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MODERN AND CONTEMPORARY ASIAN ART: A Working Bibliography 2009 Version By John Clark & Thomas Berghuis, Ann Proctor, Phoebe Scott, Gabrielle Ewington, Martin Polkinghorne.

View of Sun Yuan and Peng Yu installation at Gwangju Biennale 2004, photographed by John Clark

With other contributions from Ajioka Chiaki, Edan Corkill, Michael Fitzhenry, Kikuchi Yôko, Lai Meilin, Helena Poropat, & Helena Spanjaard, Department of Art History & Film Studies, R.C. Mills A26, University of Sydney, NSW 2006, Australia

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INTRODUCTORY NOTES: This is a teaching and initial research bibliography which has been established over a number of years with Australian students who have no access to vernacular language materials in mind. For deep research, vernacular language speaking and reading ability is necessary, but this bibliography may also be useful for initial research by those without linguistic access to the art writings of the cultures concerned. It is usually updated every other year, depending on particular interests and available resources. Since this work originates as a personal teaching bibliography for different courses which naturally include frequent reference to my own works, I include lists of these at three places. The bibliography is available as a PDF file via the website of the Department of Art History and Film at: http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark Please contact the author at [email protected] or at ja.clark@.usyd.edu.au with any notable omissions or additions. It is desirable for speed and accuracy of updating if you can do so with a country-specific file of additions only saved in the same categories and in .doc format for PC, and only if the text mentioned is available via reasonable international circulation. Thematic or artist titles should be preceded by the name in square brackets eg [Xu Bing], [Noumea] to facilitate A-Z sorting. At the minimum a title should be held in a national library which can be accessed by international document request facilities. Some countries have valuable material in English but in obscure academic journals and some have extensive writings on modern art which are nonetheless difficult to access abroad because of small-volume and / or selective coterie circulation at home. But if a text is both important and can be found by international document search, it should be included. Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors follow the name of the work or artist. Artists who cross cultural boundaries are generally given under contemporary art sections by their culture of origination, although there are no hard-andfast rules for such affiliation, and some categories of overseas artists have been generated where there is sufficient material. There has been no attempt to restrict the bibliography to books alone, but obviously it is not possible to include too many journal articles, book reviews, or notes on particular exhibitions. Catalogues are usually included if little other material is available on a given artist or if they contain useful general essays. Since some works not dealing specifically with modern art also refer to its important proto-history in the 19th and early 20th centuries, they are also included here. In general, the art works referred to are after 1850. In general this bibliography seeks a balance between art historical quality, availability, and relevance. Thus texts of inadequate analytical or art historical reference have also been brought in since for some art cultures there is little other written work available in English. Many areas like modern history or writings on modern culture including literature are included on an ad hoc basis where these are available and seem useful, especially in areas where I have worked. Further suggestions for inclusion of minimum materials in political and cultural history adjacent to the field are welcome. For users of this bibliography in Australia: Works given are mostly those available in Australia and chiefly at the Australian National University Library, National Library of Australia, The Canberra School of Art Library, University of Sydney Fisher Research and Schaeffer Fine Arts Libraries and private sources in Canberra and Sydney. In the Sydney area, after holdings of the University of Sydney Fisher Research and Schaeffer Fine Arts Libraries, the best source for some of this material is probably the Art Gallery of New South Wales library which may be used for reference during weekdays. Fisher Research Library East Asian Collection is the recipient of an important ongoing donation of art catalogues via the

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National Art Center in Tokyo and also benefits from purchases under the Morrissey Bequest. Details of these may be accessed off-campus by the library`s English on-line catalogue, as well as by CJK terminals if one is available in your library for full details. The catalogues are almost all in Japanese but frequently include many plate titles and essays in English or other European languages. There are also quite extensive holdings of books on Asian Art at the State Library of New South Wales, and especially of pre-Second World War books on India, including important runs of early Indian art journals. For their assistance in updating this bibliography at various times I am grateful to Edan Corkill, Kikuchi Yôko, Lai Meilian, Rhiannon Paget, Phoebe Scott, Michael Fitzhenry, Helena Spanjaard, Yvonne Low, Helena Poropat, and Thomas Berghuis. From 2007, I have placed this bibliography under the collective authorship of those doing the updating and their names are given on the title page. John Clark, June-August, 2009.

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CONTENTS Please note that pagination given below may slightly vary with printer settings CONTENTS 4-11 ----------------------------------------------------------------------------------------------------------------GENERAL WORKS ON ASIA AS A REGION 12 Asian-Wide Surveys 12 Museums, Art Centres and other Art Institutions1990's 12 Museums, Art Centres and other Art Institutions 2000+ 13 Asia-Wide New Art Practices and New Media 14 Web Resources 15 ----------------------------------------------------------------------------------------------------------------RELEVANT SERIALS IN ENGLISH 15 ----------------------------------------------------------------------------------------------------------------NORTH-EAST ASIA 16 Bibliographical Note 16 CHINA-GENERAL 16 General Problems of Modernity and Art 16 Texts and Some Terms in Chinese 18 Chinese Art before the 20th Century (selected texts) 18 Early Contacts with European Art 19 Chinacoast and Trade Paintings 20 Photography in China 21 Photography in China 1980s-1990s 21 Performance Art in China 1980s-1990s and after 22 MAINLAND CHINA 1911 to present 23 Albums 23 Individual Artists 23 Neo-traditional Art [guohua] 43 Late Qing and Republican China before 1949 43 Culture Contact in NE China and Manchuria 44 Wartime Period and Yan`an Base Areas 45 1949-1966 45 Selected Comparative Texts on Socialist Realism 46 Art 1966-1976 47 Art 1976-1989 48 Art 1989-2000 49 Art 2000+ 53 Recent Ink Painting 59 New Art Practices and New Media 59 Selected Exhibitions in China - 1990s Present 59 Selected Exhibitions outside China 62 Art Institutions in China [Entries after 2005] 65 Chinese Graphic Art since the Late 19th Century to 1949 65 Chinese Graphic Art after 1949 66 Selected Works on Modern Chinese Intellectual and Political History before 1949 67 Selected Works on Modern Chinese Intellectual and Political History after 1949 68 Women, Gender and Art 71 Web Resources 71

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CHINA-HONG KONG AND MACAO 72 General 72 Individual Artists 73 Hong Kong Ink Painting 76 Oil Painting, Prints and Related Mixed Media 76 Sculpture and Ceramics 77 Art in Hong Kong Art in 1990s 77 Art 2000+ 77 Hong Kong Photography 78 CHINA-TIBET 79 General Works 79 Individual Artists 79 CHINA-TAIWAN/REPUBLIC OF CHINA 79 Individual Artists 79 Japanese Colonial Period General Works 1950s-1970s 83 1970s-1980s 84 1990s 84 2000+ 85 Taiwan Photography 86 Political and Intellectual History of Taiwan 87 Economy and Politics of Taiwan 87 Film Taiwan [Entries from 2005] 87 CHINA-OVERSEAS 87 General Works 87 Individual Artists 89 Modern Chinese Art: Texts by John Clark 89 ----------------------------------------------------------------------------------------------------------------JAPAN 90 General Works 90 Individual Artists 92 Europeans in Meiji Japan 99 Japonisme and cross-cultural dialogue 101 Photography 103 Meiji Art and Interaction with the West` 104 Nihonga: Painting in Traditional` Japanese style since Meiji 106 Prints since Meiji 107 Art 1910s to 1930s 108 War: 1930s-1940s 109 Art since 1945, In General 110 1945 to mid-1960s 111 Late 1960s-1980s 111 1990s 113 2000+ 114 New Media 115 Crafts and Modern Design 115

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Popular Culture Including Advertising and Cinema 117 Popular visual Culture Including Comics 119 Domestic Architecture and Landscape Design 121 Japanese Cities [all periods] 123 General Texts on Modern Architecture 125 Meiji Architecture 125 1920s-1940s Architecture 125 Architecture since 1945 126 Architecture and Design 132 Architectural Bibliographies 133 Science, Technology and Their Representation . 134 Selected Texts on Cultural and Intellectual History 134 Modern Japanese thought 136 General texts on Aesthetics 136 Kuki Shûzô 136 Kuki and his times 136 Nishida Kitarô 137 Watsuji Tetsurô 137 Modern Japanese History 137 Society 138 Literary representations (selected) 139 Web Resources 140 Modern Japanese Art: Texts by John Clark 140 Modern Aesthetics 142 ----------------------------------------------------------------------------------------------------------------KOREA-REPUBLIC OF KOREA 142 General works 142 Individual Artists 143 Colonial Period 146 1950s-1960s 146 1970s-1980s 146 1980s-1990s 146 2000+ 148 Video and New Media 148 Minjung Misul 149 ----------------------------------------------------------------------------------------------------------------KOREA-DEMOCRATIC PEOPLE`S REPUBLIC OF KOREA 149 ----------------------------------------------------------------------------------------------------------------SOUTH-EAST ASIA 149 Southeast Asia Modern Art in General 149 Southeast Asian History: Selected 150 ----------------------------------------------------------------------------------------------------------------MYANMAR [BURMA] 150 General Works 150 Individual Artists 151 ----------------------------------------------------------------------------------------------------------------LAOS 151 General Works 151 Individual Artists 151 -----------------------------------------------------------------------------------------------------------------

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THAILAND 152 Historical Context Before 1780s 152 1780s to 1910s [Rama I to Rama V] 152 1910s to 1940s [Rama VI to Rama VIII] 153 1950s to present [Rama IX] 153 Individual Artists 154 Politics and Society 161 Pre-Modern Thai Art (selected) 161 Pre-Modern Thai Painting (selected) 162 Thonburi & Ratanakosin (Rama I ­ Rama IV) 162 Ratanakosin (Rama V ­ Rama VIII) 163 After 1947 (Rama IX) 164 General Works on Neo-traditional Art [plus group catalogues] 164 General Works on Modern Thai Art 164 Architecture and Environment 165 Craft 165 Reference 166 Art Collections and Galleries 166 Selected Major Exhibitions in Thailand (by year) 166 Recent Thai Art overall 169 Photography in Thailand 170 1980s 170 1990s 170 2000+ 171 Works on Modern Thai Literature in English 171 Thai Music 172 Thai Mentalities including Religions 172 Thai Society 174 Thai Economy 174 Film, T.V., and Modern Media 174 ----------------------------------------------------------------------------------------------------------------CAMBODIA 174 General Works 174 Individual Artists 175 ----------------------------------------------------------------------------------------------------------------VIETNAM 176 Art in General 176 Individual Artists 177 Art in the Colonial Period 179 Art in the War Period 181 Cultural Policies 181 General History 181 Women in Vietnam 182 Vietnamese Literature 182 Modern Art in General 182 1990s and after 184 Art 2000+ 186 Overseas Vietnamese Artists 186 -----------------------------------------------------------------------------------------------------------------

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INDONESIA 186 General Works 186 Individual Artists (including Bali) 188 Raden Saleh, life and works 191 Painting in Indonesia in the 19th century 191 Art from Late 19th Century to 1945 192 Art from 1945-1965 193 Art since 1965 193 Art in the 1990s 194 Art 2000+ 195 Selected Exhibitions (entries after 2000) 197 Indonesia ­ Biennales (entries from 2005) 197 Bali 198 European Images of Southeast and Indonesia 199 Craft Practices 199 ----------------------------------------------------------------------------------------------------------------EAST TIMOR 199 ----------------------------------------------------------------------------------------------------------------BRUNEI 199 General Works 199 Individual Artists 199 ----------------------------------------------------------------------------------------------------------------MALAYSIA 199 General Works 199 Individual Artists 201 1990s-2000+ 203 ----------------------------------------------------------------------------------------------------------------SINGAPORE 204 General Works 204 General works on Nanyang Art and the Malayan period 204 Individual Artists 206 1990s- 2000+ 210 Works on History and Culture in Malaysia and Singapore 213 Selected Exhibitions 2000+ 214 ---------------------------------------------------------------------------------------------------------------------------PHILIPPINES 215 General History 215 Individual Artists 216 Society, Thought and Culture 221 Pre-Hispanic Philippine Myths and Society 221 Rizal, José (1861-1896) 221 General Art 222 Art of the Spanish Period ­ general 222 Art of the Spanish Period ­ academic art and its transitions 223 Art of the American Period 223 Art since 1945 in general 199 1970s-1980s, including art with political commitment 223 1990s 224 2000+ 225 Prints 226

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Photography 227 New Media 227 Crafts (including textiles, basketwork, carving, and ceramics) 227 Women and Art, Women`s Art 227 ---------------------------------------------------------------------------------------------------------------------------PACIFIC, OCEANIA, NEW ZEALAND 227 General Works 227 Individual Artists 229 ---------------------------------------------------------------------------------------------------------------------------PAPUA NEW GUINEA 229 ---------------------------------------------------------------------------------------------------------------------------SOUTH ASIA 229 INDIA 229 General Works 229 Individual Artists 231 Art for the British 238 Urban Popular Graphic Art in the 19th and 20th Centuries 239 The British Art School System 240 Art for the Establishment 240 Fine Art Societies 241 Neo-traditional Painting 241 Nascent Counter-establishment 241 Identity 242 The New Establishments 243 The Folk and the Modern 243 Style, Criticism, and Identity 244 1990s 245 2000+ 246 Indian Photography 247 Indian Artists Abroad 248 Web resources 248 ---------------------------------------------------------------------------------------------------------------------------NEPAL 249 General Works 249 Individual Artists 249 ---------------------------------------------------------------------------------------------------------------------------HIMALAYAN BORDERLANDS: KASHMIR, BHUTAN, SIKKHIM 249 General Works 249 Individual Artists 249 ---------------------------------------------------------------------------------------------------------------------------PAKISTAN 249 General Works 249 Individual Artists 250 ---------------------------------------------------------------------------------------------------------------------------BANGLADESH 251 General Works 251 Individual Artists 251 ---------------------------------------------------------------------------------------------------------------------------SRI LANKA/CEYLON 251 General Works 251 Individual Artists 224

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---------------------------------------------------------------------------------------------------------------------------MONGOLIA 252 General Works 252 Individual Artists 252 ---------------------------------------------------------------------------------------------------------------------------CIS AND OTHER 252 ---------------------------------------------------------------------------------------------------------------------------ASIAN ARTIST TRANSNATIONAL ACTIVITY 252 Asian Artists in Transnational Activity: Australia 252 Asia and Australia [selected] 253 Individual Artists 254 Critical and Historical Studies 256 Exhibitions and Reviews (selected) 257 ---------------------------------------------------------------------------------------------------------------------------Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark 259 General Works 259 Australia 259 South Asia 259 Southeast Asia 260 ---------------------------------------------------------------------------------------------------------------------------Asian artists transnational activity - North America 260 General Works 260 Individual Artists 262 Asian artists transnational activity - Britain 266 General Works 266 Individual Artists 266 Asian artists transnational activity - France 267 General Works 267 Individual Artists 268 Asian artists transnational activity - Elsewhere in Europe 268 General Works 268 Individual Artists 269 ---------------------------------------------------------------------------------------------------------------------------PRE-HISTORIES OF EURAMERICAN MODERN ART 269 ---------------------------------------------------------------------------------------------------------------------------EURAMERICAN THEORIES OF MODERNITY (selected) 269 Theories, Logics, Ideologies 269 Taxonomy and Evolutionary Speciation 270 Literary and Linguistic Theories 270 Cultural Hybridity and Cultural Comparison 270 Cultural Globalization 272 Theories of Art (selected) 273 Art Movements 274 Corporeal Theories (selected) 274 ---------------------------------------------------------------------------------------------------------------------------ASIA, AFRICA, AND ISLAM IN PRE-MODERN EURAMERICAN ART 275 ---------------------------------------------------------------------------------------------------------------------------NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY IN ART 275 General 275 Africa 276 Australia 277

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Islamic World 277 Meso- and South America 277 ---------------------------------------------------------------------------------------------------------------------------POSTCOLONIALISM AND THIRD` CRITIQUES AT THE CENTRE 278 ---------------------------------------------------------------------------------------------------------------------------BIENNALES AND CONTEMPORARY ASIAN ART 281 Museum and Exhibition Practice 281 Asian Art: Modern and Contemporary [duplicates some sections above] 282 Australia, Art and Asia [duplicates some sections above] 283 Modern and Contemporary Exhibition Systems 285 Museums, Art Centres and other Institutions 2000+ 286 Curatorial Practice 288 Biennales in Art Exhibition Systems 289 Art, Markets and the Economy 290 Art Dealers 292 Cultures and Commodities 293 Hybridity, Postcolonialism and Globalization [duplicates some sections above] 293 Other Theories and Histories [duplicates some sections above] 294 Biennales and Triennales by site 295 Beijing 295 Brisbane: Asia-Pacific Triennial of Contemporary Art [APT] 295 Chengdu 298 Fukuoka 298 Guangzhou 299 Gwangju/Kwangju 300 Istanbul 302 Kassel: Documenta 303 Jogjakarta 304 Johannesburg 304 Kitakyushu 304 Liverpool 304 Lyon 305 Manifesta 305 Nanjing Triennial 305 New Delhi 305 Osaka 305 São Paulo 305 Singapore 305 Shanghai 306 Sharjah 308 Sydney 308 Taipei 309 Venice 310 Yokohama 312 National Exhibitions at Biennales 312 Biennales from an Asian Perspective 316 Other Catalogues consulted 316

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GENERAL WORKS ON ASIAPACIFIC AS A REGION Asian-Wide Surveys ArtAsiaPacific, ed., ArtAsiaPacific Almanac 2007, vol. 2, 2007. Clark, John, Inter-Asian Criteria of Institutional Modernity in Art`, 28th International Congress of the History of Art, Berlin, Kunstlerische Austausch/Artistic Exchange, Akademie Verlag, Berlin, 1993, 655-668. Clark, John, ed., Modernity in Asian Art, Sydney, Wild Peony Press, 1993. Clark, John; Peleggi, Maurizio; Sabapathy, T.K. eds., Eye of the Beholder, Sydney, Wild Peony Press, 2006. Clark, John, Ajia! Ajia!`, Art Monthly Australia, April 1991. Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai`i Press, 1998 Clarke, David, Contemporary Asian Art and Its Western Reception` in Third Text, Vol. 16, Issue 3 (September 2002), pp. 237-242 Contemporary Arts of the Region: Australia and South East Asia`, Special Issue, Artlink, Vol. 13, No.3&4, November-March 1993/94; Count 10 Before You Say Asia. Asian Art after Postmodernism. International Symposium 2008 Report. Tokyo: Japan Foundation, 2009. Dysart, Dinah & Fink, Hannah, eds, Asian Women Artists, Sydney, Craftsman House, 1996. Japan Cultural Forum, ed, Modern Art of Asia, Toto Shuppan, Tokyo, 1961 Joubert, Lindy, ed., Educating in the Arts, The Asian: experience, Twenty-Four Essays, Dordrecht, Springer, 2008. Kirker, Anne, Focus on Asian Women Artists`, Artlink, Vol. 20, No. 2, July 2000 Lent, John A., Asian Comic Art.` Art AsiaPacific issue 21 1999 Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995 Newtonh, G., Picture Paradise. Asia-Pacific Photography 1840s-1940s. Canberra: National Gallery of Australia, 2008. Turner, Caroline, ed., Art and Social Change: Contemporary Art in Asia and the Pacific, Canberra, Pandanus Books, 2005. Winther-Tamaki, Bert, "Asian Possessions of the Cubist Body: 'Home from Home'" Cubism in Asia; Unbounded Dialogues, International Symposium Report ed. by Yasuko Furuichi. (Tokyo: Japan Foundation, 2006), pp.304-311 Museums, Art Centers and other Art Institutions 1990s A New Cure for Asian Art Curators`, Asian Art News 9:4 1999 Asia and Modernity`, Special Issue of Humanities Research, 2, 1999 with articles by Clark, Lilley, Low, Labrador, Sang. Asian Art: Prospects for the Future.` International Symposium 1999 with articles by Elliott, Davenport, Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999. Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, Sydney, Angus and Robertson, 1974. Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/ Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997. Manton, Neil, The Arts of Diplomacy`, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4, 1996. McEvilley, Thomas, Arrivederci Venice`, On the Third World` Biennials, Artforum International, Vol.32, Issue 3, November 1993 Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society Galleries & Sydney, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, February 1997;

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Ewington, Yang, Munroe in ART AsiaPacific, no.15, 1997; Owen, Michael. Contemporary Art in Asia: Traditions/Tensions.` Third Text no.41 Winter 1997-98 Poshyananda, Apinan, A new cure for Asian art curators`, Asian Art News, vol.9, no.4, 1999 Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher Learning, 1964. Turner, C., Getting the Message` [Review of Adelaide Festival Sculpture Installations], Art & Australia, vol.32, no.1, Spring 1994. Museums, Art Centers and other Art Institutions 2000+ Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations`, Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Akira, Tatehatata, A Trojan Horse?: Multiculturalism in International Art Exhibitions`, Yasuko, Furuichi, Asia in Transition: Representation and Identity, Japan Foundation Asia Center, 2002 ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Profile 63 Contemporary Asian Artists Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001. Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations; Atsuo, Yamamoto, From Dualism to Oneness`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Barucha, Rustom, Beyond the Box: Problematising the New Asian Museum`, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Bharucha, Rustom, The New Asian Museum Beyond the Box: Problematising the New Asian Museum`, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237. Benett, Tony, The Rules of Culture: Exhibition and the Politics of Knowledge`, Yasuko, Furuichi, Asia in Transition: Representation and Identity, Japan Foundation Asia Center, 2002 Berger, T., Museums of the Future: Content Beats Size` C-Arts Asian Contemporary Art and Culture, Vol 04, July-August 2008. Carroll, Alison, A floating world`, Art AsiaPacific 28, 2001 Chang, Alexandra, The Control of Fear: Art and the Epidemic as Excess` in Art Asia Pacific, No. 38 (Fall 2003), pp. 54-57 Clarke, David, Contemporary Asian Art and Its Western Reception`, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Dodd, P. Shifting Sites: Cultural Desire and the Museum`, C-Arts Asian Contemporary Art and Culture, Vol 04, July-August 2008. Eley, Geoff, Politics, Culture and the Public Sphere`, positions east asia cultures critique, Vol. 10, Number 1, Spring 2002 Enwezor, Okwui. and Apinan Poshyananda, Looking Ahead: Dialogues in Asian Contemporary Art, November 8-9, 2002` (Asia Society and Museum, New York), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.112-121 Findlay, Ian, Looking For A New Vision`, Asian Art News, vol. 13, no. 1, January/February 2003 Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, The Japan Foundation Asia Center, 2002. Gao, Shiming, Symposium: Edges of the Earth, Hangzhou; The Syndrome of Asia: Experience and Representation`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88. Gaweewong, Gridthiya, On Under Construction and Localization`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Goldfine, Gil, A Cultural Assembly on Mount Carmel`, in Asian Art News, v. 17(5), September/October, 2007, pp. 76 ­ 81. Hoskote, Ranjit, India Ink, Manila Envelope: Three Meditations on Art and the Global Media`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

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Hou Hanru; Obrist, Hans-Ulrich, Cities on the move`, Art AsiaPacific, 25, 2000 Hui, Wang, The Geneology of Asian Imaginaries`, Yasuko, Furuichi, Asia in Transition: Representation and Identity, Japan Foundation Asia Center, 2002 Kember, Pamela., A Report on the Asian Art Archive`, in FOCAS: Forum on Contemporary Art & Society, No. 5, January 2003, p.372-377. Lacayo, Richard, The Rise and Rise of Asian Art`, Time Magazine, March 31 2003 Lee Weng Choy, Tomorrow`s Local Library: The Asia Art Archive in Context`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Mami, Kataoka, Beyond a Progressive Asia: Under Construction Collective Exhibition`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Mania, Astrid, Curation on the Move`, ArtAsiaPacific, no. 47, 2006. McNeill, David, Planet Art: Aesthetics and Labour in the Era of Globalisation`, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Munroe, Alexandra, ,Contemporary Art in Asia`, Artforum International, Vol.35, Issue 8, April 1997 Pi Li, Fantasia: an imagination towards the daily life` Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Robinson, Joel D., The Construction Sites of Asian Art` (The Exhibition of Under Construction: New Dimensions of Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo, 2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57. Shinkawa, Takashi, Promenade in Asia, A collaborative exhibition`, Art Asia Pacific, No.34, 2002. Tavassoli, Babak A., A Fresh Figure of Paradise`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.95-103. Thompson, Jonathan, Without Borders` (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4, 2006. Woo, Lee Yong, Globalism and the Vanity of Its System`, Yasuko, Furuichi, Asia in Transition: Representation and Identity, Japan Foundation Asia Center, 2002 Yasuko, Furuichi, ed., International Symposium 2002, Asia in Transition: Representation and Identity`, Report, Japan: Japan Foundation Asia Center, 2002 Xu Jiang., Earth Link and Cosmic Time`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.89-94 Asia-Wide New Art Practices and New Media [Global Conceptualism] Global Conceptualism: Points of origin, 1950s­1980s, New York, Queens Museum of Art, 1999; Meyer, James, Global Conceptualism`: Points of Origin, 1950s-1980s`, Artforum International, Vol.38, Issue 1, September1999 [MAAP in Beijing 2002] Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House [NIPAF] 1998 Nipaf Asian Performance Art`, Art AsiaPacific, 22, 1999 [Polypolis] Chang Tsong-zung, Outer landscapes and inner dreams`, Asian Art News, vol.12, no.1, 2002; Seyfarth, Ludwig, Asia in color and in black and white`, Asian Art News, vol.12, no.1, 2002 [Polypolis] Seyfarth, Ludwig, Asia in Color And in Black And White, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002; Chang, Tsong-zung, Outer Landscapes And Inner Dreams`, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002 [Translated Acts] Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February 2001; Kerr, Merrily, Translated Acts: Asian Performance Art` Art AsiaPacific, no.35, 2002 [Under Construction] Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Purvis, Jennifer, Under Construction; New Dimensions of Asian Art`, Flash Art, Vol. XXXVI, No. 229, March-April 2003; Under Construction: New Dimensions of Asian Art` Heartney, in Art Asia Pacific, No. 38 (Fall 2003), p. 74

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[Video] Kuraishi, Shino, Serendipity`, Art AsiaPacific 28, 2001 Akiko Miyake, ed., let`s talk about ART #0002, Transexperiences`, Kitakyushu: Center For Contemporary Art, 2002 [The conference was with Marina Abramovic, Chen Zhen, Simryn Gill, Hou Hanru, Huang Yongping, Ken Lum, Hans Ulrich Obrist on March 20, 2000]. Birnbaum, Daniel, How Latitudes Become Forms, Exhibition Review at Walker Art Center, Featuring Various Asian Artists, Artforum International, Vol.41, Issue 5, January 2003 Clark, John, Art In The Present Tense`, in Asian Art News, v. 17(6), November/December, 2007, pp. 110 ­ 117. Flores, Patrick D., Renewing the Contemporary`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Furuichi Yasuko, ed., Out of the Window: Spaces of Distraction, Tokyo, The Japan Foundation Asia Center, 2004 [recent conceptualism in China, Japan, Korea] Furuichi, Yasuko, Asia: The Possibility of a Collaborative Space ­ Under Construction Project, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Gakoumi, Dionissia, Beyond Language`, Artlink, Vol. 20, No. 2, July 2000 Kamiya Yukie, Communicative Approach, from Asia`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Kim, Sunjung, In Search of an Oasis`, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Levin, Kim Gesture, performance, behaviour, attitude: asian influences on contemporary western art`, Art Asia Pacific, vol.3, no.4, 1996. Machan, Kim, Digital Luggage and Meaningful Relationships`, Asian Art News, vol. 21, no. 3, September 2001 Machan, Kim, Vis.arts.online: Asian art on the internet`, Artlink, Vol. 20, No. 2, July 2000 Maerkle, Andrew, Focal Point: Asian Video and Media Artists Take New York`, ArtAsiaPacific, no. 48, 2006 Maxwell, Simeran, Paradise from Within: Asian-Born Modernist Photography` in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 13-15. Sivanesan, Haema, Mirror Worlds: Contemporary Video Art from Asia in Sydney` (review), Art Monthly Australia, no. 185, November 2005. Teh, David, Mirror Worlds, Contemporary Video from Asia` (review), Art and Australia, vol. 43, no. 1, 2005. WEB RESOURCES www.aaa.org.hk/links.html has the best set of Contemporary Asian Art links to date. http://universes-in-universe.de/asia/english.htm art resources listed by country and useful Biennale links elsewhere on the same site. http://faam.city.fukuoka.jp/cgi-bin/eng/link/link.cgi has a number of links to Asian art museums and in the same menu to other cultural organizations. http://qag.qld.gov.au/research/acapa includes a menu with access to Asian-art related activities of the Queensland Art Gallery, including the Asia-Pacific Triennale and also to the searchable Research Library catalogue. RELEVANT SERIALS IN ENGLISH [Journal articles on Asian art and artists are listed in the relevant sections and largely updated to March 2007] Art Asia Pacific, since 1993. Art & Culture, since 1996. ArtForum International Art in America, has Asia related matters in most issues.

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Art Monthly Australia, some issues. Artlink, some issues. Art & Text, articles in some issues, especially after 1994. Asian Art News, since 1991, some feature issues, cumulative index vol.4, no.6, 1994. Contemporary Visual Art Critical Inquiry Flash Art, some issues. Parkett positions: east asian cultures critique Public Culture Orientations, some features on modern art. Res, material culture and anthropology journal. South Atlantic Quarterly Third Text, largely theory-oriented. World Art, some contemporary artists [discontinued] Visual Art & Culture [discontinued] Yishu: Journal of Chinese Contemporary Art NORTHEAST ASIA Bibliographical Note There is good but selective bibliography up to 1999 by Britta Erickson Twentieth Century Chinese Art Bibliography & Individual Artists` Bibliographies available online at http://www.stanford.edu/dept/art/china. There is critical bibliography in Clark, John, Art and Modernism in China, 1900-97: A review and documentation`, Journal of the Oriental Society of Australia, vol.29, 1997, 50-73, and Clark, John, Modernity in Chinese Art, 1850s-1990s: some chronological materials`, Journal of the Oriental Society of Australia, vol.29, 1997, 74-169. Some texts cited in the latter are included here. CHINA-GENERAL General Problems of Modernity and Art [Asian Art market] Move over Van Gogh`, Far Eastern Economic Review, 22 July 1993. Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth Century China, New York, Guggenheim Museum, 1998 Birnie Danzker, Jo-Anne, Ken Lum, and Zheng Shengtian, eds., Shanghai Modern: 1919-1945, Ostfildern (Germany), Hatje Cantz, 2005 China Modernity and Art, and a discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural Planning and Development, 1990. Clark, John, Modernity in Chinese Art, 1850s-1990s: Some chronological materials`, Journal of the Oriental Society of Australia, vol. 29, 1997. Clark, John, Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007 Clarke, David, Tradition and Innovation` [British Museum exhibition], ART AsiaPacific, no.15, 1997 Croizier, R., Art and Society in Modern China - A Review Article`, The Journal of Asian Studies, vol.49, no.3, August 1990. de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam, NAI Publishers, 2006 Fong, Wen C., The Modern Chinese Art Debate`, Artibus Asiae, vol.53, 1/2, 1993 Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998. Gladston, Paul, (More Writing on) The Wall: Reshaping (Gao Minglu`s Vision of) Contemporary Chinese Art`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 103 ­ 110.

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Gladston, Paul, Writing on the Wall (and Entry Gate): A Critical Response to Recent Curatorial Meditations on the Chineseness of Contemporary Chinese Visual Art`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 26 ­ 33. Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan Museum of Art, 2001 Jullien, François, The Impossible Nude: Chinese Art and Western Aesthetics [tr. De la Guardia, Maev], Chicago, University of Chicago Press, 2007. Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 [proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese painting in a general manner] Kuo, Jason, C., Reviews of recent books on Modern Chinese Painting`, Ars Orientalis, vol.20, 1991. Kuo, Jason C., Discovering Chinese Painting: Dialogues with Art Historians, Dubuque, Kendall/Hunt Publishing Company, 2000, 2006. Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984 Litzinger, Ralph A., 1959-, Theorizing Postsocialism: Reflections on the Politics of Marginality in Contemporary China`, The South Atlantic Quarterly, 101.1, Winter 2002 Lu Peng, Bruce Doar tr., Artists in Art History: Case Histories of Artists in Art History and Art Criticism (Changsha: Hunan Fine Arts Publishing House, 2008), 873 pp Lu, Sheldon, H., China, Transnational Visuality, Global Postmodernity, Stanford, 2001. Merewether, C. Forgetting the Memory of the Word: Writing Lessons in Contemporary Chinese Art` in Re/Trace: Dialogues, pp. 62-69. Edited by Jagjit Chuhan, Angela Dimitrakaki, Emma Thomas, Liverpool: John Moores University, 2002 Special Issue: fabrications, positions east asia cultures critique, vol 11. no.2 Fall 2003 [on fashion and modernity in East Asia] Sullivan, Michael, Orthodoxy and Individuality in Twentieth Century Chinese Art`, in Murck, C., ed., Artists and Traditions, Princeton, Princeton UP, 1979. Sullivan, Michael, Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996 [reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Croizier in The Journal of Asian Studies, 1997; Clark in Asian Studies Reviews, 1999]. Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959. Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and approach of this book are highly problematic], revised version, U. California Press, 1991. The Modern Chinese Landscape in New media Arts: A Conversation Among Fang Xiaofeng, Chen Anying, Zhao Wenbing, and Jin Jianbo`, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp 65-71. Tsuruta, T., Kinhyakunenrai Chûgoku Gajin Shiryô`, Bijutsu Kenkyû, nos 293-294, 303, 307; Minkokuki ni okeru zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1`, Bijutsu Kenkyû, no.349; Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2`, Bijutsu Kenkyû, no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue of the 1954 Second National Fine Arts Exhibition]; 2, Fu 2, Bijutsu Kenkyû, no.352 [Catalogue of the 1960 Third National Fine Arts Exhibition]. Tsuruta, T., Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei`, (Izumishi Kubosô Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991. Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972. Walker, Allan and Rarfiled Raz, Documenta 12 Magazines Feature on Education. Cultures of Assessment: Distinctive Characteristics of Assessment in U.K. Art and design Higher Education and their Implementation in China`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 73 ­ 84. Wan Qingli, Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting`, Orientations, 23, no.7, July 1992.

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Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago: University of Chicago Press, 1999 Wu Hung, Remaking Beijing: Tiananmen Square and the Creation of Political Space, Reaktion Books, 2005 Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London, Harvard University Press, 2005 Yü Christina Yü, Documenta 12 Magazines Feature on Education. Some Thoughts on Art Game: An Experience of Agency in Contempoary Art`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 85 - 90. Zheng Shengtian, Documenta 12 Magazines Feature on Education. Interview with Zhu Naizheng`, trans. Chunyee Li, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 62 ­ 72. Texts and Some Terms in Chinese: MS: Meishu, Art, the only national art monthly, published by the Artists` Association. Generally the issue number equals the month, thus 1979-3, means the issue puiblished for March 1979. But for a brief period from 1960 until about 1964 it was published bi-monthly. Publication was suspended during the Cultural Revolution and restarted in 1977. MSJTX: Meishujia Tongxun, Information Bulletin of the Artists` Association, this is not usually available to non-members and foreigners and has only occasionally been available to this author. MSJY: Meishu Yanjiu, Art Research, quarterly, published by CAFA. MY: Meishuyanjiu, Art Research, published by the Central Academy of Fine Arts, Beijing. RMRB: Renmin Ribao, People`s Daily, the official CCP newspaper. Shijie Meishu, World Art. Xinmeishu: New Art, irregular journal of Zhejiang Academy of Fine Art. youhua: oil painting. zhongguohua: Chinese painting, sometimes used as a full form for guohua. ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989. ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary of Chinese Artists, Changsha, Hunan Renmin Chubanshe, 1981-1985 Chinese Art before the Twentieth Century (selected texts) Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana & Chicago, University of Illinois Press, 1991. Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon, Princeton University Press, 1997. Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996 Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994 Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge University Press, 2001. Shen and Marilyn Fu, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973. Siren, O., Chinese Painting, Ronald Press, New York, 1958 Sullivan, M. The Birth of Landscape Painting in China, University of California Press, 1962. Wen C. Fong, Between Two Cultures: Late Nineteenth and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in the Metropolitan Museum of Art, New Haven and London, 2001. Whitfield, R., Landscape Painting in the Late Ch`ing Period` in W. Watson, editor, Landscape Style in Asia, Percival David Foundation of Chinese Art, London, 1979. Wu Hung, The Double Screen: Medium and Representation in Chinese Painting, London, 1996. Wu Hung, Monumentality in Early Chinese Art, Stanford University Press, 1995. Wu Hung, Han Tang zhi jian de shi jue wen hua yu zhi wen hua, Beijing, 2003. Wu Hung, Han Tang zhi jian wen hua yi shu de hu dong yu jiao rong, Beijing, 2001. Wu Hung, Art in itr ritual context: essays on ancient Chinese art, Beijing shi, 2005

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Early Contacts with European Art Arnold, Lauren, Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art of the West, San Francisco, Desiderata Press, 1999 Barmé, Geremie, The Garden of Perfect Brightness: A Manchu Vision of China`, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998), see http://www.chinaheritagequarterly.org/ No. 8, December 2006: Yuanming Yuan, the Garden of Perfect Brightness Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971. Braat, J., Filedt Kok, J.P., Hofenk de Graaff, J.H., Poldervaart,P., Restauratie, conservatie en onderzoek van de op Nova Zembla gevonded zestiende-eeuwse prenten`, Bullet van het Rijksmuseum, vol. 28, 1980. Cahill, James, Late Ming landscape albums and European printed books`, in Rosenwald, L.J., The Early Illustrated Book, 1982. Cahill, James, The Compelling Image: Nature and Style in Seventeenth Century Chinese Painting, Cambridge, Harvard University Press, 1982 Delahaye, Hubert, Du peu d`effet de la peinture occidentale en Chine` in Jami, Catherine; Delahaye, Hubert, eds., L`Europe en Chine, interactions scientifiques, religieuses et culturelles aux XVIIe et XVIIIe siécles, Paris, Collége de France, 1993. Edgerton, S.Y., The Heritage of Giotto`s Geometry, [Chapter 8, Geometry and the Jesuits in the Far East], Ithaca, Cornell University Press, 1991. Franke, Wolfgang, China and the West, Oxford, Basil Blackwell, 1967 Gilman, S.I. , Lam Qua and the development of westernized medical iconography in China`, Medical History, 30 (1) January 1986. Heinrich, Larissa, Curing Chinese Culture: Lam Qua`s medical portraiture`, in Liu, Lydia, ed., Translating Modernity, Durham, Duke University Press, 2007. Hsiang Ta (Xiang Da), European influences on Chinese Art of the Later Ming and Early Ch`ing Period` [original in Dongfang Zazhi , vol.27, no.1, January 10th, 1930, translated by Wang Tehchao], Renditions no.6, Spring 1976. Ijezerman, Hollandsche prenten als handelsartikel te Patani in 1602, `s Gravenhage, Gedenksschrift Koninlijk Insituuut voor Taal-, Land- en Volkenkunde van N.I., 1926 Ishida Mikinosuke, A Biographical Study of Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in the Court of Peking under the Ch`ing Dynasty`, Memoirs of the Tôyô Bunko, 1960, p.79-121; Jeyns, Soame, George Chinnery(1774-1852) with emphasis on the Chinese period (1825-1852) and the so-called Chinnery School of Chinese trade painting`, in Watson, W., The Westward Influence of the Chinese Arts, from the n14th to the 18th century , London, Percival David Foundation of Chinese Art, 1973. Kôno Minoru, ed., Chûgoku Yôfû? Hyôgen no Dônyû? Meimatsu kara Shin jidai no kaiga, hanga, sashie-hon, Machida, Machida Shirtisu Kokusai Hanga Bijutsukan, 1995. Kraus, Werner, Einige Bermerkungen zur chinesischen Trade Art `, unpublished finger exercises`, n.d. [source of some German bibliography here]. Loehr, G., Missionary artists at the Manchu Court`, Journal of the Oriental Ceramic Society, 34, 1962-63; Loehr, George, The Sinicization of Missionary artists and their work at the Manchu court during the Eighteeenth Century`, Cahiers d`Histoire Mondiale, vol. VII, no.3, p. 795-815, 1963; Le Comte, L., Das heutige Sina, Nürnberg 1699 Pelliot, Paul, La Peinture et la Gravure Européennes en Chine au temps de Mathieu Ricci`, T`oung Pao, 1922, 1-18; Pirazzoli-T`Serstevens, M., Gravures des Conquêtes de l`Empereur de Chine K`ien-Long au Musée Guimet, Paris, Mus?e Guimet, 1969; Qing Imperial Court Painting, 25th Anniversary Special Issue of Orientations, vol.26, no.7, Jul-Aug 1995 Ricci, Matteo [Nicola Trigault ed. Latin, 1615, tr. Louis J. Gallagher] China in the 16th Century: The Journals of Matteo Ricci, New York, New York, 1953

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Sandrart, Joachim von , Teutsche Academie der Bau- Bild- und Mahlerey Künste, Amsterdam 1679, reprint, München, Saur, 1992 Sullivan, Michael, Some possible sources of European influence on late Ming and early Ch`ing painting`, in Proceedings of the International Symposium on Chinese Painting, Taipei, National Palace Museum, 1972, Swiderski, Richard M., The dragon and the straightedge, part 1: a semiotics of the Chinese response to European pictorial Space`, Semiotica 81-1/2, (1990); part 2: The ideological impetus of linear perspective in late Ming early Qing China`, ibid, 82-1/2 (1990); part 3: Porcelains, horses, and ink stones - the ends of acceptance`, ibid, 82 -3/4, (1990). Topsfield Andrew, Ketelaar`s Embassy and the Farangi theme in the art of Udaipur`, Oriental Art, new series, vol. XXX, no.4, Winter 1984/5. Vinograd, Richard, Boundaries of the Self, Chinese Portraits, 1600-1900, Cambridge, Cambridge University Press, 1992; Chinacoast and Trade Paintings Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970. Broadbent, J., China, Australia: Trade and Society 1788-1850, Sydney, Historic Houses of New South Wales, 2003. Chen Yuhuan, zhubian, Zhongshandaxue Lishixi, Guangdong bowuguan, bian, Xifangrenyanli de zhongguo qingdiao Views from the West, Beijing, Zhonghua shuju, 2001 Cheng Cunjie, zhubian, Haiyi yizhen, 1820, Gems left by overseas trade: Cantonese export arts ad crafts from the 18th to early 20th century, Shanghai, Shanghai guji chubanshe,2005 Christies`, Fine Chinatrade Paintings, Hong Kong, Christies` Swire, sale of 26-9-1989. Conner, Patrick, The China Trade 1600-1860, Brighton, Royal Pavilion, 1986 Conner, Patrick, George Chinnery 1774-1852,artist of India and the China Coast, Woodbridge: Antique Collectors` Club, 1993 Conner, Patrick, Chinese Views ­ Western Perspectives, 1770-1870, the Sze Yuen Tang Collection of China Coast Paintings and the Wallem Collection of China Coast Ship Portraits, London: Asia House, 1996. Conner, Patrick, & Iseki Masaki, Journey to the Far East: George Chinnery and the art of Canton, Macao and Hong Kong in the 19th century¸ Tokyo: Tokyo Metropolitan Teien Museum, 1996 Conner, P., & Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981. Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972 Exploring Marine Art, Hong Kong, Maritime Museum, 2007 Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989. Ho Kam-chuen et al, Historical Pictures, Hong Kong Museum of Art, 1999 [3rd ed], Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975 Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of Pennsylvania Press, 1984. Lee, Sai Chong Jack, China trade painting: 1750s to 1880s unpublished PhD thesis, University of Hong Kong, 2005. Leglouix, S., Image of China: William Alexander, London; Jupiter Books, 1980 Lu, Wenxue, Yuedu he lijie: 17 shiji-19shiji zhongqi ouzhoude zhongguotuxiang [Reading and understanding: The image of China in Europe from the 17th century to the mid-19th century] unpublished PhD thesis, Chinese University of Hong Kong, 2003. Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924. Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum of Art, 1980 Thompson, Jonathan, The Rake`s Progress` (George Chinnery), Asian Art News, vol. 15, no. 4, 2005. Ting, J.S.P., Hung V.W.Y., Gateways to China, Hong Kong Museum of Art, 1987. Ting, J.S.P., George Chinnery: His Pupils and Influence, Hong Kong Museum of Art, 1985. Ting, Joseph S.P. et al, East Meets West, Cultural relics from the Pearl River Delta Region, bilingual catalogue, Hong Kong, Museum of History, 2005

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Warner, J., Hong Kong Illustrated: Views and News, 1840-1890, Hong Kong, John Warner, 1981 Wu, L., A Newly discovered school of Chinese export painting`, Orientations, vol.20, no.7, July 1989 University Museum and Art gallery, The University of Hong Kong, Picturing Cathay: Maritime and Cultural Images of the China Trade, Hong Kong, 2002 Van der Poel, Rosalien, Twintig export olioeverschilderijen uit China in de collectie van Museum Volkenkunde. Een nadere beschouwing, unpublished BA Thesis, Kunstgeshiednis, Universiteit Leiden, 2007 Yangcheng Fengwu / Souvenir from Canton, Chinese Export Painting from the Victoria & Albert Museum, Guangzhou Meishuguan, 2003 Photography in China Cartier-Bresson, H., China in Transition, London, Thames and Hudson, 1956 Cook, Henrietta Rose, Perceptions of Tradition in Post-Imperial Chinese Photography`, Unpublished undergraduate dissertation, University of London, School of Oriental and African Studies, 2006. Crombie, Isobel; Body Language: Contemporary Chinese Photography in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 18-19 Harris, David, Of battle and beauty : Felice Beato`s photographs of China, Santa Barbara,: Santa Barbara Museum of Art & London : University of California Press, 1999. Jenner, W. J. F., China: a Photohistory, London, Thames & Hudson, 1988. Lum, Raymond, Beijing 1933-46: The Photographs of Hedda Morrison`, in Orientations, vol. 39, no. 5, June, 2008. Ma Yunzeng, Zhongguo sheyingshi, 1840-1937, Beijing, Zhongguo sheying chubanshe, 1987. Moore, Oliver, Photography in China: a global medium locally appropriated`, IIAS Newsletter no.44, Summer 2007. Moore, Oliver, Zou Baoqi (1819-1869), Map-Maker and Photographer`, in Hammond, Kenneth, ed., The Human Tradition in Modern China, Lanham, PUBLISHER?, 2007 Roberts, Claire, In her view: Hedda Morrison`s photographs of Peking, 1933-46`, East Asian History, 4, December 1992. Roberts, Claire, ed., In her view: the photographs of Hedda Morrison in China and Sarawak 1933-67, Haymarket, N.S.W : Powerhouse Publishing, 1993. Roberts, Claire, Captured city: Hedda Morrison`s Peking`, TAASA Review, vol.11, no.3, 2002 Serfaty, Paul, Retreat, Fantasy, Uncertainty`, in Asian Art News, v. 18(3), May/June, 2008, pp. 78 ­ 81. Sumner, Christina, In the Pblic Domain: Hedda Morrison in the Powerhouse Museum` in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 16-17 Thiriez, Régine, Photography and Portraiture in Nineteenth-Century China`, East Asian History, nos 17/18, June/December 1999. Thiriez, Régine, Barbarian lens: Western photographers of the Qianlong emperor`s European palaces, New York, Gordon & Breach, 1998. Thomson, J., China The Land and Its People, Hong Kong, John Warner, 1977 Tinari, Philip, Review of 3030: New Photography in China`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 122 ­ 127. Worswick, C., Spence, J., Imperial China, Photographs 1850-1912, London, Scolar Press, 1978. Wu Hung, Phantasmagoria: Recent Photographs by Miao Xiaochun, Chicago: Walsh Gallery, 2004. Wu Hung with Christopher Philips, Between Past and Future: New Chinese Photography and Video, New York and Chicago: International Center of Photography and Smart Museum of Art, 2004. Zhang, Hai`er, Fotografien aus China, 1986-1989, Heidelberg : Edition Braus, 1990. Zhongguo Sheying, 1860-1912, Taibei, Xiongshi Tushu, 1979 Photography in China 1980s-1990s and after Dewar, Susan, Contemporary Chinese Photography`, Art & Asia Pacific, vol.3, no.2, 1996. Dewar, Susan, Photography in China`, ART AsiaPacific, no.13, 1997.

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Louie, Reagan, Toward a truer life : photographs of China 1980-1990, New York: Aperture Foundation & San Francisco, Friends of Photography, 1991. Smith, Karen, Contagious desire, the other in contemporary Chinese art`, Art AsiaPacific, 31, 2001 Wu Hung, Beyond: recent photographs by RongRong and irni, Walsh Gallery, Chicago, 2005. Yu Shing-tak and Yang Shaoming.Contemporary Chinese photographs, Beijing, China Photographic Publishing House, 1985. Zhang Zhaohui, A return to the real: new art and new spaces`, Art AsiaPacific, 31, 2001 Performance in China 1980s-1990s and after "Animalworks in China." TDR: The Journal of Performance Studies 51.1 (Spring 2007): 63-91. [A Special Issue Guest-edited by Una Chaudhuri.] "Catalyst, Praxis, Habitat: Performative Objects in Chinese Time-based Art." Performance Research 12.4 (Winter 2007): 147-162. "Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu." Performance Paradigm #4 (June 2008): 1-42. Berghuis, Thomas J., Flesh Art: Body and Performance Art in Post-Mao China`,online Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001. Berghuis, Thomas J., Performance Art in China, Hong Kong, Timezone 8, 2006 Berghuis, Thomas, Close Encounters ­ Performance art practices in China during the 1990s and the role of the mediated subject of the acting body in art`, Peter Lewis and Hoor Al-Qasimi, ed., Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International Biennial, 2003, pp. 034-038. Berghuis, Thomas, Performance Art and The Art of Performance`, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September, 2007, pp. 186 ­ 189. Cheng Meiling, "Clandestine Interventions" in Public Art Review: International Art Issue (Fall/Winter 2004): 26-29. Cheng Meiling, "Extreme Performance and Installation from China" in TheatreForum (Summer 2006): 88-96. [the cover feature] Cheng Meiling, "Indexing Death in Seven Xingwei and Zhuangzhi Pieces" in Performance Research 11.2 (June 2006): 24-38. Cheng Meiling, "Violent Capital: Zhu Yu on File in TDR: The Journal of Performance Studies 49.3 (Fall 2005): 58-77. Clapham, Rachel Lois, A Chinese Frquency: Vital 07 ­ The Essence of Performance`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 84 ­ 89. Daozi, The Wisdom of the Body`, Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, published Online at: http://www.chinese-art.com Gao Minglu, Private Experience and Public Happenings: The Performance Art of Zhang Huan (Translated by Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels, Cotthem Gallery, 2001 Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery, University at Buffalo Art Galleries, and Millennium Art Museum, 2006 Ling, Gao, Art is Action`, , Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, published Online at: http://www.chinese-art.com Merewether, Charles, The spectre of being human`, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003 Sanderson, Lesley, Male Body Fatigue`, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 78 ­ 85. Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a chronology for chiefly avant-garde and performance art since 1986] Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs, 1993-1998, Zurich, Scalo Publishers, 2007 (Forthcoming)

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MAILAND CHINA, 1911 to PRESENT Albums Between the thunder and the rain: Chinese paintings from the Opium War to the Cultural Revolution, 1840-1979, San Francisco, Asian Art Museum, 2000 Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Musée Cernuschi, 1985 Brown, Claudia; Chou Ju-hsi; Transcending turmoil: painting at the close of China`s empire, 1796-1911, Phoenix, Phoenix Art Museum, 1992. Eliséef, V., Exposition de la Peinture Moderne Chinoise, Paris, Musée Cernuschi, 1946 Eliséef, V., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris, Musée Cernuschi, 1977 Eliséef, V., Peintures Chinoises Traditionelles, 1975-80, Paris, Musée Cernuschi, 1981 Ellsworth, R.H. et al, Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes, New York, Random House, 1987 Hajek, L., Hofmeister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959 Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981 Moss.H., ed.,The Experience of Art, Hong Kong, Umbrella, 1983 Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987. Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991. Sun Jie, ed., A Selection of Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981 Tam, L.S., ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984 Tao Yongbai, ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988 Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982 Individual Artists For lists of albums see the bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 for a list of artists` albums, and for other lists of reproductions see Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984. The publishing industry in both the People`s Republic and Taiwan has also produced many single-artist multi-volume series in the 1990s. A number of artist`s names become homonyms in English although written with different characters in Chinese. To obviate lengthy explanation in these cases I have simply identified the artist the medium or type of work e.g. Liu Wei, painter and Liu Wei, video installation, are two different artists working in those media whose personal names are actually written with different characters even though their surnames are identical. Sometimes the same artists also appears in later sections by country under Asian Artists Transnational Activity`. Ai Wei Wei: Chen Weiqing, ed., Fragments: Beijing, 2006, Hong Kong, Timezone 8, 2007; review, Artforum, vol. 45, Iss. 1, 2006; Adjaye, David, Ai Wei Wei: House and Studio, Beijing`, Artforum, vol. 44, Iss. 3, 2005; Ai Wei Wei Urs Meile Gallery` (review) Flash Art, vol. XXXIX, no. 249, July-September, 2006; Colonello, Nataline, Ai Weiwei: Beyond the Checkmate` in Art Asia Pacific, No. 40 (Spring 2004), pp. 52-58; Merewether, Charles, ed., Ai Weiwei Works: Beijing, 1993-2003, Hong Kong, Timezone 8, 2004. ; Merewether, Charles, Ai Weiwei. The Freedom of Irreverence`, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 108 ­ 111. ; King, Natalie, The is no future: An interview with Ai Weiwei`, in art & Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp. 546 ­ 549; Coggins, David, Ai Weiwei`s Human Conceptualism`, in Art in America, September 2007, pp. 126 ­ 131; Eccles, Jeremy, Ai Weiwei: Under Construction`, in Art Monthly Australia, Issue No.: 211, July 2008, pp. 21 ­ 24. Berghuis, T. Ai Weiwei: China`s Social Consciousness`, CArts Asian Contemporary Art and Culture, Vol 04, July-August 2008. ; Interview with Ai Wei Wei`

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ART iT, No. 21, Fall/Winter 2008, Birnie Danzker, J., A Conversation with Ai Weiwei`, in Yishu Journal of Contemporary Chinese Art, Volume 7, No. 4, July 2008, pp. 10-19; Lee, Mabel, Ai Weiwei Under Construction, in Contemporary Visual Art + Culture Broadsheet, vol 37, no. 3, pp196-199; Ai Weiwei, Catalogue, curated by Mark Wilson and Sue-An Van Der Zijpp, with texts by Karen Smith and Sue-An Van Der Zijpp, Groninger Museum-Nai Pblishers, 2008; Ai Weiwei, by Karen Smith, Hans Ulrich Obrist and Bernard Fibicher, Phaidon, London, 2009; Vine, Richard, The way we were, the way we are: China's most outspoken artist reflects on the ongoing struggle for expressive freedom in the People's Republic.` (CHINA WATCH)(Ai Weiwei)(Interview) in Art in America 96.6 (June-July 2008): 99(3). Bai Yi Luo: Ling Ling Braude, Bai Yi Luo. Contemporary Photographer Artist of China`, in C Arts. Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 88 ­ 91. Big Tail Elephant Chiu, Melissa, Static Interference: The Big Tail Elephant Group of Guangzhou.` Art Asia Pacific 24:1999; Lin, Yilin., Chen Shaoxiong, Xu Tan and Liang Juhui, Big Tail Elephants in the 1990s`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.22-32. Bingyi Huang: Ikegami, Hiroko, Emotions Are Beautiful: Bingyi`s Unfashionable Faith in Painting`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 92 ­ 96. Cai Guoqiang, painter and installation art, New York: Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin Gallery 1998; Zaya Octavio et al, Venice`s Rent Collection Courtyard, Hong Kong & Vancouver, Annie Wong Art Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: The Art of Xu Bing and Cai Guoqiang, unpublished MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Qing, History challenges reality: the life and art of Cai Guoqiang`, Yishu, vol.1, no.1, 2002; Zhang Zhaohui, Tiandi zhi ji: Cai Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu`, Jiangsu Huakan, 2, 1999; Naoshima no commishon waaku: Cai Guoqiang Bunkadaikonyoku, Naoshima no tame no projekuto`, Naoshima Tsûshin, vol.1, no.2, 1988; Hirano Akihiko & Takeuchi Hiroko eds., Cai Guoqiang From the Pan-Pacific [translated by Dutz, Margaret E.], Iwaki, Iwaki City Art Museum, 1994; Cai Guoqiang in Ajia Shichô no Potensharu, Hôkokusho, Tôkyô, Kokusai Kôryûkikin ASEAN Bunka Sentaa, 1994, p.84-89; Heartney, Elanor, Cai Guoqiang: illuminating the new China`, Art in America, May 2002; Cultural Meeting Bath: Projects for the 20th century, New York, Queens Museum of Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998.]; Huang Du. Cai Guoqiang: From mystery and philosophy to reality.` Art AsiaPacific issue 20 1998; Naylor, Stephen, A Gondola In Suburbia`, Art Monthly Australia August 1999: 122; Bartelik, Marek, Cai Guo-Qiang`, Artforum International, Vol.40, Issue 10, Summer 2002; Stringa, Nico (ed), Terrecotte Cinesi dalla 48a Biennale di Venezia (Chinese Terracota at the 48th Venice Biennial), Cornuda: Antiga Edizoni, 2003.; Cai, Guo-Qiang, Bunker Museum of Contemporary Art, Kinmen Island: A Permanent Sanctuary for Art in a De-Militarised Zone, Charta, Milan, 2006; Ng, Elaine W., Where I Work : Cai Guo-Qiang`, ArtAsiaPacific, no. 47, 2006; Winchester, Rupert, Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang: Light and Shadow` (review), ArtAsiaPacific, no. 47, 2006; Goodbody, Bridget, No Introductions Necessary`, ArtAsiaPacific, no. 45, 2005; Cai Guo-Qiang: Traveller` (review), ArtAsiaPacific, no. 45, 2005;Cai Guo-Qiang at Deutsche Guggenheim` (review) World Sculpture News, vol. 12, no. 3, 2006; Cai Guo-Qiang ­ Inopportune, Mass. MOCA`, Parachute, 119, 2005; review, Artforum, vol 43, iss. 6, February 2005; Cao Guo-Qiang Galleria Continua`, (review) Flash Art, vol. XXXIX, no. 249, July-September, 2006; Xu Bing, ed., Where Heaven and Earth Meet: The Art of Xu Bing and Cai Guo-qiang, Hong Kong, Timezone 8, 2006; Cai Guo-Qiang: Head On, Hatje Cantz, Ostfildern, 2005; Cai, Guoqiang. Cai Guo-Qiang : life beneath the shadow. Edinburgh; London: The Fruitmarket Gallery; Distributed by Art Data, 2005; Raspali, Thierry, Cai Guo-Qiang: Une histoire arbitraire/ An Arbitrary History, Paris, 5 Continents Editions, 2003.; Fei, D. To Dare to Accomplish Nothing: Fei Dawei Interview Cai Guo-Qiang`, in Cai Guo-Qaing, 2000, pp. 117 ­ 135; Cai Guo Qiang, Painting with Gunpowder`, in Leonardo, v. 21 (3), 1988, pp. 251 ­ 254; Cai Guo Qiang, Cai Guo Qiang + P3`, in Cai Guo Qiang: The Project for Projects, Tokyo, P3 Art and Environment, 1991; Goodman, Jonathon, Cai Guo-Qiang: I Want to Believe`, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 99 ­ 105; Grande, John K., Shock and Awe: An

