). Norton Simon Museum, gift of Mr. and Mrs. Oscar Salzer, 1960 Leonard Edmondson, Flying Machine, 1956, etching and aquatint, printed and published by the artist, plate: 9 × 7 in. (23.8 × 20 cm); sheet: 15 × 14¼ in. (39.7 × 36.2 cm). Norton Simon Museum, museum purchase, Ninth San Gabriel Valley Artists Purchase Award Leonard Edmondson, Letters Toward Experience, 1955, etching, printed and published by the artist, plate: 14¼ × 17 in. (36.2 × 45.4 cm); sheet: 20¼ × 23½ in. (51.4 × 59.7 cm). Norton Simon Museum, Print Festival Purchase Fund Connor Everts, Studies in Desperation: Now the Act Is Consummated, 1963, lithograph, printed by the artist, published by Quiet

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Sun Press, sheet: 16 × 24½ in. (42.9 × 62.2 cm). Norton Simon Museum, gift of Robin C. Park and D. Robert Park Claire Falkenstein, The Moving Point, 1965, lithograph, printed by Walter Gabrielson, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1968 Sam Francis, An 8 Set--3 from Pasadena Box, 1963, lithograph, printed by Joe Zirker at Joseph Press, published by the Pasadena Art Museum, sheet: 15 × 11¼ in. (38.1 × 28.6 cm). Norton Simon Museum, gift of the Pasadena Art Alliance, 1966 Sam Francis, Chinese Wall, 1969, lithograph, printed by Donald Kelly, published by Tamarind Lithography Workshop, sheet: 22 × 30 in. (55.9 × 76.2 cm). Norton Simon Museum, anonymous gift Ernest Freed, Hamlet, 1959, soft-ground etching and drypoint, printed and published by the artist, plate: 22 × 35¾ in. (58.1 × 90.8 cm); sheet: 24½ × 38¼ in. (62.2 × 97.2 cm). Norton Simon Museum, museum purchase, Second Annual Print Exhibition Gego, Lines I­XII, 1966, a bound suite of twelve lithographs, printed by Maurice Sanchez, published by Tamarind Lithography Workshop, sheet: 8½ × 16 in. (21.6 × 40.6 cm). Norton Simon Museum, anonymous gift, 1968 Leon Golub, Agon VI: Wounded Warrior, 1965, lithograph, printed by Clifford Smith, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1966 Gerald Gooch, Together Again, 1964, lithograph, printed and published by the artist, sheet: 19¾ × 14¾ in. (50.2 × 37.5 cm). Norton Simon Museum, museum purchase, Fourth Biennial Print Exhibition Purchase Award, 1964 Joe Goode, Screwdriver, 1962, lithograph, printed by Joe Funk at Kanthos Press, published by the artist, sheet: 20½ × 15 in. (52.1 × 38.1 cm). Norton Simon Museum, museum purchase Robert Graham, A Most Incredible Plot, Part II, 1964, etching, printed and published by the artist, plate: 15¾ × 9 in. (40.1 × 22.9 cm); sheet: 20 × 12 in. (50.8 × 30.5 cm). Norton Simon Museum, museum purchase, Fourth Biennial Print Exhibition Purchase Award, 1964 Stanley William Hayter, Eddy, 1967, lithograph, printed by John Butke, published by Tamarind Lithography Workshop, sheet: 30 × 22½ in. (76.2 × 57.2 cm). Norton Simon Museum, anonymous gift, 1967