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Interview with Cai Guo-Quiang`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 39 ­ 44; Soetriyono, Eddy, Cai Guo-Qiang. The Big Bang`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 14 ­ 26; Cai Guo-Quiang, Statement from Cai GuoQiang: I want to believe, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 28 ­ 29; Cohn, Don J., Cai Guo-Qiang. The Art of War`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 98 - 105.; Cai Guo Qiang, Cai Guo Qiang and Andrei Ujica: A Conversation`, in Cai Guo Qiang, Paris, Foundation Cartier pour l`art contemporain, 2000, pp. 81 ­ 88.; Masatoshi, T., Time and Space are Powerful and Eternal`, in Day Dreaming: Cai Guo Qiang, Taipei: Cherng Piin Gallery, 1998.; Zaya, O., Interview: Octavio Zaya in Conversation with Cai Guo Qiang`, in Cai Guo Qiang, London, Phaidon, 2002; Vine, Richard, China envy: the debut of Cai Guo-Qiang's midcareer survey at the Guggenheim Museum in New York melded sheer spectacle with an incisive treatment of the artist's signature transcultural themes.` in Art in America 96.9(Oct 2008): 142(6). Cai Heng review Asian Art News, vol.12, no.3, 2002 Cai Jin, oil painter, Tianjin and New York: Yang En, ed. Cai Jin, Beijing, Renmin Meishu Chubanshe, 1995. ; review, Art AsiaPacific 28, 2001 Cang Xin, Huang Du, et.al., ed., Existence in Translation ­ Cang Xin, Hong Kong : Timezone 8 Ltd, 2002. ; Zhang Zhaohui, The Alchemy of Art`, in Asian Art News, v. 18(1), January/February, 2008, pp. 80 ­ 84. Cao Fei: Hou Hanru, Cao Fei: A Mini-Manifesto of New Human Beings`, Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005; Low, Joni, Realities and Other Absurdities: A Conversation with Cao Fei`,Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Kovskaya, Maya, Heroes of the Mundane: The Syncretic Imagination of Cao Fei`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Obrist, Hans-Ulrich, Hans-Ulrich Obrist on Cao Fei`, Artforum, vol. 44, Iss. 5, 2006; Thea, Carolee, Cao Fei: Global Player`, ArtAsiaPacific, no. 50, 2006; A Specific Voice: A Conversation Between Cao Fei and Doryun Chong, with Contributions from Hu Fang, Zhange Wei, and Keirth Wallace`, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 52-61; Heartney, Eleanor, Like life: as seen through the work of Chinese artist Cao Fei, the virtual universe of Second Life is more glamorous and seductive, and no less melancholy, than the world from which it offers escape.` (Cao Fei: Whose Utopia)(i.Mirror) in Art in America 96.5 (May 2008): 164(3). Chang Yungho: Rehberg, Vivian., Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63; Chang Yungho, Obrist, Hans U. Hans Ulrich Obrist Camera Interviews`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.64-67. Chao Chung Hsiang/ Zhao Chunxiang Findlay, Ian, A master at work`, Asian Art News, vol.10, no.2, 2000 Chao Ge: review, Asian Art News, vol. 15, no. 1, 2005. Chen Beixin: review, Asian Art News, vol. 16, no. 5, 2006. Chen Fengxu: review, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Chen Haiyan, Roberts, Claire, Chen Haiyan: Dream work`, ART AsiaPacific, Issue 36 (2002) Chen Li: Pettifor, Steven, Faces, Dreams, Fictions`, Asian Art News, vol. 16, no. 5, 2006. Chen Lingyang: Berghuis, Thomas, 'Close Encounters ­ Performance art practices in China during the 1990s and the role of the mediated subject of the acting body in art', Peter Lewis and Hoor AlQasimi, ed., Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International Biennial, 2003, pp. 034-038; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003; Wu, Hung, Chen Lingyang` in Art Asia Pacific, Issue 37 (2003), p. 92Chen Yifei, Pai, Maggie, The romantic Realist`Asian Art News, vol. 7, no. 3, May/June 1997. Chen Shaoxiong: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Anti-C.S.X.: A Discussion of Chen Shaoxiong`s Solo Exhibition` (Vitamin Creative Space, Guangzhou, December 14, 2003), in Yishu: Journal of Contemporary Chinese

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Art, Vol. 3, No. 1, March 2004, p.32-46.; Holmes, Rosalind, Cityscapes, Crazy Consumption, and Collective Memory: Chen Shaoxiong`s Mimetic Reality`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 128 ­ 131. Chen Yifei: Maerkle, Andrew, Chen Yifei 1946-2005`, ArtAsiaPacific, no. 46, 2005. Chen Yu: Pettifor, Steven, Faces, Dreams, Fictions`, Asian Art News, vol. 16, no. 5, 2006. Chen Weimin: review, Asian Art News, vol. 15, no. 6, 2005. Chen Zhen, Sans, Jerome, Paris: Chen Zhen`, Artforum International, Vol.34, Issue 5, January 1996; review, tribute by Hou Hanru, Art AsiaPacific, 33, 2002; Chen Zhen in Akiko Miyake, ed., Let`s Talk About Art #0002, Transexperiences`, Kitakyushu: Center For Contemporary Art, 2002; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist`s Book Series, Chen Zhen in conversation with Xian Zhu, Kitakyushu: Center For Contemporary Art, 1998; Chen Zhen, An Interview with Jérôme Sans`, in Chen Zhen: Between Therapy and Meditation, Perigueux: Espace Culturel François Mitterand, 1999; Heartney, Eleanor, Chen Zhen's legacy`, Art in America, Vol. 91, Issue 2, February 2003; Uslip, Jeffrey Zur, Rachael, eds, Chen Zhen [a tribute], Long Island City, NY : P.S.1 Contemporary Art Center, 2003; Rosenberg, David; Xu Min; Daniel Buren, Chen Zhen : invocation of washing fire, Prato: Ori, 2003. ; Chen Zhen: Shanghai Art Museum` (exhibition review), ArtAsiaPacific, no. 49, 2006; Chen Zhen: Transexperiences` (review), ArtAsiaPacific, no. 47, 2006. Cheng Yajie: Findlay, Ian, Making the Familiar Unfamiliar`, Asian Art News, vol. 15, no. 5, 2005. Chengdu artists: Pettifor, Steven, Individual Views`, Asian Art News, vol. 16, no. 5, September/October 2006; Pettifor, Steven, Seeing Beyond the Surface`, Asian Art News, vol. 16, no. 5, September/October 2006. Ching Ho Cheng: Goodman, Jonathan, Ching Ho Cheng: A Reintroduction`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 18 ­ 24. Chi Peng: review, Art in America, vol. 94, iss. 1, Jan 2006. Chu Yun: Visiting Reality in the Anonymous and weak Light: A Conversation between Chu Yun and Hu Fang`, trans. Dong Manhong, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 80 ­ 85.; Abbas, Nadim, Chu Yun: Lost Beofre the Object`, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 179; Tinari, Philip, Chu Yun` in Artforum, Vol 47, Iss. 7, March 2009, p. 230. Corruptionists: review, Art AsiaPacific, 25, 2000 Cui Xianji, abstract oil painter: Dao Zi, Cui Xianji: zuowei jingshengwaihua de ziranchouxiang`, Yishujie, 11/12-1998. Cui Xiuwen: Smith, Karen, Cui Xiuwen, Hong Kong, Timezone 8, 2006 (Distributor); review, Asian Art News, vol. 15, no. 3, 2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003. Dai Guangyu: Kóvskaya, Maya, Neatly Arranged Freedom, Present Absences, Dislocated Contexts, and Signs of Our Times: Readings of Dai Guangyu`s Art`, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 90 ­ 98. Dai Jinhua: Dai Jinhua, Postcolonialism and the Chinese Cinema of the Nineties`, in Jing Wang and Bralow, Tani E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, London and New York, 2002, pp. 50 ­ 57. Ding Fang: review, Asian Art News, vol. 15, no. 1, 2005. Ding Yi, Shanghai, painter: Xiao Kayu, Shanghai, ShanghART, 1997; Cao Weijun, Ding Yi: The Magician of Crosses`, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008, pp. 49-61. Dong Wensheng: Borysevicz, Mathieu, Dong Wensheng: Archaeologies of Corporeality`, in Yishu. Journal of Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87. Dong Xiwen, deceased, oil painter: Chen Yingde, Shiping Dong Xiwen youhua`, Mingbao Yuekan, 1, 1986, no.241. Ed Pien: Low, Joni, The Poetics of Engagement: Ed Pien and the Three-Dimenisional World`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 50 ­ 56.

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Fang Cheng: Fang Cheng, Fang Cheng`s Theories on Humor and Cartooning`, trans. Xu Pingsheng and John Wetherhold, in International Journal of Comic Art, vol. 9, no. 2, Fall, 2007. Fang Junbi: Fan Tchun-pi, A Retrospective Exhibition of the Works of Fan Tchun-pi, Hong Kong, Arts Centre,1978; Fan Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Musée Cernuschi, 1984 Fang Lijun: Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human images in an uncertain age, Tokyo: Japan Foundation Asia Center, 1996; Jose, N. in ART AsiaPacific, no.15, 1997; Chou, Yuting, The Floating Body in the Art of Fang Lijun: An Artist's Comment on the Human Condition in PostCultural Revolution China`, China Information, Vol. XII, No.`s 1&2, Semmer/Autumn, 1997; Hovdenakk, Per, 'Fang Lijun and His Art (1997); Li Xianting, 'Fang Lijun and Cynical Realism (2000); Li Luming, Fang Lijun, Hunan: Hunan Fine Arts Publications, 2001; Pi Li, 'A Dialogue with Fang Lijun', Hunan Fine Art Press , ed., Fang Lijun, Hunan, 2001; Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002. ; Li Xianting, et.al., Chinese Artists of Today: Fang Lijun, Beijing, Today art museum, 2006.; Yasuko, Furuichi, and Kazumi Nakamoto, Fang Lijun: Human Images in an Uncertain Age. Tokyo, The Japan Foundation Asia Centre, 1996.; Yuting Chou, The Floating Body in the Art of Fang Lijun: An Artist`s Commnet on the Human Condition in Post-Cultural Revolution China`, in China Information, vol. xiii, nos. 2/3, Autumn/Winter, 1998 ­ 1999, pp. 85 ­ 114; Galligan, Gregory, Fang Lijun: Arario. in Art in America 97.4 (April 2009): 146(2) Fang Zhaolin, neo-traditionalist painter, Wong,Wucius,`Fang Zhaolin`, Orientations, November 1982 Feng Zhengjie: Damiani, Bologna, 2006.; Bianpoen, Carla, Feng Zengjie`s Chinese Portraits: Kitsch or Art?`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 106 ­ 108. Feng Mengbo, Kent, Rachel, Open Market ­ the art of Feng Mengbo`, Artlink, Vol. 16, No.2&3, Winter 1996; Barmé, Geremie, A Beijing screensaver` ART AsiaPacific, no.15, 1997; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999.; Eisman, April A., Playing with the Political: Feng Mengbo`s Street Fighter IV`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Chang, Tsong-zung., A Theater of Happiness`, in Asain Art News, Vol. 13, No. 4, July/August 2003, p.40-45 Feng Zikai: Hung Changtu, The Wartime Political cartoons of Feng Zikai`, Modern China, 16:1, January 1990; Barmé, G., Feng Zikai: A Biographical and Critical Study, 1898-1975, Ph.D. thesis, Australian National University, 1989. Fu Baoshi 1904-1965, Clarke, David, Raining, Drowning and Swimming : Fu Baoshi and Water`, Art History, 29:1, February, 2006. Gao Brothers, The: Karetzky, Patricia Eichenbaum, The Gao Brothers: All The Wolrd`s a Stage`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 61 ­ 66.; Kóvskaya, Maya, High Places, Simulated Speces, Brave New Worlds, and the Power of Love: Thoughts on the Gao Brother`s Recent Works`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 67 ­ 74. Gao Jianfu: Wong Shiu Hon, Kao Chien-fu`s Theory of Painting, Hong Kong, Centre of Asian Studies, University of Hong Kong, 1972; Wang Jiaohan, Gao Jianfu hualun shuping, Xianggang daxue, 1972. Gao Minglu: Yu, Christina, Curating Chinese Art in the Twenty-First Century: An Interview with Gao Minglu`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. Gao Xingjian: Dagen, Phillippe, Within the Gaze`, Asian Art News, vol. 15, no. 3, 2005. Geng Jianyi, Hangzhou, various media: Karen Smith, Baifen zhi wushi, Shanghai, ShanghART, 1999. Gu Dexin: Ho Yeung Chan, David, Curatorial Notes: Gu Dexin`s 2005.03.05 at the Shanghai Gallery of Art`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005. Gu Wenda, calligraphy and installations, New York: Gu Wenda, Yishu Biji`, Xinmeishu, no.20, 6.1985. Zhongguo Meishubao, no.129, 11.1.1988; Gu Wenda, Women shidai de shenqu`,[tr.Jia Chunxian], Xinmeishu, no.4, 1996; Jaivin, Linda, Gu Wenda`, Art & Asia Pacific, vol.1, no.2, 1994; Erickson, Britta, Gu Wenda`s silent selves and pseudo characters`, Art AsiaPacific, 26, 2000; Xu Gan, Why Hair?`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.10-12.; Yang, Xianeng., New and Old: Gu Wenda`s Art and Chinese Traditions`, in Yishu: Journal of

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Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.13-17.;Cateforis, David., Gu Wenda`s United Nations: A Consideration of Two Monuments`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.18-24.; Bessire, Mark H. C., Beyond the Body`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.25-26. Gu Wenda: From Middle Kingdom to Biological Millennium, Symposium Discussion`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.27-32.; Wu Hung, Monumentality and AntiMonumentality in Gu Wenda`s Forest of Stone Steles ­ A Re-translation and Re-Writing of Tang Poetry`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.; Kuo, J. C., Gu Wenda` in Art in America, v. 77(7), July ,1989, p. 133.; Catching, Rebecca, `Gu Wenda: Mutations & Permutations`, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 100 - 101.; Selz, P., Mice, Temples, Audience: An Interview with Gu Wenda`, in Arts Magazine, v. 64(1), September, 1989, pp. 36 ­ 40. Gu Xiong, review, Yishu, vol.1, no.1, 2002; Liu, April, Karaoke Hyperspace: Gu Xiong`s Red River as a Study of Place-making`, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 78-87. Gu Zhengguo: Taylor, Roger; Lasschuyt, Helga, Fire Works`, World Art, no.2 1995. Guan Shanyue, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters / AGNSW, May 1985 Guan Wei: Eastburn, Melanie, Guan Wei`s Perilous Journeys`, ArtAsiaPacific, no. 50, 2006; Jose, Nicholas, Fantastic Cosmographies`, Broadsheet, vol. 35, no. 3, 2006; Kelly, Philippa., Thinking about Guan Wei`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.48-49.; Cramer, S., Guan Wei: Storyteller`, in Guan Wei: Nesting, or the Art of Idleness`, Sydney, Museum of Contemporary Art, 1999, pp. 4 ­ 12. Guo Hairen, neo-traditionalist painter, New York & Beijing: Lin Xiaoping, Guo Hairen`s Painting: In search of Old Beijing`, Orientations, no.2, 1992. Guo Jin: Guo Jin: Kiddy Scheme and the Image of Man` (review) ArtAsiaPacific, no. 48, 2006. Guo Wei, Guo Jin, Sichuan, painter and sculptor: Zhong Ming, Rang huihua anding jiushininadai, Guo Wei, Guo Jin chuangzaozhong de qiji`, Yishujie, 9/10-1998; Goodman, Jonathan, 'Guo Brothers at Michael Goedhuis', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Han Lei: Huang Liaoyuan, et.al., Han Lei: Where is China Now?, Beijing, Beijing Art Now Gallery, 2006 He Chengyao: Life the Cover from Your Head`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.20-24. He Duoling: Nakayama, K. He Duoling, Fukuoka, Fukuoka Kindai Bijutsukan, 1988. He Huaishuo: Stanley-Baker, Joan, The Art of Ho Huai-shuo, Hong Kong, Hibiya Ltd., 1981. He Sen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003 He Seng: review, Asian Art News, vol. 15, no. 2, 2005. He Yunchang: Bingyi Huang, Go with the Flow: He Yunchang`s Performance Art at Niagra Falls`, ArtAsiaPacific, no. 48, 2006.; Clapham, Rachel Lois, Mahjong 2007 at PERFORMA07`, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 86 ­ 89; Clapham, R. L., Majong 2007 at PERFORMA 07 Interview with He Yunchang`, in Yishu: Journal of Contemporary Chinese Art, vol.7, no. 3, May 2008, pp. 86-89. Hong Hao: Li Xianting, et.al., Chinese Artists of Today: Hong Hao, Beijing, Today Art Museum, 2006; Yu, Christina, Knowledge and Illusion: On Hong Hao`s Recent Works`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. Hong Lei: Goodman, Jonathan, Hong Lei at Chambers Fine Art` Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Gu Zhenqing, et.al., Hong Lei: Ain`t Here, Hong Kong, Timezone 8, 2006 (Distributer). Hou Hanru: Jim, Alice Ming Wah, Interview with Hou Hanru`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Hou Hanru and the Istanbul Biennial`, Flash Art, vol. XXXIX, no. 250, Oct 2006. Hu Yang: Hu Yang: Shanghai Living` (review), ArtAsiaPacific, no. 48, 2006.

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Hu Yongkai: Binks, Hilary, Refining nostalgia`, Asian Art News, vol.9, no.1, 1999 Hu Youben, Baoding, neo-traditionalist painter: Liu Xiaojun, Hu Youben Huaji, Nanning, Guangxi Meishu Chubanshe, 1997. Huang Binhong, deceased, neotradtional painter: Lai,T.C., Huang Binhong, Hong Kong, Swindon Book Company, 1980; Shen Fu, Huang Binhong`s Shanghai Period landscape paintings and his late floral works`, Orientations, September 1987 Huang Hankang: review, Artforum, vol. 45, iss. 4, 2006. Huang Liaoyuan: Zeng Fazhi, Huang Liaoyuan, Lu Hong, Beijing, Beijing Art Now Gallery, 2006 Huang Rui: Huang Rui, Ôsaka, Gallery Kaze & Chinese Modern Art Center, April 13th to 25th, 1992; Huang Rui, Tôkyô, Gallery Ueda, March 8th to 22nd, 1991; Huang Rui, Tôkyô, Gallery Ueda: Warehouse, December 5th to 20th, 1986; Huang Rui, Tôkyô, Monte Gallery, September, 1990; Huang Rui in Abeno Soho, Gallery O, Ôsaka, broadsheet, November 1995.; Shu Yang, ed., Huang Rui, London, Chinese Contemporary, 2006; Kovskaya, M., review, The Cryptographic Imagination of Huang Rui: Chinese History in Animal Time`, Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009. Huang Yan: review, Art AsiaPacific 28, 2001; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003; Acret, Susan, Huang Yan` in Art Asia Pacific, Issue 37 (2003), p. 30 Huang Yongping: Sans, Jerome, Marseille: Huang Yongping`, Artforum International, Vol.34, Issue 9, May1996; Views on Contemporary Chinese Art`, Yishu, vol.1, no.1, 2002; review, Yishu, vol.1, no.1, 2002; Zacharopoulos, Denys and Hou, Hanru, Huang Yongping and Jean Pierre Bertrand, Catalogue for the French Pavilion, 4th Venice Biennale, AFAA, 1999; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist`s Book Series, Huang Yongping: Travel Guide for 2000-2046, Kitakyushu: Center For Contemporary Art, 1999; Huang Yongping in Akiko Miyake, ed., Let`s Talk About Art #0002, Transexperiences`, Kitakyushu: Center For Contemporary Art, 2002; Wei, Lilly, Huang Yong Ping at Barbara Gladstone`, Art in America, Vol. 90, Issue 5, May 2002; Köppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue; Köppel-Yang, Martina., A Bat`s Life, or Big Brother Is Watching You: A Case Study`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.101-109.; Heartney, Eleanor, House of Huang`, Art in America, 94.3 (March 2006); Hsu, Stephanie, Huang Yongping`s Retrospective goes on a Sordid World Tour`, ArtAsiaPacific, no. 46, 2005; Lee, Marion S., House of Oracles: A Huang Yongping Retrospective`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; McCoy, Michelle, Tracking the Bat Project`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Yao, Pauline J. with Doryun Chong, Huang Yongping and Philippe Vergne, Roundtable Discussion`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; review, Artforum, vol 44, no. 1, Sep 2005; Köppel-Yang, Martina., A Bat`s Life, or Big Brother Is Watching You: A Case Study`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.101-109.; Jounna, E., According to the Potential of the Situation``, in Huang Yong Ping, van Duyn, E., ed., Amsterdam, De Appel, 1998, pp. 36 ­ 45. Huang Yongyu: Maggio, Meg, The House that Huang Yongyu Built, Orientations, Volume 33, Number 1, January 2002 Huang Yuanqing: Li Xu, Exquisite Graffiti`, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.50-53. Huang Zhou, deceased,neo-traditionalist painter: Huang Zhou`s Paintings/ Hong Kong, Wen Wei Po, 1986; Huang Zhou, Roma, Accademia Nazionale di San Luca, 1988. Huang Zhou: Huang Zhou, Roma, Accademia Nazionale di San Luca, 1988; Huang Zhou`s Paintings, Hong Kong, Wen Wei Po, 1986. Hung Liu: Hung Liu: Lament (Catalogue), Shanghai: Artscene China, 2004 Inside Out: Goodman, Jonathan, From the outside in`, Art AsiaPacific, 24, 1999; Yee, Lydia, A third space`, Art AsiaPacific, 24, 1999; Schwabsky, Barry, Inside Out: New Chinese Art, Artforum International, Vol.37, Issue 4, December 1998 Ji Dachun: Fibicher, Bernhard et. Al., eds., Ji Dachun, Hong Kong, Timezone 8, 2006.

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Ji Yun-Fei: Lew, Christopher Y., Yun-Fei Ji: Dead and Alive`, ArtAsiaPacific, no.51, 2007. Jia Aili: Smith, Karen, ,A Walk in the World of Jia Aili, in Yishu: Journal of Contemporary Chinese Art, Vol. 7, No.6, November 2008, p.61-77 Jiang Bolin, Hangzhou, neo-tradtionalist painter: Chen Ruilin, Yibian Qiusheng`, Guohuajia, 3, 1999. Jiang Jie, Beijing, mixed media:Wang Nanming, Dui cuiruo de zuzhou, Jiangjie de yishu biaoda`, Yishujie, 1/2-1998. Jiang Shuo: Findlay, Ian, In The Realm Of The Past` in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 45-47. Jiang Zhaohe: deceased, illustrator and neo-traditionalist painter Renmin Meishu Chubanshe, bian, Liumintu, Jiang Zhaohe, Beijin, Renmin Meishu Chubanshe, 1994. Jin Feng, Ciric, Biljana, Jin Feng: Art is a Way of Life: A Case Study from 2003 to Today`, in Yishu: Journal of Contemporary Chinese Art, Vol.8, No.2, March/April 2009, p.97-105 Jin Wenyu, Shanghai, oil painter: Jin Wenyu, [interview, Lorenz Helbling], Shanghai, ShanghART, 1997. Jin Weihong, Nanjing, neo-tradtionalist painter: Jin Weihong [text, Bridget Goodbody]¸Shanghai, ShanghART, 1998. Lai Ziren, Beijing, neo-traditionalist painter: Ku Li, Zai pingjing de beihou, ping Lai Ziren de hua`, Yishujie, 9-10-1998. Lei Xue: review, Artforum, vol. 44, Iss. 9, 2006. Lesley Sanderson, Sanderson, Lesley., Change and Fabrication: the Body as Site for the Feminine and Inter-cultural`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.25-29; Karetzky, P.E., Conroy/Sanderson: Two Headss Are Better Than One`, The Modern Chinese in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp 72-85. Li Huasheng: Silbergeld J., Gong Jisui, Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng, Seattle and London, University of Washington, 1993 Li Jin: Maggio, Meg, A world of food and family`, Asian Art News, vol.12, no.3, 2002 Li Keran, deceased, oil and neo-traditionalist painter: Li Keran Huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997.; Wan Qingli, Li Keran and his Exhibition Paintings`, in Chinese Art Modern Expressions, Hern, Maxwell k., and Smith, Judith G., eds., New York, 2001, pp. 183 ­ 209. Li Meishu, deceased, oil painter, Li Meishu Huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997. Li Qing: review, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Li Songsong: Hsu, Stephanie Projects in the making: Li Songsong ­ Not Your Father`s Historical Painting`, ArtAsiaPacific, no. 48, 2006; review, Artforum, vol 43, iss. 8, April 2005. Li Tiefu, deceased oil painter: Chi Ge, Woguo youhua yishu de xianqu - Li Tiefu`, Meishu, no.3, 1979. Li Wei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003.; Chiu, Caroline, Li Wei: A pause for Humanity` (exhibition review), ArtAsiaPacific, no. 50, 2006; Li Wei, Li Wei, Damiani, Bologna, 2006; Zhang Zhaohui, Transcendental Experiences`, Asian Art News, vol. 15, no. 6, 2005. Li Xianting: Chiu, M., Contemporary Art in China: An Interview with Li Xianting and Liao Weng`, in TAASA Review, v. 7 (3), September,1998, pp. 14 ­ 15. ; Nonexistent Reality: A Discussion Between Li Xianting and Ye Yongqing`, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No. 3, May 2008, pp. 52-61. Li Xiaoxuan Tianjin, neo-traditionalist painter: Lang Shaojun, Cong Xieshi dao Huangdan, Changsha, Hunan Meishu Chubanshe, 1997; Li Xiaoxuan, Zhongguo dangdai minghuajia shougao: Li Xiaoxuan, Changsha, Hubei Meishu Chubanshe, 1998. Li Xinping: Thomson, Jonathan, A Synthesis of Style And Content`, in Asian Art News, v. 17(4), July/August, 2007, pp. 52 ­ 59. Li Xiongcai, deceased, neo-tradtionalist painter: Guan Shanyue+Li Xiongcai: Two Chinese Modern Masters, Sydney, Art Gallery of New South Wales, May 1985 Li Yifan : Bao Dong, Li Yifan: From Social Archives to Social Project` in Yishu: Journal of Contemporary Chinese Art, Vol.8, No.1, January/February 2009, p.78-83

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Li Zhanyang: Gao Minglu, et. Al., eds, Li Zhanyang: Scenes, Hong Kong, Timezone 8 and Galerie Urs Meile, 2006; review, Asian Art News, vol. 15, no. 6, 2005. Liang Shaoji: Brouwer, Marianne, Cloud (on Lian Shaoji`s work)`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 75 ­ 79. Liao Bingxiong: Lengyel, Alfonz, Liao Bingxiong (1915 ­ 2006)`, in International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 640 ­ 643.; Fang Cheng, Long Live, Brother Bing!`, in International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 644 ­ 646.; Liao Bingxiong, Speaking Out on Going to Make a Will`, trans. by Xu Ying, in International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 647 ­ 649.; Lent, John A. and Xu Yang, Liao Bingxiong: A Chinese Style Man with Universal Values` , in International Journal of Comic Art, vol. 9, no. 1, Spring, 2007, pp. 650 ­ 667. Liao Weng: Chiu, M., Contemporary Art in China: An Interview with Li Xianting and Liao Weng`, in TAASA Review, v. 7 (3), September,1998, pp. 14 ­ 15. Lin Chunhua: Chairman Mao Goes to Anyuan: A Conversation with the Artist Liu Chunhua` in Chiu, Melissa and Zheng Shentian, Art and China`s Revolution, Asia Society, New York in association with Yale University Press, New Haven and London, 2008: 119-132. Lin Fengmian, deceased, oil painter; Lin Fengmian huayu, Shanghai, Shanghai Renmin Meishu Chubanshe, 1997.; Sandy Ng, Modernism and Hybridity in the Works of Lin Fengmian (1900 ­ 1991)`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 25 ­ 30. ; Clarke, David, Lin Fengmian and European Art` The Art of Lin Fengmian, Hong Kong, Arts Centre, 1992; Lin Fengmian/Clarke, David, Exile from Tradition: Chinese and Western Traits in the art of Lin Fengmian`, Oriental Art XXXIX, no.4, Winter 1993-4; Xi Dejin, Lin Fengmian Huaji, Xiongshi Tushi, Taibei, 1979. Lin Tianmiao: Cohn, Don L., Lin Tianmiao: All Sewn Up`, ArtAsiaPacific, no. 51, 2007; Phillips, Christopher, 'Lin Tianmiao at Courtyard', Art in America, Vol. 90, Issue 12, December 2002; Lu Jie, All Good Things Are Frail, conversation with Lin Tianmiao, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 8-20. Ling Bingchuan, Barcelona, mixed media; Ling Bingchuan, Chuangzuo Zhaji`, Yishujie, 9/10-1998. Liu Dahong: Liu Dahong Paintings 1886-1992, Hong Kong, Schoeni Art Gallery, 1993.; Liu Dahong: Red Calender 24 Solar Terms`, ArtAsiaPacific, no. 48, 2006; review, Asian Art News, vol. 16, no. 1, 2006. Liu Dan: Mowry, Robert D., A Compelling Art`, Asian Art News, vol. 15, no. 5, 2005; review, Asian Art News, vol. 15, no. 3, 2005. Liu Ding: Spalding, David, Eager Paintings, Empathetic Products: Liu Ding`s Critical Complicity`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Lu, Carol, Liu Ding ­ Long March Space` (review), Flash Art, vol. XXXVIII, no. 244, October, 2005. Liu Hongwei: Binks, Hilary, A solitary world of dreams`, Asian Art News, vol.10, no.3, 2000 Liu Jianhua: Borysevicz, Mathieu, Export ­ Cargo Transit`, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 84 ­ 89.; Chan Ho Yeung David, About Export-Cargo Transit: An Interview with Lui Jianhua`, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 90 ­ 92. Liu Jianping Shanghai, sculptor: Tian Shaokai, Zai houxiandai hundunzhong suzao shenghun`, Yishujie, 11/12-1998. Liu Jin: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003.; Zhu Qi, et. al., Liu Jin, Hong Kong: Timezone 8, 2006. Liu Qinghe: Combs, Nicky, Blending Tradition and Contemporary`, Asian Art News 8:4 1998 Liu Wei: Healy, Anthony, Looking for trouble: Liu Wei`, World Art, no.4, 1995. Liu Xiaodong: Erickson, Britta and Ai Weiwei, eds., The Richness of Life: Personal Photographs of Contemporary Chinese Artist Liu Xiaodong, Hong Kong, Timezone 8, 2007 (Forthcoming); Ai Weiwei, Pi Li, et.al., Liu Xiaodong: Painting From Life, Beijing, Lingnan Fine Art Press, 2006; Decrop, Jean Marc ed., Liu Xiaodong, Map Book Publishers ­ Red Flag Collection, 2005; Jose, Nicholas, At home`, Art AsiaPacific, 30, 2001.; Merewether, C., Snapshots of an Epoch: Liu Xiadong Photographs 1994-

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2004, Beijing: Timezone8 Books, 2007; Botz-Bornstein, Thorsten, New Pictures of the Ugly Chinaman: The Art of Liu Xiaodong`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 18 ­ 24; Liu Xiaodong: review, Asian Art News, vol. 15, no. 4, 2005. Merewether, C. A Double Displacement: Liu Xiaodong`. In Liu Xiaodong, Editor Jean Marc Decrop, Hong Kong: MAP Book Publishers, 2006: 90-122 Liu Zheng: Wu Hong, Photographing deformity: Liu Zheng and his photo series My Countrymen`, Public Culture, 13.3, Fall 2001.; review, Artforum, vol. 44, Iss. 2, 2005; Phillips, Christopher, et.al., Liu Zheng: The Chinese, Göttingen, Steidl, 2004; Liu Zheng, Maggio, Meg, A contrary vision` Asian Art News, vol.12, no.4, 2002 Long March Foundation: Long March: A Walking Visual Display On-site Criticism Meeting`, Lu Jie and Philip Tinari (trans.), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.73-104. Long March Project: Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 3, Sep 2006, special issue on Yan`an Forum on Art Education/ Long March Project, Yan`an; Lu Jie. Qin Ga: miniature long march` [online] Artlink, v.25, no.3, 2005. Lu Hao: Goodman, Jonathan, Lu Hao at Goedhuis Contemporary` (review), Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Huang Liaoyuan, Li Xianting, et.al., After `95: Lu Hao`s Works, Beijing, Beijing Art Now Gallery. Lü Shengzhong, Beijing, installation artist and painter: Quwei sunzhi ­ weiminjian zibai`, Meishu, 11990; Zhongguo meishubao, no.173, 14.11.1986.; Tancock, John, Wu Hung, Fan Di`an, The New Emerging from the Old, Lu Shengzhong: Works, 1980-2005, New York, Chambers Fine Art, 2006; review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005. Lu Yanshao, Hangzhou, neo-traditionalist painter: Chen Zhenlian, Lu Yanshao Yishulun`, Xinmeishu, no.3, 1989. Lu Ye, Beijing, Acrylic and oil painter: Lin Xiaoping, Fanatasy, Dream, and Play in Liu Ye`s Art` in Lu Ye, Mingjidi Gallery, 1997 Luo Fanhui: Li, Xu, At The Heart Of The Rose`, On Luo Fahui, Asian Art News, vol. 12, no. 6, November/December, 2002 Luo Zhongli: A Pictorial Record of the Cultural Revolution: Luo Zhongli`s Early Works` Kuiyi Shen, Propaganda Posters and Art during the Cultural Revolution` in Chiu, Melissa and Zheng Shentian, Art and China`s Revolution, Asia Society, New York in association with Yale University Press, New Haven and London, 2008: 165-186.bo yi Ma Desheng, Paris, ink painterand computer art: The Paintings of Ma Desheng, London, goedhuis contemporary, 1999.; Ma Dasheng: University Museum and Art Gallery, University of Hong Kong, Ma Dasheng: Faceted Symphonies, Hong Kong, 2006. Ma Liuming, Beijing, Performance artist: Ivanova, Maranatha, Ambiguity, Absurdity, and Self-Creation in the Art of Ma Liuming`, Positions, vol.7, no.1, 1999; Qian Zhijian, Performing Bodies: Zhang Huan, Ma Liuming, and Performance Art in China`, Art Journal, vol.58, no.2, Summer 1999; Wang Val, 'Ma Liuming', Chinese Type Contemporary Art Magazine, Vol. 2, Issue 6, December 1999, published Online at: http://www.chinese-art.com; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003.; review, Asian Art News, vol. 15, no. 2, 2005. Mamat, Aniwar: review, Art AsiaPacific 29, 2001 Mao Xuhui: Wu Wenguang, Mao Xuhui, Yishujia xuanchang: Mao Xuhui`, Jinri Xianfeng, 6, 1999 ; Findlay, Ian, The power of commonplace`, Asian Art News, vol.9, no.4, 1999; Findlay, Ian, The Power of the Commonplace`, Asian Art News, 9:4 1999 Mayling To, To, Mayling., The Stranger: An Artist`s Statement` in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.30-31. Miao Xiaochun: Miao Xiaochun: Phantasmagoria` (review), ArtAsiaPacific, no. 45, 2005; Thompson, Jonathan, Silent Witness`, Asian Art News, vol. 16, no. 5, September/October 2006; Wu Hung, Phantasmagoria: Recent Photographs by Miao Xiaochun`, Yishu: Journal of Contemporary Chinese

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Art, vol. 4, no. 3, Sep. 2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002. Ming Wong: Vain Efforts`, Ming Wong in conversation with Sally Lai, in Yishu: Journal of Contemporary Chinese Art, Vol.7, No.6, November 2008, p.21-26 Mo Yi [Ye] Xiamen, oil painter: Zhou Shaobin, Shinxieshi youhua de gouyi yu tushi: Mou Yi youhua piping`, Yishujie, 9-10-1998.; Wu Hung, Mo Yi: An Ethnographer in Contemporary Chinese Art`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 48 ­ 53. Mu Xin, Sensabaugh, David E., Mu Xin: A Wanderer With Roots`, Orientations, Volume 32, Number 8, October 2001; Goodman, Jonathan, The Art of MuXin`, ART AsiaPacific, Issue 36 (2002); Goodman, Jonathan, Mu Xin at Yale University Art Gallery`, Art in America, Vol. 90, Issue 9, September 2002 Nan Qi: [Ink Painter], Findlay, Ian, Embracing Tradition In The Digitalo Age`, , in Asian Art News, v. 18(4), July/August, 2008, pp. 86-91. Ni Haifeng, Amsterdam, photography, installations; Ni Haifeng, Amsterdam, The artist, 1996.; Brouwer, Marianne, et.al., Ni Haifeng, Amsterdam, Artimo, 2003.; Ni, H. and Arkesteijn, R. eds., Ni Haifeng: No-Man`s-Land. The Hague: GEM, Museum of Contemporary Art, 2003. Ni Yide, deceased, oil painter and art theorist: Song Zhongyuan, ed., Niyide Huaji, Hangzhou, Zhejiang Meishu Xueyuan Chubanshe, 1991; Lin Wenxia, ed., Ni Yide meishulunji, Hangzhou, Zhejiang Meishu Xueyuan Chubanshe,1993. Niu An: Thompson, Jonathan, The Tragedy of the Figure`, Asian Art News, vol. 15, no. 6, 2005. Pan Yu Liang: The Exhibition of Pan Yu Liang [Exhibition Catalogue], Taiwsan: National Museum of History and National Taiwan Museum of Fine Arts, 2006. Pan Tianshou, 1897-1971, neo-traditionalist painter: Xu Hong, Pan Tianshou zhuan [d. 1971], Hangzhou, Zhongguo Meishu Xueyuan Chubanshe, 1997; Roberts, Claire, The art of Pan Tianshou`, in Cao Yiqiang, Fan Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu Chubanshe, 1997; Roberts, Claire, Tradition and Modernity: the Life and Art of Pan Tianshou (1897-1971), East Asian History, 15/16, June/December 1998; Pan Gongkai, Noble Winds and Strong Bones Meet Their Spirit: The Art of Pan Tianshou` in Chiu, Melissa and Zheng Shentian, Art and China`s Revolution, Asia Society, New York in association with Yale University Press, New Haven and London, 2008: 75-84. Pang Maokun, Sichuan AFA, oil painter: Wang Lin, Huhan chensui zi hun, Pang Maokun de yishu jingli`, Yishujie, 11/12-1998 Pi Li: Thea, Carolee, Pi Li: Going Public`, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 66 ­ 67. Post-material: Combs, Nicky, Post-material`, Art AsiaPacific, 31, 2001 Public Art: Wang, Val, Do you mind my art?`, Art AsiaPacific 28, 2001 Qi Baishi, deceased, printer and neo-tradtionalist painter: Boney, A., Of Qi Baishi`; Huang Miaozi, From carpenter to painter:recalling Qi Baishi`, both in Orientations, vol.20., no.4, April 1989; Jung Tsing Tsao, The Paintings of Xu Gu and Qi Baishi, 1993. Qi Zhilong: review, Asian Art News, vol. 15, no. 3, 2005. Qin Fengling: Huang Du, et.al., eds., Qin Fengling, Hong Kong, Timezone 8, 2006 (Distributor) Qin Ga: Lu Jie, Qin Ga: miniature long march` [online] Artlink, v.25, no.3, 2005. Qin Yufen: Bingyi Huang, One Person`s Classics of Mountain and Sea: On Qin Yufen and her Installation Art`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. Qiu Deshu: Maggio, Meg, A fissured world`, Asian Art News, vol.11, no.6, 2001. Qiu Ping: Lawn, Andrzej, Qiu Ping: Beyond the Hand`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. Qiu Shihua: Millichap, John, Seeing through the landscape`, Asian Art News, vol.6, no.1, Jan/Feb 1996; Reust, Hans Rudolf, Qiu Shi Hua`, Artforum International, Vol.38, Issue 5, January 2000.; review, Art in America, vol. 93, iss. 10, Nov 2005. Qiu Zhijie: Mao, Christoph, et.al., The Shape of Time: Light Calli-photography by Qiu Zhijie, New York, Chambers Fine Art Gallery, 2006; Tetmajer von Przerwa, Xenia, Qiu Zhijie at CourtYard

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Gallery` in Asian Art News, Vol. 14, Number 5 (September/October 2004), p. 85; Napack, Jonathan, Qiu Zhijie` in Art Asia Pacific, Issue 37 (2003), p. 50; ,, Qu Lei Lei: Qu Lei Lei: Everyone`s Life is an Epic` (review), ArtAsiaPacific, no. 46, 2005. Qui Anxiong: Holmes, Rosalind, Animated Realities: the Art of Qui Anxiong`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 96 ­ 99. Qui Zhijie: Qui Zhijie, The Emperor Decomposed Long Ago, Only the Scent of the Nanmu Tree Remains`, trans. Allhusen, Lauren, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 10 ­ 17. Ren Bonian, 1840-1896, precursor neo-traditionalist painter: Gong Chanxing, ed., Ren Bonian Yanjiu, Tianjin, Renmin Meishu Chubanshe, 1982; Li Yu, Ren Bonian, Taibei, Xiongshi Tushu, 1977; Shen Zhiyu, Guanyu Boniande xin shiliao` in Gong Chanxing,bianzhu, Ren Bonian Yanjiu, Tianjin: Renmin Meishu Chubanshe, 1982 Rong Rong: Wu Hung, Rong Rong`s East Village, 1993-1998, New York and Chicago, Chambers Fine Art and Chicago University Press, 2003. Rong Rong & Inri: Rong Rong and Inri` (review) ArtAsiaPacific, no. 47, 2006; Wu Hung, ed., Rong Rong & Inri: Transfiguration/Tui, Hong Kong: Timezone 8, 2005 Ru Shaofan, drawing: Hou Hanru, Wuyi zhuomo de kuaile jingjie`, Jiangsu Huakan, 1-1999. Sanyu 1901-1966, Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ; Wong, Rita, Sanyu: l`écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay, Koutozis, Krebs &Wong]. Shan Shang Sheng: Reddick, Brandi, Interview with Shan Shan Sheng`, in Yishu. Journal of Contemporary Chinese Art, v. 6(4), December, 2007, pp. 101 ­ 108. Shao Yinong & Muchen: Shao Yinong & Muchen, Hong Kong, Timezone 8, 2006 (Distributor); Little, Carl, Shao Yinong and Muchen at Goedhuis Contemporary` (Review) in Art in America (June/July 2004), p. 172 Shen Chen: review, Art in America, 94:10 (November 2006). Shen Fan, Shanghai, abstract oils on paper: Wu Liang, The World of Shen Fan`, Dieter Ronte, Shen fan` in a trilingual catalogue, Shanghai, 1996. Shen Hua: Thompson, Jonathan, The Individual Spirit`, Asian Art News, vol. 16, no. 2, 2006. Shen Shaomin: Thompson, Jonathan, An Uncommon Evolution`, World Sculpture News, vol. 12, no. 2, 2006. Shen Yuan, Paris, installation: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts, Arnolfini, Chisenhale Gallery, 2001; Carver, Antonia, Shen Yuan: Just like a fish in water`, ART AsiaPacific, Issue 35 (2002).; Borne, Cécile, A Conversation with Shen Yuan`, trans. by Wanja Laiboni, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 45 ­ 49. Shi Chong, Wu, Hung, Shi Chong` in Art Asia Pacific, Issue 37 (2003), p. 91 Shi Hu: Findlay, Ian, From the heart of the tiger`, Asian Art News, vol.10, no.5, 2000. Shi Jindian: Thomson, Jonathan, Spirit Of The Past ­ Promise Of The Future`, in World Sculpture News, vol 14, no 3, Summer 2008, pp.30-33 Shi Jinsong: Tancock, John, Shi Jinsong: Na Zha Baby Boutique`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006; review, Art in America, 94:10 (November 2006). Shi Lei, Guangzhou, oil painter: Yang Guoqin, Shi Lei: cong ziran, shehui dao renti de tantao`, Yishujie, 11/12-1998. Shi Xining: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003. Shu Mei: Binks, Hilary, In search of an idyll`, Asian Art News, vol.11, no.3, 2001. Song Tao: Ciric, Biljana, Us and Our Shanghai: A Dialogue Between Biljana Ciric and Song Tao, Yishu: Journal of Contemporary Chinese Art, Vol. 7 No. 5, September 2008, p.20-29 Su Xinping: Scarff, Julian, Down to the sea`, Asian Art News, vol.9, no.1, 1999; Shao Yiyang, Out of the Grasslands` Art & Asia Pacific, vol.3, no.2, 1996.

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Sun Liang, Wu, Lintian., Travels in the Mind`, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.72-77. Song Dong: Huangfu Binghui, Interview with Song Dong`, Yishu, vol.1, no.1, 2002; Wu Hung, Hou Hanru, Li Xianting, Leng Lin, Julia Walsh, et al., Song Dong and Yin Xiuzhen, New York: Chambers Fine Art, 2002; Goodman, Jonathan, 'Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue.; Thomas, Taliesin, Song Dong`s Creative Time Video`, ArtAsiaPacific, no. 48, 2006; Song Dong Beijing Tokyo Art Projects` (review), Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006. Song Kun: review, Artforum, vol. 45, iss. 5, 2007; interview, Seeking the Master But Not Meeting: Danielle Shang in Conversation with Song Kun`, Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009. Song Yonghong: Lü Peng, et.al., Song Yonghong, Beijing, Beijing Art Now Gallery, 2006 Su Xingping: Zhang Zhaohui, A Human Narrative`, Asian Art News, vol. 16, no. 6, Nov-Dec 2006; review, Asian Art News, vol. 15, no. 4, 2005; Findlay, Ian, A Singular View` in Asian Art News, Vol. 14, Number 5 (September/October 2004), pp. 76-80; review, Asian Art News, vol.11, no.1, 2001.; Goodman, Jonathan, Su Xinping: Allegories of Loss`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 10 ­ 17. Sui Jianguo, Beijing, CAFA, sculptor: Ma Qinzhong, Kaituo zhungguo dangdai diaosu de bunhua yujing, guanyu Sui Jianguo zuopin de fenxibaogao`, Yishujie, 7-1997; Sui Jianguo, Indu dangdai yishu zhong de Xianshizhuyizhe , Dongfang, no.3, 1995; Sui Jianguo, Fuzhuang de fuhao yu fuhao de fuzhuang`, Meishubao [Hangzhou], 8-3-1999; Dewar, Susan, Sui Jianguo and the sculptural dilemma`, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.; Chang Tsong-zung, A Secret Antmodernist: Sui Jianguo and His Retirement Project`, in Yishu. Journal of Contemporary Chinese Art, v. 7(3), May, 2008, pp. 10 ­ 21; Chang Tsong-zaung, A Secret Anti-modernist: Sui Jianguo and His Retirement Project`, in Yishu Journal of Contemporary Chinese Art, Vol. 7, No.3, May 2008, pp. 10-21. Sun Guojuan: [Kunming artist], Naked Truths`, in Asian Art News, v. 18(5), Sept/Oct, 2008, p. 84. Sun Jianping, Tianjin, oil painter: Sun Jianping Youhua Zuopinxuan, Tianjin, Tianjin Renmin Meishu Chubanshe, 1995. Sze Tsung Leong: review, Artforum, vol. 45, Iss. 1, 2006. Tan Bo: Brown, Glen R., Modern Vanitas` Asian Art News, vol.7, no.4, July/August 1997. Tang Maohong: Ciric, Biljana, I`m a Lazy Person: Interview with Tang Maohong`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. Tang Zhigang, Kunming / PLA, oil painter: Xie Junqin, Tang Zhigang: Yansu de youmo`, Yishujie, 9-101998; Han, Stephenie, Tang Zhigang at Hanart TZ Gallery`, Asian Art News, vol. 12, no. 4, July/August, 2002 Tian Liming Beijing CAFA, neo-traditionalist painter: Tian Liming, Tian Liming Kegao, Wuhan, Hubei Meishu Chubansha, 1998; Yin Jinan, preface, Tian Liming Huaji, Nanning, Guangxi Meishu Chubanshe, 1991. Tian Yibin: Cohn, Don L., Tian Yibin: In a Sea of Revolutionary Pixels`, ArtAsiaPacific, no. 50, 2006. Tseng Yuho/Ceng Yuhe: review, Asian Art News, vol.10, no.4, 2000 Wang Du, Paris, installation: Wang Du Magazine: je veux être un média, no.1, été, 2001, Paris, Design Metal.; Huang Liaoyuan, et.al., Wang Du, Beijing, Beijing Art Now Gallery, 2006; Gill, Rajdeep Singh, Media Ecologies and Landscapes: An Interview with Wang Du`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005; review, Artforum, vol. 44, Iss. 3, 2005. ; Sans, Jérôme, Ready to Launch. Wang Du`, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 144 - 149. Wang Fuyang: Zheng Huagai, He Was Such a Kind Person ­ Eulogistic Comments on Chinese Cartoonist Wang Fuyang, 1935 ­ 2003`, trans by Xu Ying, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 543 ­ 552.; Lent, John and Xu Ying, Editors Remembrances of Wang Fuyang`, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, p 553. Wang Gongxin: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pijnappel, Johan, Intuitive Reflections`, Asian Art News, Vol. 13,

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Number 2, March/April 2003; Pijnappel, Johan., Intuitive Reflections`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.74-77; Ambrozy, Lee, Wang Gongxin`, in Artforum. Vol. 47, Iss. 9, May 2009, p. 258. Wang Guangyi, oil painter: Zhongguo Meishubao, no.39, of 28.9.1987, review Art AsiaPacific, 33, 2002; Merewether, Charles, Smith, Karen, and Yan Shanchen, ed. Wang Guangyi, Hong Kong: Timezone 8, 2002 ; Smith, Karen, 'From Mao to Now', Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002; Merewether, C., On the Socialist Visual Experience: Interview with Wang Guangyi` in Wang Guangyi, Beijing: Timezone8 Books, 2002; Huang Zhuan, Visual Political Science: Another Wang Guangyi`, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 6-24. Wang Huaiqing: Zhang Zhaohui, In Search of the Unknown`, Asian Art News, vol. 15, no. 5, 2005.; Jia Fangzhou, A World of Contrasts ­ on Wang Hauiqing`s Modern Structure`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 31 ­ 34.; Sullivan, Michael, Some Thoughts About Wang Huaiqing`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), Jan, 2008, pp. 35 ­ 37. Wang Jiaxun, Jiangsu, painter, neo-tradtionalist painter: Chen Yanyi, Xianhua Wang Jiaxun de gusi cihua`, Yishujie, 9/10-1998. Wang Jianwei: Views on Contemporary Chinese Art`, Yishu, vol.1, no.1, 2002.; Huangfu Binghui., Wang Jianwei`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.58-62; Rehberg, Vivian., Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63.; David Ho Yeung Chan, Starting from Zero: Wang Jainwei`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 34 ­ 38. Wang Jiqian, New York, neo-traditionalist painter: Chang, A., The Landscape painting of Wang Jiqian`, Orientations, Janaury 1983. Wang Jin: Wu Hong, A Chinese dream by wang Jin`, Public Culture, 12.1, Winter 2000. Wang Jin, Feng Jiali: Dewar, Susan, In the eye of the beholder` ART AsiaPacific, no.15, 1997 Wang Keping, Paris, sculptor: Wang Keping, London, de Tilly-Blaru, 2001; Les Voies de la sculpture, Wang Keping, Paris, Jacques Barrère, 1999; Works by Wang Keping, Hong Kong, Hong Kong University of Science and Technology Center for the Arts, 1997. Wang Lang and Liu Xin Hua: Borysevicz, Mathieu, Wang Lang and Liu Xin Hua: Mission Accomplished`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 57 ­ 63. Wang Mai: Tung, David, Situating the Inaugural Beijing Dashanzi Art Festival: The Gateway of Infinite Wonders in Wang Mai`s Work` (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 104-106 Wang Peng: Carol Lu, et.al., Wang Peng, Beijing, 2006; review, Asian Art News, vol. 15, no. 6, 2005;. Erikson, Britta, A Spontaneous Release: Wang Peng Talks about His `84 Performance`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 80 ­ 87.Beijing, Photographer: Wang Qinsong, Wang Qinsong de sheying shijiao`, Yishujie, 9/10-1998; Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003. ; Wang Qingsong, Salon 94, New York` (review), Parachute, 117, 2005; Butt, Zoe and Albion Gallery, London, Wang Qingsong, Hatje Cantz, bilingual edition, 2006; Sanguine Splendour [Exhibition Catalogue], Beijing: Chinablue Gallery, 2007; Big China, Strong China: Alice Schmatzberger in Conversation with Wang Qingsong`, Yishu: Journal of Contemporary Chinese Art, Vol 8, No. 3, May/June 2009. Wang Tiande: review, Art in America, vol. 93, iss. 4, Apr 2005. Wang Tianliang, Fuzhou, Head Arts and Crafts Academy: Huan Gen, Wang Tianliang, gulao gongyi de shenmei zhuanhuan`, Yishujie, 11/12-1998 Wang Wei, Tinari, Philip., If It Isn`t Built, It Can`t Be Torn Down: Notes on Wang Wei`s Temporary Space`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73. Wang Xingwei: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003

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Wang Yin: Xie Wenxue, et.al., Wang Yin, Hong Kong, Timezone 8, 2006 (Distributor). Wang Youshen: Chiu, Melissa, Everyday Sightings: An Interview with Wang Youshen`, Art & Asia Pacific, vol.3, no.2; Wu, Hung, Wang Youshen` in Art Asia Pacific, Issue 37 (2003), p. 93 Wei Dong: Players in the Landscape`, Asian Art News, vol. 8, no.2, March/April 1998. Wei-Li Yeh: Low, Joni, Buried Treasures: An Afternoon with Wei-Li Yeh at the Cité Internationale des Art, Paris`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 64 ­ 76. Wei Qingji: Fan Di`an, et.al, Wei Qingji, Hong Kong, Timezone 8, 2006 (Distributor) Wen Lipeng, deceased, oil painter: Wen Lipeng, Wogu Zhixin: Xinzhongguo Youhua Sanshiwunian duan xiang`, Meishu, April, 1984. Weng Fen: Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003 Wong, Wuxie/Wucius: Binks, Hilary, A voyage between cultures`, Asian Art News, vol.9, no.3, 1999. Wu Gaozhong: Koskaya, Maya, Wu Gaozhong: Sites of Intimate Remembrance tha Get Under the Skin` in Yishu: Journal of Contemporary Chinese Art, vol. 8, no. 2, 2009. Wu Guanzhong: Lim Lucy, ed., Wu Guanzhong, a contemporary Chinese artist., San Francisco: Chinese Culture Foundation of San Francisco, 1989; Farrer, Anne, Wu Guanzhong, A twentieth century Chinese painter, London: British Museum, 1992; Wu Guanzhong, Ballingal, Sonja., A Master of Emotions`, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.56-63. Wu Shanzhuan, Hamburg, installation artist: Zhongguo meishubao no.115, of 5.10.1987, Meishu 8.1986. Wu Weihe, Weihe, Wu., Casting the Mold of Female Body and Identity: Reinterpreting Guang Lienü Zhuan (Biographies of Exemplary Women)...`, Sasha S. Welland (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.15-19. Wu Zuoren, deceased,oil painter and neo-tradtionalist painter: Gigliesi, P., Wu Zuoren`, Orientations, vol.12, no.4, April 1981; Wu Zuoren, Wu Zuoren huaji, Renmin meishu chubanshe, Peking, 1962. Xiao Guofu: Findlay, Ian Flirting with strangers`, Asian Art News, vol.10, no.4, 2000. Xiao Lu: Xiao Lu: The Confluence of Life and Art`, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 25-32. Xie Nanxing: Colonello, Nataline, et.al., Xie Nanxing: Paintings, 1992-2004, Beijing, China Art Archives and Warehouse, 2006 Xin Haizhou: Liao Wen, et.al., Xin Haizhou, Beijing, Beijing Art Now Gallery, 2006 Xing Danwen: Gu Zhen, Projecting the Reality of China through the Lens: On the Artistic Practice of Xing Danwen`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Maerkle, Andrew, Xing Danwen`s Chinese Fantasy`, ArtAsiaPacific, no. 49, 2006; Eswchenburg, M., Xing Danwen: Revealing the Masquerade of Modernity`, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, p.51-66. Xing Junqin: Forsyth, Graham, Hide and Seek`, Asian Art News, vol. 15, no. 2, 2005. Xiong Lijun: Zhang Zhaohui, A Look at Youth Culture` in Asian Art News, Vol. 14, Number 5 (September/October 2004), pp. 72-75 Xu Beihong, deceased oil painter: Ai Zhongxin, Xu Beihong yangjiu, Shanghai Renmin Meishu Chubanshe, 1981; Jiang Bihui, Huiyilu, Taibei, Huangkuan zazhishe, 1966, 1980; Liao Jingwen, Xu Beihong, Foreign Languages Press, Beijing, 1987 [and earlier Chinese editions]; Ma Fasi, Wode laoshi Xu Beihong`, Meishu Yanjiu, 1980, no.4; Xie Lifa, Xu Beihong, Taibei, Xiongshi Meishu, 1977; Wang, Eugene Yuejing, Xu Beihong and Chang Yu: sketch conceptualism as modernist contigency`, in Hearn, Maxwell; Smith, Judith G., eds, Chinese Art, Modern expressions, New York, metropolitan Museum of Art, 2001; Yang, Shu-hwang, Xu Bei-hong, Liu Hai-su, Lin Feng-mian, Thése de Doctorat, Université de Paris IV, 1986; Tan Hwee Koon, A Modern Voice In The Wake Of Nationalism`, , in Asian Art News, v. 18(4), July/August, 2008, pp. 98-101. Xu Bing, New York, installations, prints, peformances: Taylor, J.S., Non-sense in context: Xu Bing`s art and its publics`, Public Culture, vol.5, no.2, 1993 ; Wu Hong, A Ghost rebellion`: notes on Xu Bing`s Nonsense Writing` and other works`, Public Culture, vol.6, no.2, 1994; Feng Boyi, Dangdai xitong chule shenme wenti, xishujia Xu Bing fangtanlu`, Dongfang, no.5, 1996; Feng Boyi, Xu

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Zhang Zhaohui, Globalisation, Urbanisation, and New Chinese Art`, Huangfu, Binghui, Site+Sight: Translating Cultures, Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, LaSalle-SIA, 2002. Zhang Zhaohui, N12 at the Central Academy of Art Gallery` (review), Asian Art News, vol. 15, no. 2, 2005. Zhou Yan, Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary Chinese Art`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. Recent Ink Painting [see also by artist name] Erickson, Britta, The contemporary artistic deconstruction ­ and reconstruction ­ of brush and ink painting`, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003 Findlay, Ian, The Power of Ink`, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 84-91. Wear, Eric, Square Worlds, Round Paradigms: Contemporary Calligraphy in China`, , in ArtAsiaPacific, No. 58, May/Jun, 2008, pp. 114 - 121. Yao, Pauline J., Contemporary Ink: In Service of the Everyday`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 70 ­ 79. New Art Practices and New Media [see also under Photography, Performance] Berghuis, Thomas J., `Transcending Media` and the Role of Contemporary Art Practices in China in Mesh: New Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis Berghuis, Thomas J., Video-REAL: Video Art from China in Videozone: 3 ­ The 3rd International Video Art Biennial in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006 Berghuis, Thomas, Performance Art and its Constraints`, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 186-214. Huang Du, Outside the real: a new form of video art in China, Sydney, Gallery 4A, 1998 (review, Art AsiaPacific, 25, 2000 Lu, Carol, Clothes and Capsules: New Installation Art From China` in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), pp.94-96 Maerkle, Andrew, Furong Jiejie`s 15 Minutes`, ArtAsiaPacific, no. 48, 2006. Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005 Ou Ning, Revealing Keys to the Riddle of Reality: Moving Images of the Pearl River Delta From 1999 to 2003` in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 15-21 Ou Ning., Shadows of Time`, Simon Young (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.63-69. Pi Li, Chinese Contemporary Video Art` in Third Text, Volume 23, Issue 3 May 2009 , pp.303 ­ 307. Selected Exhibitions in China - 1990s-Present 1993 Gilbert & George, Nieuwenhuizen van, Martijn, Les Infos du Paradis ­ Gilbert & George in China` Parkett, No. 38, 1993 1994 Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan Meishuchubanshe, 1994. 1995 Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Women`s approach toChinese Contemporary Art, Beijing, Zhongguo Yishu Bowuguan, 1995, May. 1996 Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong Lingnan Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996]. Qiu Zhijie, Wu Meichun, Xianxiang/Yingxiang` luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu Wenxian, Hangzhou, The Authors, 1996.

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1997 Leng Lin, Feng Boyi, Qian Zhijian, Zhang Xu, Zhongguo zhi Meng, 97 ZhongguoDangdai Yishu, Beijing, Sungari International Auctions, 1997. Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a chronology for chiefly avant-garde and performance artsince 1986] Wu Meichun, 97 Zhongguo Luxiang Yishu Guanmo, Beijing, Zhongyang MeishuXueyuan Hualang, 1997. Zhu Qi, Xinyazhou, Xinchengshi, Xinyishu: 97 Zhonghan dangdai yishuzhan, Shanghai,Shanghai Dangdai Meishuguan, 1997. 1998 Feng Boyi, Cai Qing, Shengcun Hengji: 98 Zhongguo Dangdai Yishu NeibuGuanmozhan / Trace of Existence: A Private Showing of China Contemporary Art 98,Beijing, Art Now Studio, January 1998. 0431.1998 Luxiang, Dian`nao yishuzhan, Changchun, Jilinsheng Gongyeshiji Xuexiao, see Huang Yan in Yishujie, 11/12-1998. Huang Du, Kongjian yu Shijue/Space and Vision: The impression of transmuting dailylives in Beijing, 1998, Beijing, Dangdai Meishuguan, July Leng Lin, Shi Wo/It`s Me [unrealized], Beijing, Xiandai Yishu Zhongxin, November. Liao Wen, Liang Xing Pingdai` Yishu zhan (Personal Touch) Tianjin, Taida DangdaiYishu Bowuyuan, 1998. Fan Di`an et al, 98 [Fuzhou] Yataidiqu Dangdai Yishu Yaoqingzhan Zuopinji, Fuzhou, 1998. 98 Shanghai Meishu Shuang Nianzhan [review by Gu Zhengfeng, Tayue biangu deyichang sheng`, Jiangsu Huakan, no.1, 1999]. Jia Fangzhou, Lin Lin et al, Fanshi ­Zishen yu Huangjing zhan, Beijing, BeijingshiJianshe Daxue, November 1998. Pi Daojian et al, 90 Niandai Zhongguo Shiyan Suimo / Experimental Wash Painting ofChina in the 90s, Hong Kong, Shijie Huaren Meishu Chubanshe, 1998. Schneider, Eckhard R., et al, Chuantong / Fansi: Zhonguo dangdai Yishuzhan; ImSpiegel der Eigenen Tradition, Austellung Zeitgenössischer Chinesischer Kunst, Beijing, Botschaft der Bundesrepublik Deutschland, November 1998. [report by FengHuanian in Jiangsu Huakan, 2, 1999] Yin Shuangxi, Beijing Qingnian Diaosujia Zuopin Lianzhan, Beijing Qingnian Diaosujia Chuangzuo Yanjiuzu, 1998. Zhang Zhaohui, Shu Hewen, Pianzhi/The Corruptionists, Beijing, The Curators,November 1998. 1999 Chang, Tsong-zung, Fast>>Forward: New Chinese Video Art, Macao, Centro de ArteContemporãnea de Macau & Hong Kong, TZ Hanart, 1999. Zhang Xiaogang, ed., Shanghe Meishuguan 99 Xueshu Yaoqing zhan, Chengdu,Shanghe Meishuguan, [16th April to 15th May]. Zhang Zhaohui, Cong Zhongguochufa xin yishu zhan / Departure from China; A NewChinese Art Exhibition, Beijing, Shiji Bowuguan, 1999 [unrealized, catalogue includesa chronology for 1995-1999] Li Xianting, Fenbenyixi / Poly Phenolrene, Beijing, Bow Gallery [May 8th]. Xu Zhen, Yang Zhenzhong, Alexander Brandt, curators, Chaoshi / Art for Sale, [held inShanghai], Beijing, Xiandai Yishu Zhongxin. Wu Meichun, Qiu Zhijie et al, Houganxing: Yixing yu Wangxiang / Post sensibility:Alien Bodies and Delusion, Beijing, 1999. Wu Shixiong, Kong Ying, A Tour of Chinese Arts at the End of the the 20th Century, Beijing Xinshikong Club, Asian Games Village. 2000 Ai Weiwei, Feng Boyi, Buhezuo Fangshi /Fuck Off, catalogue, 2000 Gu Zhenqing, Yichang yu Richang / Unusual & Usual, Shanghai, Yuangong Xiandai Meishu Zhanlanguan, 2000 2001 Weng Lin, Towards a New Image: Twenty Years of Contemporary Chinese Painting, [bilingual] Beijing, Beijing Visual Art Development Co., Ltd., 2001 [Cai Jin, Ding Yi, Fang Lijun, Liu Wei, Liu Xiaodong,

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Luo Zhongli, Mao Yan, Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue Minjun, Yan Peiming, Yang Jiecang, Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong, Zhou Chunya]. Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX. Pijnapppel, Johan, Wang Jianwei, Material for Thinking`, Art Asia Pacific, No.34, 2002. 2002 [Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, Beijing Afloat at Beijing Tokyo Art Projects`, Asian Art News, vol. 13, no. 1, January/February 2003 Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002 Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House Lim, Michelle., History from Wood` (The Exhibition of Half a Century of Chinese Woodblock Prints: From the Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.60-65. Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House Stringa, Nico, Terrecotte Cinesi dalla 48a Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English essays by Dal Largo, Erickson, Stringa] 2003 [Chinese Maximalism] Yap, Chin Chin, Chinese Maximalism` in Art Asia Pacific, No. 38 (Fall 2003), p. 37 [Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun, Huang Yongping, Shen Shaomin)], Zhang, Zhaohui., Left Wing at Left Bank Gallery`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.76-77; Left Wing: An Exhibition of Contemporary Chinese Art` (Review) in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81 [Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, Themes and Variations`, in History` in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53 Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003 Li Xianting, Curator`s Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003 Scarlett, Ken., Changchun, China: to Confront or Confirm` in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.72. Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004 (Bilingual), Beijing, Renmin meishu chubanshe, 2003. Tetmajer, Xenia., The Power of the Public Realm at the 2500 Cultural Transmission Space` (review), in Asian Art News, Vol. 14, No. 2, March/April 2004, p.85. 2004 Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004 Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004 2005 Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005 2006 Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing, Arario Gallery, 2006 Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006 Chen Chieh-Jen, Hong Hao, et. al., Double ­Kick Cracker: An Exhibition of Chinese Contemporary Art, Beijing, Tang Contemporary Art, 2006 Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006 Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition of Contemporary Arts, Hong Kong, Timezone 8 (Distributor) Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor) Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006 Köppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006

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Kung, Samuel, ed., Entry Gate: Chinese Aethetics of Hetrogeneity: 2006 MoCA Envisage, Shanghai, Museum of Contemporary Art, 2006 Ng, Joseph, The Naked Truth: Six Chengdu-based Chinese Artists, Beijing, Tang Contemporary Art, 2006 Pi Li, Art Unforbidden: The Theme Exhibition of Art Beijing, Beijing, Tang Contemporary Art, 2006 Pi Li, et.al., In the View, Beijing, Tang Contemporary Art, 2006 Zhang Yonglin, ed., Second Shanghai Duolun Exhibition of Young Artists, Duolun Art Museum 2006 Zhu Qi, Woman in a Society of Dual Sexuality, Beijing, Tang Contemporary Art Gallery, 2006 2009 Navin Rawanchaikul, Super China!, Ullens Center for Contemporary Art, Beijing, [review in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, pp. 100-109]. Selected Exhibitions outside China 1989 Jean-Hubert Martin¸ Les Magiciens de la Terre, Centre Pompidou, 1989 [exhibited Huang Yongping, Gu Dexin, Yang Jiechang] 1990 Fei Dawei, ed, Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l`art & Editions Carte Segrete, 1990 1992 Chinese Mainland Artists Exhibition`(?), at California Institute of Art, September [report by Wang Shouzhi in Mingbao Yuekan, September 1993. 1993 Andrews, Julia, F.; Gao Minglu, Fragmented Memory: The Chinese Avant Garde in Exile Columbus, Ohio State University, Wexner Center for the Arts, 1993. 1995 Ballegeer, Jan Pieter, Ink and Light: Collision Dialogue Blending, Gent, Lineart, 1995. Wang Luyan, Chen Shaoping, Gu Dexin, Arbeit der Gruppe Neuer Maßstab (4), Berlin, New Gallery Association Wang Luyan, Chen Shaoping, Gu Dexin, Grup Xin Kedu (Nova Mida), Obra V 1996 Zhu Zhu, Zhongguo Banhua Jiezuo / Meisterwerke Chinesischer Grafik, Aachen, Ludwigforum für Internationale Kunst & Beijing, Zhongyang Meishuxeueyuan, n.d. [1996]. 1997 Another Long March: Chinese Conceptual and Installation Art in the Nineties, Breda, Fundament Foundation. Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INIVA, 1997. 1998 Colman, Julia; Bois, Ludovic, Chinese Contemporary, 96-98, London, Chinese Contemporary Limited, 1998. Fibicher, Bernard, Großschwanzelefan / Big Tail Elephant, Bern, Kunsthalle, 1998 Gao Minglu, ed., Inside Out, San Francisco, Musem of Modern Art & New York, Asia Society. Keusen, Elle; Schmidt, Inge; Weihs, Helge, Per Video, Köln, Museum Ludwig, 1998. Solomon, Andrew, China: 5,000 Years`, Artforum International, Vol.36, Issue 9, May1998. Werner, Chris; Qiu Ping; Pitzen, Marianne, Die Hälfte des Himmels, Bonn, Frauenmuseum, 1998. 1999 Asian Art Triennale, Fukuoka, 1999. Biennale di Venezia, 1999. Smith, Karen & Pi Li, Representing the People, Beijing, The Courtyard Gallery & Newcastle, Tyne and Weir Museums, 1999.

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Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Köln, Gothaer Kunstforum, 1999. Wu Hong, Transience: Chinese Art at the End of the 20th Century, The Smart Museum of Art, University of Chicago, 1999. Logan Collection, San Francisco, Limn Gallery, 1999. China 1999, San Francisco, Limn Gallery, 1999. Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by the Annie Wong Foundation), Bangkok, Art Gallery of Chulalongkorn University, 1999. Fu Shen, Nouveau reflets de la terre natale ­ six peintres de Taiwan, Paris, Centre Culturel et d`information de Taïpei à Paris, 1999. 2000 Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang Jiechang] Paris, ARC- Musée d`Art Moderne de la Ville de Paris, 2000 2001 Nuridstany, Michel, Next Generation / Art Contemporain d`Asie, Paris, [Galerie] Passage de Retz, 2001 Storer, Russell, Shanghai Star`, Art Asia Pacific, No.34, 2002. 2002 [Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002; Ullens, Baronn Guy F and Binks, Hillary, The Collecting Instinct`, Asian Art News, vol. 12, no. 4, July/August, 2002; Croës, Marcel, An Interview with Guy Ullens` [Paris-Pekin exhibition focus], Orientations, Volume 33, Number 8, October 2002 2003 [Alors la Chine?] Berghuis, Thomas J., Alors la Chine? Paris` (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp. 79-80 [Between Past and Future] Wu Hung, About Between Past and Future: New Photography and Video from China` in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, Sixty Ways of Looking at China` (Review) in Art in America (June/July 2004), pp. 124-129 [Chinese Maximalism] Yap, Chin Chin, Chinese Maximalism` in Art Asia Pacific, No. 38 (Fall 2003), p. 37 [Public Space and Personal Eyes ­ A New Vision in China] Vnuk, Gordana, Public Space and Personal Eyes ­ A New Vision in China (Catalogue) Hamburg: Kampnagel, 2003 [Rong Rong], Goodman, Johathan., Rong Rong`s East Village at Chambers Fine Art`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108. [Wang Wei], Tinari, Philip., If It Isn`t Built, It Can`t Be Torn Down: Notes on Wang Wei`s Temporary Space`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73. Chang, Tsongzung., A Strange Heaven: Contemporary Chinese Photography` (A Strange Heaven: Contemporary Chinese Photography), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.59-67. Chiu, Melissa., China Reinvented: The Art of Overseas Chinese Artists in the United States`, in Clark, John., Alors, la Chine?`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71 Geczy, Adam., Yang Jiechang` (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78. Goodman, Jonathan, Chen Zhen At P.S.1` (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.105-106. Goodman, Jonahan., Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art` (review), in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94. Goodman, Jonahan., Guo Brothers at Michael Goedhuis`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.98-100. Goodman, Jonathan., Tseng Kwong Chi at Chambers Fine Art`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.91-93. Heartney, Eleanor, One to One: Visions ­ Recent Photographs From China at Chambers` (Review) in Art in America (June/July 2004), pp. 172-173

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Köppel-Yang, Martina, The Ping-Pong Policy of Contemporary Chinese Art` in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 60-66 Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003. Lu, Carol, Chinese Pavilion Abolished` in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p. 51 Przerwa, Xenia Tetmajer Von., Too Much Flavor at Chambers Fine Art, New York` (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123. Pollock, Barbara, Mainland Dreams on Tape` in Art in America (June/July 2004), pp. 130-134 Ulrich Obrist, Hans, Madacity` (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 103 2004 Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation, 2004 Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004 Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago, Smart Museum of Art and The University of Chicago, 2004 2006 Cohen, Joan Lebold, Chinese Art on Edge` (exhibition review), ArtAsiaPacific, no. 51, 2007. de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam, NAI Publishers, 2006 Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery, University at Buffalo Art Galleries, and Millennium Art Museum, 2006 van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006 2007 Goodman, Jonathon, Breakout: Chinese Art Outside China`, in Yishu. Journal of Contemporary Chinese Art, v. 7(2), March, 2008, pp. 91 ­ 97. Haq, Nav, China Power Station: Part 1 ­ Serpentine Gallery Offsite Project at the Battersea Power Station`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 119 ­ 121. Mitchelson, Andrew, VITAL: International Chinese Live Art Festival ­ Reflecting on Contemporary Practices`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 111 ­ 118. Tinari, Philip, The Real Thing: Contemporary Art from China`, in ArtForum, vol. 46, no. 1, September, 2007, pp. 454 ­ 456. 2008 Art and China`s Revolution. [Exhibition Catalogue. Chiu, M. and Zheng Shengtian]. New York: Asia Society and Musuem, 2008. Silbergeld, Jerome, Double Vision: Art Out Of Joint` [Reason`s Clue], in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 64-72. Yao, Pauline J., `85 New Wave: The Birth of Chinese Contemporary Art`, Exhibition, Ullens Center for Contemporary Art, Feb. 2008, in Flash Art, Vol. XLI, No. 258, Jan-Feb 2008, p. 145 2009 Hatch, Michael, Outside In: Chinese x American x Contemporary Art, Review in Yishu. Journal of Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87. Hatch, Michael, The Third Mind: American Artists Contemplate Asia, 1860-1989, Review in Yishu. Journal of Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87. Lee, Sohl, Outside In: Chinese x American x Contemporary Art, in Yishu. Journal of Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87. The China Project. [Exhibition Catalogue comprising three exhibitions: Three Decades, The Contemporary Chinese Collection; Zhang Xioagang Shadows in the Soul, William Yang, Life Lines], Brisbane: Queensland Art Gallelry, 2009.

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Art Institutions ­ China (entries after 2005) Fouraux, Alain, Guangdong Museum of Art`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. Movius, Lisa, Shanghai gets Contemporary` Art in America, vol. 93, iss. 10, Nov 2005. Movius, Lisa, Art Centre Opens in Shanghai`, Art in America, vol. 93, iss. 6, Jun-Jul 2005. Norton, Lisa, Documenta 12 Magazines Feature on Education. A Response to the Yan`an Forum on Education in China` in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 57 - 61. Wallace, Brian, et.al., eds., To the Watchtower: Red Gate Gallery and Contemporary Art in China, Hong Kong, Timezone 8, 2007 (Forthcoming) Zheng Shengtian, Interview with Samuel Kung, Chairman and Director, Museum of Contemporary Art, Shanghai`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006. Chinese Graphic Art since the Late 19th Century to 1949 Barbizet-Lemmonnier, Laure. La colletion de gravures sur bois chinoises du Musee de Deux Guerres Mondiales, 1937 ­ 1948. Paris, Université de Paris, Bibliothque de documentation internationale contemporaine, 1981. Bo Songian, and Johnson, David. Domesticated Deities and Auspicious Emblems: The Iconography of Everyday Life in Village China. Berkeley: University of California at Berkely Chinese Popular Culture Project, 1992. Buck, P.S., China in Black and White, New York, Asia Press/John Day, 1944 Cathcart, Adam, Atrocities, Insults, and Jeep Girls: Depections of the U.S. Military in China 1945 ­ 1949`, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 140 ­ 154. Clark, John, Progress in Prints` Asian Art News, vol.7, no.1, Jan/Feb 1997 Dal Lago, Francesca, Between High and Low: Modernism, Continuity, and Moral Mission in Chinese Printmaking Practices, 1930 ­ 1945, Unpublished PhD Thesis, Institute of Fine Arts, New York University, 2005. Dixon, Christine, Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese Woodcuts in the National Gallery of Australia`, Art Monthly Australia, no. 193, September 2006. Dixon, C., Chinese Woodcuts of the Thirties and Forties, [checklist], Canberra, Australian National Gallery, 1987 Epstein, I., I visit Yenan, Bombay, People`s Publishing House, April 1945, [reproductions of woodblocks and New York Times reports of 1944]. Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see The woodcut movement, 1930-1943`, Chapter Four in his Oxford University Ph.D. thesis which was not included in this published version]. Flath, James A., Printing Culture in Rural North China, PhD diss., University of British Columbia, 2000 Flath, James, The Cult of Happiness: Nianhua, Art, and History in Rural North China. Vancouver, University of British Columbia, 2004. Flath, James. It`s a Wonderful Life`: Nianhua and Yuefenpai at the Dawn of the People`s Republic`, in Modern Chinese Literature and Culture, v. 6(2), Fall 2004, pp. 123 ­ 159. Goodrich, Anne Swann, Peking Paper Gods: A Look at Home Worship. Monumenta Serica Monograph Series no. 23. Nettetal, Steyler Verlag, 1991. Hung, Chang-Tai, Repainting China: New Year Prints (Nianhua) and Peasant Resistance in the Early Years of the People`s Republic`, in Comparative Studies in Society and History 42(4), October 2000, pp. 770 ­ 812. Hung, Chang-Tai, Twon Images of Socialism: Woodcuts in Chinese Communist Politics`, in Society for Comparative Studies of Society and History 1997, pp. 34 ­ 60. Kotzenberg,H., Der Revolutionäre Holzschnitt Chinas, Köln, Museum fürOstasiatische Kunst, 1987 Laing, Ellen Johnston, Art & Aesthetics in Chinese Popular Prints: Selections from teh Muban Foudnation Collection, Ann Arbor, Center for Chinese Studies The University of Michigan, 2002

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Laing, Ellen Johnston,`Reform, Revolutionary, Political and Resistance Themes in Chinese Popular Prints, 1900-1940`, Modern Chinese Literature and Culture, 12.2 Fall 2000. Laing, Ellen Johnston, Art and Aesthetics in Chinese Popular Prints. Selections from the Muban Foundation Collection. Michigan Monographs in Chinese Studies, v. 94, Ann Arbor, University of Michigan Press, 2002. Lent, John A. and Xu Ling, Cartooning and Wartime China: Part One ­ 1931 ­ 1945`, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 76 ­ 139. Lent, John A. and Xu Ying, Chinese Women Cartoonists: Historical and Contemporary Perspectives`, in International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 351-366. Lufkin, Felicity. Folk Art in Modern China, 1930 ­ 1945, Unpublished PhD Thesis, Berkeley, University of California, 2001. Lust, John, Chinese Popular Prints, Leiden, E.J.Brill, 1996. Machida Shiritsu Kokusai Hanga Bijutsukan, Yamanshi Kenritsu Bijutsukan hen, 1930nendai, Shanghai, Rojin, Machida, Machida Shiritsu Kokusai Hanga Bijutsukan, 1994 Tanya McIntyre, Chinese New Year Pictures: The Process of Modernization, 1842-1942, PhD thesis, University of Melbourne, 1998. Maison de la Culture Grenoble. 50 ans de gravures sur bois chinoises 1930 ­ 1980, Grenoble, Maison de la Culture, 1981. McIntyre, Tania, Chinese Nianhua: The Process of Modernization 1842 ­ 1942. Unpublished PhD Thesis, Department of Fine Arts, University of Melbourne, 1997. Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990 Pedersen, Bent L., Popular pantheons in od, China`, Jounral of Oriental Studies, 26.1, 1988. Rudova, Maria, Chinese Popular Prints, Leningrad, Aurora Art Publishers, 1988. Sun, Shirley Hsiao-ling, Lu Xun and the Woodcut Movement:1929-1936, Ph.D. diss., Stanford University, 1974 Sun , Shirely. Lu Hsun and the Chinese Woodblock Movement: 1929 ­ 1936. Unpublished PhD Thesis, Stanford University, 1974. Uchiyama Kakitsu, Nara Kazuo, Rojin to Mokkoku, Tôkyô, Kenbun Shuppan, 1981. Uchiyama Shoten to Uchiyama Kanzô`, Uchiyama, vol.3, no.9, Autumn, 1985. [A special issue of the house journal of Uchiyama Shoten with reminiscences and a chronology of Uchiyama Kanzô]. Van Briessen, F., Shanghai-Bildzeitung, 1884-1898, Zürich, Atlantis Verlag, 1977. Woodcuts of Wartime China, Hong Kong, Tiandi Tushu, 1978 Xiaobing Tang, Echoes of Roar, China! On Vision and Voice in Modern Chinese Art`, positions, vol. 14, no. 2, 2006. Chinese Graphic Art after 1949 [Ying Tianqi] Liu Xiaochun,`Out of Xidi and regeneration`, Asian Art News, vol.11, no.5, 2001 [Zhao Yannian] Zhang Zongren, In the eye of the storm`, Asian Art News, vol.9, no.6, 1999 Cathcart, Adam, Cruel Resurrection: Chinese Comics and the Korean War`, in International Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 37-55. Fraser, S.E., 100 Great Chinese Posters, London, Studio Vista, 1977. Grace, Helen., Xiandai Shufa`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41. Jiang, Joshua J. H., The Extermination or the Prosperity of Artists?`, in The Third Text, Vol. 18, Issue 2, 2004, p.169-182. Jiang Weipu, intr., Chinese Comics, Beijing, China Exhibition Agency, 1986. Lin Hong Ying and Tang Min, Finance Cartoons: A Way of Reviving Chinese Press Cartoons`, in International Journal of Comic Art, vol. 10, no. 1, Spring, 2003, pp. 513 ­ 521. Meissner,W., Holzschnitt im Neuen China, Berlin, Gesellschaft für Verständigung und Freundschaft mit China, 1976 Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990 Mui Chong-ki, Contemporary Chinese Woodcut Prints Exhibition, Hong Kong, Hong Kong ArtsCentre, 1986

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Pettifor, Steven, Contemporary Chinese Prints at Tang Gallery` (review) Asian Art News, vol. 15, no. 5, 2005. Riley, R., Modern Chinese Prints from the Central Academy of Fine Arts, Peking, Preston, Harris Museum and Art Gallery, 1987 Soetriyono, Eddy, The Evolution of China Realism at the Akili Museum of Art`, in C Arts. Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 34 ­ 38. Sun, S., Modern Chinese Woodcuts, San Francisco, Chinese Culture Foundation, 1979 Wachs, Iris & Chang Tsong-zung, Half a Century of Chinese Woodblock Prints, Ein Harod, The Museum of Art, 1999. Selected works on Modern Chinese Intellectual and Political History before 1949 Barmé, Geremie, The Garden of Perfect Brightness, a life in ruins` East Asian History, 11, July 1996. Barmé, Geremie, The Garden of Perfect Brightness: A Manchu Vision of China`, Visual Arts + Culture, vol.1, no.1, 1998. Cahill, J., Style as idea in Ming-Ch`ing painting`, in Meissner, M., Murphy R., eds, The Mozartian Historian, Berkeley, University of California Press, 1976 Ch`en, Jerome, China and the West, London, Hutchinson, 1979. Chang, Parris. Power and Policy in China. University Park, Pennsylvania State University Press, 1978.Chen, Jerome, Mao and the Chinese Revolution, London, Oxford University Press, 1965. Chow, Tse-tsung, The May Fourth Movement, Cambridge, Harvard University Press, 1960. Dai, Jinhua, Behind Global Spectacle and National Image Making` in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 161-186 Elvin, M., Mandarins and Millenarians: Reflections on the Boxer Uprising 1899-1900`, in Baker, H.D.R.; Feuchtwang, S., eds. An Old State in New Settings, Oxford, JASO Occasional Papers, no.8, 1991. Elvin, M., The Inner World of 1830`, Daedalus, Proceedings of the American Academy of Arts and Sciences, 120, 2, Spring 1991 Elvin, M. How did the cracks open? The origins of the subversion of China`s late-traditional culture by the West`, Thesis Eleven, no.57, May 1999. Fairbank, J.K. ed., The Cambridge History of China, 12, Republican China 1912-1949, Part I, Cambridge, Cambridge University Press, 1983, see chapters by Furth and Scwartz. Farquhar, Judith, For Your Reading Pleasure: Self-Health (Ziwo Baojian) Information in 1990s Beijing` in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 105-130 Feuerwerker, A., Murphy,R., Wright, M.C., eds., Approaches to Modern Chinese History, Berkeley, University of california Press, 1967. Friedman, Edward, A Failed Chinese Modernity`, Daedalus, vol.122, no.2, 1993 Fitzgerald, C.P., The Birth of Communist China, Harmondsworth, Penguin, 1964. Goldman, M., ed., Modern Chinese Literature in the May Fourth Era, Cambridge, Harvard University Press, 1977. Goodman, David S.G., Contesting the Popular: Party-State and Culture` in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 245-266 Hamrin, Carol L., Conclusion, in China`s Intellectuals and the State: In search of a New Relationship, Goldman M., Cheek T., Hamrin Carol L., eds., Cambridge, Council on East Asian Studies, Harvard University, 1987. Han, Suyin, The Crippled Tree, London, Jonathan Cape, 1965. Henriot, Christian, From myth to reality; Chinese courtesans in Late Qing Shanghai`, East Asian History, no.8, December 1994. Hevia, James L. World Heritage, National Culture, and the Restoration of Chengde` in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 219-243 Holm, David, Literary Rectification in Yenan`, in Essays in Modern Chinese Literature and Literary Criticism, W. Kubin and R. Wagner (eds.), Bochum, 1982, pp. 272 ­ 308.

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Barmé, Geremie R.; Jaivin, Linda, New Ghosts, Old Dreams, New York, Random House,1992. Barmé, Geremie R.; Minford, John, ed. and tr. Seeds of Fire, New York, Hill and Wang &Newcastle upon Tyne, Bloodaxe, 1989. Barmé, Geremie, Traveling heavy: the intellectual baggage of the Chinese Diaspora`, Problems of Communism, January-April 1981. Barmé, Geremie, Shades of Mao: the Posthumous Cult of the Great Leader, New York: M E Sharpe, 1996 [review: Davies in , ART AsiaPacific, no.15, 1997]. Birch, C., Literature under Communism` in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of China, vol. 15, The People`s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982, Cambridge, Cambridge University Press, 1991. Brugger, Bill, ed., Politics, Economy, and Society in Contemporary China, London, Macmillan, 1994. Chang Tsong-Zung, Revolutionary History and Spring, King, Align Month`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. Chen Pingyuan, Watanabe Hiroshi, Kyûjûnendai Chûgoku no Chishikikai , [tr OzakiFumiaki], Shisô, no.853, 7, 1995 Cheng, Nien, Life and Death in Shanghai, London, Grafton Books, 1986. Chu, Godwin, C., Popular Media in China, shaping new patterns, Honolulu, The University Press of Hawaii, 1978. Croizier, R., ed., China`s Cultural Legacy and Communism, New York, Praeger, 1970 Dai Jianhua, Redemption and Consumption: Depicting Culture in the 1990s`, Positions 4, no.1, 1996. Dirlik, Arif, Confucius in the boderlands: Global Capitalism and the reinvention of Confucianism`, Boundary 2, vol.22, no.3, Fall 1995. Dirlik, Arif; & Zhang Xudong, eds., Postmodernism and China`, Special Issue of Boundary2, vol.24, no.3, Fall 1997; later expanded and published as a book: Postmodernism and China, Durham, Duke University Press, 2000. Dutton, Michael, Streetlife China, Cambridge, Cambridge University Press, 1998 Feuerwerker, Y.M., Ding Ling`s Fiction, Cambridge, Harvard University Press, 1982. Feuerwerker, Yi-tsi Mei. Ideology, Power, Texts, Self-Representation and the Peasant Other`` in Modern Chinese Literature. Stanford, Standford University Press, 1998. Fokkema, D., Creativity and Politics` in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of China, vol. 15, The People`s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982, Cambridge, Cambridge University Press, 1991. Fokkema, D.W., Literary Doctrine and the Soviet Influence, 1956-60, The Hague, 1966 Friedman, Edward, A Failed Chinese Modernity`, Daedalus, vol.122, no.2, 1993 Galik, Marian, Main Issue in the Discussion on National Forms` in Modern Chinese Literature`, in Asian and African Studies 10, 1974, pp. 97 ­ 111. Gao Xingjian, The Voice of the Individual` (1993), The Stockholm Journal of East Asian Studies, vol.6, 1995, p.81. Goldman M. & Lee Ou-fan eds., An Intrellectual Historyof Modern China, Cambrdieg: Cambridge University

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Goldman, M., The Party and the Intellectuals`, and `The Party and the intellectuals: phase two`, in MacFarquar R., Fairbank, J.K., eds, The Cambridge History of China, vol 14, The People`s Republic, part 1: The Emergence of Revolutionary China, Cambridge, Cambridge University Press, 1987. Goldman, M., China`s Intellectuals, Cambridge, Harvard University Press, 1981 Goldman, M., Literary Dissent in Communist China, Cambridge, Harvard University Press, 1967. Goldman, M., The fall of Chou Yang`, The China Quarterly, no.27, 7-9, 1966. Greider, J.B., Intellectuals and the State in Modern China: A Narrative History, New York, The Free Press, 1981. Harding, The Chinese State in Crisis`, in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of China, vol. 15, The People`s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982, Cambridge, Cambridge University Press, 1991. Hsu, C.Y., China Without Mao, London, Oxford University Press, 1982.

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Jiang, Joshua J.H., The Extermination or the Prosperity of Artists? ­ Mass Art in Mid-Twentieth Century China in Third Text, Vol. 18, Issue 2, 2004, pp. 169-182 Lee, M; Syrokomla-Stefanowska, A.D., eds., Modernization of the Chinese Past, Sydney, Wild Peony, 1993. Leys, S., [Pierre Ryckmans], The Chairman`s New Clothes, London, Alison and Busby, 1977, Leys, S., [Pierre Ryckmans], Broken Images, London, Alison & Busby, 1979. Leys, S., [Pierre Ryckmans], Chinese Shadows, New York, Viking, 1977. Li Tuo, Mao Style and its Political Institutionalization`, 1993, see Wang Jing, p.314. Liberthal, K.G.; Dickson B.J., A Research Guide to Central Party and Government Meetings in China, 19491986, Armonk, M.E. Sharpe, 1989. Lifton, R.J., Revolutionary Immortality: Mao Tse-tung and the Chinese Cultural Revolution , New York, Vintage Books, 1968. Lifton, R.J., Thought reform and the psychology of totalism, London,Victor Gollancz, 1962. Liu Kang, Aesthetics and Marxism, Durham, Duke University Press, 2000. Liu Kang, Aesthetics and Chinese Marxism`, Positions, vol.3, no.2, 1995 Liu Kang, Post-modernism in China`, Public Culture, vol.4, no.1, 1991. Liu Kang, and Xiaobing Tang,, (eds.) Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique, Durhan and London, Duke University Press, 1993 Lu Sheldon Hsiao-peng, Art, Culture and Cultural Criticism in Post-New China`, New LiteraryHistory, vol.28, 1997 Lu Sheldon Hsiao-peng, Postmodernity, Popular Culture, and the Intellectual: A report on PostTian`anmen China`, Boundary 2, vol.23, no.2, 1996 Macfarquar, R., ed., China Under Mao: Politics takes Command, Cambridge, The MIT Press, 1966. Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 14: The People`s Republic, Part I: The Emergence of revolutionary China 1949-1965, Cambridge, Cambridge University Press, 1987, see two chapters by Goldman. Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 15: The People`s Republic, Part 2, Revolutions within the Chinese Revolution, 1966-1982, Cambridge, Cambridge University Press, 1991, see chapters by Fokkema, Whyte, and Birch. Macfarquar, Roderick, ed., The Politics of China, 2nd edition, Cambridge University Press, 1997. McDougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California Press, 1984. McDougall, B., Mao Zedong`s Talks at the Yanan Conference on literature and art a translation of the 1943 text with commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980 . Otani Ichirô, et al, hen, Tenkeiki ni okeru Chûgoku Chishikijin, Jiko Shoin, 1999. Pickowicz, Paul, Ch`ü Ch`iu-pai and the Chinese Marxist Conception of Revolutionary Literature and Art`, in Chinese Quarterly 70, June 1977, pp. 298 ­ 301. Schram, S., Mao Tse-tung, Harmondsworth, Penguin, 1967. Schram, S.R., The Political Thought of Mao Tse-tung, New York, Frederick A. Praeger, 1963. Spence, J., The Gate of the Heavenly Peace: The Chinese and their revolution, 1895-1980, New York, Viking Press, 1981, and London, Faber and Faber, 1982. Tang Xiaobing, Decorating culture: Notes on Interior Design, Interiority, and Interiorization`, Public Culture, vol.10, no.3, Spring 1998. Tang Xiaobing, Orientalism and the question of Universality: The language of Contemporary Chinese Literary Theory`, Positions, vol. 1, no.2, 1993. Tang Xiaobing, The function of new theory: what does it mean to talk about post-modernism in China`, Public Culture, vol.4, no.1, 1991. Tang Xiaobing: Global space and the nationalist discourse of modernity: the historicalthinking of Liang Qichao, Stanford, Stanford University Press, 1996 Teiwes, F., Sun, W., The Road to Disaster: Mao, Central Politicians and Provincial Leaders in the emergence of the Great Leap Forward, 1955-1959, Armonk, N.Y., M.E.Sharpe, 1997.

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Teiwes, F., Sun, W., The tragedy of Lin Biao, riding the tiger during the cultural revolution, London, C.Hurst & Bathurst, Crawford Publishing, 1996. Van Crevel, M., Language Shattered: Contemporary Chinese Poetry and Duoduo, Leiden, Research School CNWS, 1996. Wang Gongwu, Annual Sir Herman Black Lecture of the Research Institute for Asia and the Pacific, University of Sydney, 1993. Wang Hui, China`s New Order: society, politics, and economy in transition, Cambridge, Mass.,: Harvard University

Press, 2003.

Wang Hui, Zhang Taiyan, the Individual and Modern Identity in China`, The Stockholm Journal of East Asian Studies, vol.7, 1996 Wang Jing, High Culture Fever, Politics, Aesthetics and Ideology in Deng`s China, Berkeley, University of California Press, 1996. Wang Jing Culture as leisure and culture as capital`, positions: east asia cultures critique,vol. 9, no.1 Spring 2001. Wang Jing, introduction to Special Issue: Chinese popular culture and the state`, positions: east asia cultures critique, vol. 9, no.1 Spring 2001. Wei Jingsheng, The courage to stand alone, New York, Viking, 1997. Xu Ben, From Modernity to Chineseness: The Rise of Nativist Cultural Theory in Post-1989 China`, Positions, vol.6, no.1, 1998. Xu, Ben, The Cultural Revolution and Modernity: the contradictory political implications of postmodernism in China in Journal of Contemporary China, 8 21 (1999), pp. 241-261 Zha Jianying, China Pop, New York, New Press, 1995. Zhang Xudong, Chinese Modernism in the Era of Reforms, Durham, Duke University Press, 1997. Women, Gender and Art Bryan, kate, The Personal Creative process`, [grouop show by 14 female artists in Hong Kong], in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 80-81. Croizier, Ralph, Nine Straws in the Wind`, [Young women artists in Beijing], Third Text, 31, Summer 1995. Dai Jinhua, Gender and Narration: Women in Contemporary Chinese Film`, in Jing Wang and Bralow, Tani E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, London and New York, 2002, pp. 99 - 138. Dal Lago, Francesca, A Silent Revolution? Chinese Women`s Art in Beijing`, Art AsiaPacific, No.21, 1999. Xu, Hong, Dialogue; the awakening of women`s consciousness`, Art & Asia Pacific, vol.2, no.2, 1995. Xu, Hong, The Spotted Leopard`, Art & Asia Pacific, vol.1, no.2, 1994. Web Resources There are a large number of web sites dealing with contemporary Chinese art. For updates links see in particular the Asian Art Archives links page given under the Web Resources section. Websites: [some of these sites close down after a period] http://www.artbeatus.com Published by Artbeatus Gallery, Vancouver and Hong Kong. http://art.great-china.com/gallery.html Japan site, mostly in Chinese, titled Chinese Art Gallery. http://www2.artnet.com/ecohen.html Ethan Cohen Fine Art -Contemporary & Emerging Asian Artists gallery. http://www.asianartnow.de Leading continental European gallery focusing on Chinese contemporary art. http://www.asiasociety.org/arts/insideout/ Asia Society online section on the groundbreaking Inside Out exhibition.

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http://www.CCAA-association.org Chinese ContemporaryArt Association (Switzerland). http://www.chinaheritagequarterly.org/ Quarterly on heritage and history issues from ANU, Canberra http://www.chinese-art.com Chinese Contemporary Art Bulletin http://www.connect-arte.com/archive/china/chinac.htm Image archive of top name artists. http://egg.tokyoweb.or.jp/comdex/newcc/new/guide.htm Japan since early 1997, New China Cybertown. http://www.hanart.com TZ Hanart Gallery (Hong Kong), contemporary art from the mainland. http://kaladarshan.arts.ohio-state.edu/exhib/gug/intr/china.html Ohio State University works of Guggenheim exhibition, China: 5000 Years`. http://www.redgategallery.com Red Gate Gallery, Beijing. http://www.shanghart.com Shanghart Gallery in Shanghai. http://www.stanford.edu/dept/art/china/ Britta Erickson bibliography. http://www.the-people.org Chinese Arts Centre London.

CHINA-HONG KONG AND MACAO

General Web site of Hong Kong Art Archive which includes bibliography: http://web.hku.hk/~hkaa/ Supplement: Hong Kong, Macau, China`, Asian Art News, vol.3, no.3, May-June 1993. Abbas, M. A., Hong Kong: culture and the politics of disappearance, Minneapolis: University of Minnesota Press, 1997. Acret, Susan., An Archive of Visions`, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.68-69. Art`78, Hong Kong, Fung Ping Shan Museum, 1978 Art`81, Hong Kong, Fung Ping Shan Museum, 1981 Benson and Hedges, Selection of Hong Kong Art, Hong Kong, Arts Centre, 1981. Chang, Tsong-zung, A pact of separate peace`, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993. Chang, Tsong-zung, Art and art dealing in Hong Kong and Taipei`, Art Monthly , 40, May 1991. Chang, Tsong-zung, Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art`, Renditions, 1988. Chang, Tsongzung., Economic Downturn in Hong Kong Breathes New Life into culture`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.73. Chen, M., Ten Years of Hong Kong Painting, Hong Kong, Arts Centre, 1987 Cheng, Scarlett, At the cutting edge`,[on women artists], Asian Art News, July/August 1994. Clarke, David, Aspects of Art and Public Space in Hong Kong during the Handover Period. TAASA Review 8:1 March 1999 Clarke, David, Between East and West; Negotiations with Tradition and Modernity in Hong Kong Art`, Third Text [to appear 1995] Clarke, David, Hong Kong Art and the transfer of sovereignty`, Journal of the Oriental Society of Australia, vol. 29, 1997. Clarke, David, Insular Expressions: Art in Hong Kong`, Art Monthly Australia, no.17, December 1988.

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Clarke, David, Art & Place: Essays on art from a Hong Kong perspective, Hong Kong, Hong Kong University Press, 1996 [review: Clark, Art AsiaPacific, no.18, 1998. Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001. Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1989 Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1979, 1981, 1989 Fung, Anthony,Hong Kong as the Asian and Chinese Distributor of Pokemon`, in International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 432-448. Ho, H-K., Turn of a Decade: A new generation of artists in the 80s, Hong Kong, Arts Centre, 1989 Joliffee, H., Macau Marvels`, Asian Art News, vol.4, no.6, Nov-Dec 1994. Júnior, Antonio Conceicão., Contemporary Art in Macao`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.70-73. Kee, Joan, Art, Hong Kong, and Hybridity: A Task of Reconsideration`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.90-98. Lamain, Kitty, Art at the handover` [London exhibition reviews], Art AsiaPacific, no.17, 1998. Lau, Jaspar K. W., Documenta 12 Magazines Feature on Education. Potentially Wise ? The Boom in Hong Kong Contemporary Arts Education`, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 103 ­ 110. Lau, Jaspar K. W., HistoriCITY ­ A Roundtable on Art Historical Writing in and on Hong Kong`, in Yishu. Journal of Contemporary Chinese Art, v. 7(1), January, 2008, pp. 38 ­ 51. Lee, Quentin, Delineating Hong Kong` Intellectuals: speculations on intellectual problematics and Post / Coloniality`, Third Text, 28/29, Autumn/Winter 1994. Leung, Po Shan, In Anticipation of Men`s Art: Re-reading Women`s Art in Hong Kong`, Sasha S. Welland (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.8-14. Ma, Eric Kit-Wai, Re-Advertising Hong Kong: Nostalgia Industry and Popular History` in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 131-159 Ma Lin et al, Contemporary Chinese Painting, Hong Kong, Chinese University of Hong Kong, 1986 Man Fung-yi and Mok Yat-san, Space Constraints and Re-creation: Interchangeability between Outdoor Sculpture and Public Art in Hong Kong`, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp. 167 ­ 179. Mok, Patrick, The Invisible City`, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp. 135 ­ 153. Pai, Maggie, Perspectives on 20th century Chinese Painting`, [Xubaizhui International Symposium], Asian Art News, vol.6, no.1, Jan/Feb 1996. Tam, L.S., Hong Kong Artists: The Early Generation, Hong Kong, Urban Council, 1978 Tam, L.S., Urban Council Art Award Winners, Hong Kong, Urban Council, 1978 Tan Zhicheng, Dangdai Xiangang Yishujia Shuangnianzhan Xiangang Shizhengju 1979 Tan Zhicheng, Xiangang Qianbei Yishujia, Xiangang Shizhengju, 1978 Turn of a Decade: A New Generation of artists of the Eighties, Hong Kong, Arts Centre, 1989. Visual Art Society Annual Exhibition, Catalogue, Hong Kong Arts Centre, 1979. Visual Arts Society, Annual Exhibition, Hong Kong, Arts Centre, 1979 Wong, A., Hong Kong Arts Centre Inaugural Exhibition, 1977 Wong, Wendy Siuyi, and Cuklanz, Lisa M., The Emerging Image of the Modern Woman in Hong Kong Comics of the 1960s & 1970s`, in International Journal of Comic Art, vol. 2, no. 2, Fall, 2000, pp. 33 ­ 53. Individual Artists Chan Gaylord: review, Asian Art News, vol.9, no.6, 1999 Chan Kouchiang: Oliva, Achille Bonito. Between East and West.` Asian Art News 8:6 November/December 1998 Chan, David T.W.: Findlay, Ian, the breath of the dragon`, Asian Art News, vol.10, no.1, 2000 Chan, Gaylord: Thompson, Jonathan, The Romantic Raconteur`, Asian Art News, vol. 15, no. 6, 2005.