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Stanley William Hayter, Ixion, 1959, lift-ground etching and aquatint, printed by the artist, published by Atelier 17, Paris, plate: 19½ × 19¼ in. (49.5 × 48.9 cm); sheet: 27 × 26½ in. (68.6 × 67.3 cm). Norton Simon Museum, museum purchase, 1959 Charles Christopher Hill, Cuando Vayas a Cagar . . . , 1974, screenprint, printed by Perry Tymeson, published by Cirrus Editions, sheet: 23 × 30¼ in. (60.7 × 76.8 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Ducommun and Gross Endowment Income Fund and gift of Cirrus Editions David Hockney, Pacific Mutual Life, 1964, lithograph, printed by Aris Koutroulis, published by Tamarind Lithography Workshop, sheet: 20¼ × 25 in. (51.4 × 63.5 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, gift of June Wayne Shiro Ikegawa, Yatsuhashi, 1960, etching, lift-ground etching, aquatint, and drypoint, printed and published by the artist, plate: 10¾ × 10 in. (27.3 × 27.6 cm); sheet: 15¾ × 12 in. (40 × 30.5 cm). Norton Simon Museum, museum purchase, Third Biennial Print Exhibition Purchase Award Ynez Johnston, Storm at Sea, c. 1954, etching, printed and published by the artist, plate: 20 × 13½ in. (50.8 × 34.3 cm); sheet: 23¼ × 16 in. (59.1 × 41 cm). Norton Simon Museum, Print Festival Purchase Fund Ynez Johnston, Travels of the Sage Narada: The Other World, 1958, etching, printed and published by the artist, plate: 12 × 8¾ in. (30.5 × 22.2 cm); sheet: 19 × 15¾ in. (48.3 × 40 cm). Norton Simon Museum, gift of Mr. Robert A. Rowan Allen Jones, A New Perspective on Floors V, 1966, lithograph, printed by Donn Steward, published by Tamarind Lithography Workshop, sheet: 30 × 22 in. (76.2 × 55.9 cm). Norton Simon Museum, anonymous gift, 1968 John Paul Jones, Annunciation, 1959, soft-ground etching, etching, aquatint, and drypoint, with hand additions in graphite, printed and published by the artist, plate: 27½ × 21 in. (69.8 × 55 cm); sheet: 30 × 24 in. (76.7 × 60.8 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, gift of Mrs. Fred Grunwald John Paul Jones, Walking Woman, 1961, etching and aquatint, printed and published by the artist, plate: 22 × 17 in. (55.9 × 43.2 cm); sheet: 30 × 22¼ in. (76.2 × 56.5 cm). Norton Simon Museum, museum purchase, Third Biennial Print Exhibition Purchase Award, 1961

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Donald Judd, Untitled, 1969, woodcut, printed by Roy C. Judd, published by Galerie Heiner Friedrich, sheet: 30½ × 22 in. (77.5 × 55.9 cm). Norton Simon Museum, gift of the artist, 1973 Ellsworth Kelly, Blue / Red-Orange, 1970, published 1972, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 36¼ × 36½ in. (92.1 × 92.7 cm). Norton Simon Museum, gift of the Men's Committee, 1974 Sister Corita Kent, My People, 1965, screenprint, printed and published by the artist, sheet: 23 × 35 in. (58.4 × 88.9 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, Corita Kent Bequest Sister Corita Kent, People Like Us, 1965, screenprint, printed and published by the artist, sheet: 30 × 36 in. (76.2 × 91.4 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, Corita Kent Bequest Ed Kienholz, Sawdy, 1971, car door, mirrored window, automotive lacquer, polyester resin, screenprint, fluorescent light, and galvanized sheet metal, fabricated and printed by Jeff Sanders and Ken Tyler, assisted by Don Blaisdall and Gary Reams, published by Gemini G.E.L., overall: 39½ × 36 × 7 in. (100.3 × 91.4 × 17.8 cm). Gemini G.E.L. Gabriel Kohn, Untitled, 1963, lithograph, printed by Aris Koutroulis, published by Tamarind Lithography Workshop, sheet: 25 × 20 in. (63.5 × 50.8 cm). Norton Simon Museum, anonymous gift, 1967 Misch Kohn, Man II, 1961, etching, printed and published by the artist, plate: 31½ × 19¾ in. (80 × 50.2 cm); sheet: 38 × 26¾ in. (96.5 × 67.9 cm). Norton Simon Museum, museum purchase, Third Biennial Print Exhibition Purchase Award, 1961 Peter Krasnow, Sadakichi Reading Poe, 1928, lithograph, printed and published by the artist, sheet: 17 × 12 in. (45.4 × 32.1 cm). Norton Simon Museum, Blue Four Galka Scheyer Collection Nicholas Krushenick, Untitled, 1965, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 29¼ × 21½ in. (74.3 × 54.6 cm). Norton Simon Museum, anonymous gift, 1967 Paul Landacre, Growing Corn, c. 1935, wood engraving, printed and published by the artist, sheet: 10½ × 7¼ in. (26.7 × 18.4 cm). Norton Simon Museum Rico Lebrun, Crucifixion, 1958, lithograph, printed and published by Lynton Kistler, Kistler Lithography Company, sheet: 30¾ × 23 in. (78.1 × 58.4 cm). Norton Simon Museum, gift of Rico Lebrun