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Chan, Luis: Clarke, David, Psychic Decolonization` Art Asia Pacific, vol.3, no.4, 1996. Chan, Paul: review, Asian Art News, vol. 16, no. 5, 2006; review, Artforum, vol 46, iss. 5, Jan 2005; Bellini, Andrea, Paul Chan: Where Form Ends and Content Begins`, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005; review, Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005. Chen Fushan/Luis Chan: Lai, Mei-Lin, A Short Review of From Reality to Fantasy: The Art of Luis Chan`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Chen Fushan de shijie, Taibei, Xiongshi Meishu, 1973/4 Chen Fushan / Luis Chan, The World of Luis Chan, Singapore, National Museum, 1987; Chen Fushan/ Luis Chan, Luis Chan: Fifty Years of Artistic Career, Hong Kong, Urban Council, 1984 Chen Yusheng: Gaylord Chan Hong Kong, Han Art 2, 1989 Chen, Michael: Michael Chen, Hong Kong, Arts Centre, 1980 Chiu, Caroline: Caroline Chiu: A Chinese Wunderkammer` (review), ArtAsiaPacific, no. 47, 2006; review, Asian Art News, vol. 15, no. 1, 2005. Choi Tsang Tsou: Clarke, David, Suspended in Ambivalence`, Art AsiaPacific 29, 2001; Thomson, Jonathan, A Vision From the Margins`, Asian Art News, Vol. 13, Number 2, March/April 2003 Choi Yan-chi: Choi Yan Chi`s Painting , 1976-1986, and works of art in dialogue with poetry and dance, Hong Kong, Department of Fine Arts, University of Hong Kong, 1987; Senn, Rolf, Th., Turner, Mathew, Choi Yan-Chi, Künstler der Welt Series from Haus der Kulturen der Welt, Stuttgart, Edition Cantz, 1993. Chris Chan: Thomson, Jonathan, Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49 Chu Hing-wah: Binks, Hilary, Poignant Interactions`, Asian Art News, vol.9, no.1, 1999 Chu Honsun: Chu Honsun, Hong Kong, Arts Centre, 1983 Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung: Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung Hong Kong, Arts Centre, 1981 Ding Yanyong; Only a Lifework would a triumph score, Hong Kong Plum Blossoms Gallery , 1988; Wang Runsheng, Ding Yanyong zuopin huiguzhan, Xiangang, Yishuzhongxin, 1979. Fang Zhaoling, Hong Kong, Fang Zhaoling, 1981; Clarke, David, The insufficiency of tradition; paintings by Fang Zhaolin and Chu hing-Wah`, Art & Asia Pacific, vol.2, no.3, 1995 Fung Ming Chip: Fung Ming Chip` (exhibition review), ArtAsiaPacific, no. 49, 2006; Serfaty, Paul Chinese tradition in the Modern World`, ArtAsiaPacific, no. 43, 2005. Fung Ming-Chip: Binks, Hilary, Reordering tradition`, Asian Art News, vol.11, no.6, 2001 Ha Bikchuen: Findlay, Ian., A Singular Life`, in Asian Art News, Vol.13, No.1, January/February 2003, p.68-69. Ha Bik-chuen: Pong, Melanie, Sculptor at Work`Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995; Findlay, Ian, Ha Bik-chuen at Grotto Fine Art, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002; Findlay, Ian, A Singular Life`, On Ha Bik-Chuen, Asian Art News, vol. 13, no. 1, January/February 2003 Henderson, Gerald: Binks, Hilary, Art and Alchemy` Asian Art News, vol.7, no.4, July/August 1997. Ho, Oscar: Millichap, John, The Problem with Politics: An Interview with Oscar Ho`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Hon, Chi-fun: Thompson, Jonathan, Cycles of Time` Asian Art News, vol. 16, no. 1, 2006. Hu Yongkai: Binks, Hilary, Refinine Nostalgia`, Asian Art News 9:1 1999 Kan Taikeung, Kan Taiqiang huaji, Xinshiyushe, Xianggang, 1979 Kong Ho: Brown, Glen R., Toward Complexity`, in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp. 54-57 Koo Mei: Koo Mei, Hong Kong, City Hall, 1980; Koo Mei, Hong Kong, Arts Centre, 1981 Kwong Yeu ting: Kwong Yeu Ting, Hong Kong, Arts Centre, 1983 Lai, Victor: Binks, Hilary, The pursuit of emotion`, Asian Art News, vol.10, no.2, 2000 Lam, Dominic Man-Kit: Binks, Hilary, Towards simplicity and spirituality`, Asian Art News, vol.11, no.1, 2001

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Lam, Dominic Man-Kit: Thompson, Jonathan, Opening Doors of Perception`, Asian Art News, vol. 16, no. 1, 2006. Lau Pee-yee: Lau Pui-Yee`, Asian Art News, 2, no.1, Jan/Feb 1992. Lau Tin-yum: Lau tin-yum, Hong Kong, Arts Centre, 1983. Lee, Aries: Aries Lee, Hong Kong, The artist, 1984 Leung Chi-wo, Tsang Tak-ping, Sara Wong Chi-hang, Young Hay: Kember, Patricia, et al, Moving Violations, Hong Kong, Asian Art Archives, 2002 Leung Chiwo: Thomson, Jonathan, The Negative Horizon`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.54-59. Leung Mee Ping: Huangfu, Binghui, Leung Mee Ping` in Art Asia Pacific, Issue 37 (2003), p. 59 Liu Jian: Millichap, John, Climbing the mountain` Asian Art News, vol. 7, no. 3, Lü Shoukun: Findlay, Ian., Lü Shoukun at the Hong Kong Museum of Art` (review), in Asian Art News, Vol. 13, No. 3, May/June 2003, p.71-72. Lü Shoukun: Lai Mei-lin, The Early Life and Art of Lü Shoukun`, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp. 89 - 116. Lui Chun Kwong: Thomons, Jonathan, Stripes of Contemplation`, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.68-71. Lui Shou-kwan, Landscape Paintings by Lui Shou-kwan, Hong Kong, Fung Ping Shan Museum, 1985. ; Wucius Wong, Lui Shou-kwan, 1919-1975, Hong Kong, Lui Mui Sin-ping, 1979 Mak Yuhin: Hong Kong, Arts Centre, 1983 Mak, Antonio, Hin-yeung:, Asian Art News, 2, no.4, Jul/Aug 1992. Mak, Antonio: Clarke, David, An invitation to words; The sculpture of Antonio Mak`, Art & Asia Pacific, vol.2., no.3, October 1994; Thomson, Jonathan, New Encounters`, in in World Sculpture News, vol 15, no 1, Winter 2009, pp.34-37 Mark Yee Fun: Recent Pottery of Mark Yee Fun, Hong Kong, Arts Centre, 1983 Nancy Chu Woo: Asian Art News, 2, no.3, May June 1992. Ong, Jimmy: review, Art AsiaPacific 28, 2001 Pan Xing Lei: Chen, Shieh-Wen, When Art Clashes in the Public Sphere ­ Pan Xing Lei`s Strike of Freedom Knocking on the Door of Democracy in Hong Kong`. Po Chung: review, Asian Art News, vol. 15, no. 1, 2005. Ren Rong: Binks, Hilary, Shifting the limits` Asian Art News, vol. 7, no. 3, May/June 1997. Sah, Cynthia: Asian Art News, 2, no.4, Jul/Aug 1992. Shieh, Wilson: Chiu, Caroline, Where I Work ­ Wilson Shieh`, ArtAsiaPacific, no. 49, 2006; Goodbody, Bridget, Wilson Shieh: Perhaps, Perhaps, Perhaps`, ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15, no. 4, 2005. Shieh, Wilson: Findlay, Ian, The magic of fine line`, Asian Art News, vol.11, no.6, 2001 Shircore, Pat Elliott: Hacker, Arthur, [The past in process` Asian Art News, vol.7, no.5, 1997. Su Angela Sai Kee: Kember, Pamela., From Science to Art`, in Asian Art News, Vol.13, No.1, January/February 2003, p.64-67. Su, Angela Sai Kee: Kember, Pamela, From Science To Art`, On Angela Sai Kee Su, Asian Art News, vol. 13, no. 1, January/February 2003 The Para/Site Collective: Para/Site Art Space, Navigating the dot`, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003; Thomson, Jonathan., The Collective Mind`, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.40-43.;Chan, Kaiyin., Kan Liang Yee-Woo Evelyna, Lau Kin-Wah Jaspar, Leung Wan-Yee Janice, Leung Chin-Fung Jeff, Li Man-Wai Tim, Man Ching-Ying, Phoebe, Tamshui, Tsang Tak-Ping, Wong Chi-Hang Sara, Yeung Yang, Para/Site Collective`, Lin, Shumin, Limbo Zone`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p19-20. Ting Yen-yung [Ding Yanyong], Hong Kong, Arts Centre, 1979 Ting, Walasse: Millichap, John, Against the Tide`, Asian Art News, 9:1 1999

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Toh Kee-cheung: Lee, Jack, Toh Kee-cheung`s Biography in Brief`, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp. 63 ­ 70. Tsang Kin Wah: Tsang Kin Wah` (review), ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15, no. 4, 2005. Tsang Tsou Choi: Thomson, Jonathan., A Vision from the Margins`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.48-51. Tse Kui Ying: Hong Kong, Arts Centre, 1979 Tung Hing Yee: review, Asian Art News, vol.9, no.5, 1999 Van Lau: Sculpture of Hong Kong Space Museum, 1978? Wong Alan: Alan L. Wong, Hong Kong, City Hall, April 1962; Alan L. Wong, Hong Kong, City Hall, October 1963 Wong Hung-fei: Lee, Patrick: Binks, Hilary, Visions dark, dreams fantastic`, Asian Art News, vol.9, no.1, 1999 Wong Wai Yin: Thomson, Jonathan, Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49 Wong Yan Kwai / Yank Wong: review, Asian Art News, vol.9, no.5, 1999 Wong, Alan: Binks, Hilary, A poet among painters`, Asian Art News, vol.9, no.3, 1999 Wong, Yank: Victor Lai, Yank Wong`, Asian Art News,vol.5, no2., March/April 1995. Woo, Nancy Chu: Watson, Robert C., The dynamics of nature`, Asian Art News, vol.11, no.2, 2001 Wu Francis: Francis Wu, Hong Kong, Arts Centre, 1980 Wu, Annie: review, Asian Art News, vol.9, no.5, 1999 Wucius Wong [Wang Wuxie]: Janus of the Chinese Vision`, Orientations, September 1976; The Inscapes of Wucius Wong`, Orientations, May 1980 ;Wucius Wong, Hong Kong, Museum of Art, 1979; Wucius Wong, New York, Hanart, 1989, Binks, Hilary, A Voyage Between Cultures`, Asian Art News 9:3 1999; Chang, Arnold, Ring of Fire: The Art of Wucius Wong, New York, Kaikodo, 1998; Findlay, Ian, The Need for Change` (interview with Wucius Wong), AsianArtNews, Vol. 19 No. 1 January/February 2009, p. 88. Yeung Yick-Chung, Hong Kong, Arts Centre, 1983 Young Hay: Ming Wai Jim, Alice, Interview with Young Hay` in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 73-82 Yu, Francis: Kember, Patricia, Body language`, Asian Art News, vol.12, no.3, 2002 Yu, Francis: review, Asian Art News, vol.12, no.2, 2002 Yuen Manhua: Eva Yuen, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979; Eva Yuen, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980 Zhu Xinghua: Chu Hing-wah, Hong Kong, Institute for the Promotion of Chinese Culture, 1988 Hong Kong Ink Painting Cheung, Lucia in Asian Art News, 2, no.5 Sept/Oct 1992. Artists and Art - Contemporary Chinese Paintings, Hong Kong, Urban Council, 1989 Calligraphy by Contemporary Chinese Masters, Hong Kong, Arts Centre, 1981 Chou, Irene, Boccaccio`s Decameron: Paintings on Silk by Irene Chou, Hong Kong, Faramir Ltd., 1976; Kirker, Anne, catalogue entry in Turner, C. ed. The First Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland Art Gallery, 1993; Collector`s Choice: The Cosmic Vision of Zhou Lüyun, Hong Kong, Cat Street Galleries, 1995; Kirker, Anne, Poised in Equilibrium`, Art & Asia Pacific, vol.1, no.2, 1994; Irene Chou, [pamphlet], the artist, n.d.1970s Ink painting of Hong Kong, Hong Kong, Urban Council, 1987 Oil Painting, Prints and Related Mixed Media Syllabus for Art and Design, Hong Kong, Curriculum Development Committee, Forms I-III, 1975, Forms IV-V, 1978,

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Sculpture and Ceramics Clarke, David, Censorship in Hong Kong`, Art & Asia-Pacific, vol.3, no.1, 1996. Hong Kong Pottery Today, Hong Kong, Urban Council, 1984 Findlay, Ian, Patterns of Time` (Fiona Wong), World Sculpture News, vol. 11, no. 3, 2005. Millichap, John, Para/Site: installation finds a home in Hong Kong.` Asia-Pacific Sculpture News 2:2 Spring 1996 Tam, L.S., Contemporary Open Air Sculpture, Urban Council, 1984 Thompson, Jonathan, The Tao of Two` (Man Fung Yi and Mok Yat San), World Sculpture News, vol. 11, no. 4, 2005. Ten Years of Hong Kong Sculpture, Hong Kong, Arts Centre, 1988 Van Lau`s Sculptures, Hong Kong, Arts Centre, 1979 Art in Hong Kong in the 1990s The shifting ground`, [gallery survey], Asian Art News, vol.7, no.4, July/August 1997. Binks, Hilary, In the footsteps of the masters`, Asian Art News, vol.9, no.4, 1999. Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001. Curnow, Wynstan, Transfusion/Fusion, A Hong Kong-New Zealand Exchange`, Art AsiaPacific, no.16, 1997. Findlay, Ian, Fresh beginnings in a new millennium`, Asian Art News, vol.11, no.6, 2001 Goodbody, Bridget, Hong Kong: Mao and New China: Art from the Era of Mao and the 90s , Artforum International, Vol.35, Issue 9, May1997 Ho, Oscar, Chinese whispers`, ART AsiaPacific, no.13, 1997. Ho, Oscar, The long road back home`, ART AsiaPacific, no.13, 1997. Lally, Janice, Notes from Hong Kong`, Asian Art News, vol.10, no.5, 2000 Lilly, Roxanna, The absolute stage - Hong Kong`s Revolutionary Opera`, Social Analysis, no.38, 1995. [ Special Issue edited by Weiner, James: Too many meanings: A critique of the Anthropology of Aesthetics`]. Lilly, Roxanna, The double bind: performing arts in Hong Kong`, The Australian Journal of Anthropology, vol.2, no.3, 1991. Millichap, John, Beyond Barriers.` [Cha Guojun] Asian Art News 8:6 November/December 1998 Art 2000+ [Curators` Trip to China] Yishu, vol.1, no.1, 2002 [Hong Kong Art Biennial 2003], Thomson, Jonathan, The Ordinary and the Extraordinary`, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.64-70.; Wah, Jaspar Lau Kin., Review of the 2003 Hong Kong Biennale`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.74-76. [Hong Kong Arts Centre] Watson, R.C. Coming of Age`, Asian Art News, vol.11, no.6, 2001. [Trigram Gallery] Findlay, Ian, A sanctuary for Hong Kong art`, Asian Art News, vol.10, no.1, 2000 [Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, Themes and Variations`, in History` in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53 Antoinette, Michelle, Inside Looking In: Impressions of Hong Kong`s Contemporary Art Scene`, in Eyeline. Contemporary Visual Arts, no. 64, 2007, pp. 47 ­ 51. Berger, Tobias, Hong Kong SAR: Special Art Region`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Fan, Anthea, There is This Cattle Depot Artist Village in Hong Kong` in Mok, Harold and Chan, Yukkeung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 102125. Ford, Norman, Do (Hong Kong) Chinese Artists Dream of Electric Sheep?`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.

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Gao Yuzhen [Kao Yü-chen], et al, Aesthetic Images of Ding Yanyong`s paintings, (bilingual catalogue) Taipei, National History Museum, 2003 Ho Hing-hay, Oscar, City of make believe`, Art AsiaPacific, 25, 2000. Ho Hing-Kay, Oscar, The export of Chinese avant-garde art`, Artlink, Vol. 20, No. 2, July 2000 Ho Hing-kay, Oscar, Quiet but not Speechless`, in Orientations, vol. 35, no. 5, June, 2007. Hou Hanru, The city and the artists`, Flash Art, XXXIV, 223, 2002. Hwang Yin, From Small Spaces, Great Ideas Grow: Voices From Hong Kong Art`, in Orientations, vol. 35, no. 5, June, 2007. Jim, Alice Ming Wai, Urban Meditations in Hong Kong Contemporary Art: Notes on A Very Good City and Local Orientation` in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004). Jim, Alice Ming Wei, Notes from Hong Kong`, Flash Art, XXXIV, 223, 2002. Jim, Alice Ming-Wai, Screen Structures: Overview of Media Art Development in Hong Kong` Kong` in Mok, Harold and Chan, Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 150-169. Kee, Joan, Art, Hong Kong, and Hybridity: a task of reconciliation, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003. Lau, Jasper K. W., No Local is an Island`, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. Leung, Po-shan, Reatreating From the Forefront of Officialization` Kong` in Mok, Harold and Chan, Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 126-149. Maerkle, Andrew, Tsang Kin-Wah. Stream of Consciousness`, in ArtAsiaPacific, No. 58, May/Jun, 2008, pp. 150 - 157. Millichap, John, In Search of the Real Thing: Contemporary Art in Hong Kong`, in Yishu. Journal of Contemporary Chinese Art, v. 6(3), September, 2007, pp. 88 ­ 91. Patten, Eliza, Report on Re: Wanchai-Hong Kong International Artist`s Workshop`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Thompson, Jonathan, Heaven is Space`, Asian Art News, vol. 15, no. 1, 2005. Thomson, Jonathan, Public Face ­ Private Emotions` in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 40-44. Thomson, Jonathon, The Independent Spirit` in Asian Art News, v. 18(1), January/February, 2008, pp. 114 ­ 118. Thomson, Jonathon, The Triumph pf Painting`, in Asian Art News, v. 18(1), January/February, 2008, pp. 121 ­ 129. Thomson, Jonathon, The Pivotal Decade`, Asian Art News, v. 18(6), Nov/Dec, 2008, pp. 102-105. To, Hiram, Silent Witness`, in Art Monthly Australia, Issue No.: 206, December 2007 ­ January 2008, pp. 45 ­ 47. Wah, Jaspar Lau Kin., The Cement of Hong Kong`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.68-76. Wear, Eric, Hong Kong: Ten Years On`, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 53. Wei, Lily, Li Xianting: a fighter for artists`, Art News, 100, 11, 2001. Wo, Leung Chi., Para/Site and Hong Kong Art Spaces`, Yeung Yang (tran.), in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.56-62. Hong Kong Photography Benge, Sophie. Private Hong Kong : where East meets West (photography byFritz von der Schulenburg), New York : Abbeville Press Publishers, 1997. Picturing Hong Kong : photography, 1855-1910, New York : Asia Society Galleries & George Braziller, 1997. Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981

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CHINA-TIBET

General Works Alexander, A., Tibetan Contemporary Art`, Asian Art News, 2, no.3, May/June 1992. The Art of Tibet`, Special Issue, Orientations, Volume 32, Number 10, December 2001 Alsop, Ian, Contemporary Art in Lhasa`, in Orientations, vol. 35, no. 5, June, 2007. Findlay, Ian, Art From the Roof of the World`, in Asian Art News, v. 18(3), May/June, 2008, pp. 86 ­ 95. Harris, Clare, In The Image of Tibet: Tibetan painting after 1959, London, Reaktion Books, 1999 Gladney, D., Representing nationality in China: refiguring Majority/Minority Identities`, Journal of Asian Studies, LIII, 1, 1994. Gluckman, Eliza, Tibetan Contemporary Art: Beyond the Cultural Mask`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 126 - 131. Kvaerne, P., The ideological impact on Tibetan Art`, in Bernett R., and Akiner S. eds, Resistance and reform in Tibet, London, 1994 Linrothe, Rob, Streched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong` [Tibet], Orientations, Volume 33, Number 4, April 2002 Maggio, Meg, Why go to Tibet? Qiu Zhijie in Shangri-La`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 120 - 125. Rimac, Melissa, Tibetan Religious Art`, Art AsiaPacific, 22, 1999 Stoddart, H., Le mendiant de l`Amdo, Paris, 1985. Tenzing Rigdol, Over the Tanggula Pass: Lui Xiadong`s Paintings of Tibet`, in ArtAsiaPacific, No. 58, May/Jun, 2008, pp. 80 - 81. Yeshi K., Gongkar Gyatso: creation of a painter in contemporary Tibet`, Chöyang, VII, 1996. Individual Artists Benba: Findlay, Ian, An Accomplished Observer`, in Asian Art News, v. 18(3), May/June, 2008, p. 94. Gade: Findlay, Ian, Traditions With A Contemporary Face`, in Asian Art News, v. 18(3), May/June, 2008, p. 90 Gonkar Gyatso: Harris, Clare, Gonkar Gyatso: From Lhasa to London`, ArtAsiaPacific, no. 50, 2006; Harris, Clare, The Buddha Goes Global: Some Thoughts Towards a Transnational Art History`, Art History, 29:4, September 2006; Harris, C., Struggling with Shangri-La: the works of Gongkar Gyatso`, in Korom, F., ed , Constructing Tibetan Culture: Contemporary Perspectives, Quebec, 1997. Han Shuli: Findlay, Ian, In The Spirit of Tibet`, in Asian Art News, v. 18(3), May/June, 2008, p. 92.

CHINA-TAIWAN/REPUBLIC OF CHINA

Individual Artists Chen Chieh-jen: Cheng, Amy Hueihua., On Lingchi: Echoes of a Historical Photograph`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.77-81. ; Priya Malhotra, The Anxiety Of Powerlessness`, in Asian Art News, v. 17(6), November/December, 2007, pp. 83 ­ 85.Heartney, Eleanor, Taiwan Vigil`, in Art in America, January 2008, pp. 88 ­ 91. Chen Chin: Centennial Celebration of Chen Chin. A preview of the Touring Exhibition in Japan. Taipei: Taipei Fine Arts Museum, 2006. Chen Hsien-Tung: Findlay, Ian, Nature`s Witness`, Asian Art News, vol. 16, no. 1, 2006. Chen Shunchu: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The

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5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Chen Shun-chu: Macintyre, Sophie, ,Duplicating memory`, Art AsiaPacific 28, 2001 Chen Tingshi: Li Chu-tsing, Chen Tingshih, Taibei, National Taiwan Arts Center, 1967 Chen Tsing-fang: Pai, Maggie, Fusing Five Continents` Asian Art News, vol.6, no.6, November/December 1996. Cheng Chengbo: Wang Feiyun, Free China Review, March 1996. Chiang, Paul: Pai, Maggie, Achieving Harmony`, Asian Art News, vol.10, no.5, 2000 Chien-Chi Chang: Frazier, David, Chien-Chi Chang: No Flahs Needed`, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 64 ­ 65 Chiu Hsiente: Findlay, Ian, Landscapes of the Imagination`, Asian Art News, vol. 17, no. 1, Jan-Feb 2007; Hsu, Fiona, A Wanderer Chasing a Dream`, Asian Art News, vol. 15, no. 5, 2005; Findlay, Ian, Into the Heart of Landscape`, in AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 59-62. Chiu Tze-Yan: Findlay, I., The magic of darkness`, Asian Art News, vol.4, no.6, Nov-Dec 1994. Chiu Ya-tsai: Pai, Maggie, The Inner eye`, Asian Art News, vol.7, no.1, Jan/Feb 1997 Chu Ge: Millichap, John, Ancient Medium, Modern Voice`, Asian Art News 9:2 1999; Sturman, P.C, Measuring the Weight of the written word`, Orientations, 23, no.7, July 1992; Millichap, John, Ancient medium modern voice`, Asian Art News, vol.9, no.1, 1999 Chuang Che/Zhuang Zhe: A Natural Theatre`, Asian Art News, vol. 5, no.2, March/April 1995. Deane Mei: Chen, Elsa Hsiang-chun, Interview with Deane Mei` in Deane Mei (Catalogue), Taipei: Museum of Contemporary Art, 2003 Feng Mengbo: Past Virtualized- Future Cloned: Feng Mengbo Solo Exhibition, Museum of Contemporary Art, Taipei, 2003. Feng Zhongrui: Li Chu-tsing; Lawton, Thomas Lawton, Feng Zhongrui, Taibei, National Taiwan Arts Center, 1967. [Liao Shiou-ping], Heartney, Eleanor, Absorbing contradictions`, Asian Art News, vol.5, no.3, Jul/Aug 1995 He Huaishuo: Stanley-Baker, J., Inner realms of Ho Huai-shuo,., Hong Kong, Hibiya Ltd., 1981 Hou Hsiao-Hsien: Quandt, James, A Certain Slant of Light`, Artforum, vol. 44, Iss. 2, 2005. Hsiao Chin: Findlay, Ian, Traveler in Art`, Asian Art News, vol. 16, no. 3, 2006. Hsieh Ming-chang: Free China Review, 43, no.6 June 1993. Hsieh Tehching: Gookin, Kerby, Teching Hsieh`, Artforum International, Vol.39, Issue 8, April 2001; Langenback, Ray, Statutory Obligations: the performances of Tehching Hsieh`, Art AsiaPacific, no.33, 2002. Hsu Wen-rwei: Face to face`, Art AsiaPacific, 26, 2000 Huang Chih-Yang and Hou Chun-Ming: McIntyre, Sophie, Taiwanese Storytellers: Huang Chih-Yang and Hou Chun-Ming.` Art AsiaPacific issue 20 1998; Findlay, Ian, Theater of the natural order`, Asian Art News, vol.9, no.6, 1999 Huang Ming-Che: Findlay, Ian, A Minimalist Force`, in World Sculpture News, vol 15, no 1, Winter 2009, pp.28-33 Huang Shihchieh: EX-TT-03: Huang Shih-chieh Solo Exhibition, Museum of Contemporary Art, Taipei, 2003. Hung Tung: Asian Art News,1,no.1, Jul/Aug 1991; Cheng, Amy Huei-Hua, 'Interview with Hung TungLu', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Hung Tunglu: Cheng, Amy Hueihua., Interview with Hung Tung-Lu`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.90-92. Hwang Jyi: review, Asian Art News, vol.10, no.2, 2000; Findlay, Ian, Flying on Dreams`, Asian Art News, vol.6, no.1, Jan/Feb 1996. Hwang, Michell: Findlay, Ian, Wrestling with light`, Asian Art News, July/August 1994; Findlay, Ian, The Heart of Landscape`, Asian Art News, vol.7, no.6, November-December 1997. Jiang Jiaoshen: Chiang Chao-shen` Findlay I., Asian Art News, vol.4., no.1, Jan-Feb 1994 Kuo Chun, James: Findlay, Ian, The apt surprise`, Asian Art News, vol. 8, no.2, March/April 1998.

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Lee Ang: Rong Cai, Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World`, positions, vol. 13, no. 2, 2005. Lee Kuang-Yu: Findlay, Ian, In Praise Of The Human Spirit`, in World Sculpture News, v. 14(2), Spring, 2008, pp. 28 ­ 33. Lee Ming-wei: Kee, Joan, Resting with Mingwei: subversive cosmopolitanism in the conceptual project of Lee Mingwei`, Yishu, vol 1, no 1, Spring 2002. Li Chen: Li, Chen., Sculpture at Peace`, in World Sculpture News, Vol.9, No.4, Autumn 2003, p.41-43. ; Findlay, Ian, In Search of Spiritual Space`, World Sculpture News, vol. 12, no. 1, 2006. Lia Zhiman: Lutchmansingh, Larry, D. An Exacting Journey: Lai Chi-Man.` Asia-Pacific Sculpture News 1:3 Summer 1995 Lian Dezheng: Goodman, Jonathan. Sign Language: Sex, Politics and Culture in the work of Te-Cheng Lien.` Art AsiaPacific issue 19 1998 Liao Yu-An: Findlay, Ian The Theater Of Singular Possibilities`, Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 88-93. Lin Liang-tsai: Findlay, Ian, The Triumph of Spirit`, World Sculpture News, vol. 11, no. 4, 2005. Lin Minghung (Lin Michael): Mahoney, Bronwyn., Patterns of Thought: The Installations of Michael Lin`, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.82-85. Lin Pei-chwen: Chen, Elsa Hsiang-chun, Back to Nature by Lin Pei-chwen, Taoyuan Country Cultural Centre, 2000 Lin Shouyu: Clark, John, The Exile`s Return`, Far Eastern Economic Review, 18-6-1984 Lin Wen Chiang/Lin Wenjiang: Findlay, Ian, An independent spirit`, Asian Art News, vol.3, no.6, December 1993. Lin Yi-chun: Who Am I: Punctum by Lin Yi-chun (Catalogue), Taipei: Bsybee Press, 2000 Lin, Michael: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Mahoney, Bronwyn, 'Patterns of Thought: The Installations of Michael Lin, Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Liu Chi-hsiang: `Writing Taiwanese Art History`/Yen Chuan-ying, Art & Asia Pacific, no.2. June 1993. Liu Kang: Tan, Susan Megan, Journeys: Liu Kang and His Art, Singapore: Singapore Art Museum, 2000 Liu Kuo-sung: Li Chu-tsing, Liu Kuo-song: Growth of a Modern Chinese Artist /, Taibei, National Gallery of Art and Museum of History, 1969; Findlay, Ian., Between Heaven and Earth`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.38-43. Lo Ch`ing: Chattophadhay, Colette`In the mind`s eye`Asian Art News, vol.6, no.1, Jan/Feb 1996. Lu Hsien-ming: review, Asian Art News, vol.9, no.1, 1999 Lulu Shur-tzy Hou: Pai, Maggie, A picture lasts longer` Asian Art News, vol. 8, no.1, January/February 1998 Mei Dean-E: Pai, Maggie, A Singular Question: Mei Dean-E.` Asia-Pacific Sculpture News 2:4 Autumn 1996; Displacement: Mei Dean-E Solo Exhibition, Museum of Contemporary Art, Taipei, 2003. Michael Lin: Mahony, Bronwyn, Laughing Apparatus Provided: The Work of Michael Lin` in Art Asia Pacific, No. 41 (Summer 2004), pp. 48-53; Shinyoung Chung, Michael Lin` in Artforum, 47, Iss. 4, Dec. 2008, p. 321. Peng Hung-chih: review Art AsiaPaicifc, 33, 2002 Peng Kang-lang: Wang Fei-yun, Rhapsody in Ink` Free China Review, February 1996. Pi-Hua Hsu, Jessica: Ian Findlay,The Inquisitive Spirit`, in Asian Art News, v. 18(6), Nov/Dec, 2008, pp. 112-117. Pu Xinyu/Pu Ru: Exhibition of works by P`u Hsin-yu, Hong Kong, Arts Centre, 1981 Shen Yaochu: Exhibition of Paintings by Shen Yao-Ch`u, Hong Kong, Arts Centre, 1987 Su Menghung: Kai Dao Tu Mi: Su Meng-hung Solo Exhibition, Museum of Contemporary Art, Taipei, 2003. Su Wong-shen: review, Asian Art News, vol.11, no.2, 2001

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Su Ruiping,ed., Overseas Chinese Artists Exhibition / Haiwai Yishujia Zhuanji, Taibei, Taibei Fine Arts Museum, 1984. Thea, Carolee., On the Mid-ground: Hou Hanru: Selected Texts` (book review), in Art AsiaPacific, Issue 38, Fall 2003, p.88. White Julia M., et al., Images Collecting: an exhibition of Tseng Yoho`s works, (bilingual catalogue) Taipei, National Museum of History, 2002 [Ceng Youhe] Yang, Alice, Why Asia? Contemporary Asian and Asian American Art, New York, New York University Press, 1999. Zhang Zhaohui, Seeking a Spirit from history`, Asian Art News, vol. 15, no. 1, 2005. Individual Artists Chan, Paul: Kent, Rachel, Paul Chan. Art in Reverse`, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 140 - 143. Chann, George: Findlay, Ian, The Sentiment of Memory`, Asian Art News, vol. 16, no. 4, 2006. Jia Juanli: Findlay, Ian, Reflections on a Court Life`, Asian Art News, vol. 15, no. 6, 2005. Sanyu/Chang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ; Wong, Rita, Sanyu: l`écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay, Koutozis, Krebs &Wong]. Modern Chinese Art, Texts by John Clark: Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007. Clark, John, Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007 Clark, John Post-modernism and recent expressionist tendencies in Chinese oil painting`, Asian Studies Review, vol.15, no.2, November 1991. Clark, John, Problems of Modernity in Chinese Painting`, Oriental Art, New Series, XXXII, no.3, 1986, 270-283, reprinted as Chapter Three here. Clark, John, A Tale of Two Cities` [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990, Clark, John, Academicism in Chinese oil painting and a nascent avant-garde in the 1980s`, in Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991. Clark, John, The Chinese Artists` Association`, Art Monthly [UK], May 1986 Clark, John, Art and Modernism in China, 1900-97: A review and documentation`, Journal of the Oriental Society of Australia, vol.29, 1997, 50-73. Clark, John, Beyond Exile` in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen, 1999; Clark, John, Chinese Artists in Paris`, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao, Nanjing, no.4, 1987, 31-33]. Clark, John, Histories in the Modern`, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20 Clark, John, La Peinture moderne à Taiwan` [traduit par Pierre-Étienne Will et Anne Cheng], Études Chinoises, vol.VII, no.1, Printemps, 1988, 29-63, Clark, John, Liu Guosong`s: The Road of Chinese Painting`, Journal of the Oriental Society of Australia, vols 27 & 28, 1995-96, 33-56. Clark, John, Modernity in Chinese Art, 1850s-1990s: some chronological materials`, Journal of the Oriental Society of Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here. Clark, John, Official Reactions to Modern Art in China since the Beijing Massacre`, Pacific Affairs, September, 1992, 334-352. Clark, John, Dilemmas of (Dis-) attachment in the Chinese Diaspora`, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998) Clark, John, Playing with the Stars: Guan Wei`s styles`, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11.

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Clark, John, Pop goes the Maosell`, [Review of Mao Goes Pop, see Jose ed., below 1993], Art Monthly Australia, no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in no.63]; Clark, John, Problems of Modern Painting beyond Byzantium`, Papers in Far Eastern History, Australian National University, Department of Far Eastern History, no.41, March 1990, pages 109-123. Clark, John, Realism in Revolutionary Chinese Painting`, Journal of the Oriental Society of Australia, July 1991. Clark, John, Some sketches of Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously unpublished. Clark, John, Swimming in the Transcultural Sea: John Young`, Asian Art News, vol.4, no.3, May/June, 66-69, 1994.. Clark, John, Taiwanese Painting and Europe`, in Shaw, Yu-ming ed., China and Europe, Institute of International Affairs, Taibei, 1986, 43-60. Clark, John, Taiwanese Painting under the Japanese occupation`, Journal of Oriental Studies, XXV, no.1, 1987, 63-105. Clark, John, The Exile`s Return`, Far Eastern Economic Review, June 28, 1984. Clark, John, 1998 Dilemmas of [dis-]attachment in the Chinese diaspora`, Visual Arts + Culture, vol.1, no.1, 1998. Clark, John, Ed., Chinese Art at the end of the Millenium, Beijing & Hong Kong, New Art Media, 2000 Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai`i Press, 1998 Clark, John, Stylistics section from Modernity in Chinese and Thai Art of the 1980s and 1990s: Artists, Works, Institutions; A preliminary work-in-progress report on the Chinese Case` delivered in 1999 at the Annual Conference of the Art Association of Australia and New Zealand. Clark, John., Alors, la Chine?`, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71. Clark, John., Painting in Taiwan after 1945: A Political and Economic Background`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.

JAPAN

General Works Busson, Dominique, L'artisanat du Japon, Paris, Hermé, 2004, 123 p. Collectif, Butô(s), textes réunis et présentés par Colette Aslan et Béatrice Picon-Vallin, Paris, CNRS Editions, 2002, 288 p. Collectif, Casques, masques et armures des seigneurs de l`ancien Japon /Helmets, Masks and armor of the Lords of old Japan, éd. bilingue, Paris, Torii links, 2003, 207 p. Collectif, Estampes japonaises : splendeurs du monde flottant au Grand Palais, Paris, nº hors-série de " Télérama ", septembre 2004. 98 p. Collectif, Images du monde flottant. Peintures et estampes japonaises, XVIIe-XVIIIe siècles, Galeries nationales du Grand Palais, Paris, 27 septembre 2004-3 janvier 2005, commissaire Hélène Bayou, Paris : Réunion des musées nationaux, 2004, 398 p. Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design Museum, 2002, 320 p. Collectif, Kuroda, Paris, Maeght, 2002, 230 p. Collectif, Les arts du Japon à l`époque d`Edo, 1603-1868 : peinture, sculpture, estampe, porcelaine, textile, laque, armure, cat. d`expo. Musée des beaux-arts de Valenciennes, Tournai (Belgique), La Renaissance du livre, 2003, 189 p. Collectif, Moriyama Daidoh, cat. d`expo. à la Fondation Cartier pour l`art contemporain, Paris / Arles, Fondation Cartier / Actes Sud, 2003, 160 p.

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Collectif, Narahara Ikko : photographies 1954-2000, catalogue d`expo. à la MEP, Paris, Maison européenne de la photographie, 2003, 211 p. Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l`exposition au Consortium et à l`Ikon Gallery, Dijon / Birmingham, Presses du réel / Ikon, 2002, 334 p. Collectif, Petites natures ?, installations de Kôichi Kurita et Yoshihiro Suda, texte de Dominique Truco, Paris, Maison de la culture du Japon, 2004, 16 p. Collectif, Ukiyo-e : 1730-1830 à Edo, Paris, Galerie Tanakaya, 2004, 84 p. Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003. Collectif, Yôkaï -- Bestiaire du fantastique japonais, Paris, Maison de la culture du Japon, 2005, 144 p. Collectif, Yokoo Tadanori, catalogue d`exposition, trad. Dominique Palmé, co-édition Fondation Cartier et Actes Sud, 2006. Conant, Ellen P (ed.), Challenging Past and Present : the metamorphosis of nineteenth-century Japanese art, Honolulu, University of Hawai`i Press, 2006. Clark, J., Modernity in Japanese Painting`, Art History, vol.9, no.2, June 1986, pp.213-231. Clark, J., Some Models in Japanese Art History`, The Burlington Magazine, vol.CXXVIII, no.1005, December 1986. Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only but large full colour plates have a clear English index. Date, Toshio, Outils japonais : tradition, esprit et usages, Vial, 2004. Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005. Delay, Nelly, L`estampe japonaise, Hazan, Paris, 2001, 328 p. Delay, Nelly, Le jeu de l'éternel et de l'éphémère, Arles, P. Picquier, 2004. Delay, Nelly, Le monde des estampes japonaises, Paris, Gallimard, collection " Découvertes ", 2004. Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005. Deneyer, Marc, Kujoyama, Cognac, Le Temps qu`il fait, 2005, 146 p. Elisseef, Danielle, Les arts de l`Extrême-Orient, Paris, PUF, coll. Que-sais-je ?, n° 77, 2003, 128 p. Fahr-Becker, Gabriele, Les estampes japonaises, Cologne, Taschen, 2003, 208 p. Fahr-becker, Gabrielle, Hatano, Narami, and Frahm, Klauss, Ryokan, Séjour dans le Japon traditionnel, Cologne, Könemann, 2005, 335 p. Faure, Robert, L'esprit du geste : philosophie et pratique de la peinture à l'encre de Chine tch'an et sumi-e, Éd. du Chêne, 2004. Fei Ling and Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p. Fujieda, Teruo, Jokyo toshide no sakuhin, monoha`, Nihon kingendai bijutsushi jiten, Tokyo Shoten, 2007, p.236. Geoffroy-Schneiter, Bérénice, Arts d`Asie : Inde, Chine, Japon : images et symboles, Paris, Assouline, 2002, 199 p. Gonse, Louis, L`art japonais, Paris, You-Feng, (1ère éd., Paris, A. Quantin, 1883), 2005, 368 p. Held, Suzanne, Michel RANDOM, Japon : vision des formes et des couleurs, Hermé, vision, Paris, 2001. Higashiyama, Kaii, Les quatre saisons de Kyôto, Paris, Le Seuil, 2003, 200 p. Hirasawa, caroline, The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell Imagery and Imagination ` in Monumenta Nipponica 63/1: 1-50, 2008 Kanno, Hachiro, Une promenade au Japon, Paris, Albin Michel, 2003, 64 p. Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974 Kimura, Rieko, et. Al., Dance in Japanese Modern Art (Catalogue), Tochigi Prefectural Museum of Fine Arts, 2003 Kitano, Takeshi, Rencontres du septième art, Paris, Arléa, 2003, 96 p. Koyama-Richard, Brigitte, Kodomo-e. L'estampe japonaise et l'univers des enfants, Paris, Hermann, 2004, 115 p. Koyama-Richard, Brigitte, La magie des estampes japonaises, Paris, Hermann, 2003, 208p. Lucken, Michael, L`art du Japon au vingtième siècle - pensée, formes, résistances, Paris, Hermann, 2001, 350 p. Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967.

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Mostow, Josua S.; Bryson, Norman; and Graybill, Maribeth, ed., Gender and Power in the Japanese Visual Field, Honolulu: University of Hawai`i Press, 2003 Munsterberg, H., The Art of Modern Japan, 1868-1968, New York, Hacker, 1978 O, Kwangsu, Jeom gwa seon i hengwihanun segeseong (The globality where lines and the dots perform)`, Space (May, 1978), pp.38-43. Ringgenberg, Patrick, L'union du ciel et de la terre : la peinture de paysage en Chine et au Japon, Les Deux océans, 2004. Sale, Giovanni S.J. (dir.), L`art des jésuites, Paris, Mengès, 2003, 318 p. Shimizu, Christine, L`art japonais, Paris, Flammarion, coll. Tout l`art, 2001, 448 p. Shimizu, Christine, Le grès japonais, Paris, Massin, 2001, 171 p. Stanley-Baker Joan, and Dider, Jacqueline, L'art japonais, Thames & Hudson, 2004. Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst, 1985. Wasserman, Michel, Le Sacre de l`hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité japonaise, Paris, Les Indes savantes, 2006, 129 p. Winther-Tamaki, Bert, "Oriental Coefficient: The Role of China in the Japanization of Yôga" in Modern Chinese Literature & Culture 18:1 (Summer 2006), pp.85-119 Yoshida, Kimiko, Marry me: les mariées intangibles, Arles, Actes Sud, 2003, 128 p. Individual Artists Ai Mitsu: Ai-Mitsu, Tokyo, The Mainichi Newspapers, 2007 Aida, Makoto: Makoto Aida: Donki-hote` (review), ArtAsiaPacific, no. 47, 2006; Charlesworth, J.J, Makoto Aida: Man in the Holocene (at IBID Projects)` (review), Flash Art, vol. XXXVIII, no. 244, October, 2005. ; Maerkle, Andrew, Makoto Aida. No more War; Save Water; Don`t pollute the Sea`, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 132 - 141. Akasegawa Genpei: review Robinson, Joel, Genpei Akasegawa at SCAI The Bathhouse`, Exhibition Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002 Aki Kuroda: Collectif, Kuroda, Paris, Maeght, 2002 Ando Tadao: Ando Tadao Special Issue`, The Japan Architect, vol 1, no. 1991; Pare, Richard & Ando Tadao, Tadao Ando : couleurs de lumière, Paris, Phaidon, 2001. Aoki, Ryoko: (review) ArtAsiaPacific, no. 48, 2006. Aoshima, Chiho: Kandell, Susan, Chiho Aoshima: Oops, I Dropped My Dumplings`, Art & Text 73, May-July 2001. ; review, Art in America, vol. 93, iss. 9, Oct 2005. Arai Shin-ichi: Angramy, Bérénice, Social Tensions : Arai Shin-ichi ­ Creativity and Abject Nationalism` in Art Asia Pacific, No. 40 (Spring 2004), pp. 70-73 Araki Nobuyoshi: Sawaragi Noi, Desire and Decay`, World Art, no.2, 1995; Silva, Arturo, Tokyo: Nobuyoshi Araki`, Artforum International, Vol.30, Issue 5, January 1992; Decter, Joshua, Nobuyoshi Araki`, Artforum International, Vol.36, Issue 6, February 1998. ; Araki Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p.; Ammann, Jean-Christophe, Araki Nobuyoshi, Araki Mythologie, Paris, Images modernes, 2001, 252 p.; Nobuyoshi Araki: Self. Life. Death` (review), ArtAsiaPacific, no. 48, 2006; Zhang Wubin, Of Love and Flowers`, Asian Art News, vol. 15, no. 3, 2005; review, Artforum, vol 44, no. 1, Sep 2005; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600 p.; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p. ; Okazaki, Manamai, Shashinjinsei: Nobuyoshi Araki`s photo journey`, in Art Monthly Australia, Issue No.: 211, July 2008, pp. 17 ­ 19. ; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600 p. ; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p. Ban, Chinatsu: review, Art in America, vol. 93, iss. 9, Oct 2005. Ciezo, Taro: Spring, Justin, New York: Taro Chiezo`, Artforum International, Vol.34, Issue 10, Spring1996 Dumb Type: Hagenberg, R., Heartbeat with a hiccup`, Asian Art News, vol.5, no.2, March/April 1995; Tripp, Laura, Dumb Type, smart noise`, World Art, no.2, 1996. ; Shikata Yukiko, White out`, Art AsiaPacific, 27, 2000

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Emi Kinuko: Emi Kinuko: Retrospective, Momiyama Masao (ed), Kamakura & Hayama: Museum of Modern Art, Kanagawa, 2004. Enoki, Chu: review, Artforum, vol. 45, Iss. 2, 2006. Ezawa, Kota: review, Parachute, 121, 2006. Faret Tachikawa: Art into Function`, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995. Fuji Hiroshi, Nakamura Masato, Nishiyama Minako: Kuroda Raiji, Something strange in the cities - Three Japanese artists living in Japan` in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994; Grout, Catherine, Masato Nakamura, What Goes on Between` in Parachute, 115 (2004), pp. 72-83 Fujiwara, Yasuko: Yasuko Fujiwara Contemporary Art Factory` (review), Flash Art, vol. XXXIX, no. 248, May-June, 2006. Fukami, Sueharu: Ebony, David, 'Sueharu Fukami at Garth Clark', Art in America, Vol. 90, Issue 12, December 2002 Furuhashi, Teiji: Brown, Azby, Tokyo: Teiji Furuhashi`, Artforum International, Vol.34, Issue 1, September 1995. ; London, Barbara, Teiji Furuhashi: Diamonds are Forever`, ArtAsiaPacific, no. 51, 2007. Gim Gichang: Joohyun Lee, In Search of Identity: The Figurative and Abstract Works of Gim Gichang from 1945 to 1970`, in Orientations, vol. 35, no. 5, June, 2007. Higashida, Zero: Borum, Jenifer P., `Reviews: Zero Higashida`, Artforum International, Vol.30, Issue 6, February 1992 Higashionna Yuichi: review, Contemporary Visual Art, 29, 2000 Hirakawa Noritoshi, Kitagawa Yuji, Bulbous Plants: Shikata, Y., Breaking Tokyo`s Taboos` World Art, November 1993; Lumby, Catherine, Public Image`, World Art, no.1, 1996; Decter, Joshua, Noritoshi Hirakawa`, Artforum International, Vol.37, Issue 6, February 1999 Hiroshi, Kitao: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Hosokawa, Fumimasa: review, Art in America, vol. 93, iss. 9, Oct 2005. Hyakuda, Tatsuzo: review, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006. Ikeda, Ryoji: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi Nakamura], Art in America, Vol. 91, Issue 4, April 2003; Lanctot, Nicole, Ryoji Ikeda` in Artforum, Vol 47, Iss. 5, Jan. 2009, p. 138.; Ikemura, Leiko: review, Artforum, vol 44, no. 1, Sep 2005. Imamura, Shohei: Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002, 215 p. Ishihara, Tomoaki: Shiner, Eric C., Portraiture through Production`, ArtAsiaPacific, no. 49, 2006. Isozaki Arata: Arata Isozaki`, The Japan Architect , 1993-4; Itô, Tôyô : Itô, Tôyô, Tôyô Itô : structures légères, détails, trad. du japonais par Kae Oki et Carine Cheval, Paris, Moniteur, 2003, 263 p. Kaihatsu, Yoshiaki : Yoshiaki Kaihatsu: Ceiling` (review), ArtAsiaPacific, no. 47, 2006. Kaneko, Jun: Yood, James, Chicago: Jun Kaneko`, Artforum International, Vol.34, Issue 5, January 1996 Kaoru Arima: Vergne, Phillipe, Kaoru Arima` in Art Asia Pacific, Issue 37 (2003), p. 88 Kaoru, Isima: Griffin, Tim, Billboard: Isima Kaoru, Traffic Accident`, Art & Text 74, Aug.-Oct. 2001 Kasahara, Emiko: Cheung, Stephanie, Seeing Self`, Asian Art News, vol. 15, no. 5, 2005. Kenji Yanobe: Sumitomo, Fumhiko, Kenji Yanobe at the National Museum of Art` (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 85 Kitagawa Atsushi: Atsushi Kitagawa`, The Japan Architect 1992-4; Kitagawara, Atsushi: Brown. Azby, Tokyo: Atsushi Kitagawara`, Artforum International, Vol.30, Issue 4, December 1991 Kobayashi, Shinchiro: review, Art in America, vol. 93, iss. 9, Oct 2005. Kudo, Tesumi: Holmberg, Ryan, Dystopia man: Tesumi Kudo: nuclear angst and ecological breakdown are specters haunting the first U.S. retrospective to treat this major figure of the Japanese postwar era`, in Art in America 97.3 (March 2009): 96(8), Kastner, Jeffrey, Tetsumi Kudo`, in Artforum, Vol 47, Iss. 3, Nov. 2008, p. 348. Kubota Sjhigehiko: S(h)igeko Kubota: Video Sculptures, Berlin, Daadgalerie, 1981.

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Tanizaki Junichirô, In Praise of Shadows, [tr. Harper, T.J.. & Seidensticker, Edward G.], New Haven, Leete`s Island Books, 1977. Toyama, S., Reformers of the Meiji Restoration and the Birth of Modern Intellectuals`, Acta Asiatica, 13, 1967 Tsurumi, S., An Intellectual History of Wartime Japan, Kegan Paul International, 1986. Tsurumi, S., A Cultural History of Post-War Japan, 1945-1980, Kegan Paul International, 1987. Yanagita, K., tr Morse, R.S., The Legends of Tono, Japan Foundation, 1975 Yanagita, K., About our Ancestors: The Japanese Family System, UNESCO, Japanese Ministry of Education, 1970. Yoda, Tomiko, A Roadmap to Millennial Japan`, The South Atlantic Quarterly, 99.4, Fall 2000 Yoda, Tomiko, The Rise and Fall of Maternal Society: Gender, Labor, and Capital in Contemporary Japan`, The South Atlantic Quarterly, 99.4, Fall 2000 Yoshimoto, Mitsuhiro, 1961-, The University, Disciplines, National Identity: Why is There No Film Studies in Japan?`, The South Atlantic Quarterly, 99.4, Fall 2000 Modern Japanese Thought General Texts on Aesthetics: Marra, Michele, Modern Japanese Aresthetics: A Reader, Honolulu, University of Hawai`i Press, 1999. Marra, Michael F., A History of modern Japanese Aesthetics, Honolulu, University of Hawai`i Press, 2001. Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu, University of Hawai`i Press, 2002. Odin, Steve, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu, University of Hawai`i Press, 2001. Okakura Kakuzô [Tenshin] See under Nihonga Kuki Shûzô: Kuki Shûzô, Le problème de la contingence, [tr. Omodaka Hisayuki], Tôkyô, University of Tokyo Press, 1963. Kuki Shûzô [tr. Maeno Toshiyuki], Structure de l`Iki, Tôkyô, Maison Franco-Japonaise, 1984. Kuki Shûzô, An essay on Japanese Taste: The Structure of Iki` [tr. Clark, J.; ed. Matsui Sakuko & Clark, J.], Sydney, Power Publications, 1996. Kuki Shûzô, The structure of detachment : the aesthetic vision of Kuki Shûzô, (translated by Nara Hiroshi; with essays by J. Thomas Rimer and Jon Mark Mikkelsen), Honolulu, University of Hawai`i Press, 2004. Kuki and His Times: Clark, J., The Structure of Iki` by Kuki Shûzô`, Asian Culture Quarterly, vol. XII, no.1, Spring 1984. Clark, J., Sovereign Domains: The Structure of Iki`, Japan Forum, vol.10, no.2, 1998. Dale, Peter N., The Myth of Japanese Uniqueness, London, Croom Helm, 1986 & London, Routledge, 1990. Heidegger, Martin, A Dialogue on Language` in his On the Way to Language, [translated by Peter D. Hertz], New York, Harper and Row, 1971. Hosoi Atsuko & Pigeot, Jacqueline, La structure d`iki`, Critique, 29, no.308, January, 1973. Kuno Akira, L`esthétique de Shûzô Kuki` in Tamba Akira, ed., L`Esthétique contemporaine du Japon, Paris, CNRS Editons, 1997. Light, Stephen, Shûzô Kuki and Jean-Paul Sartre: Influence and Counter-Influence in the Early History of Existential Phenomenology, Carbondale, South Illinois University Press, 1987. Marra, Michael, Kuki Shuzo: a philospher`s poetry and poetics, Honolulu, University of Hawai`i Press, 2004.

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Nakano Hajimu, Kuki Shûzô and The Structure of Iki` in Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar Years, Princeton, Princeton University Press, 1990. Nomura Masaichi, Sulla struttura dell` iki di Kuki Shûzô e il sistema del gusto estetico giapponese` in Gururajamanjarika: Studi in Onore di Giuseppe Tucci, Napoli, 1974. Pincus, Leslie, In a Labyrinth of Western Desire: Kuki Shuzo and the discovery of Japanese being`, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993. Pincus, Leslie, Authenticating Culture in Imperial Japan: Kuki Shûzô and the Rise of National Aesthetics, Berkeley, University of California Press, 1996 [review by Clark, J. Australian Journal of Art, 1997]. Piovesana, G., Recent Japanese Phliosophical Thought, rev. ed., Tôkyô, Enderle, 1973. Nishida Kitarô: Adams, Robert, The feasibility of the philosophical in early Taishô Japan, PhD dissertation, University of Chicago, 1991. Feenberg, A., Arisaka Yoko, Experiential ontology: The originsof the Nishida philosophy in the doctrine of pure experience`, International Philosophical Quarterly, vol.30, no.2, (June 1990), 173- 204. Nishida Kitarô, An Inquiry into the good, [tr. Abe Masao, Ives, C.], New Haven, Yale University Press, 1990. Nishida Kitarô, Über das Gute, [tr. Pörtner, Peter] Hamburg, Gesellschaft für Natur und Völkerkunde Ostasiens, 1990. Watsuji Tetsurô: Befu Harumi, Watsuji Tetsurô`s Ecological Approach : its philosophical foundation`, in Kalland, A. & Asquith, Pamela J., Japanese Images of nature: Cultural Perspectives, London, Curzon Press, 1997. Bellah, Robert N., Japan`s cultural identity: some reflections on the work of Watsuji Tetsurô`, Journal of Asian Studies, vol.24, no.4, (August 1965), 573-94. La Fleur, William A., A turning in Taishô: Asia and Europe in the early writings of Watsuji Tetsurô`, in Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar Years, Princeton, Princeton University Press, 1990. Sakai Naoki, Return to the West / Return to the West: Watsuji Tetsurô`s anthropology and discussions of authenticity`, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993 Watsuji Tetsurô, A Climate, [tr.Bownas, G.], Tôkyô, Japanese Government Printing Bureau, about 1961. Watsuji Tetsurô, The significance of ethics as the study of man`, [tr. Dilworth David, A.], Monumenta Nipponica, vol. 24, no.4, (1971) 395-413. Modern Japanese History Austin, L., Japan: The Paradox of Progress, New Haven, Yale University Press, 1976 Barshay, Andrew, State and Intellectual in Imperial Japan: The public man in crisis, Berkeley, University of California Press, 1988. Berger, Gordon Mark, Parties Out of Power in Japan, 1931-1941, Princeton, Princeton University Press, 1977. Burks, A.W., ed. The Modernizers, Boulder, Westview, 1985 Crowley, James B., ed., Dilemmas of growth in pre-war Japan, Princeton, Princeton University Press, 1971 Duus, Peter, Party Rivalry and Political Change in Taishô Japan, Cambridge, Harvard University Press, 1968. Duus, Peter, Scheiner, Irwin, Socialism, Liberalism, and Marxism, 1901-1931`, in Duus, Peter, ed., The Cambridge History of Japan, vol.6, Cambridge, Cambridge University Press, 1988. Duus, Peter, The Rise of Modern Japan, Boston, Houghton Mifflin, 1976. Garon, S., Molding Japanese Minds: The State of Everyday Life, Princeton: Princeton University Press, 1997.

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Gordon, Andrew, Labor and Imperial Democracy in Prewar Japan, Berkeley, University of California Press, 1991. Halliday, Jon, A Political History of Japanese Capitalism, New York, Pantheon, 1975. Hane, M., Peasants, Rebels and Outcasts: The Underside of Modern Japan, Pantheon, 1982. Hoston, G., Marxism and the crisis of development in prewar Japan, Princeton, Princeton University Press, 1986. Jones, H.J., Live Machines, Vancouver, University of British Columbia / Croydon, Paul Norbury, 1980 Koschmann, J.V. ed. Authority and the Individual in Japan, Tôkyô, University of Tôkyô Press, 1978. Mackie, Vera, Liberation and light: the language of opposition in Imperial Japan`, East Asian History, no.9, June 1995. Mitchell, R.H., Thought Control in Prewar Japan, Itahca, Cornell University Press, 1976. Myers, R.H. & Peattie, M.R., The Japanese Colonial Empire, 1895-1945, Princeton, Princeton University Press, 1984. Najita Tetsuo, Hara Kei in the Politics of Compromise, 1905-1915, Cambridge, Harvard University Press, 1967. Najita Tetsuo, Japan`s Industrial Revolution in Historical Perspective`, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993. Nolte, Sharon H., Liberalism in Modern Japan: Ishibashi Tanzan and His Teachers, 1905-1960, Berkeley, University of California Press, 1987. Notehelfer, F.G., Kotoku Shusui: Portrait of a Japanese Radical, Cambridge UP, 1971. Silberman, Bernard S. & Harootunian, Harry D., eds, Japan in Crisis: Essays in Taishô Democracy, Princeton, Princeton University Press, 1974. Smethurst, Richard J., A Social Basis of Japanese Militarism: The Army and the Rural Community, Berkeley, University of California Press, 1974. Tanaka, Stefan, Japan`s Orient: Rendering Pasts into History, Berkeley, University of California Press, 1993. Umetani, N., The Role of Foreign Employees in the Meiji Era in Japan, Tokyo, Institute for the Developing Economies, 1971. Yoshioka Hiroshi, Samurai and self-colonization in Japan`, in Pieterse, J.N. & Parekh, B. Eds., The decolonization of the imagination, London: Zed Books, 1995. Society DeVos, G.A., Socialization for Achievement, Berkeley, University of California Press, 1973 Fuse, A., Japanese Family in Transition`, Japan Foundation Newsletter, XIII, 3, 4, 1984. Hardacre, Helen, Marketing the Menace Fetus in Japan, University of California Press, Berkeley, 1997 Hendry, J., Webber, J., eds., Interpreting Japanese Society, Anthropological Approaches, Journal of the Anthropological Society of Oxford, Occasional Papers, no.5, 1986 (especially Part III. The Significance of Leisure`) Honda Masuko , Kodomotachi no iru uch [The universe in which children live], Sanseid, Tokyo, 1980 Imada Erika , Shjo no shakaishi [A social history of girls], Keis Shob, Tokyo, 2007 Ishida, T., Japanese Society, University Press of America, 1972 Kumakura, I., The Iemoto System in Japanese Society`, Japan Foundation Newsletter, IX, 4, 1981 Mackie, Vera, Creating Socialist Women in Japan: Gender, Labour and Activism, 1900-1937, Cambridge University Press, Cambridge, 1997. Mackie, Vera, Feminism in Modern Japan: Citizenship, Embodiment and Sexuality, Cambridge University Press, Cambridge, 2003 Maeda Ai, Kodomotachi no hen`y ­ kindai bungakushi no naka de` -- [The transformation of childhood in the history of modern literature], Kokubungaku kaishaku to kyzai no kenky , 30(12), 1985, pp. 32-41

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Morse, R., Sugimoto, S., Images of Japanese Society, Kegan Paul International, 1986 (rev.: Silverberg, M., Monumenta Nipponica, 42, 3, Summer 1987). Nakane, C., Japanese Society, Berkeley, University of California Press, 1970. Powers, R.G. The Study of Japanese Society: Figments of whose imagination?`, Japan Foundation Newsletter, X, 5, 1983 Shimokawa Kshi , Kindai kodomoshi nenpy (KKN) [A chronology of modern children`s history] 2 vols, Kawade Shob Shinsha, Tokyo, 2002. Smith, R., Japanese Society: Tradition, Self and the Social Order, Cambridge UP, 1985. Symposium on "IE" Society`, Journal of Japanese Studies, 11, 1, Winter 1985. Takahashi, Yuichiro, Kabuki Goes Official: The 1878 Opening of the Shintomi-za`, in Leiter, S.L. (ed), The Kabuki Reader, M.E. Sharpe, New York, 2002, pp. 123-151 Tamanoi, Mariko Asano, Songs as Weapons: The Culture and History of Komori (Nursemaids), in Modern Japan`, The Journal of Asian Studies, 50(4), 1991, pp. 793-817. Tanaka, Stefan, Childhood: Naturalization of Development into a Japanese Space`, in Humphreys, S.C. (ed), Cultures of Scholarship, University of Michigan Press, Ann Arbor, 1997, pp. 21-56. Uno, Kathleen S., Passages to Modernity: Motherhood, Childhood and Social Reform in Early Twentieth Century Japan, University of Hawaii Press, Honolulu, 1999. Wakamatsu Shizuko , Kodomo ni tsuite` [Regarding children, 1893] in Wasserman, Michel, Le Sacre de l`hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité japonaise, Paris, Les Indes savantes, 2006, 129 p. Waswo, A., Japanese Society, 1868-1994, New York, Oxford University Press, 1996. Yokosuka Kaoru (ed), Jidkan no tenkai, kindai Nihon kyiku ronsh vol 5, Kokudosha, Tokyo, 1969, pp 58-68. Yokotani Teru , Puroretaria jidbungaku und to wa nanika` [What is the proletarian children`s literature movement?], in Muramatsu Sadataka and Kami Shichir , Nihon jid bungaku kenky , Miyai shoten, Tokyo, 1974, pp. 301-313. Yoshino, Kosaku, Cultural Nationalism in Contemporary Japan: a sociological enquiry, London, New York: Routledge, 1992 Literary Representations [selected] Two overall surveys are: Keene Donald, Dawn to the West: Japanese Literature in the Modern Era, I Fiction, II Poetry and Drama, New York, Henry Holt and Company, 1984. Lewell John, Modern Japanese Novelists: A Biographical Dictionary,Tôkyô, Kôdansha International, 1993. Araki, Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p. Copeland, Rebecca L., Lost Leaves: Women writers of Meiji Japan, University of Hawai`i Press, Honolulu, 2000 Doak, K.M., Dreams of Difference: The Japanese Romantic School and the crisis of Modernity, Berkeley, University of California Press, 1994. Dodd, Stephen, Fantasies, Fairies, and Electric Dreams: Satô Haruo`s critique of Taishô`, Monumenta Nipponica, vol.49, no.3, 1994. Fowler, E., The Rhetroic of Confession: Shishôsetsu in Early Twentieth century Japanese Fiction, Berkeley, University of California Press, 1988. Ivy, Marilyn, The Discourse of Vanishing: Modernity, Phantasm, Japan, Chicago, University of Chicago Press, 1995. Jameson, Frederic, Sôseki and Western Modernism`, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993. Karatani Kôjin, Origins of Modern Japanese Literature, Durham, Duke University Press, 1993

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Karatani, Kôjin, Architecture as Metaphor, Cambridge, MIT Press, 1995. Lippet, Noriko Misuta, Reality and Fiction in Modern Japanese Literature, New York, M.E.Sharpe, 1980. Maeda Ai, The Text and the City, Fujii, J.A. (ed), Duke University Press, Durham, 2004 Minear, Richard H., Review Symposium: Orientalism and the Study of Japan`, Journal of Asian Studies, XXXIX, no.3, May 1980 Miyoshi Masao, Accomplices of Silence, Berkeley, University of California Press, 1974. Monnet, Lisa, Gender and Performance of Culture: Reading Contempoirary Japanese Fiction, Stanford, Stanford University Press, 1997. Monnet, Lisa, Violence, gender, and sexuality,` Japan Forum, vol.8., no.1, 1996. Monnet, Lisa, Montage, cinematic subjectivity and feminism in Ozaki Midori`s Drifting in the World of the Seventh Sense`, Japan Forum 11:1 1999 Morris, Mark, Barthes/Japan: The texture of Utopia`, in Rix, Alan & Mouer, Ross, ed., Japan`s Impact on the World, Japanese Studies Association of Australia, 1984. Murphey, Joseph Economies of culture: the Taishô bundan dallies with the Movies.` Japan Forum 11:1 1999 Murayama Masao, Thought and Behaviour in Modern Japanese Politics, London, Oxford University Press, 1963 Napier, Susan, The Logic of Inversion: Twentieth Century Japanese Utopias, Oxford, Nissan Occasional Papers, no.15, 1991. Napier, Susan, The fantastic in modern Japanese literature : the subversion of modernity, London : Routledge, 1996. Reichert, Jim, In the Company of Men: Representations of Male-Male Sexuality in Meiji Literature, Stanford University Press, Stanford, 2006. Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris, L`Harmattan, 2005, 250 p. Suzuki Tomi, Narrating the Self: Fictions of Japanese Modernity, Palo Alto, Stanford University Press, 1996 Tanizaki Jun`ichiro, Childhood Years: a Memoir, trans. by McCarthy, P., Kodansha, Tokyo, 1988 Web Resources General sites: http://www.aaa.org.hk http://www.universes-in-universe.de/asia/jpn/english.htm Specific sites: http://www.dnp.co.jp/artscape/ mostly about contemporary art, has Japanese and English interface and sections on "art words" http://www.dnp.co.jp/artscape/reference/artwords/index.html http://www.dnp.co.jp/museum/nmp/nmp_j/people/people_frame.htmlhttp://www.hiho.ne.jp/gallery/index.htm people lists http://www.kodomo.go.jp/gallery/KODOMO_WEB/introduction/introduction_e.html National Diet Library, International Library of Children`s Literature, visited 14 November 2008. http://rarebook.ndl.go.jp/ National Diet Library, Rare books database http://www.mfa.org/ Boston Museum of Fine Arts http://www.musabi.co.jp/list.html Musashino Bijutsu list of contributors http://www.momat.go.jp/search/ National Museum of Modern Art collection database http://plaza.bunka.go.jp/index.html new media, need to register (for free) http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support of the Arts (Mecenat) list of newspaper articles about art but no links directly to the articles. http://www.asiasociety.org/arts/japan_guide/ The Asia Society`s introduction to Japanese art page. http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.

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Modern Japanese Art: Texts by John Clark Modernity in Japanese Painting`, Art History, vol.9, no.2, June 1986, 213-231 Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: an international comparison`, Art History, vol.18, no.2, June 1995, 253-285. Modernism and Traditional Japanese-style Painting`, Semiotica, 1, 1989, 1-18; Charles Wirgman (1832-1891), recent discoveries and re-evaluations`, Proceedings of the 1988 Japan Studies Colloqium, London, The British Library, 1990, 261-276. Charles Wirgman`, in Daniels, G., editor, Britain and Japan: Themes and Personalities, 1859-1991, [Japan Society of London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991, 54-63 Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman, and John Fraser], Sydney, Power Publications, 2001. Indices of Modernity: Changes in Popular Reprographic representation`, in Elise K. Tipton and John Clark eds., Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian Humanities Research Foundation & Honolulu, University of Hawai`i Press, 2000, 25-49. Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s`, in Elise Tipton, ed., Society and the State in Interwar Japan, London, Routledge, 1997. [translation, unpublished] Kumasaka Atsuko, Sanshirô and British Painting`, 1985, [Japanese original in Nihon Joshidagaku Kiyô, no.34, March 1985]. Surrealism in Japan`, in Surrealism: Revolution by Night, Lloyd, M., Gott, T., Chapman, C., Australian National Gallery, Canberra, 204-215. Dilemmas of Selfhood: Public and Private discourses of Japanese Surrealism in the 1930s`, published as Artistic Subjectivity in the Taisho and early Showa avantgarde 1945`, chapter for Monroe, Alexandra, ed., Scream against the sky: Japanese Art after 1945, New York, Abrams & The Guggenheim Museum, 1995, 40-53. Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 Sydney, Art Gallery of New South Wales, 1998. [originator of exhibition concept, writer of catalogue texts, translator of catalogue texts]. Surrealism in Japan, [a consolidation of the two earlier papers with extensive, previously unpublished materials] Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute, 1997, 80 pages. The Art of Modern Japan Three Wars`, Bulletin of the Japanese Studies Association of Australia, vol.11, no.2, August 1991, 38-42. Surface and Subterranean monuments in Modern Japanese Art` for The Nature of the Masterpiece in Europe and Japan, Sainsbury Centre of the University of East Anglia, Norwich, September 1997 [to date only published in Japanese translation]. [Translation] Akasegawa Genpei`s The art that destroyed itself` in Reconstructions, Oxford, Museum of Modern Art, 1985; [Translation] Iida Yoshikuni, Sense of liberation in a black-market age`, [unpublished paper for Reconstructions Exhibition Symposium, as above]. Obscenity Deleted`, 1979, [unpublished lecture to Institute of Contemporary Art on Japanese pornographic comics]. The Conditions for Post-Modernity in Japanese Art of the 1980s`, shortened version without tables in Sugimoto, Y., & Arnanson, ed., The Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994, 154-175;; French translation of a shortened form as Modernisme et postmodernisme au Japon (Quelques notes à propos des années 1980)` in Tamba Akira ed., L`Esthétique contemporaine du Japon, Paris, CNRS Editions, 1997, 139-146. Review of the Ôsaka Triennale`, Art & Asia Pacific, 1996, vol.3, no.1. Modernities, Histories: the Japanese Case`, 1995 [unpublished original of following shortened version]; Modernités, Histoires; le cas japonais`, [traduit par Lacoste, J.) in Harry Belleter, ed., Face à l`Histoire , Paris, Centre Georges Pompidou, 1996,.

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Asian Modernisms` [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002, pp. 102-111. Art History and Alterity: Othering` as Process in Modern Asian Art Discourses` in Flores, Patrick D. ed., Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila, University of the Philippines, scheduled 2003. Modern Aesthetics: The Structure of "Iki" by Kuki Shûzô`, Asian Culture Quarterly, 1984, XII, 1, 45-51. Review of Leslie Pincus, Authenticating Culture in Imperial Japan, Berkeley, University of California Press, 1996, in The Australian Journal of Art, vol.XVI, 1997. Translator and annotator, Kuki Shûzô, An Essay on Japanese Taste - The Structure of Iki, [with a foreword by Nakano Hajimu, Co-edited with notes by John Clark and by Sakuko Matsui], 168 pages, Sydney, Power Publications, 1997. Sovereign Domains: The Structure of Iki`, Japan Forum, vol.10, no.2, 1998, 197-209 Okakura Kakuzô [Tenshin] and Aesthetic Nationalism`, forthcoming 2003-06-01 Japanese Architecture: Japanese Architecture`, Nuttgens, P., World`s Great Architecture, Paul Hamlyn, London, 1980, 163-179. Review of Chris Fawcett, The New Japanese House, London, Granada Publishing, 1980, Architects` Association Quarterly, vol.14, no.2, 1982, 83-84. Japanese Houses`, Architects` Association Quarterly, vol.10, no.4, 1978, 46-47; Guide Notes: Art Sites in Japan: I Around Ueno`, TAASA Review, vol.3, no.3, September 1994, 5-6. (507-508)) Art sites around Japan II`, TAASA Review, 1995. (509-511) KOREA-REPUBLIC OF KOREA General Works Kim, Youngna, Modern Korean Painting and Sculpture in Clark, John, ed. Modernity in Asian Art, Sydney: Wild Peony Press, 1993, pp. 155-168; Kim, Youngna, The Nude in Modern Korean Painting in Hitono Katachi, Hitono Karada (Human Figure in the Visual Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese); Kim, Youngna, Modern, after 1910 in Korea: Sculpture, The Dictionary of Art, vol. 18, London: Macmillam, 1996, 300-310; Kim, Youngna,Modern Development in Korea: Painting, The Dictionary of Art, vol. 18, London: Macmillam, 1996, pp. 325-327; Kim, Youngna, Korean Art Today: Contemporary Art and Social Change in Visual Arts and Culture, 1998; Kim, Youngna, Recent Contemporary Art and Social Change in Korea in Lee, Sang-oak and Park, Duk-soo, ed., Perspectives on Korea, Sydney: Wild Peony Press, 1998, pp. 137-143; Kim, Youngna, Yi In-song`s Local Colors: Nationalism or Colonialism in Oriental Arts, Vol. XLVI, no. 4, 2000, pp. 20-30; Kim, Youngna, Korean Art and Culture at the End of the Century in Oh, Kyong-dan, ed., Korean Briefing 1997-1999, The Asia Society, New York: M.E. Sharp, 2000; Kim, Youngna, Artistic Trends in Korean Painting During the 1930s in Mayo, Marlene and Rimer, Thomas, ed., Japan and East Asia: War, Occupation, and Creativity, Hawaii: University of Hawaii Press, 2001, 121-146; Kim, Youngna, Millet`s Peasant Image: The Receptive Phenomenon in Asia in Seoul Journal of Korean Studies, Vol. 14, 2001, pp. 233-262; Kim, Youngna, Korean Students in Tokyo in the 1930s: Their Activities with Avant Garde Art (Japanese Language) in Gendai Geijutsu Genkyu, Tsukuba University, Vol. 4, 2001, pp. 3-22;

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Kim, Youngna, Let`s Pause and Talk, Let`s Pause and Drik in IIAS Newsletter, Leiden: International Institute for Asian Studies, August 2000, p. 40; Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym Publisher with Korea Foundation, 2004 (Forthcoming); Kim, Youngna, Postwar Abstract Art and Korea`s Informel` in Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum of Modern Art, 2000 Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD thesis, Australian National University, 2003 En Young An, South Korea, democracy and art`, in Art Monthly Australia, Issu No.: 207, March 2008, pp. 29 ­ 33. Introduction to the Modern Oriental Painting of Korea`, Han'guk Kundae Tongyanghwa, Seoul, Hwarang Namkyong, 1976 Lee, Jiyoon, Beyond Korea: Post 1989 Korean Contemporary Art`, in TAASA Review. The Journal of the Asian Art Society of Australia, v. 17 (1) March, 2008, pp. 9 ­ 11. Modern Korea Art Exhibition for the Past 60 years, Seoul, Ministry of Information, 1973 [bilingual catalogue] National Museum of Contemporary Art, ed., 100 Masterpieces of Modern Korean paintings (1900-1960), Seoul, National Museum of Contemporary Art, 2002. National Museum of Contemporary Art, ed., A glimpse into Korean Modern Painting,[1920s-1960s] Seoul, National Museum of Contemporary Art, 1998 Pak, Syeung-Gil, ed., Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971 Roe, Jae-Ryung, The representation of national identity in Korean Art Exhibitions, 1951-1994, Ph D thesis, New York University, 1995. Roe, Jae-ryung, Contemporary Korean Art, Sydney, Australian Humanities Research Foundation, 2001 Selected Works of 100 Modern Korean Sculptors and Painters, Seoul, 1965, [series of one volume per artist in Korean with some details in English] Selz, P.ed., Contemporary Korean Painting, Berkeley, Asian Humanities Press, 1979. So Chong-Ae, Public Funding for the Arts in the Republic of Korea, unpublished MA Thesis, Teachers` College, Columbia University, 2000 Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum of Modern Art, 2000 Yi Kyong-song, Sixty years of Modern Korean Art`, and accompanying chronology by Yi Ku-yol, English texts in the Korean catalogue Han'guk Kundae Misul, Seoul, National Museum of Modern Art, 1973. Yi Kyong-song, Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971. Yoon, Jin-sup, A study on Korean modernism: with emphasis on avant-garde movement since 1956, Unpublished PhD Thesis, University of Western Sydney, 2000 Individual Artists Bae Bien-U: Chung, Shinyoung, Where I Work ­ Bae Bien-U`, ArtAsiaPacific, no. 48, 2006. Bahc Yiso: Moon, Iris, Divine Comedy: A Retrospective of Bahc Yiso` (exhibition review), ArtAsiaPacific, no. 50, 2006. Blupers (Rhie Joongjae): Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Cho Duck-hyun: Fouser, Robert J., Duck-Hyun Cho and the art of Memories, Third Text, no.33, Winter 1995- 1996. ; Fouser, Robert J., Therapy and Psyche`, Asian Art News, vol.6, no.2, Mar/Apr 1996. Cho Seihon: Fusco, Cassandra, A Dialogue Of People And Place`, in Asian Art News, v. 17(3), May/June, 2007, pp. 50 ­ 56. Choi Hyunsoo: Seo Sounjpu, Choi Hyunsoo, a Korean artist in Paris`, Art AsiaPacific, vol.3, no.3, 1996. Choi Jeong-hwa: Lee, James B., Flim-flam and fabrication: an interview with Korean artist Choi Jeonghwa`, Art AsiaPacific, vol.3, no.3, 1996 Asia Pacific, vol.3, no.4, 1996.

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Choi Jian: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Choi, Sunah: review, Flash Art, vol. XXXVIII, no. 244, October, 2005. Chung Suejin: review, Flash Art, vol. XXXIX, no. 250, Oct, 2006. Do-Ho Shu: Kee, Joan, The Singular Pluralities of Do-Ho Shu`, Art AsiaPacific, no.34, 2002. ; Stockman, Christine, Do-ho Suh. Infinite points of Contact`, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 118 - 125. Gimhongsok: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 ; Shinyoung Chung, Wild Korea`, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, pp. 78 ­ 85. Ha Bik-chuen: Thomson, Jonathan, Ha Bik-chuen at City Hall Exhibition Gallery` (Review) in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 49-50 Ham Jin: Kee, Joan, Ham Jin: Pretty Little Things` in Art Asia Pacific, No. 40 (Spring 2004), pp. 66-68. ; Nanjo, Fumio, Ham Jin` in Art Asia Pacific, Issue 37 (2003), p. 7 Ham Sup: review, Asian Art News, vol.11, no.4, 2001. ; Binks, Hilary, Paper reborn in art`, Asian Art News, vol.10, no.3, 2000 Hong, Jackson: Jackson Hong` (review), ArtAsiaPacific, no. 46, 2005. Hoon Kwak: Hoon Kwak`, Asian Art News, 2, no.3, May June 1992 Hwang Changha: review, Art in America, vol. 93, iss. 10, Nov 2005. Hyungkoo Lee: Moon, Iris, The Man Behind the Helmets: Hyungkoo Lee` in Art Asia Pacific, No. 41 (Summer 2004), 28-29. ; Ng, Elaine W., Hyunsook Lee: Queen of Seoul`, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 104 - 105. Jheon Soocheon: Maerkle, Andrew, Jheon Soocheon: On Board the Moving Drawing`, ArtAsiaPacific, no. 47, 2006. Jin Yong Lee: Jin Yong Lee` (review) ArtAsiaPacific, no. 47, 2006. Junebum Park: Butt, Zoe, Junebum Park: Master Illusionist`, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 57. Jung Jong-Mee:, Findlay, Ian, Of memory and culture`, Asian Art News, vol.11, no.1, 2001 Jung Ye Ondoo: Yukie, Kamiya, Dreamweaver: Jung Ye Ondoo` in Art Asia Pacific, No. 39 (Winter 2004), pp. 70-75 Kang Ik-Joong: Kee, Joan. Living on the Edge. Borders and Cultures in the work of Ik-Joong Kang.` Art AsiaPacific no.19 1998. Kang Jin-mo: Findlay, Ian. The Soul of Rock: Kang Jinmo.` Asia-Pacific Sculpture News 2:1 Winter 1996. Kang Sun-Mee: Moon, Iris, Kang Sun-Mee at Gallery Biim` (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 85 Kim Beom: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Kim Bongtae: Findlay, Ian., A World of Color and Space`, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.52-57. Kim Hong Joo: review, Flash Art, vol. XXXVIII, no. 245, November-December, 2005. Kim Ho-suk: Kim Hyun-do, Disrupture: Politics and history in the art of Kim Ho-suk`, Art AsiaPacific, no.14, 1997. Kim Soo-ja, Cho Kyung-sook, Yi Bul, Yun Suk-nam: Kim Sun-jung Bauble, Bangles and beads`, Art AsiaPacific, vol.3, no.3, 1996; Fouser, Robert J., Wrapping Everyday Life: Kim Soo-Ja.` AsiaPacific Sculpture News 2:2 Spring 1996; Schwabsky, Barry, Kim Soo-ja`, Art & Text 65, 1999; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist`s Book Series, Kim Soo Ja: A Needle Woman, Kitakyushu: Center For Contemporary Art, 2000; Wei, Lilly, Kim Sooja at Peter Blum`, Art in America, Vol. 90, Issue 9, September 2002; Goodman, Jonathan, Kim Sooja` in Art Asia Pacific, Issue 37 (2003), p. 51 Kim Sora: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

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Kim Whanki: Schwabsky, Barry, Kim Whanki` [Seoul] Review, Art & Text 67, Nov. 1999- Jan. 2000 Kim Yeong gil: Goodman, Jonathan, Small marks, small spaces`, Art AsiaPacific, 22, 1999 Kim Youngae: Fusco, Cassandra, An archaeology of experience`, Asian Art News, vol.12, no.3, 2002. ; Fusco, Cassandra, Traces of Time and Change`, Asian Art News, vol. 17, no. 1, Jan-Feb 2007. Kim, Soo: review, Artforum, vol. 44, Iss. 8, 2006. Kimsooja: Pasini, Francesca, ed., Kimsooja: To Breathe: Respiare, Charta, Milan, 2006 Ko, Jae: review, Artforum, vol. 45, iss. 5, 2007. Koo Jeong-A: Koo Jeong-A Wins 2005 Hermes Korea Art Award`, ArtAsiaPacific, no. 48, 2006. ; Macel, Christine, Invisible Things`, Flash Art, vol. XXXVIII, no. 245, November-December, 2005. Ku Ja-Young: Shinyoung Chung, Ja-Young Ku: Illusion in the Post-Medium Condition`, ArtAsiaPacific, no. 51, 2007. Kwak Hoon: Hoon Kwak`, Asian Art News, 2, no.3, May June 1992. Lee Bul: Lee, James B., Desire under siege`, World Art, no.3, 1995; Fukuoka Asian Art Museum, Contemporary Asian Artists-I 9Korea), Lee Bul: Monsters+Cyborg, Fukuoka: Fukuoka Asian Art Museum, 200; Hoffmann, Frank, Cyborgs and Karaoke`¸ Art in America, May 2002; Kurzmeye, Roman, Lee Bul: in media res., Seoul, Ssamzie Art Project, 1999; Lee Bul, Beauty and Trauma`, Art Journal, vol.59, 3, Fall 2000; Obrist Hans-Ulrich with Lee Bul, Cyborgs and Silicone` in Lee Bul, Seoul, Artsonje Center, 1998; Fouser Robert J., The question of body ownership`, Art AsiaPacific 28, 2001; Hoffman, Frank, Lee Bul: cyborgs and karaoke`, Art in America, May 2002; Kantor, Jordan, Lee Bul`, Artforum International, Vol.41, Issue 2, October 2002; Hoffman, Frank, Lee Bul: Cyborgs and karaoke`, Art in America, Vol. 90, Issue 5, May 2002. Lee Bul, Theatrum Orbis Terrarum, Tokyo, Japan Foundation Asia Center, 2003; Rhee, Jieun, From Godess to Cyborg: Lee Bul and Mariko Mori in N. Paradoxa, Vol. 14, 2004 (July, 2004) ; Lee Bul On Every New Shadow, Paris, Foundation Cartier pour l`art contemporain, 2007.; Masters, HG., Lee Bul. Wayward Tangents`, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 126 - 133. ; Lee, James B., Yi Bul: the aesthetics of cultural complicity and subversion`, Art & Asia Pacific, vol.2, no.2, Lee Mikyung: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Lee, Il: review, Art in America, 94:9 (October 2006) Lee, Inhyeon: review, Artforum, vol. 45, iss. 4, 2006. Lee, Kyung-Lim: Cohen, Ronny, New York: Kyung-Lim Lee`, Artforum International, Vol.33, Issue 1, September 1994 Lee, Yong-Baek: review, Flash Art, vol. XXXIX, no. 247, March-April, 2006. Li Chunmok: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Noh, Sang-kyoon: review, Artforum, vol. 44, Iss. 6, 2006. Paik Nam-jun /Nam June Paik: Tomkins, C., Video Visionary`, in The Scene: Reports on Post-Modern Art, New York, Viking Press, 1976; Becker, Williams, ed., Pink Video, Barrytown, Station Hill Imprints, 1998; Fouser, Robert J., Looking for Chaemi : Nam June Paik and Korean Modernist Aesthetics`, in Lee Sang-Oak, Park, Duk-soo, eds., Perspectives on Korea, Sydney, Wild Peony, 1998; Hanhardt, John G., The worlds of Nam June Paik, New York, Guggenheim Museum, 2000; Inamori Foundation Newsletter, no.3, August 1998 [prize citation]; Pacer, Alessandra, Nam June Paik à Vinci, San Gimignano, Arte Continua, 2002; Rhee Jong-soong, Portapaik, Nam June Paik interviewed`, Art AsiaPacific, vol.3, no.3, 1996; Stooss, Toni; Kellein, Thomas, eds., Nam June Paik: Video Time, Video Space, New York, Harry N. Abrams, 1993. Butt, Zoe, The Moon is the oldest television`, TAASA Review, vol.12, no.2, 2003; Rhee, Jieun, Reconstructing the Korean Body: Nam June Paik as Specular Border in Oriental Art, Vol. XLVIII, No. 4 (2002), pp. 47-50 ; Decker-Phillips, Edith, Paik Video, Station Hill Arts Series, Barrytown, 1998.; Eine Data Base: Nam June Paik, La Biennale di Venezia, XLV Esposizione Internationale D`Arte, Edition Gantz, 1993.; Kim, Alice, Coyotes and Wolves: An Interview with Nam June Paik`, New Art Examiner, vol.28, no.7 (April, 2001), p.41.; Millett, Kate, Bonyari`, Nam June Paik: Video Time, Video Space, pp.110-13.; Nam June

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Paik, John G. Hanhardt, Whitney Museum of American Art, New York, 1982. ; Nam June Paik: Videa n` Videology 1958-73, Everson Museum of Art, Syracuse, New York, 1974. ; Paik, Nam June, Expanded Education for the Paper-less Society` (1968), Nam June Paik: Videa n` Videology 1958-73, Everson Museum of Art, Syracuse, New York, 1974. ; Paik Nam June, Video Tte, Video Ttang, National Museum of Contemporary Art in Korea, Edition API, 1992. ; Ng, Elaine W., Nam June Paik: 1932-2006`, ArtAsiaPacific, no. 49, 2006; Hanhardt, John G., Chance in a Lifetime`, Artforum, vol. 44, Iss. 8, 2006; Devenport, Rhana, A Transgressive Duet: Nam June Paik and Charlotte Moorman in Australia in 1976`, Art and Australia, vol. 43, no. 1, 2005; Hanhardt, John, Nam June Paik 1932-2006`, Art in America, 94:4, April 2006; Goodman, Jonathan, TV Buddha, Video Fish`, Art AsiaPacific 29, 2001; Landi, Ann, Screen Idyll`, Art News, 99, 6, 2000 Park, Ga Hae: review, Art in America, 94.8 (Sept 2006) Park Seo-Bo: Soon Chun Co and Bloemink, B., Empty the Mind: The Art of Park Seo-Bo. New York: Assouline Publishing, 2009; Park Seo-Bo [Exhibition Catalogue, Beijing], Seoul and Beijing: Arario, 200; Leffingwell, Edward, Park Seo-Bo: at Arario`, in Art in America 97.3 (March 2009): 146(1) Rhee, Jong-soong: Rhee, Jong-soong, PortaPaik`, Art Asia Pacific, vol.3, no.3 (1996), p.54. ;Rhee, Jieun, Performing the other : Asian bodies in performance and video art, 1950s-1990s, Boston University PhD, 2002, AnnArbor University icrofilms International, 2002. SEO: review, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006; review, Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005. Seung Yul Oh: review, Eyeline, no. 61, Spring 2006. Shin Mye.ng-eun: Shikata Yukiko, Identity Complex: Shin Myeong-eun deconstructs the dog`, Art AsiaPacific, no.17, 1998. Shin Sang Ok: Cushman, Andy, Shin Sang Ok, 1926-2006`, ArtAsiaPacific, no. 50, 2006. Sook Jin Jo: review, Art in America, vol. 93, iss. 4, Apr 2005. Soong, Path: review, Art in America, vol. 93, iss. 9, Oct 2005. Sung Neung-Kyung: Green, Charles, Sung Neung-Kyung`, Artforum International, Vol.40, Issue 8, April 2002 Yong Soon Min: Park, Soyang, Xen: Migration, Labor and Identity. Yong Soon Min with Allan de Souza` (review), Third Text, vol. 9, no. 4, 2005. Yoon Jin-me: Jin-me Yoon: Unbidden` (review) ArtAsiaPacific, no. 48, 2006. Young Sun Lim: review, Art in America, 94:4, April 2006. Colonial Period Park, Hyun Ok, Korean Manchuria: The Racial Politics of Territorial Osmosis`, The South Atlantic Quarterly, 99.1, Winter 2000 Kim Youngna, Artistic trends in Korean painting during the 1930s`, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai`i Press, 2001, p.121-146. 1950s-1960s National Museum of Contemporary Art, ed., An aspect of Korean Contemporary Art ­ in the 1950s to 1960s, Seoul, National Museum of Contemporary Art, 2000 1970s-1980s Oh Kwang-su & Kim Bok-young, Korean Contemporary Art from the mid-1970s to mid-1980s: Age of Philosophy and Aesthetics, Seoul, National Museum of Contemporary Art, 2002 1980s and 1990s Ahn, En-Young, Slowness of Speed`, Art Monthly Australia, April 1999: 118 Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master of Visual Arts Thesis, Sydney College of the Arts, 1994.

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Ahn, Soyeon, Korean art in the 1990s`, Artlink, Vol. 20, No. 2, July 2000 Chattopadhyay, Collette. A Korean WRAPsody.` Art AsiaPacific no. 21 1999. Chiba Shigeo, Ichikawa Masanori, Nakabayashi Kazuo, curators; texts by Chiba Shigeo, Ôno Ikuhiko, An aspect of Korean art in the 1990s, Tokyo, National Museum of Modern Art, 1996 Choi, Eunju, Contemporary Korean Art in Pluralism and the Issue of Communication`, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Choi, Tae-man, Min Joong Art and its Testing Ground`, Art & Asia Pacific, vol.1, no.4, 1994. Choi, Tae-man, Min Joong art in Korea: Realism as a communication`, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. Choy, Linda, Confucian Feminists`, Art AsiaPacific, no.33, 2002. Circulating Currents: Japanese and Korean Contemporary Art, Nagoya, Nagoya Shiritsu Bijutsukan, 1995 Focus on Korea, Art AsiaPacific, vol.3, no.3, 1996 Fouser, Robert J, The Wow Projects: Putting art into circulation`, Art AsiaPacific, no.35, 2002. Fouser, Robert J., Canned ambiguity: an exhibition of Korean art in Tokyo`, Art AsiaPacific, no.16, 1997. Hasegawa Yuko & Carols, Isabel, Last words on the Biennial `, Flash Art, XXVIII, no.185, Nov/Dec, 1995. Jung Hun Yee, The Ssack exhibition at the Sonje Museum`, Art & Asia Pacific, vol.3, no.2, 1996 Jung Hun Yee, The Ssack exhibition at the Sonje Museum`, Art & Asia Pacific, vol.3, no.2, 1996 Kee, Joan, Confronting multiple colonization in contemporary Korean art`, in Milford-Lutzker, MaryAnn, ed., Postmodernism and the Postcolonial Debate in Contemporary Asian Art, Oakland, Mills, College, 1998. Kent, Rachel, Slowness of speed`, Art AsiaPacific, 24, 1999 Kim Hyun-do, Videomatic, beauty kitsch and politics in contemporary Korean art`, Art AsiaPacific, vol.3, no.3, 1996. Kim Soun-gui, The Emptiness of Emptiness, Dream of the Butterfly`, Art & Asia Pacific, vol.1, no.4, 1994. Kim Youngna, Korean Art Today: Contemporary Art and Social Change`, Visual Arts + Culture, vol.1, no.1, 1998. Kim Youngna, Recent Contemporary Art and Social Change in Korea`, in Lee Sang-Oak, Park Duksoo, eds., Perspectives on Korea, Sydney, Wild Peony, 1998. Kim, Youngna, Korean Art Today: Contemporary Art and Social Change`, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998) Kim Youngna, Korean arts and culture at the end of the twentieth century` in Oh Kongdan, ed., Korea briefing, 1997-1999, challenges and change at the turn of the twentieth century, Armonk, Eastgate, 2000 Lee Hwaik, Painting Nothing` [monochome painting], Art AsiaPacific, vol.3, no.3, 1996 Gallery,1995. Lee Yongwoo, Information and Reality: Contemporary Art, Edinburgh, Fruitmarket Gallery, 1995. Lee, James B., The year of art`, Art & Asia Pacific, vol.2, no.3, 1995. Lee, James B., Performance Art takes a stand` Asian Art News, vol.4, no.6, Nov-Dec, 1994. Lee, James B., You are not here` [Korean art at Edinburgh], Art AsiaPacific, vol.3, no.3, 1996. Nahas, Dominique, The eye of the tiger: a survey of contemporary Korean art`, Art AsiaPacific, no.18, 1998. Roe Jae-ryung, From Chosun Dynasty to Segehwa`, Art AsiaPacific, vol.3, no.3, 1996. Roe Jae-ryung, Contemporary Korean Art, Sydney, Craftsman House, 2001 [Ahn, En-Young, review of Art AsiaPacific, 35, 2002] Roe, Jae-ryung, Korean Art at Home and Abroad: Staging a Culture`, Art & Asia Pacific, vol.1, no.4, 1994. Roe Jae-ryung, Novel exposure` [Korean photography], ART AsiaPacific, no.13, 1997. Seo Seongrok, Sensibility of a New Generation.` Asian Art: Prospects for the Future.` International Symposium 1999. Supplement: Korea`, Asian Art News, vol. 5, no.1, Jan-Feb 1995.

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Young Y. Chung. The Traditional Korean Wedding Robe.` TASSA Review, 7:3 1998. 2000+ Contemporary Korean Photography` review, Art AsiaPacific, 34, 2002 Ahn En-Young, Reclaiming colours in Korean Art`, Art Monthly Australia, no.153, September 2002. Chung, Shinyoung, Yoon-Jean Lee, Bae Bien-U and Sang-Gil Kim: the Silent Seduction of Three Korean Photographers`, ArtAsiaPacific, no. 48, 2006; The People in the Time 1945-2005 ­ Sixty Years of Korean Photography` (review), ArtAsiaPacific, no. 46, 2005. Cohn, Don J., Anyang Public Art Project: Out of Thin Air`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 88 - 89. Goodman, Jonathan, Il Lee, Chun Kwang-Young and Lee Ufan: International Abstraction, Generational Trajectories`, ArtAsiaPacific, no. 51, 2007. Heartney, Elanor, Korean Crossing` in Art in America, September 2004), pp. 60-65 Kang Seungwan & Kelley, Jeff, leaning forward, looking back, eight contemporary artists from korea, Seoul, National Museum of Contemporary Art, & San Francisco, Asian Art Museum, 2003 Kee, Joan, Trouble in New Utopia` in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004) Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003 Menta, C.de, Peppermint Candy. Contemporary Art fiorm Korea [Exhibition Catalogue]. Santiago and Buenos Aries: Museo de Arte Contemporaneo de Santiago and Museo Nacional de Bellas Artes de Buenos Aires, 2007 Moon, Iris, Double Vision at the Jam-Packed Korean Pavillion`, ArtAsiaPacific, no. 45, 2005; Kim Chang-il: Redefining the Korean Collector Building up an Art Collection in a Crumbling Market` in Art Asia Pacific, No. 40 (Spring 2004), pp. 30-31 Moon, Iris, Seoul: Until Now! City and Scene` (review) ArtAsiaPacific, no. 47, 2006. Seung-duk Kim, ,Focus South Korea. Changing Times`, in Flash Art, vol. xl, no. 255, July ­ September, 2007, 90 ­ 94. General Works Sirmans, Franklin, Busan Biennale 2004 ­ Chasm: Between Reality and Ideal, One on One With Manu D. Park` in in Art Asia Pacific, No. 41 (Summer 2004), pp. 36-37. Vine, Richard, Busan Biennale: Sept 6-Nov 15`.(BIENNIAL DIGEST), in Art in America 96.11 (Dec 2008): 94(3). Vine, Richard. Seoul Biennale: Sept 11-Nov 5`, (BIENNIAL DIGEST) in Art in America 96.11 (Dec 2008): 97(2). Video and new Media Hong Sung-Min, Korean video of art now`, Art AsiaPacific, 27, 2000 Hyun Daiwon, Promoting the Digital Content Industry in Korea, Focusing on Exporting Animation`, in International Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 329-339. Jae-Woong Kwon, New Type of Popular Culture in the Internet Age: An Analysis of the Korean Essay Cartoon`, in International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 320-350. Kim Hyun-do, Videomatic, beauty kitsch and politics in contemporary Korean art`, Art AsiaPacific, vol.3, no.3, 1996. Perlmutter, Harry, Moving Time - Nam June Paik and 30 International Video Artists` (exhibition review), ArtAsiaPacific, no. 49, 2006. Song Seungmin, Korean Independent Animation: Its Origin and Meaning`, in International Journal of Comic Art, Vol. 7, No. 1, Spring 2005, pp. 351-259. Sueen Noh, To Be or Not to Be, That Is the Question: What Is Happening with Korean Comics, (Mauhwa), Today?`, in International Journal of Comic Art, vol. 9, no. 2, Fall, 2007, pp. 454 ­ 477. Sueen Noh, The Gendered Comics Market in Korea: An Overview of Korean Girls' Comics, Soonjung Manhwa`, in International Journal of Comic Art, Vol. 6, No. 1, Spring 2004, pp. 281-298.

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Minjung Misul Choi, Tae-man, Min Joong Art and its Testing Ground`, Art & Asia Pacific, vol.1, no.4, 1994. Choi, Tae-man, Min Joong art in Korea: Realism as a communication`, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.

KOREA-DEMOCRATIC PEOPLE'S REPUBLIC OF KOREA

Jana, Reena, Art Under Control in North Korea` (book review), Artforum (Bookforum), vol 12, iss. 2, June-Sep 2005. Joren, G., Artists at Work`, Asian Art News, 2, no.3, May-June 1992. Korean Paintings of Today, Pyongyang, Foreign Languages Publishing House, 1980. The Korean Art Gallery, Pyongyang, Foreign Languages Publishing House, 1985. Portal, Jane, Art Under Control in North Korea, Reaktion Books, London, 2005. Suh Sung-rok, The Battlefield is just in front of us`, Art AsiaPacific, vol.3, no.3, 1996. SOUTHEAST ASIA Southeast Asian Modern Art in General [ARX5], Farnay, Rachel, Minds of their own` Asian Art News, vol.9, no.1, 1999 [ASEAN, 1989] First ASEAN Symposium on Aesthetics, Kuala Lumpur, Balai Seni Lukis Negara, 1989. [ASEAN, 1997 ] ASEAN art awards 1996`, Asian Art News, vol.7, no.1, Jan/Feb 1997. [ASEAN, 1998 ] Farnay, Rachel, An ASEAN success story`, Asian Art News, vol. 8, no.1, January/February 1998; Galligan, Gregory, The ASEAN Art Awards`, Art AsiaPacific,no.18, 1998. [ASEAN, 1999] Jay, Sian E., The Face of the new`, [Philip Morris ASEAN Art Awards], Asian Art News, vol.9, no.1, 1999; Sian E, Jay, The Face of the New`, [ASEAN Art Awards] Asian Art News, 9:1 1999. [ASEAN, 2001] Jay, Sian E., An ASEAN looking-glass`, Asian Art News, vol.11, no.1, 2001; Lenzi, Iola, Twelve ASEAN artists`, Art AsiaPacific, 31, 2001 [ASEAN, 2002] An engaging vision`[8th Philip Morris ASEAN Art Awards], Asian Art News, vol.12, no.4, 2002; Jay, Sian E., Sixth Sense` [Philip Morris ASEAN Art Awards], Asian Art News, vol.10, no.1, 2002 Clark, J, Modern Art in S.E.Asia`, Special Null Issue of Art & Asia Pacific, 1993. Contemporary Arts of the Region: South East Asia and Australia`, ARTLINK, vol.13, nos 3 & 4, Nov/Mar, 1993/1994. [Thailand, Indonesia, Vietnam, the Philippines, Malaysia, Singapore, Australia]. Asian Modernism: Diverse Development in Indonesia, the Philippines and Thailand, Tokyo, Asia Center, 1995, [reviews by Clark John, Asian Art News, vol.6, no.1, Jan/Feb 1996; Shimizu Toshio, Asian Modernism`, Art & Asia-Pacific, vol.3, no.1, 1996]. Cooke, Anna Zeitlin, The weavings of war: textiles from Vietnam, Laos, and Thailand`, Art AsiaPacific, no.18, 1998. Eagle, M., Shadows cast by others` [Adelaide Festival Installations], Art Monthly Australia, no.68, April 1994. Ewington, Julie, Between the cracks: Art and method in SE Asia`, Art AsiaPacific, vol.3, no.4, 1996. Findlay, Ian., Understanding Contemporary Southeast Asian Art by Marjorie Chu` (book review), in Asian Art News, Vol. 14, No. 2, March/April 2004, p.99-100.

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Furuichi, Y., Ushiroshoji, M., Sakonaka, Y., New Art from South-East Asia 1992, [bilingual], Tokyo, The Japan Foundation, 1992. Gaweewong, Jeab Gridthiya., Towards a New Paradigm: Contemporary Art from Thailand and Nan Yang`, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.104-107. Jay, Sean E., In search of the future`, other [Nokia awards], Asian Art News, vol.10, no.2, 2000 Jay, Sian E, Other Voices, Other Views`, Asian Art News, 9:1 1999. Jay, Sian E, A Winning Way`, Asian Art News, 9:1 1999. Jones, Jason, ,Could Installation Art be the New Mdium for Southeast Asia` in Explorations in Southeast Asian Studies (A Journal of the Southeast Asian Studies Student Association), Vol. 4 (Fall 2000) Little, Andrews, Mekong Art & Culture Project: Bridging the regional divide`, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 86 - 87. Löschmann, Jörg, curaor, Identities versus Globalization?, Chiang Mai, Heinrich Böll Foundation, 2003 Paras-Perez, Rod, South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence`, Art & Asia Pacific, vol.1, no.4, 1994. Poshyananda, Apinan, Con Art seen from the edge: the meaning of conceptual art in South and Southeast Asia`, in Global Conceptualism: Points of origin, 1950s ­1980s, New York, Queens Museum of Art, 1999 Sabapathy, T.K., et al, Modernity and Beyond: Themes in South East Asian Art, Singapore, Singapore Art Museum, 1995. Sabapathy, T.K., ed., Past, Present, Beyond: Re-nascence of an Art Collection, Singapore: South and Souteast Asian Asian Gallery/ NUS Museums, 2002 Seminar on Fine Arts of Southeast Asia, Bangkok; Association of Southeast Asian Institutions of Higher Learning, 1964. Tatehata Akira, Crossroads of Culture: A survey of recent Southeast Asian art in Tokyo`, Art AsiaPacific, no.17, 1998. Torres, Emmanuel, The Coupling of Word and Image`, Asian Art News, 9:1 1999. Turner, Caroline, Asian Modernisms: The Birth of the modern in Southeast Asia`, Art AsiaPacific, no.17, 1998. Ushiroshôji Masahiro et al, The Birth of Modern Art in Southeast Asia: Artists and Movements, Fukuoka, Fukuoka Art Museum, 1997. Zhuang Wubin, Spotlight on Another Asia` (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007 Zhuang Wubin and Wim Melis, Between Art and Documentary`, Asian Art News, vol. 17, no. 1, JanFeb 2007 Southeast Asian History: selected Anderson, Benedict, The Spectre of Comparisons: Nationalism, Southeast Asia and the World, London, Verso, 1998. Hall, G.G.E., A History of South-East Asia, London, Macmillan, 1955, 1994 Heine-Geldern, R., Concepts of State and Kingship in Southeast Asia, Ithaca, Data Paper no.18, South East Asia Program, Cornell University, 1956. Trankell, Ing-Britt and Summers, ed., Laura, Facets of Power and Its Limitations: Political Culture in Southeast Asia, Uppsala Press, 1998 Yao, Souchou, House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute of Southeast Asian Studies, 2001

MYANMAR [BURMA]

General Works Baily, J. T., Some Burmese Paintings of the 17th Century and Later ­ Part 3: Nineteenth Century Murals at Taung Thaman Kyang tawgyi`, in Artibus Asiae, 1979.

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Daw Ohn Kyi, Mandalay Under the British, 1886 ­ 1895`, in Myanmar Historical Research Jounral, no. 4, December, 1999. Findlay, Ian, Notes From Yangon`, Asian Art News, vol. 12, no. 2, March/April 2002 Jay, Sian E., Changing times`, Asian Art News, vo.11, no.4, 2001 Jill Sheng Mei In a World of Their Own`, Asian Art News, July/Aug 1998 [Aung Myint, M.P.P. Yei Myint, Myanmar] Koh, Jay, Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures for Engagement`, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Lee, Terry & Win, Min Chan, Contemporary Art Scene of Myanmar`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Min Naing U, U Ba Nyan i bawa, Rangoon [?], 1974. Pettifor, Steven, Contemporary Art from Myanmar at Dhara Dhevi Gallery` (review), Asian Art News, vol. 16, no. 4, 2006. Individual Artists Aung Myint: Ma Thanegi, A bridge to the future`, Asian Art News, vol.12, no.4, 2002 Aye Ko: Ma, Thenegi,`Breaking Free`, On Aye Ko, Asian Art News, vol. 12, no. 5, September/October, 2002 M.P.P. Yei Myint: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Moe, Soe: review, Asian Art News, vol. 15, no. 4, 2005. Muang Di: review, Ma, Thanegi, Muang Di at New Treasure Gallery`, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002 Nay Nyo Say: Ma, Thanegi, On Nay Nyo Say, Asian Art News, vol. 12, no. 5, September/October, 2002 Nyein Chan Su: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Po Po: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Say, Nay Myo: review, Asian Art News, vol. 15, no. 3, 2005. Soe Moe: Ma Thanegi, A narrative of light`, Asian Art News, vol.12, no.4, 2002 U Lun Gwye: Jay, Sian E., In the footsteps of the masters`, Asian Art News, vo.11, no.4, 2001 ________________________________________________________________________________

LAOS

General Works Campbell, Bronwyn, Dreams and Reality in Laos`, TAASA Review, vol.11, no.3, 2002 Hyles, C., Revolutionary street pictures of Laos`, The Journal of the Asian Arts Society of Australia, 2, 3, August 1993. Phoummachanh, Nousay Modern art in Laos`, Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. Sikounnavong, Kanha, Loa Art: A Continuation from Tradition to Modern Life`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Tanabe, Shigeharu and Keyes, Charles F., ed., Cultural Crisis and Social Memory: Modernity and Identity in Thailand and Laos, Hawai`i: University of Hawai`i Press, 2002 Individual Artists Douangdy Khanthavilay: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999

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[The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Kham Tanh Saliankham: Kham Tanh Saliankham: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001 Phouvanh Thammavong: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999

THAILAND

All personal names are given as habitually romanized by the artist or writer in question in Thai with the sequence of first or personal name first. Romanization is frequently, but not always, a transcription into roman letters of Thai orthography whose pronunciation rules in Thai are unfamiliar in English. For example, Kamol` is actually pronounced Gamon` in Thai, Poshyananda` is pronounced as Posyanorn` et cetera. That is, final l` in transcription is usually pronounced n`, and final consonants are often unpronounced, only semi-voiced, or otherwise varied. Thai romanizations thus vary considerably and usually transliterate Thai orthography without directly transposing Thai sounds. For convenience, romanization here largely follows Haas, Mary, Thai-English Students Dictionary, Stanford, Stanford University Press, 1964. Historical Context Before 1780s Facts and Fantasies [written records and book illustrations from the Zoomers and Kramers collections], Bangkok, National Library of Thailand, 2006 Skilling, P.For merit and Nirvana: The production of art in the Bangkok Period.` Arts Asiatiques 62: 76­ 94. 1780s to 1910s [Rama I to Rama V] Leonowens, Anna, The English Governess at the Siamese Court (1870) Singapore, Oxford University Press, 1989. Smithies, M. ed., Early Accounts of Petchburi, Bangkok, The Siam Society, 1987. Smithies, M., Descriptions of Old Siam, Kuala Lumpur, Oxford University Press, 1995. Bowring, J., The Kingdom and People of Siam [1857], reprint with foreword by Wyatt, D., Kuala Lumpur, Oxford University Press, 1969. Chomchai, Prachoom, Chulalongkorn the Great, Tokyo, Centre for East Asian Cultural Studies, 1965. Landon, K.P., Siam In Transition, London, Oxford University Press, 1939. Low Moffat, A., Mongkut, King of Siam, Ithaca, Cornell University Press, 1961. Lysa, Hong, Thailand in the Nineteenth Century, Singapore, Institute South East Asian Studies, 1984. Pallegoix, Abbé, Description du Royaume Thai ou Siam, 1854, reprint, Farnborough, Gregg Interntional Publishers, 1969. Quaritch Wales, H.G., Ancient Siamese Government and Administration, New York, Paragon Reprint, 1965. Rabibhadana, Akin, The Organization of Thai Society in the early Bangkok Period, 1782-1873, Ithaca, Cornell University Southeast Asia Program, Data Paper, no.74, 1969. Rabibhadana, Akin, Citizenship and Class Structure in the Early Bangkok Period`, in Skinner, G.W., Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press, 1975. Reynolds, A challenge to royal historical writing in late nineteenth century Thailand: the case of K.S.R. Kulab`, Journal of the Siam Society vol.61, part 2, July 1973. Reynolds, C., Sedition in Thai History: A nineteenth century poem and its critics`, in Manas Chitakasem, Turton, A., eds., Thai Constructions of Knowledge, London. School of African and Oriental Studies, 1991.

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Vella, W.F., Siam Under Rama III, Locust Valley, J.J.Augustin Ltd, 1957. Wilson., C.M., State and Society in the Reign of Mongkut, 1851-1968: Thailand on the Eve of Modernization, Ann Arbor, University Microfilms, 1971. 1910s to 1940s [Rama VI to Rama VIII] Chaiyan Rajchagool, The Rise and Fall of the Absolutist Monarchy: Foundations of the Modern Thai State from Feudalism to peripheral Capitalism, Bangkok, White Lotus, 1994. Mokarapong, Thawatt, History of the Thai Revolution, Bangkok, Chalermnit, 1972. Vella, W.F., Chaiyo!: King Vajravudh and the development of Thai Nationalism, Honolulu, University of Hawaii Press, 1978. 1950s to Present [Rama IX] (See also `Thai Mentalities including Religion' later) Anderson, B., Withdrawal Symptoms: Social and Cultural Aspects of the October 6 Coup`, Bulletin of Concerned Asian Scholars, 9, 3, July-September 1977. Anderson, B., Studies of the Thai State: The State of Thai studies`, in Ayal, Eliezer B., ed. The Study of Thailand: Analyses of Knowledge, Approaches, and Prospects in Anthropology, Art History,Economics, History and Political Science, Athens, Ohio, Center for International Studies, 1978. Anderson, B., Imagined Communities, [rev. ed.], London, Verso, 1991. Anderson, B., The Spectre of Comparisons, Nationalism, Southeast Asia and the World, London, Verso, 1998. Chula Chakrabongse, Prince, Lords of Life: The Paternal Monarchy of Bangkok 1782-1932, London, Alvin Redman, 1960. Dhiravat na Pombejra, Court, Company, and Campong, Essays on the VOC presence in Ayutthaya. Ayutthaya Historical Study Centre Occasional Paper 1, Phra Nakhon Sri Ayutthaya, Ayutthaya Historical Study Centre, 1992. Felicitation Volumes of Southeast-Asian Studies presented to His Highness Prince Dhaninivat Kromamum Bidyalabh Bridhyakorn, 2 vols., Bangkok, The Siam Society, 1965. Lysa, Hong, Warasan Setthasat Kanmu`uang Critical scholarship in post-1976 Thailand`, in Manas Chitakasem, Turton, A., eds., Thai Constructions of Knowledge, London. School of African and Oriental Studies, 1991. McCargo, D., Chamlong Srimuang and the new Thai Politics, London, Hurst, 1997. Phongpaichit, Pasuk, The Thai Middle Class and the Military: Social Perspectives in the Aftermath of May 1992`, Thailand Update, RIAP,1992 Phumisak, Jit, tr. Reynolds, C., Thai radical discourse: the real face of Thai feudalism, Ithaca, Cornell University Press, 1987. Phya Anuman Rajadhon, The Nature and Development of the Thai Language, Bangkok, the Promotion and Public Relations Sub-division, the Fine Arts Department, 2532 (1989). Prizzia, R., Thailand in Transition, The Role of Oppositional Forces, Honolulu, University of Hawaii Press, 1985. Reynolds, C., Lysa, Hong, Marxism in Thai historical studies`, Journal of Asian Studies, vol.53, no.1, Nov 1983. Reynolds, C. ed. National Identity and its Defenders: Thailand 1939-89, Melbourne, Monash University Centre for SE Asian Studies, 1991; new editions with essay, Thai identity in the age of Globalization`, Chiangmai, Silkworm Books, 2002 Riggs, F., Thailand: The Modernization of a bureaucratic polity, Honolulu, East-West Centre Press, 1966. Sivaraksa, S., Siam in Crisis, Bangkok, Thai Inter-Religious Commissionfor Development, 1990. Special Issue: Seven Hundred Years of the development of the Thai Language`, Crossroads, vol.3, no.1, 1986. Streckfuss, D., ed., Modern Thai Monarchy and Cultural Politics; the acquittal of Sulak Sivaraksa on the charge of lésé majesté in Siam 1995, and its consequences, Bangkok, Santi Prahca Dhamma Institute, 1996. Sulak Sivaraksa, Siam in Crisis, Bangkok, Santi Pracha Dhamma Institute, 1980, 1990 Terwiel, B.J., A History of Modern Thailand, 1767-1942, St. Lucia, University of Queensland Press, 1983.