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Roy Lichtenstein, Modern Head #1, from the Modern Head Series, 1970, woodcut, printed by Richard Royce, published by Gemini G.E.L., sheet: 24 × 19 in. (61 × 48.3 cm). Gemini G.E.L. Frank Lobdell, Untitled, 1966, lithograph, printed by Kinji Akagawa, published by Tamarind Lithography Workshop, sheet: 27 × 20 in. (68.6 × 50.8 cm). Norton Simon Museum, anonymous gift, 1968 Charles Mattox, Green Realeau Form with Red Cube, 1969, lithograph, printed by Eugene Sturman, published by Tamarind Lithography Workshop, sheet: 20½ × 27½ in. (52.1 × 69.9 cm). Norton Simon Museum, anonymous gift, 1971 Michael Mazur, Tamarind Avenue, 1968, lithograph, printed by Manuel Fuentes, published by Tamarind Lithography Workshop, sheet: 24 × 36 in. (61 × 91.4 cm). Norton Simon Museum, anonymous gift, 1969 John McLaughlin, Untitled, 1963, lithograph, printed by Bohuslav Horak and Irwin Hollander, published by Tamarind Lithography Workshop, sheet: 18½ × 21¾ in. (47 × 55.2 cm). Norton Simon Museum, museum purchase, 1965 Arthur H. Millier, Our Lady Queen of the Angels, 1928, etching, printed and published by the artist, plate: 7½ × 8 in. (19.1 × 20.6 cm); sheet: 9¼ × 11¾ in. (23.5 × 29.8 cm). Norton Simon Museum, bequest of Josephine P. Everett George Miyasaki, Composition No. 18, 1957, lithograph, printed and published by the artist, sheet: 23½ × 17 in. (59.7 × 43.2 cm). Norton Simon Museum, Print Festival Purchase Fund Ed Moses, Untitled (Suite Number 1), 1968, lithograph, printed by Maurice Sanchez, published by Tamarind Lithography Workshop, sheet: 13¼ × 16¾ in. (33.7 × 42.5 cm). Norton Simon Museum, anonymous gift, 1969 Ed Moses, Untitled (Suite Number 1), 1968, lithograph, printed by Eugene Sturman, published by Tamarind Lithography Workshop, sheet: 13¼ × 16¾ in. (33.7 × 42.5 cm). Norton Simon Museum, anonymous gift, 1969 Ed Moses, Wedge Series, No. 3, 1973, lithograph on four sheets of silk tissue, printed by Ed Hamilton, published by Cirrus Editions, each sheet: 24 × 18 in. (60.9 × 45.7 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Director's Roundtable and gift of Cirrus Editions Joseph Mugnaini, The Stone Mason, c. 1953, lithograph, printed and published by Lynton Kistler, Kistler Lithography Company,

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

sheet: 21 × 16 in. (53.3 × 40.6 cm). Norton Simon Museum, gift of the artist, 1954 Lee Mullican, Sleeping Gypsy, 1964, lithograph, printed by Ernest Rosenthal, published by Tamarind Lithography Workshop, sheet: 20 × 25¾ in. (50.8 × 65.4 cm). Norton Simon Museum, anonymous gift Lee Mullican, Untitled (Hungry Ghosts I), 1964, lithograph, printed by Ken Tyler, published by Tamarind Lithography Workshop, sheet: 18 × 14 in. (46.1 × 35.6 cm). Norton Simon Museum, anonymous gift Lee Mullican, Untitled (Hungry Ghosts VIII), 1964, lithograph, printed by Bernard Bleha, published by Tamarind Lithography Workshop, sheet: 18 × 14 in. (46.1 × 35.6 cm). Norton Simon Museum, anonymous gift Louise Nevelson, Untitled, 1967, lithograph, printed by Anthony Ko, published by Tamarind Lithography Workshop, overall: 43 × 46 in. (109.2 × 116.8 cm). Norton Simon Museum, anonymous gift, 1969 Barnett Newman, Canto VI, from 18 Cantos, 1963, lithograph, printed by Zigmunds Priede, published by ulae, sheet: 16½ × 12½ in. (41.9 × 31.8 cm). Norton Simon Museum (fig. 36) Claes Oldenburg, Fire Plug Souvenir--"Chicago August 1968," 1968, Hydrocal plaster with red paint, published by Richard Feigen Gallery, 8 × 7¼ × 6 in. (20.3 × 18.4 × 15.2 cm). Norton Simon Museum, museum purchase Claes Oldenburg, Notes III: Pasadena Art Museum, 1968, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 22 × 15¾ in. (57.5 × 40 cm). Norton Simon Museum, gift of Mr. and Mrs. Lou Faibish, 1969 Claes Oldenburg, Notes V: Fire Plug (War Memorial), 1968, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 22 × 15¾ in. (57.5 × 40 cm). Norton Simon Museum, gift of Mr. and Mrs. Lou Faibish, 1969 Claes Oldenburg, Profile Airflow, 1969, molded polyurethane relief over lithograph in aluminum frame, printed by Ken Tyler with Richard Wilke, assisted by Ronald Adams, published by Gemini G.E.L., 33½ × 65½ × 4 in. (85.1 × 166.4 × 10.2 cm). Los Angeles County Museum of Art, gift of the Marmor Foundation in memory of Dr. Judd Marmor Nathan Oliveira, Georgia O'Keeffe, 1963, lithograph, printed by Robert Gardner, published by Tamarind Lithography Workshop, sheet: 20 × 20 in. (50.8 × 50.8 cm). Norton Simon Museum, anonymous gift, 1967