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Wedel, Yuangrat, with Wedel, Paul, Radical Thought, Thai Mind, The development of revolutionary ideas in Thailand, Bangkok, Assumption Business Administration College, 1987. Wood, W.A.R., A History of Siam from the earliest times to the year A.D. 1781, with a supplement dealing with more recent events, Bangkok, 1924 & London, T. Fisher Unwin, 1926 Wyatt, David K., Studies in Thai History, Chiangmai, Silkworm Books, 1994. Wyatt, David K., Thailand, A Short History, New Haven, Yale University Press & Chiangmai, Trasvin, 1984. Individual Artists Anurak Chatanan: Anurak Chatanan & Toi Ungkavatanapong, Fact VS Fiction, Tadu Contemporary Art, Bangkok, March 25 - April 19, 1998. Apichatpong, Weerasethakul: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Gaweewong, Gridthiya, Apichatpong Weerasethakul` in Art Asia Pacific, Issue 37 (2003), p. 47 Araya Rasdjarmeearnsook: Apinan Poshyananda, Arya Rasdjarmrearnsook`, Art & Asia Pacific, vol.2, no.3, 1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National Gallery, Bangkok, December 7-30, 1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National Gallery, Bangkok, 6-30.12.1994; Poshyananda, Apinan, Araya Rasdjarmreansook` in Art Asia Pacific, Issue 37 (2003), p. 77. ; Curtin, Brian, Araya Rasdjarmrearnsook: Matters of Life and Death`, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 78 ­ 79. Bhusit Poodsongkram: Bhusit Poodsongkram & Boonkwang Noncharoen, Impressionist Painting Exhibition, Voyage to London, June,1991 - April,1992. Boonkwang Noncharoen: Boonkwang Noncharoen & Bhusit Poodsongkram, Impressionist Painting Exhibition, Voyage to London, June, 1991 - April, 1992. Boonyavanishkul, Rearngsak: Watson, Robert C., A Sculpted Surrealism`, World Sculpture News, vol. 12, no. 1, 2006. Cang Saee Tang [Tang Zhang]: Cang Saee Tang, Thadsanasin Kawiiniphon Cang Saee Tang, Published in Cang Sae Tang`s funeral at Meeru Wadsuthaaraam, December 2, 2533 (1990); Cang Saee Tang, Visual Art-Poems by Tang Chang, 2nd ed. Bangkok, Samnakphim Sawaeng Haa, 2533 (1990); Cang Saee Tang, Chiiwid Khwaamkhid Lae Khwaam Ngaam`, Art World, Vol.4 No.2, February - April, 2533 (1990); Cang Saee Tang, Jaam Chaw, Baang Bod Khong Bodkawii Phoor Kab Maee Phor Sor 25032514, Poets in Tang Chang`s Institute of Modern Art, Bangkok, Saaj Song Syk Sid Borrisad Khled Thai Camkad, .2528 (1985); review, Asian Art News, vol.11, no.5, 2001. Chakraphan Posyakrit: Tira Intravutr, Chakrabhand Posayakrit:Thailand`s Renaissance Man, Bangkok, Nuang-Nuang Books, 1985. Chalermchai Khosidphipat: Anaakhod Cidtrakam Thai Naj Mum Morng, Chalermchai Khosidphipat`, Phu Cadkaan Raj Wan, no date. Chalermchai Khositpipat: Hoskin, John, A Question of attitude`, Chalermchai Kositpipat, Panya Vijinthanasarn`, Art & Asia Pacific, vol.2, no.3, 1995. Chalood Nimsamer: Silpakorn University, Khyy Kab Aachaan Chalood, Sinlapin Haeng Chaad Saa Khaa Thudsanasin Pracampii 2541` Wang Tha Phra Art Forum, n.d.; Krom Sinlapaakorn ed. Rabiandphab, Ngaan Sinlapa Khong Chalood Nimsamer`, Sinlapaakorn, Vol 29 No.4, pp.1-27 September 2528 (1985); Krom Sinlapaakorn ed. Kiaw Kab Ngaan Sinlapa Khong Chalood Nimsamer`, Sinlapaakorn, Vol 29 No.4, pp.28-42, September 2528 (1985). Chatchai Puipia: Chatchai Puipia, Siamese Smile, The Lotus Hasn`t Bloomed Yet, the Japan Cultural Center, Bangkok, December, 2-23, 1995; Chatchai Puipia, Paradise Perhaps, A Painting Exhibition, Bangkok University Art Gallery, Bangkok, December 8-20, 1997; Chatchai Puipia, Sa-Loke Fai, Silom Art Space, Bangkok, August 21 - September 26, 1993; Chatchai Puipia & Pinaree Sanpitak, Recent Works, the National Gallery, Bangkok, Maech 3-20, 1991. ; Preece, Robert and Gaweewong, Gridthiya. An Interview with Chatchai Puipia.` Art AsiaPacific issue 22 1999; Gampell, Jennifer, Desperately seeking Chatchai`, Art & Asia Pacific, vol.2, no.3, 1995; Pettifor, Steven Art`s

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soldier`, Asian Art News, vol.9, no.6, 1999; Preece, Robert; Gaweewong, Gridthiya, Cracking beneath the surface`, Art AsiaPacific, 22, 1999. ; review, Art AsiaPacific, 34, 2002; review, Asian Art News, vol.11, no.5, 2001. Chavalit Soemprunsuk: Chavalit Soemprunsuk, Exhibition with Rity Jansen Heijtmajer, Bangkkok, Bhirasri Institute of Modern Art, 1986. ; Karnjariya Sukrung, Chavalit`s exhibitions display freedom and fear`, Bangkok Post, January 16, 1994. Chumporn Apisuk: Apisuk, Chumpon, At Concrete House..`, Art & Asia Pacific, vol.2, no.3, 1995 Damrong Wong-Uparaj; Damrong Wong-Uparaj, Damrong Wong-Uparaj, 30 Years of Printmaking, British Council, Bangkok, October 8-31, 1991; Damrong Wong Uparaj, exhibition of paintings of the Japan period, Bangkok, German Cultural Institute, December 1987 Den Warnjing: Den Warnjing, Chiiwid Thai Chonnabod Naj Cidthrakam Thai, Marsi Gallery, Bangkok, April 30 - May 31, 1999. Fua Haribhitak: Fua Haribhitak, Exhibition of Art by Dr.Fua Haribhitak, the National Gallery, Bangkok, March 2-31, 1981. Hem Vejakorn: Cakkaphan Posayakrid, Nithadsakaan Phabwaadwicid, Khru Hem Vejakorn,the Art Center, Chulalongkorn University, March 21 - April 26, 1996 His Majesty the King Rama IX: Paintings fit for Royalty`, The Nation, January 30, 1995. Huangtanpan, Somneuk: review, Asian Art News, vol. 16, no. 5, 2006. Ithipol Thangchalok: Ithipol Thangchalok, Recent Paintings, the National Gallery, Bangkok, December 12, 1991- January 5, 1992. Jakapan Vilasineekul: Mountain and Sea, Bangkok, Chulaongkorn University Art Centre, 1997 Review: Pettifor, Art AsiaPacific,no.18, 1998. ; Pettifor, Steven., Jakapan Vilasineekul at Numthong Gallery` (review), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.82. Jakkai Sributr: Pettifor, Steven, In the realm of textiles`, Asian Art News, vol.9, no.6, 1999. ; review, Asian Art News, vol.11, no.4, 2001 Jianpinidnan, Kornkrit: review, Asian Art News, vol. 16, no. 5, 2006. Jiradaj Meemalai, Pornpilai Jongsoontornturakij: As big as it`s small, Bangkok, Tadu, 2002 Jirapat Tatsanasomboon: Pettifor, Steven, Cultural Confrontation`, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 114-117. Jitpratuk, Pomm: review, Asian Art News, vol. 16, no. 5, 2006. Kachacheewa, Anupong: review, Asian Art News, vol. 15, no. 4, 2005. Kamin Lertchaiprasert: Kamin Lertchaiprasert, Bangkok, Visual Dhamma Gallery & Dialogue Gallery, 1991; Kamin Lertchaiprasert, Normal & Nature, Tadu Contemporary Art, Bangkok, August 9 September 31, 1997; Kamin Lertchaiprasert, Kamin Lertchaiprasert, Problem - Wisdom,Queensland Art Gallery 1993 ­ 1995\; Kamin Lertchaiprasert, Nirad Thailand in Drawing (to spirit), the Art Gallery of Faculty of Painting, Sculpture & Graphic Arts, Silpakorn University, November, 2-21, 1992; Kamin Lertchaiprasert, Gaw Ery Gaw Gai, Visual Dhamma Gallery, Bangkok August 14, September 11, 1991; Pettifor, Steven, The Process of Being`, On Kamin Lertchaiprasert, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002. ; Ng, Josef, curator, Kamin Lertchprasert, Bangkok, Tang Gallery 2007 Kamol Phaosavasdi: Kamol Phaosavasdi & Montien Boonma, Content Sense,the National Gallery, Bangkok, January 14 - February 3, 1995; Khetsirin Knithichan, A Sensible Approach to Nature`, The Nation, November 23, 1995; Kamol Phaosavasdi & Vichoke Mukdamanee, Kamol & Vichoke Contemporary Art Exhibition, the Faculty of Painting Sculpture and Printmaking, Silpakorn University Bangkok, November 25- December 12, 1992; Pettifor, Steven, Kamol Phaosavasdi at Bangkok University, Asian Art News, vol. 13, no. 1, January/February 2003. ; review, Asian Art News, vol.11, no.4, 2001; Pettifor, Steven., Kamol Tassananchalee: Manid Sriiwanidchapuum, Kamol Tassananchalee, dhek di heng wonkkaan silbhakaam Thay`, Syaam Rath, Sabhdaawicaan, June 3-20, 2532 (1999); Kamol Tassananchalee & others, Kamol and His Artist Friends (An Art Exhibition, Kamol Tassananchalee and the Thai Art Council

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Participated Artists), the National Gallery, Bangkok, February 2-25, 2538 (1995). ; Brecelic, Thomas, The Master of Connections`, Asian Art News, vol.9, no.3, 1999 Kanya Chareonsupkul: Brown, Glen, R., Practical Spirutalism` Asian Art News, vol.5, no.6, Nov/Dec 1995. Khien Yimsiri: Fine Arts Department, A Retrospective Art Exhibition of Khien Yimsiri, the National Gallery, Bangkok September 7 - November 7, 2522 (1979); Somporn Rodboon, The Life and Works of Khien Yimsiri, Bangkok, SITCA Investment & Securities Public Company Limited, 1994 Kosit Juntaratip: Kosit Juntaratip & Navin Rawanchaikul, Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995. Kritsana Chaikitiwattana: Pettifor, Steven., Grim Reality`, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.44-46. Krue-on, Sakarin: Pettifor, Steven, Something Old, Something new`, World Sculpture News, vol. 12, no. 2, 2006; review, Asian Art News, vol. 15, no. 1, 2005; review, Flash Art, vol. XXXIX, no. 249, JulySeptember, 2006; Salus, Carol, Recent art of Sakarin Krue-On: an interview` in Art Journal, 67.2 (Summer 2008): p. 92. Kunavichayanont, Sutee: Sutee Kunavichayanont: Stereotyped Thailand` review, ArtAsiaPacific, no. 48, 2006; review, Asian Art News, vol. 15, no. 6, 2005. Limthamrong, Peerapong: review, Asian Art News, vol. 15, no. 4, 2005. Manit Poo-Aree: Manit Poo-Aree, Contemporary Art Exhibition by Manit Poo-Aree,The Gallery of Faculty of Painting Sculpture and Printmaking, Silpakorn University, Bangkok, April 8-30, 1999. Manit Sriwanichpoom: Knithichan, Khetsirin, City of Hell` ART AsiaPacific, no.13, 1997. ; Pettifor, Steven, Looking glass reality`, Asian Art News, vol.12, no.2, 2002. ; Manit Sriwanichpoom, [email protected], July - August, 1998 no place of exhibition; Manit Sriwanichpoom, This Bloodless War, Greed, Globalization, and the End of Independence, the Roadside Photo Exhibition, November, 1997. Cit no place of exhibition; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Pettifor, Steven, Looking Glass Reality`, On Manit Sriwanichpoon, Asian Art News, vol. 12, no. 2, March/April 2002 Mareeya Dumrongphol: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Michael Shaowanasai: Chua, Ferreolus., Interview with Michael Shaowanasai`, in Vehicle: Contemporary Visual Arts, No.10, 2003, p.18-21. Michael Shaowanasai: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Mitree Parahom: Pettifor, Steven Defender of Tradition.` Asian Art News 9:5 September/October 1999 Montien Boonma: Montien Boonma, Anusorn Naj Ngaan Phraradchathaan Phlerng Sob Naj Montien Boonma, Published in Montien Boonma`s funeral at Meru Wad Chonlaprathaan Rangsarid, Nonthaburi, August 24, 2543 (2000); Montien Boonma, Works, 1990-1993, the National Gallery, Bangkok, February 25, - March 22, 1993. 2 books; Montien Boonma, Arte Amazonas, Goethe Institut, Bangkok, June 4 - 27, 1992; Montien Boonma & Kamol Phaosavasdi, Content Sense,the National Gallery, Bangkok, January 14 - February 3, 1995; Montien Boonma, ThaiiahT, the National Gallery, Bangkok, September 7 - October 3, 1990; Richard, Frances, Montien Boonma`, Artforum International, Vol.36, Issue 6, February 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Montien Boonma, Report at The First Fukuoka Asian Art Trienale [The 5th Asian Art Show], Seminar: Asian Art ­ Towards the 21st Century, Fukuoka: Fukuoka Asian Art Museum, 1999; Poshyananda, Apinan, Montien Boonma: Temple of the mind, New York & Asia Society & London, Artis, 2003; Desai, Vishakha N., Montien Boonma` in Art Asia Pacific, Issue 37 (2003), p. 34; Heartney, Eleanor, Parallel Lives` (Montien Boonma at Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52; Koplos, Janet, Mindfull Living` in Art in America (May 2004), pp. 90-95; Poshyananda, Apinan, Montien Boonma: Temple of the mind, New York & Asia Society & London, Artis, 2003. ; Kunavichavanont, Sutee and Apinan Poshyananda eds., Death Before Dying: The Return of Montien Booma, Thailand

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Office of Contemporary Art and Culture, 2006; Pettifor, Steven, An uncommon spirit`, Asian Art News, vol.11, no.1, 2001; Wongchirachai, Albert Paravi, Montien Boonma`, Art & Asia Pacific, vol.2, no.3, 1995; Poshyananda, Apinan, a tribute, Art AsiaPacific, 31, 2001; Koh, Jay, Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures for Engagement`, Focas (Forum on Contemporary Art & Society), no.2, July 2001. Montri Toesombat: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999Narin Ruttanachun: Narin Ruttanachun, Serenity 1987-1990, Goethe Institute, Bangkok, December 20 - March 15, 1991; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pettifor, Steven., Dressing Up Nature`, in Asian Art News, Vol. 13, No. 1, January/February 2003, p.48-51. Natee Utarit: review, Art AsiaPacific, 27, 2000 ; Lenzie, Iola, A Versatile Stylist`, in Asian Art News, v. 17(6), November/December, 2007, pp. 73 ­ 77. ; review, Asian Art News, vol.9, no.4, 1999; Pettifor, Steven, Out Of His Own`, On Natee Utarit, Asian Art News, vol. 12, no. 6, November/December, 2002 Navin Production Co., Ltd. / Navin Rawanchaikul: Navin Rawanchaikul & Kosit Juntaratip, Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995; Khetsirin Knithichan, Substance is intended to shock` The Nation, January 16, 1995 ; Navin Production Co.,Ltd., Another day in Sydney, Published for the 11th Biennale of Sydney, Navin Production Co.,Ltd., 1998. Nawin Rawanchaikul: Pettifor, Steven, An art world in a taxi`, Asian Art News, vol.11, no.6, 2001 Nim Kruasaeng: review, Asian Art News, vol.11, no.5, 2001; Pettifor, Steven, In search harmony`, Asian Art News, vol.10, no.2, 2000 Nimmalaikaew, Uttaporn: Thompson, Jonathan, Inevitable Cycles`, Asian Art News, vol. 16, no. 4, 2006. Niti Wattaya: Niti Wattaya, Return of the Goldern Era, Dialogue 1991, Bangkok, May 21 - June 11, 1992; Pettifor, Steven., Tracing Changes`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.44-47. Nittaya Ueareeworakul: review, Pettifor, Steven, Nittaya Ueareeworakul at Si-am Art Space`, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002; Pettifor, Steven, A mantra of unity`, Asian Art News, vol.10, no.6, 2000 Paitun Muangsomboon: Fine Arts Department, Paitun Muangsomboon National Artist Retrospective,the National Gallery, Dec. 25, 1989 ­ Feb. 15, 1990. Panya Vijinthanasarn: Panya Vijinthanasarn, Subversion of Truth, Tadu Contemporary Art, January 30 March 8, 1998. ; review: Clark, Asian Art News, vol. 8, no.2, March/April 1998 Paretas Hutangura: Paretas Hutangura, Facing the Alien, Solo Exhibition, January 3-22, 2538 (1995); Manid Sriiwanidchapuum, Mahadsacan Wan Samniak, Syaam Rath Sabhdaawicaan, p.58, April 11-17, 2542 (1999). (2articles); Paretas Hutangura, The Miracle Days of Awakening, Tadu Contemporary Art, Bangkok, February 12 - March 14, 1999. Phaiboon Suwannakuud: Anusorn Ngaanphraraadchathaan Phlerngsob Phajboon Suwannakuud, March 21, 2526 (1983): Praajta, Samphad Siriwanna Suwannakuud, Raw Maj Daj Tung Caj Ca Con`, Ploy Kaem Phed, no date; Phajboon Suwannakuud, Som Porj Dork Lyang`, Laeng Khen Ruam Ryang San, 2nd Bangkok, Samnakphim Duangkamon, 2518 (1975). Phaosavasdi, Kamol: Pettifor, Steven, Media Man with a Conscience`, Asian Art News, vol. 15, no. 6, 2005. Phaptawan Suwannakudt [daughter of Phaiboon] Carter, Michael & Gezcy, Framing Art, Sydney, University of New South Wales Press, 2005; Pettifor, Steven, Between Tradition and Modernity: Phaptawan Suwannakudt`, Asian Art News, September/October, 2004; Ewington, Julie, Thai Vision, Australian Painter, in Recent Painting, Numthong Gallery, Bangkok, 2004; Power, Kevin; Flores, Patrick, in El Poder de Narrar / The Power of Narration, Espai d`Art Contemporani de Castello, Valenciana, Spain, 2000; Datuin, Flaudette May, The Queen, the Goddess, and the

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mural painter`, Art Asiapacific, no.14, April 1997; Gampell, Jennifer, Profile`, Far Eastern Economic Review, December 21, 1995. Phunsombatlert, Bundith: Pettifor, Steven, Searching Out Obsessions`, Asian Art News, vol. 17, no. 1, JanFeb 2007. Pichit Tangcharoen, Sumet Pongchinrit, Kongsak Gulgalngdon: Different Angles, Bangkok, Tadu, 2002 Pinaree Sanpitak: Pinaree Sanpitak, Mother & Child, A Dialogue, Silom Art Space, Bangkok October 2-31, 1993; Pinaree Sanpitak & Chatchai Puipia, Recent Works, the National Gallery, Bangkok, March 320, 1991: Pinaree Sanpitak, The Cross, the Egg, the Cow& the Squash, An Exhibition of Eclectic Works,Silom Art Space, Bangkok, November 9 - December 7, 2534 (1991): Pinaree Sanpitak, Womanly Abstract, About Studio/ About CafZ/ A Reading Room, Bangkok, February 13, - April 17, 1999. Body and Soul: Pinaree Sanpitak and the art of life`, Art AsiaPacific, no.21, 1999; review Art AsiaPacific, 33, 2002. ; Mertens, Brian, Pinaree Sanpitak ­ Where I Work`, ArtAsiaPacific, no. 51, 2007. ; Lenzi, Iola, Pinaree Sanpitak: Art through The Breast`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 62 ­ 67. ; Pettifor, Steve, Making offerings`, Asian Art News, vol.9, no.6, 1999. Piwat Nophiran: Jay, Sian, E., All in a smile`, Asian Art News, vol.10, no.1, 2000 Plastic (& other) waste: review, Art AsiaPacific, 22, 1999 Prajad Phongdam: Silpakorn University, Chiiwid Lae Phonngaan Sinlapin Haeng Chaad Saa Khaa Thudsanasin Pracampii 2541` Wang Tha Phra Art Forum, n.d. Prasong Luemuang:Prasong Luemuang, Diary of a Village, Bangkok, British Council, 1991; Prasong Luemuang, Naam Thip - Pla Thong, Bangkok, Silom Art Space, 1991; Prasong Luemuang, Likhid Cak Muubaan, British Council Bangkok, December 9, 1991 - January 9, 1992: Prasong Luemuang, Water Moon,, Goethe Institut, Bangkok, November 23 - December 15, 1990. Prasong Padmanuja: Prasong Padmanuja, PRASONG PADMANUJA Retrospective, the National Gallery, Bangkok, July 14 - August 7, 1986. Pratuang Emchareon: Phatarawadee Phataranwik, Pratuang & Bunying`, The Nation, February 14, 1995. Prawat Laucharoen: review, Asian Art News, vol.11, no.5, 2001 Rasdjarmrearnsook, Araya: Pettifor, Steven, Embracing Taboos`, Asian Art News, vol. 16, no. 4, 2006. Rawid Terdwong: Pinanong Paanchyyn, Duaj Huachaj Khong Cidtrakorn`, Krungthep Wanaathid, May 30, 2542 (1999). Rirkrit Tiravanija: Rirkrit Tiravanija, Museum Studies 4, Rirkrit Tiravanija, Philadephia Museum of Art, April 1 - May 31, 1998; Yang, Alice, The artist as chef - Rirkit Tiravanija`, Art & Asia Pacific, vol.3, no.2, 1996; Rirkrit Tiravanija, Hyde-Antwi, Frank, Supermarket, Zürich, migros museum für gegenwartskunst, 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Sabai, Soi: Teh, David, Soi Sabai`s Temporary Art Connections`, ArtAsiaPacific, no. 50, 2006. Sakarin Khrue-on: review, Asian Art News, vol.10, no.6, 2000 ; Pettifor, Steven, Harvesting Art, in Asian Art News, v. 18(2), March/April, 2008, pp. 96 ­ 99. Sansern Milindasuta: Sansern Milindasuta, The Gardener, Bangkok, National Gallery 1993. Santi Thongsook: Yvan Cohen, Artistic Witness to a Helter Skelter Urban Nightmare`, The Nation, January 5, 1995. Saravudth Duangjumpa: West, Andrew. Saravudth Duangjumpa: A Contemporary Thai Artist.` TAASA Review, 7:3 1998 Sermsuk Thiensoonthorn: Sermsuk Thiensoonthorn, Outbound Conversation Between 1993-1998, Bangkok, the National Gallery, 6-28 February. Shaowanasai, Michael: Teh, David, Michael Shaowanasai: Good: New Paintings 2549` (exhibition review), ArtAsiaPacific, no. 50, 2006. Silpa Phirasri [Corrado Feroci]: Silpa Bhirasri, Articles from the Catalogues of the Annual National Art Exhibition. Published in Silpa Bhirasri`s funeral at Meero Naa Phlabphla Idsariyaaporn, Wat Thebsirintharaawaad, January 17, 2506 (1963): Silpa Bhirasri, Comments and Articles on Art, Bangkok, The National Association of Plastic Arts of Thailand, 1963; Silpa Bhirasri, Contemporary

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Art in Thailand, Bangkok, the Promotion and Public Relations Sub-division, the Fine Arts Department, 2532 (1989); Chabap phiset 100 bi sastracaan silpa phirasri`, Warasaan Mahawithayalaay Slipakorn, no.12, 2535 (1992); Damrong Wonguparad, Nithadsakaan Cidthrakam Phabthaj Lae Khormuun Kiawkab Chiiwid Lae Phonngaan Khong Professor Silpa Bhirasri, Suun Thadsanasin Damrong Wonguparad, May 14 - June 30, 2541 (1998); Leesuan, Viboon, 1996, The Life and Works of Silpa Bhirasri, Bangkok: Sitca Group of Companies. Siriput Pullarp: Siriput Pullarp, The Elements of Humankind, Ceramic Art Exhibition,Queen Sirikit Naitonal Convention Center, Bangkok, November 25 - December 15, 1992 Sittichai Pratchayaratikun: Sittichai Pratchayaraticun, Art Exhibition by Sittichai Pratchayaraticun, Design Line Gallery, Bangkok, January 6 - February 6, 1992. Somboon Hormienthong: review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News, vol.11, no.6, 2001. Somboon Hormthienthong: Khetsirin Knithichan, When is a stone not just a stone`, The Nation, January 30, 1995: Somboon Hormthienthong Work 1968-1989, Bangkok, National Gallery, 1989; Somboon Hormthienthong, Paper Work 1990-1992, Bangkok, Contempus Gallery 1993. Somchai Hattakitakosol: Somchai Hattakitakosol, Paintings, Bangkok, Monthien Hotel, 1993 Sompop Budtarad: Sompop Budtarad, The Art Exhibition by Sompop Budtarad, Phonngaan 2535-2539, October, 4-31, 1996; Sompop Budtarad, Contemporary Art 2528-2535, December 21, 1992January 30, 1993. Somporn Rodboon: interview, Asian Art News, vol.9, no.5, 1999 Srithongdee, Thaweesak: review, Asian Art News, vol. 16, no. 5, 2006. Srivilasa, Vipoo: Pettifor, Steven, Ceramic Narratives`, World Sculpture News, vol. 11, no. 3, 2005. Sriwan Janehuttakarnkit: Sriwan Janehuttakarnkit, Sriwan Janehuttakarnkit 1993, Dialogue 1991, Bangkok, n.d. Supoj Sirirajanikorn Supoj Sirirajanikorn, The Lost Soul, Studio Xang, February 24 - March 31, 1996. Surasi Kusolwon, Gaweewong, Gridthiya, Surasi Kusolwong` in Art Asia Pacific, Issue 37 (2003), p. 48Surasit Saowakong: John Hoskin, Surasit Saouakong, Recapturing the old Chiang Saen style of Buddhist art`, Sawsdee, n.d.; Rooseum, Malmö, Surasi Kosolwon` (Review) in Frieze, Issue 83 (May 2004), pp. 91-92 Surojana Sethabutr: Pettfior, Steven, Cracking potted traditions`, Asian Art News, vol.12, no.1, 2002 Sutee Kunavichayanont: Sutee Kunavichayanont, Works 1995 - 1998, Tadu Contemporary Art, Bangkok, 1995 ­ 1998; Sutee Kunavichayanont, Flowing Tide, Silom Art Space, Bangkok, May 7 - June 18, 1994. 2 books; Sutee Kunavichayanont, Flowing Tide, Allen Street Gallery, Sydney, Australia, no date; Sutee Kunavichayanont, Time and Mind, Drawing Installation by Sutee Kunavichayanont, Tin Sheds Gallery, Sydney, Australia, 1993; Sutee Kunavichayanont, Flowing Tide, unpublished MVA Research Paper, Sydney College of the Arts, 1993; Somrak Bunlung, Phawa Un Naaryynrom Pherm Chiiwid Chiiwaa Phaan Hun Silikhon`, **** no data; Pettifor, Steven, For All Times`, On Sutee Kunavichayanont, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; Rodriguez, Hilda Maria, Sutee Kunavichayanont` in Art Asia Pacific, Issue 37 (2003), p. 81. ; review Art AsiaPacific, 22, 1999. ; in Kee, Joan, Transience and Time`, Art AsiaPacific 28, 2001; Pettifor, Steven, For all times` Asian Art News, vol.12, no.1, 2002. ; Manit Sriwanichpoom, Ing Kaanchanawich: History & Memory, Bangkok, Tadu, 2002. Taweesak Srithongdee: review, Asian Art News, vol.11, no.6, 2001; Lena., Inflated Nostalgia: Solo Exhibition by Sutee Kunavichayonont`, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.6-8. Teerawat Kanama: Findlay, Ian, Teerawat Kanama at Surapon Gallery`, Asiaweek, Exhibition Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002 Thaiwijit Puangkasemsomboon: Thaiwijit Puangkasemsomboon, Recent Paintings, Bangkok, Visual Dhamma Gallery, 1991. Thammasak Boomcherd: Thammasak Boomcherd, Three Dimension Work, the National Gallery, Bangkok, January 8 - 31, 1999. Thanom Chakpadee: critic Pettifor, Steven, Studios exposed`, Asian Art News, vol.12, no.1, 2002

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Thasnai, Sethaseree: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Thavorn Ko-Udomvit: Phatarawadee Phataranawik, In search of new horizons`, The Nation, January 9, 1995; Thavorn Ko-Udomvit, Art Exhibition by Thavorn Ko-Udomvit1989-1990, Seven Seas Gallery. The National Gallery, Fukuda Gallery, 1990; Thavorn Ko-Udomvit, Prints 1990-1992, Gallery APA, Japan; Silom Art Space, Bangkok, 1992; Thavorn Ko-Udomvit, Thavorn Ko-Udomvit19901991, Bangkok, NOB Gallery, n.d. Thawan Duchanee: Thawan Duchanee, Fukuoka, Fukuoka Art Museum, 1990; The Buddhist Art of Thawan Ducahnee/ Wenk, K/ Zurich 1981 [ NLA ef741.9593 T368W]; Thawan Duchanee, Thailand -- In Quest of the Ultimate Sacredness, Fukuoka Art Museum, the Japan Foundation ASEAN Culture Center Gallery, Japan, 1990; Ciraaporn Carernded & Pinanong Paanchyyn, Man of GM, Thawan Duchanee`, GM Magazine, Pak Lung, October 2535 (1992) unknown word; Joubert, Lindy, Thawan Duchanee`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Thawii Nanthakhwuang: Thawii Nanthakhwuang, Retrsopective 1949-1990, Bangkok, National Gallery, 1990. Time and Being Group: review, Asian Art News, vol.11, no.1, 2001 Tiravanija, Rikrit: Rirkrit Tiravanija, R. Stange & F. Waldvogel, Soccer Half Time Cookery Book, Verlag fur Moderne Kunst, Nurnberg, 2006; Birnbaum, Daniel, The Lay of the Land` Artforum, vol 43, no. 10, 2005; Cornwell-Smith, Philip, Ramakien Unplugged`, ArtAsiaPacific, no. 51, 2007; Griffin, Tim, Remote Possibilities`, Artforum, vol 43, no. 10, 2005; Leffingwell, Edward, Rikrit Tirivanija at the Guggenheim` (review), Art in America, vol. 93, iss. 10, Nov 2005; Mertens, Brian, Rikrit Tiravani Launches New Bangkok Venture`, ArtAsiaPacific, no. 51, 2007; review, Parachute, 121, 2006; review, Artforum, vol 43, iss. 6, February 2005; Rikrit Tiravanija ­ ARC/Musee d`Art Moderne`, (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005. Titapol Suwankusolsong: Phatarawadee Phataranawik, A Structural Approach to Space`, The Nation, February 20, 1995. Toi Ungkavatanapong: Toi Ungkavatanapong & Anurak Chatanan, Fact VS Fiction, Tadu Contemporary Art, Bangkok, March 25 - April 19, 1998. Udomsak Krisanamis: Udomsak Krisanamis, An Exhibition of Work by Udomsak Krisanamis, GoetheInstitut, Bangkok, January 9-31, 1990. Vane Group: Namtaa Rungaruun, Rorj Jab Tii Khorbfaa Lae Bangsuan Caak Bantyk Khong Kanghan, no date and publication`s name Vasan Sitthiket: Wasan Sitthiket, Farmers Are Farmers, Tadu Contemporary Art, Bangkok, October 22 November 29, 1998; Wasan Sitthiket, No Future, Sunday Gallery, December - January, 1996; Khetsirin Knithichan, Vasan falls foul of the censors`, The Nation, pp.c7-c8, February 13, 1995; I Love Thai Culture, the National Gallery, February 7 - March 3, 2538 (1995). The Nation January 14, 1995 ; Wasan Sitthiket, Inferno, the National Gallery, June 5-7, 2534 (1991); Lenzi, Iola, Activist, Anarchist, Artist: Vasan Sitthiket`, ART AsiaPacific, Issue 36 (2002). ; Rooney, Sarah, The agony and the ego`, Art & Asia Pacific, vol.2, no.3, 1995. ; Pettifor, Steven, Visual insurrection`, Asian Art News, vol.11, no.2, 2001; review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News, vol.10, no.5, 2000; Lenzi, Iola., Vasan Sitthiket at Atelier Frank & Lee` (Singapore, review), in Asian Art News, Vol.13, No.1, January/February 2003, p.86-87. Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March 4-25, 1992; Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department of Art, CA, USA, March - April , 1990; Vichoke Mukdamanee: Vichoke Mukdamanee, The Worldview of Vichoke Mukdamanee, the National Gallery, Bangkok, October 5-31, 1998; Thomas Brecelic, An Expanding Universe of Earthly Junk`, Bangkok Post, May 25, 1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by Vichoke Mukdamanee, the National Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee & Kamol Phaosavasdi, Kamol & Vichoke Contemporary Art Exhibition, the Faculty of Painting

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Sculpture and Printmaking, Silpakorn University Bangkok, November 25- December 12. ; 1992. review, Asian Art News, vol.11, no.3, 2001 Vijinthansarn, Panya: Pettifor, Steven, A Painterly Pairing`, Asian Art News, vol. 16, no. 3, 2006. Wannaa Juukhong: Pinanong Paanchyyn, Duaj Huachaj Khong Cidtrakorn`, Krungthep Wanaathid, May 30, 2542 (1999). Watchara Parayoonkum: Pettifor, Steven, Imprisoned In Time`, in World Sculpture News, v. 14(1), Winter, 2008, pp. 46 ­ 49. Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition of Art by Wipavee Boriboon, Dialogue Gallery, Bangkok, December 7-26, 1991. Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June. Womanifesto: Nair, Varsha, Womanifesto`, Art AsiaPacific, 26, 2000; Pettifor, Steven, A communion of understanding`, Asian Art News, vol.12, no.1, 2002 Yuree Kensaku Pettifor, Steven, Polished Darkness` in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp. 50-53 Politics and Society Basham, R., Political Authority in Thailand, University of Sydney, RIAP Occasional Paper no.20, 1992. Brummelhuis, H. ten, Kemp, J.K., eds., Strategies and Structures in Thai Society, Amsterdam, Antropologisch-Sociologisch Centrum, 1984 Brummelhuis, H. ten, Abundance and avoidance: an interpretation of Thai individualism` in above. Embree, J.F., Thailand - a loosely structured social system`, American Anthropologist, vol.52, 1950. Hanks, L.M., Merit and power in the Thai social order`, American Anthropologist, vol.64, 1962. Hanks, L.M.,, The Thai Social Order as Entourage and Circle` Skinner, G.W., Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press, 1975. Hewison, K. ed., Political change in Thailand, democracy and participation, London, Routledge, 1997. Ishii, Y., Church and State in Thailand`, Asian Survey, vol. VII, no.10, October 1968. Moore, Frank, J., Thailand, New Haven, HRAF Press, 1974. Mulder, N., Inside Thai Society: an interpretation of everyday life,Bangkok, Duang Kamol, 1979, reprint 1990. Mulder, N., Inside Southeat Asia: Thai, Javanese and Filipino interpretations of everyday life, Bangkok, Duang Kamol, 1992. Phillips, H., The Culture of Siamese Intellectuals`, in Skinner & Kirsch, below. Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000 (1991,1993) Skinner, G.W., Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell University Press, 1975. Terwiel, B.J., Formal structures and informal rules: an historical perspective on hierarchy, bondage and the patron-client relationship` in Brummelhuis, 1984 Ungpakorn, Giles J., A Coup for the rich: Thailand`s politicial crisis¸Bangkok, Workers Democracy Publishing, 2007. Vaddhanaputi, C., Cultural Dependency in Thai Society: Problems and Prospectives`, New Asian Views, vol.3, no.2, United Nations University. Pre-Modern Thai Art [selected] Boisselier, Jean, The Heritage of Thai Sculpture, New York, Weatherhill, 1975. Bowie, T., ed. [essays by Griswold, Lyons, Subhadradis Diskul], The Arts of Thailand: A Handbook of the Architecture, Sculpture and Painting of Thailand (Siam), Bloomington, Indiana University Press, 1960. Brown, Robert L., ed., Art from Thailand, Mumbai, India, Marg Publications, 1999. Cummings, Mary, The Lives of the Buddha in the Art and Literature of Asia, Michigan Papers on South and Southeast Asia No. 20, Center for South and Southeast Asian Studies, The University of Michigan, 1982. Elizabeth Lyons, Thai Traditional Painting, Thai Culture, New Series No.20, Bangkok, the Fine Arts Department, 1990.

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Fickle, D.H., Images of the Buddha in Thailand, Singapore, Oxford University Press, 1989. Rita Ringis, Thai Temples and Temple Murals, Singapore, Oxford University Press, 1990. Subhadradis Diskul, M.C., Art in Thailand, A Brief History, Bangkok, Amarin Press, 1986. Woodward, H.W.Jnr., History of Art: Accomplishments and Opportunities, Hopes and Fears`, Ayal, Eliezer B., ed. The Study of Thailand: Analyses of Knowledge, Approaches, and Prospects in Anthropology, Art History,Economics, History and Political Science, Athens, Ohio, Center for International Studies, 1978. Pre-Modern Thai Painting [selected] Boisselier, J., Thai Painting, Tôkyô, Kôdansha International, 1976. Ginsburg, H., Thai Manuscript Painting, London, The British Library, 1989. Lyons, E., The Tosachât in Thai Painting, Bangkok, Fine Arts Department, 2nd.ed., 1990. Lyons, E., Thai Traditional Painting, Bangkok, Fine Arts Department, 2nd ed., 1990. Rajadhon, Phya Anuman, Thet Mahâ Chât, Bangkok, Fine Arts Department, 1990. Ringis, R., Thai Temples and Temple Murals, Singapore, Oxford University Press, 1990. Wenk, K., Thailändische Miniaturmalereien, Wiesbaden, Franz Steiner Verlag, 1965. Thonburi & Ratanakosin (Rama I-IV) Brudiyakara, Prince Bidyalabh, Accounts of the Gilt Lacquer Screen in the Audience Hall of Dusit displayed in the Museum of the Emerald Buddha Temple, Bangkok, Museum of Emerald Buddha Temple, n.d. Committee for the Rattanakosin Bicentennial Celebration, Rattanakosin Painting, Bangkok, 1982. Ishizawa Yoshiaki, Tai no Ji`inhekiga to sekizô kenchiku, Tokyo, Mekon, 1989. Meechai Thongthiep, comp., Ramakien: The Thai Raamayana, Bangkok, Naga Books, 1993. No Na Pak Nam, Wat Dusidaram, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, June 2526 (1983). No Na Pak Nam, Cidtrakam Law Ryang, Somded Phracaw Taksin Mahaaraad Phra Phuu Kuu Caad, Bangkok, Muang Boran Publishing, 2536 (1993). No Na Pak Nam, Khru Khongpae & Khru Thongyu, Khrong Kaarn Nangsyy Cidtrakam Faphanang Series 3, Bangkok, Muang Boran Publishing House, March 2530 (1987). No Na Pak Nam, Phra Acharn Nak, The Foremost Muralist of the Reign of King Rama I, Khrong Kaarn Nangsyy Cidtrakam Faphanang Series3.2, Bangkok, Muang Boran Publishing House, July 2530 (1987). No Na Pak Nam, Buddhaisawan Chapel,[R1, after 1795] Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, February 2526 (1983). No Na Pak Nam, Farang Naj Sinlapa Thai, Bangkok, Muang Boran Publishing House 2529 (1986). No Na Pak Nam, Sinlapa Ciin Lae Khon Ciin Naj Thai, Bangkok, Muang Boran Publishing House 2530 (1987). No Na Pak Nam, Wat Bangkae Yai, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, June 2534 (1991). No Na Pak Nam, Wat chong Nonsi, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, January 2525 (1982). No Na Pak Nam, Wat Maithepnimit,, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, July 2526 (1983). No Na Pak Nam, Wat Matchimawat, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, October 2526 (1983). No Na Pak Nam, Wat Pathumwanaram, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing House, February 2539 (1996). No Na Pak Nam, Wat Phra Sing, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, March 2526 (1983). No Na Pak Nam, Wat Phrachetuphon, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, March 2537 (1994).

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No Na Pak Nam, Wat Phumin and Wat Nong Bua, Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran Publishing House, October 2529 (1986). No Na Pak Nam, Wat Pradu Song Tham, Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran Publishing House, July 2528 (1985). No Na Pak Nam, Wat Ratchasittharam,Mural Paintings of Thailand Series No. 2, Bangkok, Muang Boran Publishing House, June 2525 (1982). No Na Pak Nam, Wat Somanat Wihan, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing House, July 2538 (1996). No Na Pak Nam, Wat Suthat Dhepwararam, Mural Paintings of Thailand Series Bangkok, Muang Boran Publishing House, March 2539 (1996). No Na Pak Nam, Wat Suwannaram, Mural Paintings of Thailand Series, 2nd eds., Bangkok, Muang Boran Publishing House, February 2540 (1997). No Na Pak Nam, Wat Thong Thammachat, [R3] Paintings of Thailand Series No. 2, Bangkok, Muang Boran Publishing House, May 2525 (1982). No Na Pak Nam, Wat Yai Intharam, Mural Paintings of Thailand Series, Bangkok, Muang Boran Publishing House, October 2525 (1982). No Na Pak Nam, Wiwadthanaakaan Laj Thaj, Bangkok, Muang Boran Publishing House, February 2534 (1991). Paritta Chalermpow Koanantakool, Dance and Painting in 19th century Siam, Bangkok, Faculty of Sociology and Anthropology, Thammasat University, Country Report Part 2, Traditional Performing Art in Southeast Asia, USM, Penang, Malaysia, 10-13 August, 1999. Phya Anuman Rajadhon, Thet Maha Chat, Thai Culture, New series No.21, Bangkok, The promotion and Public Relations Sub-Division, the Fine Arts Department, 2533 (1990). Poshyananda, A., Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols., Bangkok, Amarin Printing Group, 1993 [review by Clark, J., Art & Asia Pacific, vol.1, no.3, 1994]. Subhadradis Diskul, M.C., History of the Temple of the Emerald Buddha, Bangkok, the Bureau of the Royal Household, n.d. Subhadradis Diskul, M.C., Rice, C.S., The Ramakian [Ramayana] Mural Paintings alongthe Galleries of the Temple of the Emerald Buddha, Bangkok, Government Lottery Office, 1981.[bilingual] Wiyada Thongmitr, Khrua In Khong`s Westernized School of Thai Painting, Thai Painting Series No.1, Bangkok, Muang Boran Publishing House, 2522 (1979) Wyatt, Donald K., Temple Murals as an Historical Source, The case of Wat Phumin, Nan, Bangkok, Chulalongkorn University, 1993. Ratanakosin (Rama V-VIII) Chulathat Phayakharanon, Patterns and Evolution of Mural Paintings in Rattanakosin Period, from Technical Seminar on the Evolution of Arts and Culture of Rattanakosin Bicentennial, Bangkok, Thailand Information Center, Academic Resource Center, Chulalongkorn University, 17 August 2525 (1982). Italians at the Court of Siam, The 50th Anniversary Celebration of His Majesty`s Accession to the Throne, Bangkok, Amarin Printing and Publishing Public Compary Limited Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures of Rattanakosin, Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the Rattanakosin Bicentennial, 2525 (1983). National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty`s Accession to the Throne, Rattanakosin Art, the Reign of King Rama I-VIII, 2nd eds. Published in Commemoration of the 50th Anniversary of His Majesty`s Accession to the Thorne, Bangkok, Amarin Printing and Publishing Public Company Limited, 1998. Pairote Samosorn, E-Sarn Mural Paintings,Bangkok, E-Sarn Cultural Center, 2532 (1989). Peleggi, Maurizio, Lords of Things, Honolulu, University of Hawai`i Press, 2002.

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Peleggi, Maurizio, Royal antiquarianism, European Orientalism and the production of archaeological knowledge in Modern Siam`, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia, Asia in Europe, Leiden: KITVL & Singapore: ISEAS, 2005 After 1947 (Rama IX) The Mural Painting of Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987. Art in the Reign of King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej`s Accession to the Throne, 1996. Art in the Reign of King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej`s Accession to the Throne, 1996. Art in the Reign of King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej`s Accession to the Throne, 1996. Peleggi, Maurizio, The Politics of Ruins and the Business of Nostalgia, Bangkok, White Lotus, 2002. General Works on Neo-traditional Art [including Group Catalogues] Art and Environment, Bangkok, Silpakorn University & Goethe Institut, 1991. Art Exhibition by the members of the Faculty of Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn University [6th], 1989, [7th] 1990, [8th] 1991. Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991. Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991. Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984 Leesuwan, V., An Exhibition of Thai Art in the People`s Republic of China Beijing, Centre of Fine Arts, 1985 [some modern works illustrated] Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984. Thai-Australian Cultural Space, Sydney, Art Gallery of New South Wales, 1994. The New Path, Bangkok, Con-tempus 1992. Third Thai Art 80, Bangkok, Bhirarsi Institute of Modern Art, 1980. White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985. General Works on Modern Thai Art Apinan Poshyananda, Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow" from a Thai perspective)`, in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony, 1993. Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992. Bhirasri, S. [Thai name of Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts Department, B.E. 2532 [1989]. Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, University of Hawai`i Press, 2003 Michaelsen, H., State Building and Thai Painting and Sculpture in the 1930s and 1940s`, in Modernity in Asian Art, 1993. Michaelsen, H., Thailand in the 1980s`, Art Monthly Australia, no.41, June 1991. Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflüsse auf die zeitgenössische thailändische Malerie, Magisterarbeit, Ruhr Universität-Bochum, 1987. Pawlin, A., Reaching beyond Tradition`, Asian Art News, 1, no.3, Nov/Dec 1991. Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003 Phillips, H., The Integrative Art of Modern Thailand, Berkeley, Lowie Museum of Anthropology and California University Press, 1992. [Review by Murray, S.E., Asian Art News, 2, no.2 Mar/ Apr 1992]. Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat University, Thai Khadi Research Institute, 1982.

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Piriya Krairiksh, Thai Reflections on American Experiences, Bangkok, Bhirasri Institute of Modern Art, 1986 Poshyananda, Apinan, Portraits of Modernity in the Royal Thai Court`, in Asian Art & Culture V(VIII, 1), Winter, 1995. Rodboon, Somporn, Contemporary Art Scene in Thailand`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Smithies, M., The Bangkok Art Scene in the Early 1960s: A personal souvenir`, Journal of the Siam Society, vol.66, July 1978. Wong-Uparaj, Damrong, Professor Silpa Bhirasri, 1978. Architecture and Environment Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Architectures of Rattanakosin, Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the Rattanakosin Bicentennial, 2525 (1983). Aasen, Clarence, Architecture of Siam, A Cultural History Interpretation, Kuala Lumpur, Oxford University Press, 1996. Askew, Marc, Interpreting Bangkok, The Urban Question in Thai Studies, Bangkok, Chulalongkorn University Printing House, 1994. Askew, Marc, Bangkok: Place, Practice and Representation, London, Routledge, 2002. Dumarçay, Jacques, The House in South-East Asia, (Tr.& Ed. Smithies, M.), Singapore, Oxford University Press, 1990. Dumarçay, Jacques, The Palaces of Southeast Asia, Architecture and Customs [tr., ed. Michael Smythies], Singapore, Oxford University Press, 1991. Fox, James J., ed. Inside Austronesian Houses, Canberra, Australian National University, 1993. Sumet Jumsai, Naga, Cultural, Origins in Siam and the West Pacific, Singapore, Oxford University Press, 1989. Moore, Elizabeth, et.al, Ancient Capitals of Thailand, Bangkok, Asia Books Co.,Ltd., 1996. Smithies, Michael, Old Bangkok, Singapore, Oxford University Press, 1993. Waterson, Roxana, The Architecture of South-East Asia through Travellers` Eyes, Kuala Lumpur, Oxford University Press, 1998. Roxana Waterson, The Living House, An Anthropology of Architecture in South-East Asia, Singapore, Thames and Hudson, 1997. Craft Bhirasri, Silpa, Thai Lacquer Works, Bangkok, The Promotion and Public Relations Sub-Division, the Fine Arts Department, 2532 (1989). Cohen, E., The Commercialized Crafts of Thailand: Hill tribes and lowland villages, Richmond, Curzon & Honolulu, University of Hawaii Press, 2000. Connors, Mary F., Lao Textiles and Traditions, Kuala Lumpur, Oxford University Press, 1996. Conway, Susan, Thai Textiles, London, British Museum Press, 1992. Fraser-Lu, Sylvia, Handwoven Textiles of South-East Asia,2nd Impression, Singapore, Oxford University Press, 1990. Songsak Prangwatthanakun & Patricia Naenna, Lan Na Textiles, Yuan Lue Lao, Chiang Mai, the Center for the Promotion of Arts and Culture, Chiang Mai University, 2533 (1990). Subhadradis Diskul, M.C. ,The Lacquer Pavilion at Suan Pakkad Palace, Bangkok Princess Chumbhot of Nagara Svarga. Thai Textiles, Threads of a Cultural Heritages, Chiang Mai, Center for the Promotion of Arts and Culture, Chiang Mai University, 1996. Wiboon Liisuwan, Directory of ThaiFolk Handicrafts, Bangkok ,The Industrial Finance Corporation of Thailand, 2532 (1989).

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Reference Joti Kalyanamitra, Six Hundred Years of Work by Thai Artists & Architecture, Bangkok, The Fine Arts Commission of the Association of Siamese Architects Under Royal Patronage, 1977. Art Collection & Galleries The Thai Farmers Bank Art Collection, Award from Contemporary Art Competition in the Year 1979-1995 and Realistic Paintings in the Year 1994` Moonlanithi Thanaakaan Krongtheb, Bua Luang Paintings, A Collection of Prize Winning Paintings from the 1st to 19th Bua Luang Painting Competitions To Mark the 50th Anniversary (Golden Jubilee) Celebrations of His Majesty the King`s Accession to the Throne, Bangkok, Amarin Printing and Publishing Co., ltd. (plc), 2539 (1996). Pettifor, Steven, A New Art Center For A New Era` [Bangkok Art and Culture Centre], in AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 96-99 Pettifor, Steven, A Fresh Face For Thai Art [Apinan Poshyananda on Bangkok Art and Culture Centre], in AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 100-101 Sombat Permpoon Gallery, Amazingly fine, Amazingly Thai, Bangkok, Sombat Permpoon Gallery. Subhadradis Diskul M.C. et al.,The Suan Pakkad Palace Collection, 2nd printing, Bangkok, Princess Chombhot of Nagara Svarga, 1991. Thavibu Gallery, Numthong Gallery, Bangkok, Art AsiaPacific, no.34, 2002. TISCO 25 Anniversary,TISCO Contemporary Art Collection, Bangkok, Thai Investment and Securities Public Company Limited. Selected Major Exhibitions in Thailand (by Year) (material in some Australian public libraries) 1951 National Exhibition of Art, Bangkok, Silpakorn University, 10 November - 10 December. 1958 National Exhibition of Art, Bangkok, Hor Sin Trong Khaam Anudsaawarii Thahaanaasaa`, 15 March - 15 April. 1979 Kaan Sadaeng Sinlapakam Haeng Chaad Khrang Thii 1, Bangkok, 15-30 November. Circulated Exhibition 1982 Vane Group, 3rd Exhibition of Paintings by Vane Group, Bangkok, the Bhirasri Institute of Modern Art, 12-31 January. 1984 20 Artists, Paperwork,Bangkok, the Silpakorn University Art Gallery, 25 February - 12 March. Dhamma Vision, Bangkok, Visual Dhamma Gallery. 1987 Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of His Majesty the King`s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date. 1988 5 Young Artists of the Year`88, Bangkok, the Art Gallery Silpakorn University, 2-14 June. 1989 5 Young Artists of the Year`89, Bangkok, the Art Gallery Silpakorn University, 1-19 June. 1990 Asian International Art Exhibition, Kuala Lumpur, National Art Gallery, 17 December,1990-6 January 1991. 1991 Bangkok Bank Ltd. Biographies of Thai Artists, Printed for IBRD/IMF Meeting, Bangkok, Thailand, 1991. Parallel Views, An Exhibition of Contemporary Thai Art, Victoria, Australia, Luba Bilu Gallery, 4-28 September.

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Somporn Rodboon, Thai Contemporary, Works on Paper`, no date. Change and Modernism in Thai Art, Canberra, Australia, Galleries 1 and 2, Gorman House, 14 March - 6 April. The 8th Exhibition of Contemporary Art by Young Artists, On the Occasion of Silpa Bhirasri Day, Bangkok, the Silpakorn University Art Gallery, 15 September - 8 October. 8th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The Centennial Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic Arts Silpakorn University, 15 September - 5 October. 3th Toshiba Brings Good Things to Life Art Competition 1991, no date Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of the Thirty Sixth Birthday Anniversary of Her Royal Highness Princess Maha Chakri Sirindhorn in the Year 1991, Bangkok, Thai Cultural Center, sponsored by Thai Farmers Bank, no date. Art and Environment, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic arts, Silpakorn University, 6-28 February. 8 Actual Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 10-24 November. Kaan Prakuad Sinlapakam Por Tor Thor Khrang Thii 6, Bangkok, the Art Gallery Silpakorn University, 2-19 December. 1992 Krom Sinlapakorn, 73 Sinlapin Thaj Sid Silp Bhirasri, Bangkok, Phiphidtaphansathaan Haeng Caad, August - September. White Group, A Decade of White Group , Individual Project 1992.Bangkok, Silom Art Space Gallery 15 October - 15 November, National Art Gallery 4 - 29 November Charity Auction for Special Olympics of Thailand, Bangkok, Dialogue 1991, 14-16 November Isan Group, The Sky Without Birds, The Earth Without Animals Bangkok, River City Department Store, 13-23 November. The New Path, Bangkok, Queen Sirikit National Convention Center, 5-31 January. Creative Feminity, Bagnkok, Queen Sirikit National Convention Center, 3 May - 3 June. Modern Thai Prints & Works on Paper, An Exhibition to Mark Thailand Update 1992, Sydney, Australia, University of Sydney Staff Club, 8-15 October. Bangkok artists, Bangkok Matters, Bangkok, Silom Art Space, 28 March - 23 May. The 9th Exhibition of Contemporary Art by Young Artists, In Commemoration of The Centennial Celebration of Professor Silpa Bhirasri, Bangkok, the Silpakorn University Art Gallery, 21 August - 8 September. 4th Toshiba Brings Good Things to Life Art Competition 1994, no date. 9th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, The Centennial Celebration of Professor Silpa Bhirasri, Bangkok, Faculty of Painting Sculpture and Graphic Arts Silpakorn University, 15 September - 5 October. Melancholic Trance, Bangkok, Visual Dhamma Gallery, 23 May - 30 June. Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailand`s 50th Anniversary, Bangkok, Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (book) Painting and Sculptures Exhibitions on the Occasion of the Bank of Thailand`s 50th Anniversary, Bangkok, Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (pamphlet) Cries from theHills, Children`s Art Exhibition from 6 tribes(Karen, Hmong, Mien, Lisu, Lahu, Akha), 17-24 October 2535 (1992) Circulated Exhibition in Thailand. The Decade of Printmaking, Bangkok, Queen Sirikit National Convention Center, 21 July - 10 August. Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion of Her Majesty the Queen`s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date. Multiple Drawing, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic Arts Silpakorn University, 24 August - 9 September. Thai Farmers Bank, Contemporary Art Exhibition 1992,Bangkok, the National Gallery, 8 June - 8 July.

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Exhibition of Art Instructors 1992 Faculty of Fine Arts Chiangmai University,Bangkok, the National Gallery, 18 September - 10 October. Bangkok-Nagoya, Bangkok, the Art Gallery Silpakorn University, 7-28 October. 1993 Sai-Nam-Tai Contemporary Art Exhibition, Bangkok, Tridhos Gallery, 11 November - 31 December. Four Painters, Bangkok, the National Gallery, 9-28 December. White Group, People, Bangkok, the Silapkorn University Art Gallery, 1-25 December. The 38th National Exhibition of Art, the Centennial Celebration of Professor Silpa Bhirasri, Bangkok, the Silpakorn University art Gallery, 15 September - 5 October. The 10th Exhibition of Contemporary Art by Young Artists, Commemorating Silpakorn University`s 50th Anniversary, Bangkok, the Silpakorn University Art Gallery, 25 August - 10 September. Contemporary Thai/Japanese Art Exhibition, Beyond the Border, Tokyo, P3 art and environment, 9-23 December; Bangkok, Silpakorn University Art Gallery, 14-27 February. Thailand -- Land of Thousands Ideas, Bangkok, the National Gallery, 9-30 January. 1994 Cobalt Blue Group, The 2nd Contemporary Art Exhibition by Cobalt Blue Group, Bangkok, the Imperial Queen`s Park Hotel, 6-23 January. 6th Toshiba Brings Good Things to Life Art Competition 1994, no date. 1st Art Exhibition by the Members of the College of Fine Arts, Bangkok, the National Gallery, 10-31 August. Tadsawat Group, 1st Art Exhibition, Bangkok, Place of Art, 30 October - 20 November. Water Group, Art Exhibition by Water Group, Bangkok, Art Forum Gallery, 4-25 February. 2537 Art Exhibition, Bangkok, the Changing Exhibition Hall, Thailand Cultural Center, 21 November 18 December, sponsored by Bangkok University. cit Saang Saan Tamnaan Sin, 20 Pii Naew Ruam Sinlapin Haeng Prathed Thai 2517-2537, Bangkok, Queen Sirikit National Convention Center, October. 1995 Thai Farmers Bank, Contemporary Art Exhibition 1995, Bangkok, the National Gallery, 9-30 June. Thai Tensions, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 1-30 September. The Members of the Department of Graphic Arts, Faculty of Painting Sculpture and Graphic Arts, Graphic Arts Exhibition, Bangkok, Faculty of Painting Sculpture and Graphic Arts, 5-31 July. Nithadsakaan Cidtrakam Thai, 10 Pii Klum Thaan Kuud, Bangkok, Place of Art, 19 March - 9 April. 2 books Exhibition of Contemporary Art, Toshiba Bring Good Things to Life, Bangkok, no date, no place of exhibition 1996 Into the Next Decade, Tadu Contemporary Art, November 28, 1996. Into the Next Decade, Tadu Contemporary Art, 29 November 1996 - 25 January 1997. Cobalt Blue Group, The 3rd Art Exhibition by Cobalt Blue Group, Bangkok, the National Gallery, 8-30 March. Symbolist, 1996 Art Exhibition, Bangkok, Place of Art, 5-24 January 1997. Liveart, Thailand First Performance Art Event, Bangkok, Concrete House, 6 July. W O M A N?, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 831 August. Third Art and Cultural Festival, Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls, rivers and Canals, Open Spaces, Chiang Mai, Thailand, Chiangmai Social Installation, Faculty of Fine Arts, Chiang Mai University, 19 November - 19 February. 1997 Absolute Abstract, Bangkok, Tadu Contemporary Art, 28 March - 25 May. Painters` Pursuit, Bangkok, Tadu Contemporary Art, 7 June - 31 July.

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14th Art Exhibition by the Members of the Faculty of Painting Sculpture and Graphic Arts, In Commemoration of 55th Aniiversary of the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University, Bangkok, the Gallery of the Faculty of Painting Sculpture and Graphic Arts, 15 September - 15 October. Hanoi Fine Arts Institute, Silpakorn University, Hue College of Arts, and Chiang Mai University, Contemporary Fine Arts Exhibition, no date. Golden Jubilee Art Exhibition, 50 Years of Thai Art on the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej`s Accession to the Throne,Bangkok, Queen Sirikit National Convention Center. December 1996 - January 1997 1998 Hers Group, Woman Opportunity, Bangkok, Tadu Contemporary Art, 18 December-18 January. 2 posters the pink, the bad & the ugly, the Art Center, Centers of Academic Resources, Chulalongkorn University, 13-30 October 1998. Bangkok Art Project 1998, January Events 2542 (1999) cit 73 Thai artists & 7 Asian artists, Bangkok Art Project 1998, Bangkok, Public Art in Community Lives Across the Ratanakosin Island, 8 December 1998 - 31 January 1999. 2 books Master Thai Artists in Japan, Bangkok, the Art Gallery, the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University, 27 June - 15 July. 5 Decades of the National Exhibition of Art 1949-1998, Bangkok, the Art Gallery Silpakorn University, 1-30 June. Plastic (&other) Waste, Bangkok, the Art Center, Center of Academic Resources, Chulalongkorn University, 7 April - 1 May. 1999 New Essence, Bangkok, Tadu Contemporary Art, 13 May - 13 June. Womanifesto-II, Second International Women`s Art Exchange, Bangkok, Saranrom Park, 13 March - 4 April. Vasha Nair, Womanifesto II-- jogging ahead`, n.paradoxa, Vol. 4., 1999. No Guarantee, Sydney, Australia, SCA Gallery, 30 September - 6 November. The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn University, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June. The members of Thai Art Department, Faculty of Painting Sculpture & Graphic Arts, Silpakorn University, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn University, 24 May -11 June, price list. 2004 Löschmann, Jörg, ed. Identities, versus Globalisation (Cat.), Chiangmai, Heinrich Böll Foundation, 2004 2007 Pettifor, Steven, In Praise of the Spirit`, in Asian Art News, v. 18(1), Jan/Feb, 2008, pp. 74 - 79. Recent Thai Art Overall Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992. Apisuk, Chumpon, Art of Dissent`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007. First International Conference on Modern Art in Thailand Modern Art in Thailand 1932-1992, Changing Perspectives, organised by the Faculty of Fine and Applied Arts, Chulalongkorn University, 31 July - 2 August, 1992 National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty`s Accession to the Throne, Rattanakosin Art, the Reign of King Rama IX 2nd eds. Published in Commemoration of the 50th Anniversary of His Majesty`s Accession to the Thorne, Bangkok, Amarin, 1997 Pettifor, Steven, The Drama of Animals`, [Peter Woytuk in Bangkok], in World Sculpture News, vol 14, no 4, Autumn 2008, pp.52-56 Phillips, Herbert P.The Integrative Art of Modern Thailand, Berkeley, University of California at Berkeley, 1992.