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Nathan Oliveira, The Great Bird, 1957, lithograph, printed and published by the artist, sheet (variable): 28¼ × 20¾ in. (71.8 × 52.7 cm). Norton Simon Museum, Print Festival Purchase Fund Michael Olodort, Humpty Dumpty Falling, 1964, screenprint, printer and publisher unknown, sheet: 24¼ × 21¾ in. (61.6 × 55.2 cm). Norton Simon Museum, gift of the artist, 1965 Eric Orr, Gold to Lead Strip, 1979, lead and gold leaf on wood, printed by David Ordaz, published by Cirrus Editions, 24 × 11 in. (61 × 30.3 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Graphic Arts Council and gift of Cirrus Editions Henry C. Pearson, The Rime of the Ancient Mariner, Title Page, 1964, lithograph, from the eighty-page (forty-sheet) livre d'artiste, printer unknown, published by Tamarind Lithography Workshop, sheet: 12 × 11 in. (30.5 × 27.9 cm). Norton Simon Museum, anonymous gift, 1966 Henry C. Pearson, The Rime of the Ancient Mariner, Pages 40, 41, 41a, 1964, lithograph and lithograph on acetate, from the eightypage (forty-sheet) livre d'artiste, printer unknown, published by Tamarind Lithography Workshop, sheet: 12 × 11 in. (30.5 × 27.9 cm). Norton Simon Museum, anonymous gift, 1966 Gabor Peterdi, Desert II, 1961, lift-ground etching, etching, and aquatint, printed and published by the artist, plate: 19¾ × 23¾ in. (50.2 × 60.3 cm); sheet: 22½ × 28 in. (57.2 × 71.1 cm). Norton Simon Museum, museum purchase, 1962 William Pettet, Untitled, 1970, lithograph, printed by Robert Gardner, published by Tamarind Lithography Workshop, sheet: 3 × 3 in. (7.6 × 7.6 cm). Norton Simon Museum, anonymous gift, 1972 William Pettet, Untitled, 1970, lithograph, printed by S. Tracy White, published by Tamarind Lithography Workshop, sheet: 5 × 7 in. (12.7 × 17.8 cm). Norton Simon Museum, anonymous gift, 1972 Otto Piene, Sky Art XIV: Campus, 1969, lithograph, printed by William Law III, published by Tamarind Lithography Workshop, sheet: 35 × 25 in. (88.9 × 63.5 cm). Norton Simon Museum, anonymous gift, 1972 Gio Pomodoro, Male and Female Seal II (Tamarind Squares XII), 1967, lithograph on acetate and paper, printed by Anthony Stoeveken, published by Tamarind Lithography Workshop, sheet: 22 × 30 in. (55.9 × 76.2 cm). Norton Simon Museum, anonymous gift, 1969

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Kenneth Price, Figurine Cup V from Figurine Cup Series, 1970, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 22 × 18 in. (55.9 × 45.7 cm). Norton Simon Museum, gift of Thomas G. Terbell, Jr., in honor of the Pasadena Art Alliance, 1970 Kenneth Price, Jivaroland Frog Cup, 1968, lithograph, printed by Jean Milant, published by Tamarind Lithography Workshop, sheet: 22 × 16½ in. (55.9 × 41.9 cm). Norton Simon Museum, anonymous gift Robert Rauschenberg, Booster, from Booster and 7 Studies, 1967, lithograph and screenprint, printed by Ken Tyler, assisted by Robert Bigelow, published by Gemini G.E.L., sheet: 72 × 36 in. (182.9 × 91.4 cm). Los Angeles County Museum of Art, gift of the Times Mirror Company Robert Rauschenberg, Cardbird II, from the Cardbird Series, 1971, collage print with corrugated cardboard, tape, photo-offset, steel staples, and screenprinting, printed by Jeffrey Wasserman, assisted by Richard Ewen and Bob Marks, published by Gemini G.E.L., overall: 54 × 33½ in. (137.2 × 101.6 cm). Norton Simon Museum, anonymous gift Larry Rivers, Untitled, 1965, offset lithograph, printer unknown, published by Dwan Gallery, sheet: 17½ × 20 in. (44.5 × 50.8 cm). Norton Simon Museum, gift of Dwan Gallery, Los Angeles, 1966 Ed Ruscha, Anchovy, 1969, lithograph, printed by Serge Lozingot, published by Tamarind Lithography Workshop, sheet: 19 × 28¼ in. (48.6 × 71.8 cm). Norton Simon Museum, anonymous gift Ed Ruscha, Dish, 1973, lithograph, printed by Ed Hamilton at Cirrus Editions, published by Neighbors of Watts, Los Angeles, sheet: 10 × 13½ in. (25.4 × 34.3 cm). Norton Simon Museum, gift of Mr. Norton Simon Ed Ruscha, Made in California, 1971, lithograph, printed by Paul Clinton and Ed Hamilton at Cirrus Editions, published by Grunwald Graphic Arts Foundation, ucla, sheet: 20 × 28 in. (51 × 71.3 cm). Grunwald Center for the Graphic Arts, Hammer Museum, ucla, gift of Mrs. Fred Grunwald Ed Ruscha, Pepto-Caviar Hollywood, 1970, screenprint with Pepto Bismol and caviar, printed by Jean Milant and Jane Aman, published by Cirrus Editions, sheet: 14 × 41 in. (37.8 × 105.7 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Director's Roundtable and gift of Cirrus Editions Ed Ruscha, Sin, 1970, screenprint, printed by Jean Milant and