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Piriya Krairiksh & Pishnu Supanimit, Art since 1932, Research Document No. 17 Bangkok, Thai Khadi Research Institute, Thammasart University (1982). Poshyananda, Apinan, Introduction to Thai Modernism`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Thomson, Jonathon, A Confident Vision`, in Asian Art News, v. 17(6), November/December, 2007, pp. 78 ­ 82. Photography in Thailand Anek Naawikkamuun, Photography in Thailand, Bangkok, Sangdad Publishing Co.,Ltd., 2530 (1987). Cary, Caverlee, In the image of the King: two photographs from nineteenth century Thailand`, in Taylor Nora E. ed, Studies in Southeast Asian Art: Essays in honor of Stanley J.O`Connor, Ithaca, SEAP Cotrnell University, 2000. Nawigamune, Anake, Taay rup muang Thay samayreek, Bangkok, Catpim Khrangreek Thay, 1987. Nawigamune, Anake, Prawat kaan thaay ruup yut reek khong Thay, [The Early History of Photography in Thailand], Bangkok, Sarakadee Press, 2005 Sakda Siripant, King and Camera, Evolution of Photography in Thailand 1845-1992, Bangkok, Prof. Sakda Siriopant, 2535 (1992). 1980s Sandra Cate, Long-Distance Merit-Making, Art at a Thai Buddhist Temple in Wimbledon, unpublished PhD Thesis, University of California, Berkeley, 1998. Virginia Henderson, The Social Production of Art in Thailand, Patronage and Commoditisation, 1980-1998, unpublished MA in Thai Studies Thesis, Chulalongkorn University, 1998. Sodchuen Chaiprasathna, Surrealistic Trends in Painting and Literature in Thailand 1964-1984, Bangkok, The Siam Society, 1996. 1990s Apinan Poshyananda, Behind Thai Smiles: Three Contemporary Thai Artists`, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993. Apinan Poshyananda, Smile-a-while campaigns for cultural correctness`, Art & Asia Pacific, vol.2, no.3, 1995. Chanjaraen, Chanyaporn, Chiang Mai Art Festival`, Art & Asia Pacific, vol.1, no.4, 1994. Chanjaroen, Chanyaporn, Testing the Audience`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Clark, John, Fifty years of National Art Exhibitions`, Asian Art News, vol.9, no.6, 1999 Clark, John`, Decoration and distance: The work of Damrong Wong-Upparaj`, Art & Asia Pacific, vol.2, no.3, 1995. Datuin, Flaudette May V., The Goddess and the Mural Painter: Phaptawan Suwannakudt`s murals`, ART AsiaPacific, no.14, 1997 Fink, Hannah. Rythmic Air: The Fine Art of Savanhdary Vongpoothorn.` Art Asia Pacific 24:1999 Gampell, Jennifer, Sale Time, Spaceless Art in Bangkok`, Art & Asia-Pacific, vol.3, no.1, 1996. Grounds, John, Learning About Difference`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Hoskin, John, Looking Ahead`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Johnson, David. Chiang Mai Changes: Thailand`s celebrated installation Festival.` Asia-Pacific Sculpture News 2:2 Spring 1996 Kirker, Anne, Daring to Confront`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Kirker, Anne. The Performance of Printmaking: Three Thai Artists.` Art Asia Pacific 24:1999 Lucas, Noelene, Metaphor for a Delicate Balance`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Pettifor, Steven, In search of fresh direction`, Asian Art News, vol.9, no.6, 1999 Pongrapeeporn, Pipat, The Role of a Gallery Owner in Bangkok`, Artlink, Vol. 13, No.3&4, November-March 1993/94

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Poshyananda, Apinan, A Guide to the Art Scene in Thailand`, Artlink, Vol. 13, No.3&4, NovemberMarch 1993/94 Preece, Robert, Doin` it for themselves` Asian Art News, vol.7, no.6, November- December 1997. Rasdjarmrearnsook, Araya, Problems of Women Artists`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Rasjarmrearnsook, Araya, The end of the Chiang Mai Social Installation`, Artlink, Vol. 20, No. 2, July 2000 Rodboon, Somporn, Thai Contemporary Installation`, Art Monthly Australia, no.72, August 1994. Wongchirachai, Albert, Art as Pseudo Religion`, Artlink, Vol. 13, No.3&4, November-March 1993/94 2000+ Curtin, Brian, Phuket a Year Later (Art for Andaman series), Flash Art, vol. XXXVIII, no. 245, November-December, 2005; Reading Thai Art Internationally` (book review), Art Journal, vol. 64, iss. 1, 2005. Gaweewong, Gridthiya., Project 304: A Secret Code of Cultural Operation from Bangkok Art World`, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.48-51. Mertens, Brian. Death in Venice: Montien and Araya`, ArtAsiaPacific, no. 45, 2005. Mertens, Brian, The Art of Corruption: Thai Artists take on politics`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 92 - 93. Nair, Varsha, All About the Future: Bangkok`s About Café`, ArtAsiaPacific, no. 46, 2005. Ng, Josef., History & Memory: The Hook, the Line and the Sinker of Thai History 101, Group Exhibition by Sutee Kunavichayanont, Ing K, Manit Sriwanichpoom`(Art Center, Chulalongkorn University, Bangkok), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.36-43. Ng, Josef, curator, Thai Contemporary: Charm and Chasm, Bangkok, Tang Gallery, 2007 Pettifor, Steven FT3D at the Japan Foundation` (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007; Mechanical Imagination`, World Sculpture News, vol. 12, no. 4, 2006; Neo Nationalism at Chulalongkorn University Art Center` (review), Asian Art News, vol. 16, no. 1, 2006; Making Connections` (Temporary Art Museum Soi Sabai), Asian Art News, vol. 16, no. 2, 2006; Present Perfect at Bhirasri Institute of Modern Art`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.83-84; In Search of Global Identities`, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.48-51; Manit Sriwanichpoom and Weng Fen at Tang Gallery` (review), in Asian Art News, Vol. 13, No. 6, November/December 2003, p.91-92; Dansoung Sungvornveshapan at Chulalongkorn University`, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.83-84; Niti Wattuya at Numthong Gallery` (review), in Asian Art News, Vol. 13, No. 6, November/December 2003, p.92; Studios Exposed`, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; Struggling for a change on a global stage`, Asian Art News, vol.12, no.1, 2002; A Communion of Understanding`, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; Northern Thailand`s artistic home`, Asian Art News, vol.11, no.5, 2001. Rawanchaikul, Navin, editor, Public Art In(tervention), Chiangmai, Fly me to another world project, 2006 Teh, David, Growing Pains`, ArtAsiaPacific, no. 48, 2006; Exhibition Round-up: Bangkok`, Art and Australia, vol. 43, no. 3, 2006. Thompson, Jonathan, A Taste of Thai Sculpture`, World Sculpture News, vol. 12, no. 3, 2006; Under the Hammer in Bangkok`, Asian Art News, vol. 16, no. 3, 2006. Tutton, Sarah, Parking Lots, Shopping Malls and Contemporary Art in Bangkok`, ART AsiaPacific, Issue 36 (2002) Works on Modern Thai Literature in English Anderson, B., Mendiones, Ruchira, In the mirror: Literature and Politics in Siam in the American Era, Duang Kamol, Bangkok, 1985, (the long foreword contains an accessible review of the problems of Americanization in culture and politics in the 1960s and 1970s). Barmé, S., Kulap in Oz: A Thai View of Australian Life and Scoiety in the late 1940s [includes translation of Siburapha`s Until we meet again, Clayon, Monash Asia Insitute, 1995.

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Botan, Letters from Thailand, tr. Fulop, Bangkok, Duang Kamol, 1991. Kriengkraipetch, Suvann, Smith, L.E., Value Conflicts in Thai Society: Agonies of change seen in short stories, Bangkok, Social Research Institute, Chulalongkorn University, 1992. Manas Chitakasem, Poetic Conventions and Modern Thai poetry`, in Manas Chitakasem, & Turton A., Thai Constructions of Knowledge, London, School of Oriental and African Studies, 1991. Mulder, N., Individual and society in modern Thai literature`, in Brummelhuis & Kemp, Phillips, H., ed. and tr., Modern Thai Literature - with an ethnographic interpretation, Honolulu, University of Hawaii Press, 1987. Reynolds, C.J., Tycoons and warlords: Modern Thai social formations and Chinese Historical Romance`, draft of paper for Cushman Memorial Volume 1992. Rutnin, Mattani Mojdara, Modern Thai Literature, Bangkok, Thammasat University Press, 1976, 1988. Rutnin, Mattani, Modern Thai Literature: the process of modernization and the transformation of values`, East Asian Cultural Studies, 17: 1-4, 1978. Senanan, Wibha, The Genesis of the Novel in Thailand, Bangkok, Thai Watana Panich, 1975. Siburapha, Behind the painting and other stories, Singapore, Oxford University Press, 1990. Smyth, D., Siburapha`, in Manas Chitakasem, & Turton A., Thai Constructions of Knowledge, London, School of Oriental and African Studies, 1991. Thai Music Cornwel-Smith, Philip, Ramakien Unplugged`, ArtAsiaPacific, no. 51, 2007. Morton, David, The Traditional Music of Thailand,Berkeley, University of California Press, 1976 Myers-Moro, Pamela, Thai Music and Musicians in Contemporary Bangkok, Centers for South and Southeast Asia Studies, University of California at Berkeley, 1993. Thai Mentalities including Religions Amara Ponsapich. Ed., Traditional and changing Thai world view, Bangkok, Chulalongkorn University Press, 2541 (1998) Anderson, Benedict R.O`G; Ruchira Mendiones, In The Mirror: Literature and Politcs in Siam in the American Era, Bangkok, Duang Kamol, 1985. Barmé, Scot, Luang Wichit Wathakan and the creation of a Thai identity, Singapore, Institute of Southeast Asian Studies, 1993. Barmé, Scot, tr. & ed., Kulap in Oz, A Thai view of Australian life and society in the late 1940s, Clayton, Monash Asia Institute, 1995. Barmé, Scot, Woman, Man, Bangkok: Love, Sex & Popular Culture in Thailand, Lanham, Rowman & Littlefield, 2002. Chaiworaporn, Anchalee, Nostalgia in Post-Crisis Thai Cinema`, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Dhani Nivat, Prince, The Old Siamese Conception of the Monarchy`, Journal of the Siam Society, vol. XXXVI, pt.2. Diller, Anthony, What Makes Central Thai a National Language`, Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000 Hirsch, Philip, What is the Thai Village?`, Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000 (1991,1993) Gerson, Ruth Traditional Festivals in Thailand, Singapore, Oxford University Press, 1996. Griswold, A.B., Na Nagara, Prasert, Epigraphic and Historical Studies, Bangkok, The Historical Society, 1992. Jackson, P., Buddhist Legitimacy and Conflict, Singapore, Institute forS.E.Asian Studies, Le May, R., An Asian Arcady, Cambridge, Heffer, 1926 [see Chapters VI & VII]. Ling, T., Buddhism and the Mythology of Evil, Oxford, Oneworld, 1997 Manas Chitakasem, & Turton A., Thai Constructions of Knowledge, London, School of Oriental and African Studies, 1991.

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General Works Chan Vitharin, Kbach. A Study of Khmer Ornament. Phnom Penh: Reyum Publishing, 2005 Collins, Darryl, The gallery scene` in Phnom Penh`, Asian Artnotes, Art Monthly Australia, Aug 1999: 122. Cultures of Independence: An Introduction to Cambodian Arts and Culture in the 1950s and 1960s. Phnom Penh,

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Reyum Publishing, 2002. Eastburn, Melanie., Fragility and Strength: the Art of Marine Ky`, in The Journal of the Asian Arts Society of Australia, Vol. 13, No. 1, March 2004, p.17. Edwards, Bradford. An Enduring Intimacy`, Asian Art News, 8: 6 Nov/Dec 1998. Edwards, Penny "Propagender: Marianne, Joan of Arc and the Export of French Gender Ideology to Colonial Cambodia (1863-1954)", in Promoting the Colonial Idea, eds. Tony Chafer and Amanda Sackur, Palgrave Publishers, Basingstoke, 2002, 116-30 Gleeson, Erin, Svay Ken: Home and Country`, ArtAsiaPacific, no. 46, 2005. Kumar, Lakshmi, The First Cambodian Visual Arts Open`, ArtAsiaPacific, no. 46, 2005. Kumar, Lex, Cambodia`s First Visual Arts Open`, ArtAsiaPacific, no. 47, 2006. Muan, Ingrid, Selling Space: Socialism and Signage in Phnom Penh after the Khmer Rouge`, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Pony, Sydney, 2006, pp. 117-128. Muan, Ingrid and Ly, Daravuth, Cambodian Contemporary Art; a difficult search for foundation`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Muan, Ingrid and Ly, Daravuth, Cambodian Contemporary Art; a difficult search for foundation`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Muan, Ingrid et al, Cultures of Independence: an introduction of Cambodian Arts and Culture in the 1950s and 1960s, Phnom Penh, Reyum Institute of Arts and Culture, 2002. Muan, Ingrid, Selling Space:Socialism and Signage in Phnom Penh after the Khmer Rouge`, from http://www.ari.nus.edu.sg/conf2004/asianart.htm Muan, Ingrid, Citing Angkor: The Cambodian Arts in the Age of Restoration, 1918-2000, PhD thesis, Columbia Unicversity, 2001 Seams of Change. Clothing and the Care of the Self in Late 19th and 20th Century Cambodia. Phnom Penh, Reyum Publishing, 2003. The Legacy of Absence, Phnom Penh: Reyum Institute of Arts and Culture, 2000. [Catalogue with essay for group show of contemporary Cambodian art considering the legacy of the KR regime] Vann Molyvann, Modern Khmer Cities. Phnom Penh, Reyum Publishing, 2003. Visions of the Future, Phnom Penh: Reyum Institute of Arts and Culture, 2003. [Catalogue with essay for group show of contemporary Cambodian art on the theme of the Future] Individual Artists An, Prom: Sam Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Chet Chan: Chet Chan, The Reamker, Phnom Penh, Reyum Publishing, 2002. Soeung Vannara: Vannara, Soeung., Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2002 Sopheap Pich: Pettifor, Steven, Speaking To The Past And The Present`, in World Sculpture News, v. 13(4), Autumn, 2007, pp. 32 ­ 35. Svay Ken: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Vannara, Soeung: Vannara Soeung in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001 ________________________________________________________________________________

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Art in General [Vietnamese diacritics unavailable] Asian Art and Culture. [Vietnam Issue] vol. VII no.1 Oxford University Press, 1994. A Winding River: The Journey of Contemporary Art in Vietnam. Meridian International Center, Washington D.C. 1997. Erickson, Dorothy, Textiles Bridging Vietnam & WA`, Schnorr, Michael & Yamagata, Susan, Refugees Confronting Memory`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Ghesquière, J. Missions archéologiques françaises au Vietnam : les monuments du Champa : Photographies et itinéraires 1902-1904, Les Indes Savantes, 2005 Hejzlar, J., The Art of Vietnam, Hamlyn, London, 1973 Hoang Phuc Thang, Hanoi ­ Heritage in Danger`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Leshkowich, Ann, The Ao Dai Goes Global: How International Entrepreneurs Have Shaped Vietnam`s National Costume`, in eds. Sandra Neissen, Ann Marie Leshkowich and Carla Jones, Re-Orienting Fashion: The Globalisation of Asian Dress, Series Press Body Culture, Berg, New York, 2003, 79-92 Menonville, Corinne D., Vietnamese Painting from Tradition to Modernity, Les Editions d`Art et d`Histoire, 2003. Mohring, H., Vietnamesische Malerei, Leipzig, VEB E.A.Seemann, Buch- und Kunsterverlag, 1963, Nghe Thuat Tao Hinh Vietnam, Hanoi, Nha Xuat Ban Van Hoa, 1975, Nguyen Luong Tieu Bach, ed., Truong Dai Hoc My Thuat Ha Noi, Nha Xuat Ban My Thuat, Hanoi, 1998 Nguyen Quan, Traditions and Acculturation, trans. Duong Tuong, in Uncorked Soul: Contemporary Art from Vietnam, Plum Blossoms International, Hong Kong, 1991, 9-17 Nguyen Quan, Contemporary Vietnamese Art: A Background, Artlink, vol 13, no.3&4, NovemberMarch 1993/4, 64-7 Nguyen Quang Phong, Các Hoa Si Truòng Cao Dang My Thuat Dong Duong Ha Noi, Nha Xuat Ban My Thuat, Hanoi, 1993 [album] Nghe Thuat Tao Hinh Vietnam, Hanoi, Nha Xuat Ban Van Hoa, 1975, Nha Xuat Ban My Thuat, 1994, Masters of Vietnmese Painting, Fine Arts Publishing House. Peintures Vietnamiennes Contemporaines [ album of works shown at the Vietnamese Fine Arts Exhibition in the People`s Republics of China, Korea, and Mongolia], Hanoi, Nha In Quoc Gia Viet- Nam in Va Phat Hanoi distributed by So Xuat Nhap Khau Sach Bao,1956. [journal] Sang Tac My Thuat, Hanoi, Nha Xuat Ban van Hoa, 1978. Phan, Cam Thuong, Charming Attitudes to Ceramics`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Phan, Cam Thuong, Printmaking Old and New`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Seki Chisato, Emperors` Ceramics in Vit-nam: Overgalze Enamels & Underglaze Blue of the Tran Dynasty, Mekong Publishing Co. 2008 Taylor, Nora Annesley, The Artist and the State: The Politics of Painting and National Identity in Hanoi, Vietnam 1925-95, Unpublished Phd. Thesis, Cornell University, 1997 Taylor, Nora Annesley, Painters in Hanoi: An Ethnography of Vietnamese Art, University of Hawai`i Press, Honolulu, 2004 Thai, Ba Van, Nguyen Gia Tri and Lacquer Painting; Silk Painting, Modern Art in Vietnam`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Tingley, N. Arts of Ancient Vit-nam: From River Plain to Open Sea, Yale University Press, 2009 Tran Van Can, Huu Ngoc, Vu Huyen, Mai Van Nam, Contemporary Vietnamese Painters, Hanoi, Red River Foreign Languages Publishing House, 1987. L`École Supérieure des Beaux Arts de Hanoi/ Truong Dai Hoc My Thuat Ha Noi 1925-1990, Hanoi 1990.

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Individual Artists Bui Huu Hung: Findlay, Ian, A Narrative of Mirrors`, Asian Art News 9:3 1999; Findlay, Ian, A narrative of mirrors`, Asian Art News, vol.9, no.3, 1999.: Bui Huu Hung, Fine Arts Publishing House, Vietnam, 2005 Buu Chi: Buchanan, Sherry, Rebel with a cause` Asian Art News, vol. 6, no.3, May / June 1996. Cafe Lam: Kupfer, Peter, Strong Coffee and Sublime Art`; Asian Art News, vol. 7, no.2, March/April 1997. Cong Kim Hoa: Cong Kim Hoa Lacquer Painting, Thavibu Gallery, Bangkok, 2006 Cong Quoc Ha: Findlay, Ian, The Lyrical Figure and Landscape`, Asian Art News 9:3 1999. Dang Xuan Hoa, Findlay, Ian, Between Tradition and Modernity`, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 104-109. Dao Hai Phong: Findlay, Ian, A way with landscape`, Asian Art News, vol.9, no.5, 1999 Dinh Q. Lê: Zhuang Wubin, Interview with Dinh Q. Lê`, in C Arts. Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 98 ­ 102. Dinh Quan: Findlay, Ian., The Energy of Sadness`, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.74-77; Dinh Quan Paintings, Fine Arts Publishing House, Hanoi, 2004 Dinh Thi Tham: Duong Tuong, Between the real and the imaginary`, Asian Art News, vol.10, no.3, 2000. Do Minh Tam, Dao Hai Phong, Bui Manh Hung, Bui Hoai Mai: Findlay, Ian, Changing Times.` Asian Art News 9:5 1999; Findlay, Ian, Out on a limb`, Asian Art News, vol.9, no.5, 1999 Do Quang Em: Findlay, Ian, Tales from a solitary life`, Asian Art News, vol.6, no.1, Jan/Feb 1996; Hantower, Jeffrey, Out from the shadows` Asian Art News, vol.11, no.5, 2001 Do Son: Asian Art News, vol.11, no.1, 2001 Doan Hoang Lam: Findlay, Ian., A Geometry of Silence`, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.60-63. Duong Ngoc Hung: Findlay, Ian, The pastoral idyll`, Asian Art News, vol.12, no.4, 2002 Ha Tri Hieu: Duong Tuong, Uncouth Poetry`, Asian Art News 9:2 1999; Duong Truong, Uncouth Poetry`, Asian Art News, vol.9, no.1, 1999 Hoang Anh: Asian Art News, vol.11, no.1, 2001 Hoang Duc Loc: Quan, Nguyen, Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho Gallery, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002 Hong Viet Dung: Binks, Hilary, In a world of Grace`, Asian Art News, vol.8, no.3, May/June 1998; Hong Viet Dung ­ Realm of Enchantment, Plum Blossoms Ltd, Hong Kong, 1998. Jun Nguyen-Hatsushiba: Farver, Jane, Jun Nguyen-Hatsushiba` in Art Asia Pacific, Issue 37 (2003), p. 45; Fyfe, Joe, In deep water: in his ambitious films and installations, Jun Nguyen-Hatsushiba addresses the complexities of modern Vietnam, and of being an international artist who negotiates between East and West.` in Art in America 96.8 (Sept 2008): 136(7). Le Cong Thanh: Findlay, Ian, Dreaming in Three Dimensions: Le Cong Thanh.` World Sculpture News 4:2 Spring 1998; Asian Art News, vol.11, no.1, 2001; Malhorta, Priya, A Space For History And Hope`, in Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 100-103. Le Hong Thai: Edwards, Bradford., A Muscular Art`, in Asian Art News, Vol.13, No.1, January/February 2003, p.61-63. Le Khac Cuong: Le Khac Cuong, River, Vietnam, 2005 Le Minh Duc: Findlay, Ian, The Romance Of Place`, in Asian Art News, v. 17(4), July/August, 2007, pp. 90 ­ 91. Le Quang He, Nguyen Thanh Chuong, Pham Quang Vinh, Pham Minh Tuan: Phan Cam Thuong, A view from Hanoi`, Asian Art News, vol.7, no.4, July/Aug 1997; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999. Le Thanh Duc: Le Thanh Duc: Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001 Le Thiet Cuong: Millichap, John The Inner Eye`, Asian Art News, vol.7, no.6, Nov/Dec 1997. ; Le Thiet Cuong, Dragon Gallery, Vietnam, 2001

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Le Vu: review, Art in America, vol. 93, iss. 2, Feb 2005. Le Vuong: Quan, Nguyen, Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho Gallery, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002 Lê, Dinh Q.: Duong, Quan M., Vietnam Memories`, ArtAsiaPacific, no. 46, 2005; Fyfe, Joe, Dinh Q. Lee at the Asia Society and PPOW`, Art in America, 94:5, May, 2006; Zhuang Wubin, Engaging the Past`, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Lim + Lam: Una Chung, What.Comes. After.: An Introduction to Lin + Lam`s Unidentified Vietnam`, in Art Journal, vol. 66, issue 4, Winter, 2007, pp. 22 ­ 24. Lubis, Gusbarlian: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Ly Hung Anh: review, Asian Art News, vol. 15, no. 6, 2005. Mai Anh: Findlay, Ian, The anxiety of silence`, Asian Art News, vol.12, no.4, 2002; Quan, Nguyen, Mai Anh, Hoang Duc Loc, Le Vuong, and Tran Thanh at Ngan Pho Gallery, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002. ; Findlay, Ian, A Narrative of Moments`, in Asian Art News, v. 18(2), March/April, 2008, pp. 68 ­ 71. Nghiem Xuan Binh: Kraevskaia, Natalia, Tales from the simple life`, Asian Art News, vol.10, no.6, 2000 Nguyen Bao Ha: Findlay, Ian, The View from Above`, Asian Art News, vol. 15, no. 4, 2005. Nguyen Cam: Findlay, Ian, Of Memories and Music`, Asian Art News, vol. 7, no.2, Mar/April 1997. Nguyen Hatsushiba, Jun: review, Artforum, vol 43, iss. 8, Apr 2005; Lehmann Maupin: Jun Nguyen Hatsushiba`, review, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005; review, Art in America, vol. 93, iss. 6, Jun-Jul 2005. Nguyen Manh Hung: Edwards, Bradford., Less Is More`, in Asian Art News, Vol. 13, No. 2, March/April 2003, p.44-47. Nguyen Minh Thanh: Kraevskaia, Natalia Windows on Life: The Art of Nguyen Minh Thanh.` Art Asia Pacific 24:1999; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999. Nguyen Nghia: Cuong: review, Asian Art News, vol. 15, no. 3, 2005. Nguyen Nhu Huy: Edwards, Bradford, Sue Hadju and Nguyen Nhu Huy at Moco Gallery`, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002 Nguyen Phan Chanh: Thai Ba Van, The silk paintings of Nguyen Phan Chanh`, Artlink, Sept 1993. Nguyen Quan g Huy: Lenzi, Iola, Hanoi Paris Hanoi`, Art AsiaPacific, 35, 2002. Nguyen Quan: review, Asian Art News, vol.11, no.4, 2001 Nguyen Quang Huy: Edwards, Bradford, Layers of Meaning`, Asian Art News, vol. 15, no. 2, 2005. Nguyen Quang Minh: Duong Tuong, Beyond the Visible`, Asian Art News 9:4 1999; Duong Tuong, Beyond the visible`, Asian Art News, vol.9, no.4, 1999 Nguyen Tam Nhan: Vietnam Coal Sculpture, The Fine Arts Publishing House, Hanoi, 2006. Nguyen Thai Tuan: Edwards, Bradford, In his own image`, Asian Art News, vol.11, no.2, 2001 Nguyen Thanh Binh: review, Asian Art News, vol.9, no.1, 1999 Nguyen The Duy: Temples within Streets, Fine Arts Publishing House, Hanoi, 2004. Nguyen Thi Chau Giang: review, Asian Art News, vol.11, no.3, 2001 Nguyen Trung: Quynh Pham, Abstract of the real`, Asian Art News, vol.10, no.2, 2000; Hagemans, Helen, Freedom and Hardship, Asian Art News, vol.7, no.2, 1997. ; review, Asian Art News, vol. 15, no. 6, 2005. Nguyen Van Duc: Carroll, Anja, Silent Witness`, Asian Art News, vol. 15, no. 5, 2005. Nguyen Xuan Tiep: Findlay, Ian, Of pagodas and spirits`, Asian Art News, vol.7, no.2, 1997. Ninh Thi Den: Findlay, Ian, Worlds in Paper`, Asian Art News, 9:2 1999; Findlay, Ian, Worlds in paper`, Asian Art News, vol.9, no.1, 1999 Pham An Hai: interview, Asian Art News, vol.11, no.3, 2001

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EAST TIMOR

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BRUNEI

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MALAYSIA

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General Art Castaneda, D., Art in the Philippines, Quezon City, University of the Philippines, Dillman, 1964 [Spanish to Modern Periods] Flores, Patrick, Remarkable Collection: Art, History and the National Museum, Manila, National Art Gallery / National Museum of the Philippines, 2007 Flores Patrick D., et al, Crossings: Philippine Works from the Singapore Art Museum, Singapore, Singapore Art Museum, 2004. Flores, Patrick D., Colonial Art in Southeast Asia, [Grant D00-EC-05] Tokyo,, Southeast Asian Studies Regional Exchange Programme, 2002 Gatbonton, J.T., Javelosa, J.E., Roa, L.R.R., Art Philippines A History: 1521 to Present, Manila, The Crucible Workshop, 1992. [reviewed by Ewington, J., in Art Monthly Australia, 60, June 1993] Lerma, Ramon E.S., ed., Tanáw: Perspectives on the Bangko Sentral ng Pilipinas Painting Collection¸ Manila, Bangko Sentral ng Pilipinas, 2005 Smith, W.S., ed., The Art of the Philippines, 1521-1957, Manila, Associated Publishers, 1958. Torres, E., Kayamanan, 77 paintings from the Central Bank collection Manila, Central Bank of the Philippines, 1981 Torres, E., 100 Years of Philippine Painting, Pasadena, Pacific Asia Museum, 1984. Art of the Spanish Period ­ general Alarcon, Norma I., Philippine Architecture during the pre-Spanish and Spanish Periods, Manila, UST Publishing House, 1981 Cariño, Jose-Maria, Ner, Sonia Pinto, Álbum Islas Filipinas 1663-1888, Manila, Ars Mundi, Philippinae, 2004. Cariño, Jose-Maria et al, Discovering Philippines Art in Spain¸ Manila, Department of Foreign Affairs & National Centennial Commission ­Committee on International Relations, 1998. De Alaya, F. Z., Philippine Religious Imagery, Ateneo de Manila, 1983 Gatbonton, Esperanza Bunag, Philippines Religious Carvings in Ivory, Manila, Intramuros Administration, 1983 Guardiola, Juan, Filipiniana, Madrid, Casa Asia, Ministerio de Cultura, and Conde Duque Ayuntamiento de Madrid, 2006. Joaquin, Nick & Santiago Luciano P.R., The world of Damian Domingo, Manila, Metropolitan Museum of Manila, 1990 Jose, Regalado Trota et al, Santo ­ Holy Sculptures from the Philippines, [ASEAN-Japan Exchange Year 2003, Arts of the People III], Fukuoka: Fukuoka Asian Art Museum, 2003 Lietz, Rudolf H. The Philippines in the 19th Century: a collection of prints, Manduluyong City, RLI Gallery Systems, Inc., 1998. Ongpin, Stephen, Filipino Master: Damian Domingo, Manila, Intramuros Administration, 1983 Pilar, Santiago Albano, Qiapo`s Visual Arts 1850-1930`, in Zialcita, Fernando Nakpil ed., Quiapo: Heart of Manila, Manila: Ateneo de Manila and Metropolitan Museum of Manila, 2006 Pilar, Santiago Albano, A Heritage of Saints, Makati City: Ayala Foundation, 2003 Pilar, Santiago Albano, San Jose with the Child Jesus`, A Portfolio of 60 Filipino Art Masterpieces, Manila: Department of Education, Culture and Sports, 1986. Pilar, Santiago Albano, Mariano Asuncion: the Dean of native painters, Archipelago, vol. 6, September 1979 Pilar, Santiago Albano, Vicente Villaseñor: the Master of Lucaban`, Archipelago, vol.6, July 1979 Pilar, Santiago Albano, The Evolution of the Filipino Still-Life`, in Archipelago, vol.6, May 1979. Pilar, Santiago Albano, Manila`s Early Ateliers`, in Archipelago, vol.6, February 1979. Pilar, Santiago Albano, Miniature Portraits: Small Wonders`, in Archipelago, February 1976. Pilar, Santiago, Philippine Painting: The Early Chinese Heritage`, in Arts of Asia, Nov ­ Dec, 1994. Quirino, Carlos, Manila`s School of Painting`, in Philippine Studies 15(2), 1967.

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Roll, Christian, The Philippine Christian Icons`, Archipelago,vol.6, March 1979 Santiago, Luciano, P.R., At the end of the rainbow: the last will and testament of Damián Domingo`, Philippine Quarterly of Culture and Society, vol.28, 2000, 78-89. Santiago, Luciano, P.R., Damian Domingo and the First Philippine Art Academy (1821-1834)`, Philippines Quarterly of Culture and Society, vol.19, 1991, 264-280. Santiago, Luciano P.R., The beginnings of higher education in the Philippines (1601-1772), Philippines Quarterly of Culture and Society, vol.19, 1991, 135-145. Santiago, Luciano P.R., Don Rafael Baboom: Collector of Rainbows`, Philippines Quarterly of Culture and Society, vol.18, 1990, 118-121. Santiago, Luciano, P. R., The Quest for Identity in Filipino Portraiture`, Larawan, Manila: Ayala Museum, 1989. Santiago, Luciano, P. R., 1992, 1521 ­ 1890: The Loom of Colonial Art`, Art Philippines, Juan T. Gatbonton et al eds., Manila: The Crucible Workshop, 1992. Torralba, Fr. Milan Ted D., curator, Kísame: Visions of Heaven on Earth, photographs of ceiling paintings from Bohol colonial churches, Manila, Ayala Foundation inc, 2008 Zóbel, Fernando, Philippine Religious Imagery, Manila, Ateneo de Manila, 1963 Art of the Spanish Period ­ academic art and its transitions [see also entries for individuals below under Flores and Luna] Ayzelá Montserrat Marti, Carlos González y, Pintores Españoles en Roma (1850-1900), Barcelona, Tusquets Editores, 1987. Blanco, José, Flora de Filipinas, Barcelona, 1878. Caso, Edoardo Dizy, Les Orientalistses de L`École Espagnole, Courbevoie (Paris), 1997. Duldulao, M.D., A Century of realism in Philippine art, Manila, Fine Arts Corp. 1982. Flores, Patrick D., A Piece of History: Juan Luna`s Parisian Life and the Production of Property`, in Clark, John; Peleggi, Maurizio; and Sabapathy, T.K.; eds., Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, Wild Peony, Sydney, Wild Peony, Sydney, 2006. Flores, Patrick D., Painting as Colonial Reconversion` in Power, Kevin, ed., `98 Cien Años Despues, Communitat Valenciana & Manila, Cultural Center of the Philippines, 1998. Flores, Patrick D., ed., Perspectives on the Vargas Museum Collection: from Revolution to Republic: the art of Luna, Amorsolo, Edades, Quezon City, Department of Art Studies, University of the Philippines, 1999 Flores. Patrick D., Painting History: revisions in Philippines Colonial Art, Manila, National Commission for Culture and the Arts, 1998. Pilar, Santiago Albano, Pamana: The Jorge B. Vargas Collection, Quezon City, University of the Philippines, Jorge B. Vargas Museum, 1992 Santiago, Luciano, P. R., The Painters of Flora de Filipinas (1877 ­ 1883)`, in Philippine Quarterly of Culture and Society 21, 1993. Santiago, Luciano, P. R., Philippine Academic Art: The Second Phase (1845 ­ 98)`, in Philippine Quarterly of Culture and Society , vol. 17, March 1989. Sastres, Luis, et al, Cien Años de Pintura en España y Portugal (1830-1930), Tomo V, Madrid,1991. Sta Maria, Felice, ed., Reales Ordenes para establacimiento de las Escuela de Pintura y Academia de Bellas Artes en las Islas Filipinas, Madrid/Manila, 1848 [mimeo, ANU] Art of the American Period [see in general Edades and Francisco below] Bautista, Donna Aelred C., Modernism in Philippine Art: a study of Polemical Texts 1928-1955, MA Thesis, College of Arts and Letters, University of the Philippines, May 1992. Art since 1945 in general Carroll, Alison, East and West? A different story: the impact of Mexico on 20th century Asian art [largely Philippines`], Art Monthly Australia, issue 213, September 2008.

224

Coseteng, A. M. L., ed., Philippine Modern Art and Its Critics, Manila, UNESCO National Commission of the Philippines,1972 [Anthology of Critical Reviews] Duldulao, M. D., Contemporary Philippine Art from the 50s to the 70s, Quezon City, Vera-Reyes, 1972 Duldulao, M. D., The Philippine Art Scene, Hong Kong, Toppan Printing Co., 1987. Flores, Patrick, Post-war, Pre-Martial Law: Neo-realism, Late Abstraction (Philippine Art, 1945-1965)` [lecture given in Madrid & Barcelona, 2006], in Luz: Traces of Depiction, Manila, National Museum of the Philippines, 2007 Guillermo Alice G., Sining Biswal: an essay on Philippine Visual Arts, Manila, Cultural Center of the Philippines, 1989 Guillermo Alice G., et al, Sculpture in the Philippines: from Anito to Assemblage and other essays, Manila, Metropolitan Museum of Manila, 1991. Reyes, C., Conversations on Philippine Art, Manila, Cutural Center of the Philippines, 1989. 1970s-1980s, including art with political commitment Benesa, Leonidas V., et al, Contemporary Philippine Art, Hong Kong, Hong Kong Museum of Art, 1980 Dementillo, Ricaredo, Filipino Artists in the early 1970s`, Solidarity, 1973 Guillermo, A.G. A decade of fruition and renewal`, Art Monthly Australia, 41, June 1991. Guillermo, A.G., The Eye is the Silent Witness: Political art in the post Marcos Era`, Art & Asia Pacific, vol.1, no.1, 1993. Guillermo, Alice G., Protest Revolutionary Art in the Philippines, 1970-1990, Quezon City, University of the Philippines Press, 2001. Ledesma, Purita Kalaw, The struggle for Philippine art, Manila, Purita Kalaw Ledesma, 1974 Reyes, Cid, Conversations on Philippine Art, Manila, Cultural Center of the Philippines, 1989 Roces, M.P., Exchange Manila-Berlin, Berlin, RAAB Galerie, 1988 Torres, E., Philippine abstract painting, Manila, Cultural Center of the Philippines, 1994. 1990s Philippines Feature`, including Coming into a new phase`; Orlina, Ramon Facing up to Change`; Diaz, Silvana, Art to the People`; Asian Art News, vol. 7, no. 3, May/June 1997. Supplement: The Philippines`, Asian Art News, vol.3, no.5, Sept-Oct 1993. Bose, Santiago, Struggle in Baguio: The Arts Guild Makes a Difference`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Defoe, Ruben, D.F., Heroism wears new hats`, Asian Art News, vol. 6, no.3, May / June 1996. Ewington, J., Archipelago Art`, Art & Asia Pacific, vol.1, no.1, 1993. Ewington, J., Cross-Currents- Salubungang Agos`, Art & Asia Pacific vol.1, no.3, 1994. Fajardo Brenda V., Contemporary Visual arts in the Philippines`, in Japan Foundation ed., Contemporary Philippine Culture: Selected papers on Art and Education, Manila Japan Foundation, 1998. Flores, Patrick & Bromfield, David, The perils of performance: Mike Parr in the Philippines`, Art & Asia-Pacific, vol.3, no.1, 1996. Flores, Patrick, Sorties into the City: The Art of Elmer Borlongan and Emmanuel Garibay`, Artlink, Vol. 19, No. 3 September1999 Guillermo, Alice G., Witnesses to unfolding history`, Asian Art News, vol.10, no.3, 2000 Guillermo, Alice, Visions of the Millennium`, Asian Art News 9:3 1999 Guillermo, Alice, The essence of form`, [Philippines` Sculpture] Asia-Pacific Sculpture News, vol.1, no.2, Spring 1995. Guillermo, Alice G., An Iconography of Political Art`, in Asian Art News, Vol. 14, Number 4 (July/August 2004), pp. 58-61 Hildawa, Sid Gomez, An Overview of the Philippine Contemporary Art Scene (1994-1998), Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Hoffie, P., Accounting for Fun`, [Baguio Art Festival 1993] Art Monthly Australia, no.67, March 1994; Hoofman, Ingrid, Enjoin to the Philippines`, Artlink, Vol. 18, No. 4 December 1996

225

Javelosa, Jeannie E., Introduction to Philippines Art & Culture`, Artlink, Vol. 13, No.3&4, NovemberMarch 1993/94 Javelosa, Jeannie E., Indigenous Statements Now`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Labarador, Anna, Weaving impressions: the Bontoc people of the Philippines`, Art AsiaPacific,no.18, 1998. Labrador, A.P., A most unfashionable frill: Restringing multicultural beads into one national strand`, Art & Asia Pacific, vol.1, no.1, 1993. Labrador, A.P., Beyond The fringe: making it as a Filipina contermporary artist`, Art & Asia Pacific, vol.2, no.2, 1995. Labrador, Ana, P., The projects of nationalism: celebrating the centenary in Philippines contemporary art.` Humanities Research 2: 1999 Looby, Keith, Does the Avant-Garde begin or end in Asia?`, Art & Asia Pacific, vol.1, no.4, 1994. Mayo, Rachel, Replanting Culture: The indigenous Art Movement`, Art & Asia Pacific, vol.1, no.1, 1993. Mayo, Rachel, Pillow Talk` [Dan Raralio], Art & Asia Pacific, vol.3, no.2, 1996. Mayo, Rachel, Salingpusa: Manila on Canvas`, Art & Asia Pacific, vol.2, no.3, 1995 Radok, Stephanie and Roberts, Neil, An Australian Creates Space in Manila`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Roces, M.P, Ethos Bathos Pathos: Contemporary Art Practice in the Philippines`, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993. Torres, E., Internationality: Towards a New Internationalism`, Art & Asia Pacific, vol.1, no.1, 1993. Torres, Emmanuel, Drawing takes its place`, Asian Art News, vol.10, no.4, 2000 Torres, Emmanuel, Upbeat and kicking into the new millenium`, Asian Art News, vol.10, no.3, 2000 Zaballero, Phyllis; Vermont Works`, Asian Art News, vol. 7, no. 3, May/June 1997. Willie Valentine, Faith + The City: a survey of contemporary Filipino art, Kuala Lumpur, Valentine Willie Fine Art, 2000 2000+ Surry of Exhibitions 2000-2002`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.90-100. Baluyut, Pearlie S., A Judge`s Observation`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.75-78. Cañete, Reuben Ramas., Bridges Across Rivers: Art as Systemic Practice Among Bulakenyos`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.27-31. Canta, Marilyn R., Installation Art in the Philippines: Sourcing Traditional and Contemporary Aesthetics`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.49-55. Capistrano-Baker, Florina H., Mapping the New Millennium: Ethnicity, Alterity, Identity [Imag(in)ing Self and the Other in a Postmodern World`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.8-10. Chua, Ferreolus., Mula sa Puso: Filipino Art Sweeps into Town` (review), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.52-56. Conde-Prieto, Ma Teodora., From Punla to Sibol: The Growth of Regional Art`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.32-33. Datuin, Flaudette May V., Land, Locality, and Communion: The International Baguio Arts Festival`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.34-40. Fairley, Gina, Alternative X: Creating a Scene in the Philippines`, Eyeline, no. 61, Spring 2006. Fairley, Gina, Cultural Malling in Manila: the New Ayala Museum Bridges Culture and Consumerism`, Art Monthly Australia, no. 179, May 2005. Fairley, Gina, Manila 2006`, Art and Australia, vol. 44, no. 3, 2006. Fairley, Gina, An award of its time` [2008 Ateneo Art Award], Asian Art News, vol.18, no.4, July/August 2008. Fairley, Gina, Photography Rising`, in Asian Art News, v. 18(4), July/August, 2008, pp. 69-73.

226

Florentino, Eric., Four Postmortems and an Ominous Carnival (or, The Freak Show Manifesto)`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.71-73. Flores, Patrick D., ed.,. Pananaw no.6, Philippine Journal of Visual Arts, 2007 [on criticism and curation] Flores, Patrick D.; Cajipe-Endaya, Imelda; Cruz, Joselina, Koh, Jay, convenors, Locus: Interventions in Art Practice, Manila, National Commission for Culture and the Arts, Lopez Museum & Pananaw ng Sining Bayan, 2005. Flores Patrick D., Crafting Economies, Tokyo, The Japan Foundation, 2001. Flores, Patrick D., At the crossroads`, Asian Art News, vol.10, no.3, 2000 Flores, Patrick D., Central Station`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, 11-16. Flores, Patrick D., Loss and leaving`, Art AsiaPacific 28, 2001 Garcia, Nona., Luck`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.74. Guillermo, Alice G., Bamboo in the Sea Wind` (The First Bagabas International Eco-Arts), in World Sculpture News, Vol.9, No.3, Summer 2003, p.50-52. Guillermo, Alice G., From the Familiar to the Abstract`, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.58-63. Guillermo, Alice G., Yankee Doodles`, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.52-55. Labrador, Ana P., Eating their words`, Art AsiaPacific 29, 2001 Labrador, Ana P., Out of order`, Art AsiaPacific, 25, 2000 Legaspi-Ramirez, Eileen C., Traversing Centre and Fringe: Problems of Engagement in Unstable Democratic Spaces`, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Pastor Roces, Marian, Letter to an Artist concerning her Death`, in Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, La Salle-SIA, 2002. Pereira, Sharmini, To talk with a degree of serendipity`, Artlink, Vol. 20, No. 2, July 2000 Pettifor, Steven, Arkuiris at Art Centre SM Megamall` (review), Asian Art News, vol. 15, no. 3, 2005. Ramirez, Eileen Lagaspi, Living and Dying. Somber Memoir and Other Fictions in Contemporary Philippine Art`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 114 ­ 116. Ruiz, Jose Tence., Atras /Avant: Lessons from a Continuing Reinvention of the Thirteen Artists Award`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.56-65. Samson, Ditas R., The Beauty and the Bounty: Angono Recalled and Reinterpreted`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.17-26. Tan, Pearl., The Philippine Art Awards: An Observer`s Evaluation`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.66-70. Torres, Emmanuel., One Face of Filipino Art`, in Asian Art News, Vol.13, No.1, January/February 2003, p.56-60. Tuazon, Wire Rommel G., Artist-Run-Spaces: Art Initiatives in the Case of Surrounded by Water`, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.44-47. Valeriano, Lourdes Lee., Identity and Invisibility: Contemporary Filipino-American Art in New York`, in Pananaw 4: Philippine Journal of Visual Arts, 2002, p.41-48. Prints Benesa, Leonidas V., The Printmakers, Manila, Department of Public Information, 1975 Cajipe-Endaya, Imelda et al, Filipino Engraving 17th to 19th Century, Manila: Ylang Ylang Graphic Group, 1980 Cajipe-Endaya, Imelda, Notes on an Unknown Artist of the 18th century`, Archipelago, ca.1979 Pilar, Santiago Albano & Cajipe-Endaya, Imelda, Limbag Kamay: 400 Years of Philippine Printmaking, Manila, Cultural Center of the Philippines, 1993

227

Photography Fairley, Gina, Letter from Manila` [recent photography], Art Monthly Australia, issue #213, September 2008 Guardiola, Juan, El Imaginario Colonial: Fotografía en Filipinas durante el periodo español, 1860-1898, Manila, National Museum & Barcelona, Casa Asia, 2006. Vergara, Benito M., Displaying Filipinos: Photography and Colonialism in early 20th century Philippines, Quezon City, University of the Philippines Press, 1995. New Media Crafts (including textiles, basketwork, carving, and ceramics) Anderson, Nola, Writing about Craft`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Baradas, David B., Woven Textiles the Enduring Tradition`, Artlink, Vol. 13, No.3&4, NovemberMarch 1993/94 Capistrano-Baker, Florina H., et al, Basketry of the Luzon Cordillera, Philippines, Los Angeles, UCLA Fowler Museum of Cultural History, 1998. Lane, Robert, Philippine Basketry: an appreciation, Manila, Bookmark, 1986 Women and Art, Women's Art Chattopadhyay, Colette, At home and abroad, contemporary Filipina views`, Art AsiaPacific, 22, 1999 Cajipe-Endaya, Imelda, Images of Women by Women`, Artlink, Vol. 13, No.3&4, November-March 1993/94 Datuin, Flaudette, At the fringes in the Philippines`, Artlink, Vol. 20, No. 2, July 2000. Datuin, Flaudette M.V., Home, Body, Memory, Filipina artists in the visual arts, 19th century to present, Quezon City, University of the Philippines Press, 2002. Herrera, Ma. Victoria T., Women in the Philippine Art World`, paper for conference Women Imagining Women¸ Manila, Cultural Center of the Philippines, 1999. Kintanar, Thelma B., Ventura, Sylvia M., Self-Portraits: twelve Filipina Artists Speak, Manila, Ateneo de Mainal University Press, 1999.

PACIFIC, OCEANIA, NEW ZEALAND

[There is a flourishing art press in New Zealand which is too large to index here] General Works [Devotion: the religious, the domestic, the pacific] review, Art AsiaPacific, 24, 1999 [Fiji] Teaiwa, Tersia K., Our Pacific: Contemporary Art in Fiji`, Art AsiaPacific, no.17, 1998. [New Zealand] Focus on New Zealand`, Art AsiaPacific, 23, 1999 [many articles & reviews]; Dale, Richard, Going East: post-orientalism in contemporary New Zealand Art`, Art AsiaPacific, 23, 1999; Davis, Leigh, Maori Bay Quarry: Maori prophets in the work of Colin McCahon`, Art Asia Pacific, no 23, 1999 Focus on New Zealand. Art AsiaPacific, no 23, 1999 Focus on New Zealand; Fraser, Viriginia, Te Papa Tongarewa`, Art Monthly Australia, no.110, June 1998; Leonard, R. & Vercoe, C., Sisters are doing it: fashion, dance, art: New Zealand`s Pacific Sisters`, Art AsiaPacific, no.14, 1997; McAloon, William, Casino Art in New Zealand`, Art Asia Pacific, vol.3, no.4, 1996. [Noumea] Lewis-Harris, Jacky, Our identity lies ahead`, Art AsiaPacific, 31, 2001; Giakoumi, Dionissia, A New Meeting Place in the Pacific: Centre Culturel Tjiboau, Noumea`, Art AsiaPacific, no.21, 1999; Kasarherou, Emmanuel, Portraits Kanak`, Art AsiaPacific, vol.3, no.3, 1996; Sandra, Maillot Win-Nemou, An exhibition of Torres Strait Islander Art in Noumea`, Art AsiaPacific, no.14, 1997; Stevenson, Karen, Creating Together: The inaugural exhibition at Centre Culturel

228

Tjibaou, Noumea`, Art AsiaPacific, no.21, 1999; Ewington, Julie, Noumea-Tokyo`, Art AsiaPacific, 23, 1999 [Samoa] Mallon, Sean, Samoan art hsitories`, Art AsiaPacific, 32, 2001; Stevenson, Karen, Picturing Paradise`, Art AsiaPacific, no.13, 1997; Stevenson, Karen, The 7th Pacific Festival of Art in Samoa`, Art AsiaPacific, no.14, 1997; Vanya Taule`alo, Ua sii matalalaga: Creating New Patterns in Pacific Art`, Art Monthly Australia, [Torres Straits] Thomas, Nicholas, Islands of History`, Art AsiaPacific 28, 2000 [Vanuatu] Bolton, Lissant, The New Vanuatu Cultural Centre`, Art AsiaPacific, vol.3, no.3, 1996; Thomas, Nicolas, Dance party`, The Vanuatu Cultural Centre Mini National Arts Festival, Art AsiaPacific, vol.3, no.3, 1996. Indigenous Arts of the Pacific`, Special Issue, Artlink, vol.16, no.4, Summer 1996 New colours from old worlds` review, Art AsiaPacific, 24, 1999 Pacific Arts Symposium`, Art & Asia Pacific, vol.1, no.1, 1993. Pacific arts, 8th Festival of` Cochrane, Susan, Undercurrents`, Art AsiaPacific, 31, 2001 Tatutai sculpture symposium` Vercoe, Caroline, Navigating pacific Art`, Art AsiaPacific, 22, 1999 Auckland Art Gallery Toi O Tâmaki, Art Asia Pacific supplement no.23, 1999 Cochrane, Susan, We are the artists of today: recent sculpture from the Solomon Islands and Vanuatu`, Art AsiaPacific, no.18, 1998. Cochrane, Susan, Bérétara: Contemporary Pacific Art, Sydney, Halstead Press, 2001. Craw, R., Anthropology or the other`, Art & Asia Pacific, supplement to Art & Australia, September 1993. Elias, Ann, Kowtowing to Commerce`, Art & AsiaPacific, vol.3, no.1, 1996. Hayes, Michael, Burning Bridges, The contentious California conference Rewriting the Pacific`, Art AsiaPacific, vol.3, no.3, 1996 Jahnke, Robert, Tribal Art and its Incorporation into Contemporary Art`, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 9-28. Jose, Nicholas, Asia & Oceania Influence - Sydney`, Artlink, Vol. 16, No. 4 Summer 1996 Kaino, Lorna, The Necessity of Craft: Development and Women`s Craft Practices in the Asia-Pacific Region, Perth, University of Western Australia Press, 1995. [Review, Labrador, Ana P., in Art AsiaPacific, vol.3, no.1, 1996.] Kidd, Courtney. Oceans and Others: Navigating Pacific Territory.` Art Monthly Australia, December 1998 to February 1999 no.116. Lewis-Harris, J., Printed, beaten, and coiled`, Art & Asia Pacific, vol.2,no.2, 1995. Menzies, Louise, Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art Gallery`, (exhibition review) ArtAsiaPacific, no. 50, 2006. Morse, Marcia, Not Venice, Hawaii: The Contemporary Museum Biennial of Hawaii artists`, Art & Asia-Pacific, vol.3, no.1, 1996. Mosby, Tom Byra Mixie, Playthings: Dance machines from the Torres Strait Islands`, Art AsiaPacific, no.14, 1997. Naylor, Stephen, Public/Private Tumatanui/Tumataiti: The 2nd Auckland Triennial, Art Monthly Australia, No. 170 (June, 2004), pp. 16-18 Page, Maude, Contemporary Art at the Pacific Festival of Arts`, Art AsiaPacific, no.14, 1997. Pirating the Pacific, Sydney, Powerhouse Museum, 1993, [review by Martin Terry in Art Monthly Australia, no.66, December-February 1993-94]. Rees, Simon, 1st Auckland Triennial`, Art AsiaPacific, no.33, 2002. Rosi, Pamela, Shigeyuki Kihara: Subverting Dusky Maidens and Exotic Tropes of Pacific Paradise`, ArtAsiaPacific, no. 51, 2007. Searle, R., Melanesia`, Art Monthly Australia, no.66, December-February 1993-94. Teaiwa, Theresa and Launiuvao, Juliette, Canoe Culture`, ArtAsiaPacific, no. 47, 2006.

229

Thomas, Nicholas & Losche, Diane, Double Vision: Art Histories and Colonial Histories in the Pacific, Cambridge, Cambridge University Press, 1999. Thomas, Nicolas, Marked men`, Art AsiaPacific, no.13, 1997. Thomas, Nicolas, Pacific Presences`, Art Monthly Australia, no.86, Dec 1995-Feb 1996. Thomas, Nicolas, What shall we tell them ? Pacific Art, politics and culture`, Art & Asia Pacific, vol.1.no.4, 1994. Vercoe, Corline, Postcards as a signature of place`, Art & Asia-Pacific, vol.3, no.1, 1996. Von Reiche, Steven, Pacific festival of Arts Workshop report`, Art AsiaPacific, no.14, 1997. Individual Artists Baerhart, Laurence: Batten, John, Laurence Aberhart: Macau and China` [Photography], Art AsiaPacific, no.33, 2002. Cotton, Shane: Tillers, Imants, Locating Shane Cotton`, Art AsiaPacific no.21 1999. Fong, Luise: Vaigro, W., Luise Fong: cosmographies; a pathologists`s diary`, Art & Asia Pacific, vol.2, no.2, 1995. Hammond, Bill: Smith, Allan, Bill Hammond Paints New Zealand`, Art AsiaPacific, no 23, 1999 Focus on New Zealand. Jahnke, Robert: Thomas, Nicolas, Shadow and Substance: the recent work of Robert Jahnke`, Art & Asia Pacific, vol.1, no.1, 1993. Kahukiwa, Robyn: Diamond, Jo, Robyn Kahukiwa: Nurturing Maori Identity`, Art AsiaPacific, no.33, 2002. Kuage, Mathias: review, Art AsiaPacific, 25, 2000 Laita, Lily; O`Neill, Anne: Stevenson, Karen, Negotiating tradition`: the art of Lily Laita and Anne O`Neill`, Art AsiaPacific,no.18, 1998. Parekowhai, Michael: Barr, Jima and Mary, The Indefinite Article: Michael Parekowhai`s riff on representation`, Art Asia Pacific, no 23, 1999 Focus on New Zealand. Pule, John: Thomas, Nicolas, Lost Gods: The paintings of John Pule`, Art & Asia Pacific, vol.1.no.4, 1994; Thomas, Nicolas, Oceans Apart`, Asian Art News, vol.7, no.3, May/June 1997. Reihana, Lisa: Page, Maude, Interdigitatimg Reihanamations: Lisa Reihana`s Video Weavings.` Art AsiaPacific no.21, 1999. Tan Yukking, Individual Experience`, in Asian Art News, v. 18(5Sept/Oct, 2008, pp. 82-3.

PAPUA NEW GUINEA

Mel, Michael, Tradition and bilas in New Guinea`, Art & Asia-Pacific, vol.3, no.1, 1996. Simons, Susan; Stevenson, Hugh, Luk Luk Gen! Look Again: Contemporary Art from Papua New Guinea, Townsville, Perc Tucker Regional Gallery, 1990. Smalley, S.F., Contemporary Art of Papua New Guinea, New York, Bridgewater State College, 1989. Waiko, John, Through our own eyes: Contemporary Art in Papua New Guinea", Art & Asia Pacific, vol.1, no.4, 1994. SOUTH ASIA INDIA General Works Appasamy, J., 25 years of Indian Art`, Lalit Kala Contemporary, no.15. Appasamy, J., An Introduction to Modern Indian Sculpture, New Delhi, Indian Council for Cultural Relations & Vikas Publications 1970. Appasamy, J., The Critical Vision: Selected Writings, New Delhi, Lalit Kala Akademi, 1985.