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

Larry Hurst, published by Cirrus Editions, sheet: 19 × 26½ in. (48.3 × 67.3 cm). Los Angeles County Museum of Art, Cirrus Editions archive, purchased with funds provided by the Director's Roundtable, and gift of Cirrus Editions Miriam Schapiro, Shrine II, 1964, lithograph, printed by Robert Gardner, published by Tamarind Lithography Workshop, sheet: 12 × 12 in. (30.5 × 30.5 cm). Norton Simon Museum, anonymous gift, 1966 Donald E. Smith, #2 Owl Studies, 1964­65, lead relief on cardboard, printed and published by the artist, sheet: 22 × 14¼ in. (55.9 × 35.9 cm). Norton Simon Museum, museum purchase, Fourth Biennial Print Exhibition Purchase Award, 1964 Leon Polk Smith, Untitled, 1968, lithograph, printed by Manuel Fuentes, published by Tamarind Lithography Workshop, sheet: 29¾ × 18¾ in. (75.6 × 47.6 cm). Norton Simon Museum, anonymous gift, 1969 Frank Stella, Delphine and Hippolyte, from Black Series II, 1967, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 15 × 22 in. (38.1 × 55.9 cm). Norton Simon Museum, gift of Gemini G.E.L., 1969 Frank Stella, Tuxedo Park, from Black Series II, 1967, lithograph, printed by Ken Tyler, published by Gemini G.E.L., sheet: 15 × 22 in. (38.1 × 55.9 cm). Norton Simon Museum, gift of Gemini G.E.L., 1969 James Strombotne, Rally Round the Flag (Recognitions II), 1968, lithograph, printed by Manuel Fuentes, published by Tamarind Lithography Workshop, sheet: 20 × 26 in. (50.8 × 66 cm). Norton Simon Museum, anonymous gift, 1969 James Strombotne, Title Page (Recognitions I), 1968, lithograph, printed by David Folkman, published by Tamarind Lithography Workshop, sheet: 20 × 26 in. (50.8 × 66 cm). Norton Simon Museum, anonymous gift, 1969 Jack Edward Stuck, Pastoral Symphony--Giorgione--1509, 1963, drypoint with color lift-ground etching and aquatint, printed and published by the artist, plate: 8¾ × 13¾ in. (22.2 × 34.9 cm); sheet 10 × 16 in. (26.4 × 40.6 cm). Norton Simon Museum, museum purchase, Fourth Biennial Print Exhibition Purchase Award, 1964 Rufino Tamayo, Mask, 1964, lithograph, printed by Michael Knigin, published by Tamarind Lithography Workshop, sheet: 22 × 18 in. (55.9 × 45.7 cm). Norton Simon Museum, anonymous gift, 1967 Wayne Thiebaud, Suckers, 1967, lithograph, printed by Ken Tyler,

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

published by Gemini G.E.L., sheet: 16 × 22 in. (40.6 × 55.9 cm). Norton Simon Museum, gift of the artist, 1968 William Turnbull, Blue, 1966, lithograph, printed by Clifford Smith, published by Tamarind Lithography Workshop, sheet: 22 × 22 in. (55.9 × 55.9 cm). Norton Simon Museum, anonymous gift, 1967 Peter Voulkos, The Oakland Museum, Nineteen Sixty-Nine, 1969, cast and sheet aluminum with enamel paint, manufacturer unknown, assembled by the artist, 27¼ × 20 × ¾ in. (69.2 × 51.1 × 1.9 cm). Norton Simon Museum, museum purchase, 1970 June Wayne, The Advocate, 1952, lithograph, printed by Lynton Kistler, Kistler Lithography Company, published by the artist, sheet: 32½ × 10¼ in. (82.6 × 26 cm). Norton Simon Museum, gift of the artist June Wayne, At Last a Thousand I, 1965, lithograph, printed by Jürgen Fischer, published by Tamarind Lithography Workshop, sheet: 24 × 34 in. (61.3 × 86.7 cm). Norton Simon Museum, anonymous gift June Wayne, "A Valediction: Of Weeping," John Donne Songs & Sonets 9, 1958, lithograph, printed by Marcel Durassier, published by the artist, sheet: 15 × 22 in. (38.4 × 56.2 cm). Grunwald Center for the Graphic Arts, Hammer Museum, UCLA, gift of the estate of Florence Theil Herrscher June Wayne, The Bride, 1951, lithograph, printed by Lynton Kistler, Kistler Lithography Company, published by the artist, sheet: 31 × 10 in. (81 × 27.6 cm). Norton Simon Museum, gift of Dalzell Hatfield June Wayne, The Suitor, 1951, lithograph, printed by Lynton Kistler, Kistler Lithography Company, published by the artist, sheet: 30 × 11 in. (78.4 × 27.9 cm). Norton Simon Museum, gift of the artist Hugo Weber, Black Up and Down, 1964, lithograph, printed by John Dowell, published by Tamarind Lithography Workshop, sheet: 22¼ × 30 in. (56.5 × 76.2 cm). Norton Simon Museum, anonymous gift Ruth Weisberg, Disparity, 1975, lithograph, printed by Ed Hamilton at Cirrus Editions, published by the artist, sheet: 38 × 28 in. (98.7 × 72.7 cm). Norton Simon Museum, gift of Robin C. Park and D. Robert Park H. C. Westermann, See America First II, 1968, lithograph, printed by Maurice Sanchez, published by Tamarind Lithography Workshop, sheet: 30 × 21¾ in. (76.2 × 55.2 cm). Norton Simon Museum, anonymous gift, 1971

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Proof: The Rise of Printmaking in Southern California

Exhibition Checklist

H. C. Westermann, See America First XI, 1968, lithograph, printed by Serge Lozingot, published by Tamarind Lithography Workshop, sheet: 30 × 21¾ in. (76.2 × 55.2 cm). Norton Simon Museum, anonymous gift, 1971 Charles White, Wanted Poster, Series #11, 1970, lithograph, printed by Larry Thomas, published by Tamarind Lithography Workshop, sheet: 22½ × 16 in. (57.2 × 40.6 cm). Norton Simon Museum, anonymous gift, 1972 Charles White, Wanted Poster, Series #11a, 1970, lithograph, printed by Larry Thomas, published by Tamarind Lithography Workshop, sheet: 22½ × 16 in. (57.2 × 40.6 cm). Norton Simon Museum, anonymous gift, 1972 S. Tracy White, Queer Fruits II, 1969, lithograph, printed by the artist, published by Tamarind Lithography Workshop, sheet: 20 × 16 in. (50.8 × 40.6 cm). Norton Simon Museum, anonymous gift, 1972 Emerson Woelffer, Figure, 1969, lithograph, printed by Hitoshi Takatsuki, published by Tamarind Lithography Workshop, sheet: 24 × 18 in. (61 × 45.7 cm). Norton Simon Museum, anonymous gift, 1972 Norman Zammitt, Untitled, 1967, lithograph, printed by Donald Kelley, published by Tamarind Lithography Workshop, sheet: 10½ × 13¾ in. (26.7 × 34.9 cm). Norton Simon Museum, anonymous gift, 1969

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