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Matt, Gerald, et. al., Kapital and Karma: recent positions in Indian art, Vienna: Kunsthalle Wien, 2002. McEvilley, Thomas, Fifty Years of Indian Art, A conference in Mumbai`, Art AsiaPacific, no.16, 1997. Mehta, Anupa, Art in Mumbai`, Asian Art News, vol.10, no.6, 2000; Srinivasan, Sumitra, The Road Ahead`, Asian Art News, vol.6, no.6, 1996. Muroi, Hisashi, Cultural Mythologies`, Art AsiaPacific, 24, 1999 Murti, Isna Coming into Their Own: contemporary sculpture in India.` Asia-Pacific Sculpture News 2:1 Winter 1996 Murti, Isna Crisis in the House of Art`, Asian Art News, July/Aug 1994. Niranjana, T., Sudhir, P., Dhareshwar, V., Interrogating Modernity: Culture and Colonialism in India, Seagull Books, Calcutta, 1993. Panikkar, Shivaji, ed., Twentieth-Century Indian Sculpture: the Last Two Decades, Bombay: Marg, 2000. Prakash, Siddhartha, Art in the capital`, Art for the Environment`, An art form ignored`, [photography] Asian Art News, vol.6, no.2, Mar/Apr 1996. Rahman, Ram Sahmat: a political postcard from India`, Art AsiaPacific, no.14, 1997 Ramaswamy, S. ed., Beyond Appearances? : Visual Practices and Ideologies in Modern India, New Delhi: Sage Publications, 2003. Sen, Geeti, A new iconography: Indian woman artists in exhibition`, Art AsiaPacific,no.18, 1998 Sheikh, G.M.ed., Contemporary Art in Baroda, New Delhi: Tulika, 1997. Sinha, G., India Songs` Art & Asia Pacific, vol.2, no.2, 1995. Sinha, Gayatri, ed., Expressions & Evocations: Contemporary Women Artists of India, Mumbai, Marg Publications, 1996 Sinha, Modhurima, Call of the Real: Contemporary India Artists from Bengal, Ahmedabad: Mapin, 2003. Swanimathan, J., The Perceiving Fingers, Bhopal: Bharat Bhavan, 1987 Swanimathan, J., The Cygan: An Auto-bio note, exhibition catalogue, Vadehra Art Gallery, New Delhi, 1993. Tagore, Sundaram, A struggle for modernism`, II, Asian Art News, vol.6, no.1, Jan/Feb 1996. Tagore, Sundaram, Towards Identity`, I, Asian Art News, vol.5, no.6, Nov/Dec 1995. Tuli, Neville, The Flamed Mosaic: Indian Contemporary Painting, 1997 2000+ Adajania, Nancy, India`s New Progessives`, ArtAsiaPacific, no. 50, 2006. Adajania, Nancy, The Mutable Aesthetic of New Mediatic Realism`, Art India, Volume X, Issue IV, Quarter IV, 2005. Akira, Tatehata et al, Private Mythology: Contemporary Art from India, exhibition catalogue, Tokyo, Japan Foundation Asia Center, 1998. Ananth, Deepak, Indian Bazaar. Notes on Six Contemporary Indian Artists`, in Flash Art, vol. XLI, no. 258, Jan-Feb, 2008, pp. 98 - 100. Appadurai, Arjun, The Thing Itself`, Art India, volume X, issue iii, quarter iii, 2005. Art India, Vol ix, Issue ii, (Quarter ii, 2004) special issue on negotiating the popular`. Art India, Vol IX, Issue iii (Quarter iii 2004) special issue on the festival aesthetic`. Art India, Vol X, Issue i, (Quarter i, 2005) Special issue on video art`. Art India, Vol X, Issue ii (Quarter ii, 2005), Special Issue on Heritage`. Art India, Vol XI, Issue i (Quarter i, 2006), Special Issue on Printmaking`. Art India, Vol. 7, Issue 1 (Quarter 1, 2002), Special Issue on Net Culture` Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on State of the Art Market` Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on State of the Art Market` Art India, Vol. XIII, Issue III & IV, (2008) Special Issue ­Interviews with Indian Artists Art India, Vol XIII, Iss. II, (2008) The Gallery Issue p. Art India, Vol XIII, Iss. I, (2008) The Art Market Issue p. Artists Dictionary: A Survey of Contemporary Indian Art` in Flash Art, Vol XLI, No. 258, Jan-Feb 2008, pp. 110-119.

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Bordewekar, Sandhya, Reality Bites`, Art India, Volume X, Issue IV, Quarter IV, 2005. Bordewekar, Sandhya, The Aert of the matter. Which are the major privately sponsored art awards in India today?` in Art India, Vol XIII, Iss III & IV, 2008, p. 7779 Dadi, Iftikhar, Art, Archaeology and the Museum in India` (book review), Art Journal, vol. 63, iss. 3, 2006. Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan, New Delhi, Oxford University Press, 2007. Findlay, Ian, Indian voices, universal spirit`, Asian Art News, vol.11. no.2, 2001 Gupta, Latika, Two Hats Are Better Than One`, interview with curator Gayatri Sinha, in Art India, Vol XIII, Iss. III & IV, 2008, 63. Gupta, latika, Role Play (India`s first live art festival, KHOJ LIVE 08: Perfornmance art festival), in Art India, Vol XIII, Iss. I, (2008) p. 118-120kaleka Hoskote, Ranjit, India: A Long Time Coming`, ArtAsiaPacific, no. 45, 2005. Lewis, David, World in Flux` Art India, volume X, issue ii, quarter ii, 2005. Lokhandwala, Arshiya Mansoor, Re-claiming the Body`, Art India, volume X, issue i, quarter i, 2005 (special issue on video art); Malhotra, Priya, A Multitude of Voices`, Asian Art News, vol. 15, no. 6, 2005. Melwani, Lavina, All in the Family: the Ahuja Collection of Indian Contemporary Art`, ArtAsiaPacific, no. 43, 2005. Möntmann, Nina, Mumbai`, Artforum, vol. 45, iss. 4, 2006. Nielsen, Henrikke, The Artist Lives and Works in.. Baroda/ Bombay/ Calcutta/ Mysore/ Rotterdam/ Trivandrum` (review), ArtAsiaPacific, no. 47, 2006. Pande, Alka, The Margi & the Desi: between tradition and modernity, exhibition catalogue, New Delhi: Gallery Espace, 2004 Patel, Chitra Prasad, On the Path to Prominence: Cultivating the Landscape for Contemporary Indian Art`, in Orientations, vol. 35, no. 5, June, 2007, pp. 83 ­ 86. Pijnappel, Johan, Art in Exile?`, Art India, volume X, issue I, quarter I, 2005 (special issue on video art). Sambrani, Chaitanya et. al., Edge of Desire: recent art in India, London: Philip Wilson Publishers, 2004. Sambrani, Chaitanya, Here, out, there ( and somewhere in between): contemporary art in India, Australian and New Zealand Journal of Art, vol.3, no.2, 2002 Sambrani, Chaitanya, Home and away: Contemporary Indian art in the international arena`, Art Monthly Australia, no.153, 2002. Sambrani, Chaitanya, Printing across borders: the Aar-Paar Project`, in Art Monthly Australia, No. 171 (July, 2004), pp. 12-15 Sansone, Valentina, Artist`s Dictionary. A Survey of Contemporary Indian Art`, in Flash Art, vol. XLI, no. 258, Jan-Feb, 2008, pp. 110 - 119. Sardesi, Abhay, Object at the Centre`, Art India, volume X, issue iii, quarter iii, 2005. Sengupta, Ratnottama., A City of Remarkable Narratives`, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.68-73. Shahane, Girish, Altered Egos`, Art India, vol 9, issue 1, quarter 1, 2004, special issue on identity`. Sood, Pooja, In the fast lane. The new buzz around contemporary Indian Art`, in Flash Art, vol. XLI, no. 258, Jan-Feb, 2008, pp. 102 - 104. Snell, Ted, Edge of Desire: Recent Art from India`, Art and Australia, vol. 42, no. 3, 2005. Tharu, Susie, Common Threads, Different Weaves`, Art India, volume X, issue ii, quarter ii, 2005. Vali, Murtaza, Indian Summer` (review), ArtAsiaPacific, no. 48, 2006. Yun Chea Gab, Cho Il-sung, Gwak June K., Sambrani, Chaitanya, Hungry God: Indian Contemporary Art, Beijing & Seoul, Arario Gallery, 2006. Zitzewitz, Karin, Mapping South Asian Art`, Art India, vol ix, issue ii, quarter 11, 2004. Indian Photography Barath, Stephanie Roy, John Edward Saché: Master of the Picturesque in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 7-9

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De Souza, David, Faith in Colour`, Art India, vol IX, issue iii, quarter iii, 2004. Dehejia, Vidaya (with contributions by Charles Allen) India through the lens: photography 1840-1911, Washington, D.C.: Smithsonian Institution Ahmedabad, Mapin, 2000. Dewan, Jane, Sun pictures from the city of gold; early photography in Bombay` in Rohtagi, Pauline; Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai, Marg Publications, 1997. Falconer, John, India: Pioneering Photographers 1850-1900`, Orientations, Volume 32, Number 9, November 2001 Falconer, John, India: pioneering photographers, 1850-1900, London: The British Library and The Howard and Jane Ricketts Collection, 2001. Gordon, Sophie,`The Royal Tour In India` TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 10-12. Gupta, Sunil, ed., An Economy of signs: contemporary Indian photographs, Boston: Rivers Oram Press, 1990. Gutman, Judith Mara, Through Indian eyes, New York : Oxford University Press : International Center of Photography, 1982. Henisch, Heinz K., The painted photograph, 1839-1914 : origins, techniques, aspirations, University Park, Pa.: Pennsylvania State University Press, 1996 Hight, Eleanor M., and Sampson, Gary D., eds., Colonialist Photography. Imag(in)ing race and place. London and New York, Routledge, 2002. Jaana, Reena, Contemporary tales from India`, [photography], Asian Art News, vol.7, no.5, Sept/Oct 1997. Museum of Sydney, Encountering India : colonial photography 1850-1911, Sydney : Historic Houses Trust of N.S.W., 1997. Patel, Divia, The Indian Amateur`s Photographic Album in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 4-6. Pelizzari, Maria Antoinella, ed., Traces fo India: Photography, Architecture, and the Politics of Representation, 1850-1900, Montréal, Canadian Centre for Architecture & New Haven, Yale University Press, 2003. Pinney, Christopher, Camera Indica, London, Reaktion Books, 1998. Reilly, James M., Care and Identification of 19th century Photographic prints, Rochester, Kodak Books, 1986l, 2001 Sharma, Satish, Rotigraphy: Indian street photography`, Art AsiaPacific, no.13, 1997. Sharma, Satish; Gray, Michael, A Shifting Focus: Photography in India 1850-1900, London: The British Library, 1995. Srivatsan, R, Conditions of visibility : writings on photography in contemporary India; Mumbai, Popular Prakashan, 2000. Worswick, Clark; Embree, Ainslee, The last empire: photography in British India, 1855-1911, London : Gordon Fraser Gallery, 1976. Zhuang Wubin and Wim Melis, Between Art and Documentary`, Asian Art News, vol. 17, no. 1, JanFeb 2007. Zhuang Wubin, Spotlight on Another Asia` (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007. Indian Artists Abroad Carver, Antonia, Century City: Art & Culture in the Modern Metropolis`, Art AsiaPacific, no.33, 2002. Martin, Courtney J. South Asian American Art Now ­ Queens Museum of Art` (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005. Mohanti, P., East-West Encounter`, Art Monthly [UK], no.132, December-January 1989-90 Web resources: www.artindia.com Website of the leading English Language Journal on Art in India. The Art India Journal offers a good resource for people working in the field and this bibliography lists the themes of special issues from 2002-2003 under their most appropriate subdivisions.

249

NEPAL

General Works Jolliffe, H., A Community at the Crossroads`, Asian Art News, vol.4, no. 5, September/October 1994. Nepalese Contemporary Art reaches out to the World`, Asian Art News, 2, no.4, Jul/Aug 1992. Nepali, Uttam, Modern Contemporary Art: A View from Nepal`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 O`Riordan, Maurice, A political stand`, [Ragini Upadhayay-Grela], Asian Art News, vol.5, no.3, Jul/Aug 995. The Art of Nepal`, Special Issue, Orientations, Volume 32, Number 5, September 2001 Individual Artists Dongol, Sarita: Sarita Dongol in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001 Sashi Shah: Asian Art News, 2, no.5, Sep/Oct 1992. Shobha Wagley: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Uma Shankar Shah: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999

HIMALAYAN BORDERLANDS; KASHMIR, BHUTAN, SIKKHIM, MUSTANG

General Works Artists on Spirituality`, ArtAsiaPacific, no. 51, 2007. Tulku, Mynak, R., Arts of Bhutan`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999. Virtue, Gerry, Tashi Kabum: A Mustang Treasure revealed` in Annear, Judy, Yasumasa Morimura and Yukio Mishima ­ Seasons of Passion in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 2, June 2008, p. 6-8. Individual Artists Karma, Leki Dorji: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Penjor, Tashi: Tashi Penjor in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001 PAKISTAN General Works Ali, Atteqa, `Impassioned Voices: Art as Social Commentary in Pakistan`, ArtAsiaPacific, no. 46, 2005. Art India, Volume ix, issue iv, quarter iv, 2004, special issue on art in Pakistan`. Carroll, Alison, Postcard from Pakistan`, Art AsiaPacific, no.21, 1999. Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998. Galligan, Gregory, Painting Over the Lines: Contemporary art from Pakistan`, ART AsiaPacific, Issue 36 (2002)

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Hashmi, Salima, Looking Back, Looking Forward: Pakistani Art in the 90`s`, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Hashmi, Salima, Women artists in the Muslim World: a fresh perspective from Pakistan`, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994 Hashmi, Salima, Radicalising tradition: painting in Pakistan`, Artlink, Vol. 20, No. 2, July 2000 Hashmi, Salima, essays in Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan, New Delhi, Oxford University Press, 2007 MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester University Press, 1995. Mirza, Quddus, A particular language`, Art AsiaPacific, 24, 1999 Mirza, Quddus, Cross-Connecting Identities`, Art India, volume X, issue I, quarter I, 2005 (special issue on video art). Mirza, Quddus, Letter from Pakistan: Broadcast News`, Art India, Volume X, Issue IV, Quarter IV, 2005. Mirza, Quddus, Letter from Pakistan: De-Fused Identities`, Art India, vol 9, issue i, quarter i, 2004. Mirza, Quddus, Letter from Pakistan: Using Popular Imagery`, Art India, vol ix, issue ii, quarter ii, 2004. Mirza, Quddus Show me the Money (a moral position vis-a vis the art market), in Art India, Vol XIII, Iss. I, (2008), p. 57-59 Pettifor, Steven, Contemporary Art from Pakistan: Asia House` (review), Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Sambrani, Chaitanya, Printing across borders: the Aar-Paar Project`, in Art Monthly Australia, No. 171 (July, 2004), pp. 12-15 Sharma, Prageeta, Playing with a Loaded Gun: Contemporary Art in Pakistan at Apex Art` (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 83 Vali, Murtaza, Pakistan goes global!` , in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 76 - 77. Vali, Murtaza, Paradise Found & Lost`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 88 - 89. Whiles, Virginia, In and Out of Pakistan`, Third Text, n52 Autumn 2000, 103-111 Wright, Stephen, Beyond Borders: Art of Pakistan` (review), Parachute,100, 2005. Individual Artists Araeen, Rasheed: Jamal, Osman, `The Soul Of A Minimalist`, in World Sculpture News, v. 14(2), Spring, 2008, pp. 45 ­ 49. Chugtai, Abdul Rahman : Chugtai, Abdul Rahman`, Orientations, June 1973 Dadi, Iftikhar: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Kazi, Durriya: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Durriya Kazi and David Alesworth, Report at The First Fukuoka Asian Art Trienale [The 5th Asian Art Show], Seminar: Asian Art ­ Towards the 21st Century, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Khan, Naiza: Hashmi, Salima, Bodying Forth`, Art India, vol IX, issue iii, quarter iii 2004. Qureshi, Imran: Whiles, Virginia, Imran Qureshi`, Art AsiaPacific, no.33, 2002. Raja, Sabeen: review, Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005. Shahzia Sikander: Desai, Vishakha N., Shahzia Sikander` in Art Asia Pacific, Issue 37 (2003), p. 36 Shakar, Ali: Shakar Ali`, Orientations, April 1973. Sikander, Shahzia: Jaana, Reena, Cultural Weaving`, Asian Art News, vol. 7, no. 2, March/April 1997; Goodman, Joanna, Small Pleasures`, World Art, #15, December 1997; Schwabsky, Barry, Shazia Sikander/Out of India`, Artforum International, Vol.36, Issue 8, April 1998. ; Goodbody, Bridget

251

L., From Lover to Foe and back Again`, ArtAsiaPacific, no. 43, 2005; review, Artforum, vol 46, iss. 5, Jan 2005; review, Art in America, vol. 94, iss. 1, Jan 2006.

BANGLADESH

General Works Supplement on Rickshaw Painting` to Fukuoka Art Museum ed., 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. Anuar, Zanita, Impressions of the 8th Asian Art Biennale in Bangladesh`, Artlink, Vol. 20, No. 2, July 2000 Choudhury, Subir, Art of Bangladesh: Contemporary trends among the artists of the 90`s`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Jamal, Osman To bear witness[four women artists], Asian Art News, vol.10, no.5, 2000 Zhang Wubin, Voices of Resistance`, Asian Art News, vol. 15, no. 1, 2005. Individual Artists Ahmed, Kamal: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Amin, Rashid: review, Asian Art News, vol.12, no.2, 2002 Chowdhury, Swapan: Jamal, Osman, `A Man of His Time`, Asian Art News, vol. 16, no. 3, 2006. Ilsma, Aminul: Jamal, Osman, The making of a Bangladeshi artist`, Asian Art News, vol.9, no.6, 1999 Karmaker, Ashoke: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Shahabuddin: Jamal, Osman, The spirit of violence`, Asian Art News, vol.11, no.3, 2001

SRI LANKA/CEYLON

General Works Bandaranaike, S., The Kataluva Murals`, Orientations, vol.13, no.1, January, 1982. Gunaratna, D.M., A Living Legacy: The Contemporary Art Scene of Sri Lanka`, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Perera, Anoli, A new order` Art AsiaPacific, 26, 2000 Preece, Robert, In time of War`, Asian Art News, vol.7, no.3, May/June 1997 Individual Artists Bari Kumar: Jana, Reena. Other Ways of Seeing.` Asian Art News 8:6 November/December 1998 Coomaraswamy, Ananda: Bandaranaike, S., Ananda Coomaraswamy and approaches to the study of traditional Sri Lankan art and Society`, in P.E.P. Deraniyagala Commemoration Volume, Columbo, Sri Lanka, 1980. Daraniyagala, Justin: Justin Daraniyagala, Catalogue with essay by Ellen Dissanayake, Colombo, Deutsche Bank, 1992. de Alwis, Tissa: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Keyt, George: see India Muhammaed Cader, Anoli Peera, Rahju, Senaka Senanayake, Jagath weerasinghe, Laki Senanayake: Preece, Robert, & Giddens, Sarah, Artist`s Voices`, Asian Art News, vol.7, no.3, May/June 1997

252

Peries, Ivan: Bandaranayake, Senake, Ivan Peries: (Paintings 1939-1969) - The predicament of the bourgeois artist in the societies of the Third World`, Third Text n2, Winter 187/88, 76-92 Senanayake, Senaka: Sardesi, Abhay, `Interview`, Art India, vol 9, issue 1, quarter 1, 2004. Thenuwara, Chandraguptha: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999

MONGOLIA

General Works See entries in 1994 Fukuoka Asian Triennale Catalogue Sosor, Ochir, Fine Art in Mongolia Today`, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Uranchimeg, Tsultem, Art of Mogolian Nomads`, Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 Yamaki, Yuko, The Development of Modern Mongolian Art`, Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 Individual Artists Munkhtsetseg Jalkhaajav: Findlay, Ian, From the heart of Mongolia`, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 73-77. Sarantsatsralt, Ser-Od: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Su Xingping: Zhang Zhaohui, A Human Narrative`, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Usehbayar, Zagdin: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1st Fukuoka Asian Art Triennale 1999 [The 5th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999

CIS AND OTHER

Asia Yesterday - Today - Tomorrow. The World of Polar Forces March 20 - 25 1998 [Kazakstan - Erbosyn Meldibekov, Zhazira Dzhanabaeva, Kanat Ibragimov/ Indonesia - Aramaiani, Semsar Siahaan, Hanura Hosea] Catching, Rebecca, Lida Abdul. Landscapes of Rememberance`, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 110 - 115. Ibraeva, Valeria., Kazakhstan Contemporary Art Moves Ahead`, in Asian Art News, Vol. 13, No. 4, July/August 2003, p.46-53. Merewether, C., Kurdistan: In the Shadow of History.,Co-Curator with Susan Meiselas, Bellevue Art Museum, Seattle; Festival Internacional de Fotografia, Ayuntamiento de Madrid; Nederlands Foto Institutut, Rotterdam, 1999-2000.

ASIAN ARTIST TRANSNATIONAL ACTIVITY

Transnational activity` includes artists of Asian ancestry working in the given zones and also artists who have moved from an Asian country of birth. Asian Artist Transnational Activity: Australia (There is a flourishing art press in Australia which is too large to fully index here)

253

Barnes, Carolyn; Wright, William; John Young, Fisherman`s Bend, Craftsman House, 2005. Barnes, Carolyn, Integral Histories: John Young`s Double Ground` Paintings`, Art and Australia, vol. 43, no. 3, 2006. Bolton, Ken, Guan Wei: Unfamiliar land` (review), Eyeline, no. 62, Summer 2006-7. Chiu, Melissa, Rough Trade: Curating Cultural Exchange in Australia`, in Ang et al eds. Alter/Asians: Asian-Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000. Clark, John, An Australian Creative Space: where is Australian-Asian art now?`, in Waite Dianne, ed., Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne, Australian Centre for the Moving Image & National Gallery of Victoria, 2006, 26-33. Clark, John, Art and its others` - recent Australian-Asian visual exchanges`, in Dever, Maryanne, ed., Australia and Asia: cultural transactions, Surrey, Curzon Press, 1997. Clark, John, Australian Art and Asia -Then and Now`, Occasional Paper No.19, Research Institute for Asia and the Pacific, University of Sydney, 1992 Crosby, Alexandra, Djuwadi: Folding the Relational into Art` in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 2, June 2008, p. 18-20. Cvorco, Uros, What will the Neighbours Think?`, Broadsheet, vol. 35, no. 2, 2006. Devenport, Rhana, Beauty, Shadow-Play and Silhouettes`, Art and Australia, vol. 44, no. 3, 2006 [Sangeeta Sandrasegar, Guan Wei, Nusra Latif Qureshi, Emil Goh, Renee So, Ah Xian, Liza Lim]. Dirgantoro, Wulan, Permission to Fire`, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September, 2007, pp. 190 ­ 191. Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, Sydney, Craftsman House, 2006. Koop, Stuart, Asia Exchange: Rapt! Satellite`, Art and Australia, vol. 44, no. 3, 2006. Pennings, Mark and Danni Zuvela, Korea/Australia` (review of exhibition at Insititute of Modern Art, Brisbane), Art and Australia, vol. 42, no. 3, 2005. Roberts, Claire, The Slow Art of Ah Xian`, Art and Australia, vol. 43, no. 3, 2006. Australia and Asia [selected] ARX [Artists` Regional Exchange, website list supplied by Pam Zeplin] Australian Academy of the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21st century, 3 volumes, Canberra, Australian Government Publishing Service, 1998. Birrell, Bob, Rapson, Virginia, Two Australias: Migrant settlement at the end of the 21st century`, People and Place, vol.10, no.1, 2002. Broinowski, Alison , The Yellow lady: Austraian Impressions of Asia, Melbourne, Oxrford Unviersity Press, 1992. Broinowski, Alison ,. Asianization and its Discontents`, Meanjin, vol. 57, no.3, 1998. Butler, Roger, ed., The Europeans: Emigré artists in Australia, 1930-1960, Canberra, National Gallery of Australia, 1997. Chinese Heritage of Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm Curnow, Wynstan , Imants Tillers and the Book of Power`, Sydney, Craftsman House, 1998. Dixson, Miriam ,The Imaginary Australian: Anglo-Celts and Identity -1788 to the present, Sydney, UNSW Press, 1999. Facey, A. B., A Fortunate Life, Ringwood, Viking, 1985. Foss, Paul, ed., Island in the Stream: Myths of Place in Australian Culture, Sydney, Pluto Press, 1988. Gibson, Ross, South of the West: Postcolonialism and the Narrative construction of Australia, Indiana University Press, Bloomington and Indianapolis, 1992. Grenville, Kate, The Secret River, Melbourne, Text Publishing, 2005. Hage, Ghassan & Couch, Rowena, eds., The Future of Australian Multiculturalism , Sydney, The University of Sydney, 1999. Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press, 2003.

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Hage, Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press, 1998. Keating, Paul , Engagement: Australia faces the Asia-Pacific`, Sydney, Pan Macmillan 2000. Khoo, Siew-Ean, Inter-marriage in Australia: patterns by ancestry, gender, and generation`, People and Place, vol.12, no.2, 2004, 35-44. May, Harvey, Australian Multicultural Policy and Television Drama in Comparative Contexts PhD thesis at http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20040715.130731/. Manne, Robert, The Barren Years: John Howard and Australian Political Culture, Melbourne, Text Publishing, 2001. Manne, Robert, The Way we Live Now: the controversies of the nineties, Melbourne, Text Publishing, 1998. Manton, Neil, Cultural Relations: the other side of the diplomatic coin, ACT, Homosapien Books, 2003. McCullough, Allan & Susan, Encyclopedia of Australian Art, St. Leonards, Allen & Unwin, 1994. Reynolds, Henry, Frontier: reports from the edge of White settlement, Sydney Allen & Unwin, 1987. Reynolds, Henry, The Other Side of the Frontier; Aboriginal resistance to the European Invasion of Australia, Ringwood, Penguin Books, 1981. Rolls, Eric , Sojourners: The epic story of China`s centuries-old relationship with Australia, St. Lucia, University of Queensland Press, 1992. Special Issue: Australian Perceptions of Asia`, Australian Cultural History, no.9, 1990. Stuart, Francis, Nineteen Forty-One: Reminiscences of a Britsh/Australian Diplomat in Bangkok and Canberra in the Prelude to War`, Journal of the Oriental Society of Australia, vol.31, Supplment, 1999. Stuart, Francis, Towards Coming-of-Age: a Foreign Service Odyssey, Nathan, Griffith University, Centre for the Study of Australian-Asian Relations, 1989. Walker, David, Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St. Lucia, University of Queensland Press, 1999. Individual Artists Ah Xian: Ah Xian, Self-exile of the soul`, TAASA Review, vol.8, no.1, March 1999;Roberts, Claire, Fishes and dragons`, Art AsiaPacific, 26, 2000; Feinstein, Roni, A journey to China`, Art in America, February 2002; Jaivin, Linda, Ah Xian, recent works in porcelain`, Art AsiaPacific, no.33, 2002; Chiu, Melissa, Ah Xian` in Art Asia Pacific, Issue 37 (2003), p. 31 Ahn Pil Yun: Cho Lisa Mira, The Swallowed Moon`, Art Monthly Australia , no.96, December 1996. Benyon, Kate: Koop, Stuart, Warrior Girl`, Art AsiaPacific 29, 2001; Helen McDonald, Global City Dreaming` in Art Asia Pacific, No. 39 (Winter 2004), pp.57-64 Boag, Yvonne: Kidd, Courtney, Yvonne Boag in South Korea`, Art Monthly Australia, no.88, April 1996 Cai Guoqiang: Franch, Blair, Outside the Real`, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai Guoqiang], Art & Text 64, Feb.-Apr. 1999; Camel Byrne: Bravaic, Milica., Signal from There: Solo Exhibition by Carmel Byrne` (Plastique Kinetic Worms, Singapore), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.11.99 Chou, Irene (Zhou Luyun): Binks, Hilary. The Universe Within.` Asian Art News 8:6,1998 Cruz, Maria: Sullivan, Eve, Maria Cruz, Songlines`, Art Asia Pacific, no.34, 2002. Dadang Christanto: review, Art AsiaPacific, 30, 2001; Eastburn, Melanie In the Public Domain. Dadang Christanto, Washing the Wound` in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 4, December 2008, p. 25 Dang, Dacchi: review, Art AsiaPacific, 35, 2002. Fairweather, Ian: Abbott-Smith, N., Ian Fairweather: Profile of a painter, Brisbane, University of Queensland Press, 1978; Bail, M., Ian Fairweather, Sydney, Bay Books, 1981; Bail, Murray et al, Fairweather, Sydney, Craftsman House, 1994. Friend, D.: Friend, D., Donald Friend in Bali, Sydney, Collins, 1972. Donald Friend`s Bali, Exhibition catalogue. 9 Feb. ­ 25 March 1990, Art Gallery of NSW., Donald Friend, The Cosmic Turtle` Bali 1976 Gill, Simryn: Lee Weng Choy, Simryn Gill` in Art Asia Pacific, Issue 37 (2003), p. 65

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Goh Emil: Sullivan, Eve, Parallel Visions: Emil Goh` in Art & Australia, Vol. 41, No. 3 (Autumn 2004), pp. 426-432; Dyson, Francis, Interlace` (Review) in Broadsheet, Vol. 33, No. 3 (SeptemberNovember 2004), pp. 22-23 Gu Wenda: Eastburn, Melanie, Wenda Gu, 2 Exhibitions in Australia`, Art Asia Pacific, No.34, 2002; Easturn, Melanie, A Drama Of Nations`, On Gu Wenda, Asian Art News, vol. 12, no. 5, September/October, 2002; Interview with Wenda Gu` in Contemporary Visual Art + Culture Broadsheet, Vol 37, no. 4, p. 259 Guan Wei: Green, Charles, Guan Wei` Review, Art & Text 67, Nov. 1999-Jan. 2000; Pai, Maggie, Complex Cycles` Asian Art News, vol. 8, no.2, March/April 1998; review, Asian Art News, vol.11, no.1, 2001; Roberts, Claire, What goes around comes around: The Art of Guan Wei.` Art AsiaPacific no. 21, 1999; Annear, Judy, Juggler of Systems`Asian Art News, vol.5, no.5, 1995. review, Art AsiaPacific 28, 2001.; Eastburn, Melanie, Guan Wei`s Perilous Journeys`, ArtAsiaPacific, no. 50, 2006. Guo Jian: review, Art AsiaPacific, 31, 2001; review, Asian Art News, vol.11, no.3, 2001 Hanh Ngo: Cree, Laura Murray, Cross-cultural translations`, Art AsiaPacific, 32, 2001 Howard, Ian: Forsyth, Graham, Hide and Seek`, Asian Art News, vol. 15, no. 2, 2005. Hu Ming: The Oil Painting of Hu Ming (Catalogue), Sydney: Peony Press, 2004 Lee Hyun Mi: O`Toole, Phil. Paper Tigers: The Artwork of Hyun Mi Lee.` TAASA Review, 7:3 1998. Lee, Lindy; Johnson, Tim; Tyndall, Peter: review, Art AsiaPacific, 34, 2002 Leong, Greg Kwok-keung: review, Art AsiaPacific, 27, 2000 Lindy Lee: Hutchings, Peter, Once More With Feeling: Art and Disappearance`, On Lindy Lee, Art & Text 36, May 1990; Baume, Nicholas, Profile, Lindy Lee: Black is not as black as all that`, Art & Text 47, January 1994; Elias, A. Through a glass darkly`, Art & Asia Pacific, vol.1, no.2, 1994; Michael, Linda, A Relationship of Moments`, Asian Art News, Vol. 13, Number 2, March/April 2003; Ceczy, Adam, The Installations of Lindy Lee`, ART AsiaPacific, Issue 36 (2002) Lo, Andrew: review, Art AsiaPacific, 34, 2002 Makigawa Akio: Hynes, Victoria. Matter and Spirit: Akio Makigawa and Toshiaki Izumi.` World Sculpture News 5:2 Spring 1999; Bromfield, David, Point of Heaven` Asia-Pacific Sculpture News, vol.1, no.2, Spring 1995. Morrison, Hedda: Ennis, H., Hedda Morrison`, Art Monthly Australia, 50, June 1992; Morrison, H., A Photographer in Old Peking, Singapore, Oxford University Press 1985; Morrison, H., Travels of a Photographer in China, 1987. Parr, Mike: Juers, Evelyn, Mike Parr` at Roselyn Oxley9 Gallery, Art & Text 41, January 1992; Parr, Mike, Daybreak, Manila Performance`, Art Monthly Australia, no.81 July, 1995; Geczy, Adam, Focusing the mind through the body: an interview with Mike Parr`, Artlink, Vol. 23, No.1; Scheer, Edward A., The Veil of the Liminal. Mike Parr`s Brides`, Parkett, no.62, 2001 Phaptawan Suwannakudt: Pettifor, Steven, Between Tradition and Modernity` in Asian Art News, Vol. 14, Number 5 (September/October 2004), pp. 81-83 Pike, Jimmy & Zhou Xiaoping: Kapetopoulos, Fotis, New Lines of Communication`, On Zhou Xiaoping and Jimmy Pike, Artlink, Vol. 16, No. 4 Summer 1996; Lowe, Pat, Jimmy Pike in China` Art Monthly Australia, no.100, June 1997; McCullough, Susan Parallel Perspectives`, Asian Art News, vol.7, no.4, July/August 1997. Preston, Margaret: North, I., ed., The Art of Margaret Preston, Adelaide, The Art Gallery Board of South Australia, 1980. Sandrasegar, Sangeeta: Carsley, Gary, Karma Chameleons`, Art India, vol ix, issue ii, quarter ii, 2004. Sansom, Gareth: Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions Touring Agency, 1991; Sansom, G. [interview] Responding to India`, Art Monthly Australia, no.41, June, 1991. Savandhary Vongpoothorn: Fink, Hannah, Rythmic Air`, Art AsiaPacific, 24, 1999 Shen Jiawei: Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, Shen Jiawei at Gallery 4A`, Asian Art News, vol. 12, no. 6, November/December, 2002; Hill, Peter, Red Eye`, Sydney

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Morning Herald, 11 October 2002; James, Bruce, Artist with awesome promise must escape the mosh pit`, Sydney Morning Herald, 2 October 2002; McDonald, John, The Third World by Shen Jiawei` in East West Arts, Number 1 (September-November 2004), p. 6 Shen Shaomin: McDonald, John, Shen Shaomin: Bones of Contention` in East West Arts, Number 1 (September-November 2004), pp. 68-75; Van Proyen, M., Shen Shaomin: Experimental Studio`, in Yishu Journal of Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 97-103. Song Ling: Song ling in Conversation with Paul Gladston`, in Yishu: Journal of Contemporary Chinese Art, Vol.7, No.6, November 2008, p.50-60. Tan Laurens: Genocchio, Benjamin, Glocalism`, Art AsiaPacific, 22, 1999 Thomas, Rover: White, Sheona, Roads Cross, Rover Thomas`, Art & Asia Pacific, vol.1, no.4, 1994. To, Hiram: McAlera, D., Hiram To: Performing Attitudes`, World Art, 1, 1995. Wang Zhiyuan: Roberts, Claire, The Art of Wang Zhiyuan: A state of flux`, Art AsiaPacific, no.33, 2002. Yang, William: Yang, W., I ask myself, am I Chinese?`, Art & Asia Pacific, vol.1, no.2, 1994. Young, John: Jackson, Mark, John Young` Review, Art & Text 41, January 1992; Chiu, Melissa; Clark, John; Hutchings, Peter; Lindsay, Frances, john young; the double ground paintings, Sydney, Australian Art Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; review, Art AsiaPacific, 22, 1999; Young, John: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993 Zhang Peili: Franch, Blair, ,`Outside the Real`, Gallery 4A, Sydney [Huang Du, Zhang Peili, Cai Guoqiang], Art & Text 64, Feb.-Apr. 1999; Critical and Historical Studies Travellers, Journeys, Tourists`, issue of Australian Cultural History, no.10, 1991, edited by Horne, J. & Walker, D. Ang, Ien; Stratton, John, The Asian Turn`, Art & Text, no.50, January, 1995. Australian Perceptions of Asia, issue of Australian Cultural History, no.9, 1990, edited by Walker, D. Baume, Nicholas, Guest in Venice: Australia`s Biennale Pavilion`, Art & Text 31, Dec.-Feb. 1989 Broinowski, Alison, The Yellow Lady; Australian impressions of Asia, Melbourne, Oxford University Press, 1992. Carroll, A, Parallels: Nationalism in Filipino, Indonesian, and Australian Art`, Art & AsiaPacific, no.1, supplement to Art & Australia, March 1993. Carroll, A, To a friendly nation, far away`, Art Monthly Australia, no.88, April 1996. Chang, Virginia Yen-ju. Impressions of Asian Art in Australians` Eyes: The Development of Asian Art Exhibitions in Art Gallery of New South Wales. Research paper, Master of Arts, Museum Studies, University of Sydney, 1999. Chiu, Melissa, The blank in the page`, Eyeline, no.31, Spring 1996. Clark, J., Fragments of origin; Asian women artists` group at the Blaxland Gallery`, Asian Art News, July/August 1994. Clark, J., Australian Art and Asia -Then and Now` Occasional Paper No.19, Research Institute for Asia and the Pacific, University of Sydney, July 1992. Clark, John, Art and its others` - recent Australian-Asian visual exchanges`, Dever, Maryanne, ed., Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996 Collins, D, Asian Art in Australia`, Art & Australia, vol.30, no.3, Autumn 1993. Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National University, 1992. Eagle, M., The Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist" Painters?`, Australian Journal of Art, Vol.VI, 1987. Galbally, A., Australian Artists Abroad: 1880-1914`, in Galbally & Plant, 1978, above. Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department of Fine Arts, University of Melbourne, 1978.

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Gallbally, A., Aestheticism in Australia`, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays presented to Bernard Smith, Melbourne, Oxford University Press, 1980. Geczy, Adam, Buddha: Radiant Awakening`, Art AsiaPacific, no.35, 2002. Genocchio, Benjamin, Between Mirrors: an interview with Lindy Lee`, Eyeline, 31, Spring 1996. Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, The Humanities Research Centre of Australian National University, 1994. Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic Publishers, 1994. Green, Charles, Unofficial World: Postcolonial and the Metropolis`, On the Position of Australian Art, Art & Text 43, September 1992 Hage,Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press, 1998. Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press,2003. Hamilton, A, Fear and Desire: Aborigines, Asians and the National Imaginary`, in Australian Perceptions of Asia above. Hamilton, A, Trading Image; Art at the Asia` Junction`, Art & Australia, vol.30, no.3, Autumn 1993. Hamilton, A., Dreaming the Lotus: Aesthetic dialogue with Asia`?,in Caroll, 1990. Hjorth, Larissa, Neo-Tokyo: Japanese Art Now`, Art AsiaPacific, no.35, 2002. Hoffie, P., The reluctant tourist; a mythical narrative on nationalism`, Art Monthly Australia, 59, May 1993. Howard, I., Dialogues of differences` [Australia/Vietnam], Asian Art News, vol.5, no.2, Mar/April 1995. Lane, T., A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria`, Historic Environment, vol.3, no.3, 1984. McClean, Ian, White aborigines: colonial imperatives of Australian Colonialism`, Third Text, no.22, Spring 1993. McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979. Ross, Helen, Arx 4 Torque-the last session of the first day`, Art Monthly Australia, no.79, May, 1995. Scarff, Julian, Australian New Media artists in Beijing`, Art AsiaPacific, 27, 2000 Storer, Russel, Artists-run Initiatives and Alternative Spaces in Sydney and Singapore` (Master of Arts Dissertation, University of Sydney, 2004) Walker, D., and Ingleson, J., The Impact of Asia`, in Meaney, N., ed., Under New Heavens: Cultural Transmission and the Making of Australia, Melbourne, Heinemann Educational Australia, 1989. Walker, D., Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St.Lucia,University of Queensland Press, 1999. White, R., Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914`, in Australian Perceptions of Asia, 1990. White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981. Exhibitions and Reviews [selected] Adelaide Biennial 1994, Broket, David, East West Passage`, [featuring works of North and South East Asian artists at the 1994 Adelaide Biennial of Australian Art], Art & Text 48, May 1994 Argonauts of the Timor Sea (2004), Barlow, Geraldine, Argonauts of the Timor Sea` (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 54-57 Art from Australia, curated Carroll, A, [catalogue of touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young]. Asia Pacific Artists Initiative: Kin, Natalie, USEby`, ArtAsiaPacific, 30, 2001 Asia Traffic 2004, Sambrani, Chaitanya, Home and Away: Higways and Bylanes in Asian Art` in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.24-31

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AWAS!: review, Art AsiaPacific 29, 2001 Corsini, Marco., Memory and Subjectivity, Small World: Group Exhibition by Shaun Wilson and Adam Cuthbert` (CAST- Contemporary Artist Service Tasmania, Hobart), in Vehicle: Contemporary Visual Arts, No.9, 2003, p.26-29. Dysart, Dinah and Michael, Asian Galleries ­ Art Gallery of New South Wales` in Art & Australia, Vol. 41, No. 4 (Winter 2004), pp. 541-543 East and West: The Meeting of Asian and European Art, curated Carroll, A, [Exhibition and catalogue], Adelaide, Art Gallery of South Australia, 1985. Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson]. Friis-Hansen, D., Locating the Australian Imaginary` [Review of Inner-Land` exhibition in Tokyo], Art & Asia Pacific, vol.1, no.3, 1994. Guess who`s coming to dinner: review, Art AsiaPacific 28, 2001 Heartney, Eleanor., Parallel Lives: Montien Boonma at Asia Society and Chen Zhen at P.S.1`, in Art AsiaPacific, Issue 38, Fall 2003, p.50-52. I Thought I Knew But I Was Wrong (Travelling Video Art Exhibition), Glass, Alexie and Tutton, Sarah, I Thought I Knew But I Was Wrong` (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.18-19; Palmer, Daniel, Medium Without Memory: Australian Video Art` in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 20-21 Localities of Desire: Contemporary Art in an International World, curated by Ewington, Julie & Murphy, Bernice, Sydney, Museum of Contemporary Art, 1995. MAAP 2004, MAAP in Singapore 2004 ­Gravity (Catalogue), Brisbane: MAAP, 2004; Machan, Kim, Gravity ­ Leap Into the Void` (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 14-16 Nine Lives: Vietnam/Australia: Carruthers, Ashley, In search of dissidence`, Art AsiaPacific 28, 2001 Out of Asia, curated Carroll, A., [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists exhibited: Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe, Fiona MacDonald, Susan Norrie, Robert Owen, Gareth Sansom] Parossien, Leon, The Biennale of Sydney ­ A Partisan Viewof Three Decades` of Three Decades` in Art & Australia, Vol. 41, No. 1 (Autumn 2004), pp. 60-69 Raffel, Suhanya., Two Sites, One Vision in Queensland`, in The Journal of the Asian Arts Society of Australia, Vol. 13, No. 1, March 2004, p.22. Sager, Janine Fenton., Connecting Audience with Art, Review of Australian Exhibition: Anita and Beyond` (Penrith Regional Gallery & The Lewers Bequest, Western Sydney), in Vehicle: Contemporary Visual Arts, No.9, 2003, p.30-35. Seeto, Aaron, Flacit Momentums and Tactical Interventions` (On Asian-Australian Artists) in East West Arts, Number 1 (September-November 2004), pp.108-109 Southern Skies: Chinese Artists in Australia,O`Dea Madeline, ed., Beijing, Australian Embassy, 2008. Systems End: Contemporary Art in Australia, Sydney, Wright, Wiliam; Spark, Jo, eds. Sherman Galleries, 1996 [to Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21 April, 1996; Shimizu Toshio, Systems End`, ART AsiaPacific, no.14, 1997.] Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee, Kamol Phaosavasdi], Sydney, Art Gallery New South Wales, 1994; Menzies, Jackie, A ThaiAustralian Art Exhibition`, Artlink, Vol. 13, No.3&4, November-March 1993/94 The Asian Interface, Australian Artists and the Far East, curated, Menzies, J., Exhibition and check-list, Sydney, Art Gallery of New South Wales, 1983. Tôkyô Connection, Australian Artists` Studio in Tôkyô, Melbourne, Australian Exhibitions Touring Agency, 1990 [artists in residence in Tôkyô 1987-1990: Liz Coates, 1987; Diane Mantzaris, 1987; Noelene Lucas, 1987; Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary,

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Kaur, Permindar: Chambers, Eddie. Cold Comfort: Permindar Kaur.` Third Text no.36 Autumn 1996. Ken Lum: Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai], Hong Kong, University Art Gallery, 1998; Monshouwer, Saskia, 'Ken Lum, Photo-mirrors: Presenting new reflections', IIAS Newsletter, No.22, June 2000; Ken Lum, In Search of Wabi Sabi, Kitakyushu: CCA, 2001 Kim Soonj Oh: Chattophadhyay, C., Of parts and process`, Asian Art News, vol.6, no.6, November/December 1996; review, Art AsiaPacific, 25, 2000 Kim Young: Jana, Reena, The Displaced Self`, Asian Art News, vol.10, no.1, 2000 Koh, Terence: Laster, Paul, Reading Terence Koh`, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 76 ­ 77. Komagata Katsuya: review, Art AsiaPacific, 25, 2000 Kosuge, Michihiro: Taylor, Sue, 'Michihiro Kosuge at Laura Russo', Art in America, Vol. 91, Issue 2, February 2003 Kunishima Seiji: Chattophadhyay, C., Poetry in Stone: Seiji Kunishima.` World Sculpture News 2:4 Autumn 1996. Kusama Yayoi: Lumpkin, Libby, Yayoi Kusama`, Artforum International, Vol.37, Issue 1, September 1998; review, Art AsiaPacific, 24, 1999 Kuwahara Masahiko: review, Art AsiaPacific, 32, 2001 Kwon Sowon: review, Art AsiaPacific, 31, 2001 Lampo Leung: Leung, Lampo, Recoding the Roots: Genetic Reformation and Culture Synthesis in the Era of Globalization` in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 83-88 Lee Mingwei: review, Art AsiaPacific, 22, 1999; Tsai, Eugenie, Talk: Lee Mingwei ­ The Tourist in Art Asia Pacific, No. 40 (Spring 2004), pp. 44-47 Lee Sang Nam: review, Art AsiaPacific, 21, 1999; Goodman, Jonathon, Concerning the Spiritual in Art: The Resolute Path of Sangnam Lee`, Art AsiaPacific, no.35, 2002. Lin Lin: Croizer, Ralph, "Going to the World": the life and death of Billy Harlem (Lin Lin), Journal of the Oriental Society of Australia, vol. 29, 1997. Lin Maya: review, Art AsiaPacific, 24, 1999 Liu Hong: Brown, Glenn R., Ambiguous narratives`, Asian Art News, vol.9, no.5, 1999 Michael Joo: Park, Kyung Mee, Michael Joo` in Art Asia Pacific, Issue 37 (2003), p. 75 Mori Mariko: review, Art AsiaPacific, 24, 1999 Murakami Takashi: Kent, Rachel, New York Scene`, Art AsiaPacific, 32, 2001; Briggs, Patricia, Painting at the Edge of the World, Exhibition Review at Walker Art Center, [Artists include Takashi Murakami and Hisroshi Sugito], Artforum International, Vol.39, Issue 10, Summer 2001 Nasreen Mohamedi: Malhotra, Priya., Nasreen Mohamedi at Talwar Gallery` (review), in Asian Art News, Vol. 13, No. 6, November/December 2003, p.92-93. Nguyen Minh: review, Art AsiaPacific, 32, 2001 Nguyen Quang Huy: Lenzi, Iola, Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen Quang Huy`, ART AsiaPacific, Issue 35 (2002) Nikki S. Lee: Momin, Shamin, Nikki S. Lee` in Art Asia Pacific, Issue 37 (2003), p. 68 Noguchi Isamu: Chattophadhyay, C., A Noguchi Legacy: Isamu Noguchi`s site-specific sculpture.` AsiaPacific Sculpture News 1:4 Autumn 1995; Winther-Tamaki, Bert, The Rejection of Isamu Noguchi's Hiroshima Cenotaph: A Japanese American Artist in Occupied Japan, Art Journal vol.53, no.4 (Winter 1994), pp.23-27. Ono Yoko: Dimitrakaki, Angela. Yoko Ono: Have You Seen The Horizon Lately?` Third Text no.42 Spring 1998; Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N. Abrams, 2000; Schwendener, Martha, Yoko Ono`, Artforum International, Vol.39, Issue 5, January 2001; Lopez, Sebastian, 'YES YOKO ONO', IIAS Newsletter, No.24, February 2. ; Goodman, Jonathan, The answer is yes`, Art AsiaPacific, 30, 2001; Tiravanija, R In Another Country` (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer 2009, p. 281 Pien, Ed: review, Art AsiaPacific 29, 2001

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Ping Chong: Yang, Alice, Chinoiserie` Art & Asia Pacific, vol.3, no.2, 1996. ; Kee, Joan. Balancing Act: Tention and tenacity in Asian American art` Art AsiaPacific no. 20 1998 Prema Murthy: Reckitt, Helena, From Bindi Girls To Space Invaders: Prema Murthy` in Art Asia Pacific, No. 39 (Winter 2004), pp. 34-35 Qin Feng: Malhotra, Priya., Power from Turmoil`, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.64-67. Qiu Zhijie: review, Art AsiaPacific, 32, 2001; Vine, Richard."Customs delay prompts Chinese artist's freewheeling improv`. In Art in America 97.5 (May 2009): 32(1). Revri, Anil: interview, Asian Art News, vol.11, no.2, 2001 Rina Banerjee: Momin, Shamin, Rina Banerjee` in Art Asia Pacific, Issue 37 (2003), p. 67 Rirkit Tiravanija: Yang, Alice, The artist as chef - Rirkit Tiravanija`, Art & Asia Pacific, vol.3, no.2, 1996; Gaweewong, Gridthiya, Rikrit Tiravanija` in Art AsiaPacific, Issue 37 (2003), p. 46; Tiravanija, Rirkit, In Another Country` (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer 2009, p. 281 Sangnam Lee: Park, Kyung Mee, Sangnam Lee` in Art Asia Pacific, Issue 37 (2003), p. 73 Sarah Sze: Chiu, Melissa, Sarah Sze` in Art Asia Pacific, Issue 37 (2003), p. 32 Shang Xuhong: Grown, Glen R., Minimal Magic`, Asian Art News, vol.10, no.2, 2000 Shelly Bahl: Dewan, Deepali, Shelly Bahl` in Art Asia Pacific, Issue 37 (2003), p. 37 Shimomura, Roger: Brown, Glenn R., Identity and experience` Asian Art News, vol.12, no.2, 2002 Sikander, Shahzia: review Art AsiaPacific 29, 2001; Friis-Hansen, Dana, Full Blown: the expansive vision of miniaturist Shazia Sikander`, Art AsiaPacific, no.16, 1997; review, Asian Art News, vol.9, no.1, 1999. Soong, Path: Gordon, Jeff, Chaos Defined`, , Asian Art News, vol.5, no.5, Sep/Oct 1995. Sowon Kwon: Akira Tatehata, Sowon Kwon` in Art Asia Pacific, Issue 37 (2003), p. 85 Szeto Keung: Millichap, John, Wanderer between cultures`, Asian Art News, vol.6, no.2, Mar/Apr 1996. Tachibana Seiko: Brown, Glenn R., Seeking the universal`, Asian Art News, vol.11, no.1, 2001 Tam, Frank: Findlay, Ian, An explorer of cultures`, Asian Art News, vol.6, no.6, November/December 1996; Gustafson, Paula, The meeting of spirituality and materialism`, Asian Art News, vol.10, no.5, 2000 Taneike, Chiyomi: Brown, Glenn R., Metaphorical journeys`, Asian Art News, vol.12, no.1, 2002 Teching Hsieh: Lee Weng Choy, Teching Hsieh` in Art Asia Pacific, Issue 37 (2003), p. 66 Teraoka Masami: Hess Lydia, Masami Teraoka`, Art & Asia-Pacific, vol.3, no.1, 1996. Thep Thavonsouk: Findlay, Ian, Timeless Moments` in Asian Art News, v. 18(1), January/February, 2008, pp. 130 ­ 135. Theresa Chong: Goodman, Jonathan, Theresa Chong` in Art Asia Pacific, Issue 37 (2003), p. 49 Ting, Walasse: Millichap, John, Against the tide`, Asian Art News, vol.9, no.1, 1999 Tran T. Kim-Trang: Small, Irene V., ,Blind Spot`, Art AsiaPacific, 30, 2001 Truong Tan: Bradford Edwards: Hussfeld, Barbara, Cultural Collisions` Asian Art News, vol.5, no.5, Sep/Oct 1995; Lenzi, Iola, Hanoi Paris Hanoi: The evolving art of Truong Tan and Nguyen Quang Huy`, ART AsiaPacific, Issue 35 (2002) Tseng Kwong Chi & Lee, Nikki S.: Samm, Irene V., ,Spectacles of invisibility`, Art AsiaPacific 28, 2001 Tseng Yuho/ Zeng Yuhe: review , Art News, 99, 6, 2000 Wang Du: Kent, Rachel, ,New York Scene`, Art AsiaPacific, 32, 2001 Way, John: Johnson, Robert Flynn, The art of John Way`, Asian Art News, vol.11, no.5, 2001 Wong [Dian Shui-lu]:Chattophadhyay, C. Dancing with the Tao`, Asian Art News, vol.6, no.4, July/August, 1996. Xie Dejing/ Hsieh Tehching: Johnston Jill, Tehching Hsieh: Art`s willing captive`, Art in America, September 2001 Xin Fei: Millichap, John, Life Lines`, Asian Art News, vol.5, no.5, Sep/Oct 1995. Xu Bing: Xu Bing & Cai Guoqiang at Bard review, Art AsiaPacific, 22, 1999; Goodman, Jonathon, Xu Bing: Cultural Translator`, Art AsiaPacific, no.35, 2002; Doran, Valerie C., Xu Bing: A Logos for

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the Genuine Experience`, Orientations, Volume 32, Number 8, October 2001; Nanjo, Fumio, Xu Bing` in Art Asia Pacific, Issue 37 (2003), p. 70; Chattopadhyay, Collette, Beyond Iconography: The Power of Graffiti ­ Xu Bing and Public Art` in Art Asia Pacific, No. 40 (Spring 2004), pp. 3235; Wei, Lily, On Chinese Artists and the Market Place` (Xu Bing and Zhang Huan) in Art Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Xu Bing, Tobacco Project: Shanghai (Catalogue), Shanghai Gallery of Art, 2004; Lin, Xiaoping, Globalism or Nationalism? ­ Cai Guoqiang, Zhang Huan, and Xu Bing in New York` in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296; Yamamoto, Lynne: review, Art AsiaPacific, 22, 1999; review, Contemporary Visual Art, 23 Yamashita, Kumi: Koplos, Janet, 'Kumi Yamashita at Kent', Art in America, Vol. 91, Issue 1, January 2003 Yang Ying Feng, Gary Lichtenstein: Jaana, Reena,`Crossing Divides`, Asian Art News, vol.5, no.5, Sep/Oct 1995. Yoong Soon Min: review, Art AsiaPacific, 22, 1999; Poshyananda, Apinan, Yong Soon Min` in Art Asia Pacific, Issue 37 (2003), p. 7 Yung, Larry: Lawrence, Patrick, Towards Closure`, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 71-75. Zhang Huan: Wei, Lily, On Chinese Artists and the Market Place` (Xu Bing and Zhang Huan) in Art Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Lin, Xiaoping, Globalism or Nationalism? ­ Cai Guoqiang, Zhang Huan, and Xu Bing in New York` in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296 Zhang Jian-jun: Wong, Aida-Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in Guangdong', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Zhang Peili: Cohen, Joan Lebold,`A Studio Visit with Zhang Peili.`. Asia-Pacific Sculpture News 1:4 Autumn 1995; review, Art AsiaPacific, 25, 2000; Isreal, Nico, New York: Zhang Peili`, Exhibition Review, Artforum International, Vol.38, Issue 3, November1999; Gladston, P. RecurringIntimations of Disorder: A Conversation with Zhang Peili`, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 50-58. Asian Artists Transnational Activity ­ Britain General Works Abbott, Guy Mannes, Drawing space`, Art AsiaPacific, 30, 2001. Braddock, Kevin, A sense of self`, Art AsiaPacific, 26, 2000. Guha, Tania, Transition of Riches`, Third Text, n25, Winter 1993-94, 81-86. Lew, Christopher Y., Amy Cham Inside Out`, ArtAsiaPacific, no. 46, 2005. Periz, Ingrid, One Way or Another: Asian American Art Now` (review), Eyeline, no. 62, Summer 20067. Individual Artists Alvi, Tariq: Preece, Robert, The aesthetic obsessions of Tariq Alvi`, Art AsiaPacific, 32, 2001. Arnish Kapoor: Jana, Reena, Arnish Kapoor: Between Poetry and Prose` in Art Asia Pacific, No. 40 (Spring 2004), pp. 24-25; Bryson, Norman, Kapoor`s Vertigo` in Parkett, No. 69 (2003), pp.104115; Forster, Kurt W., A Word in the Giant`s Ear` in Parkett, No. 69 (2003), pp. 116-125; Warner, Marina, The Perforate Self or Nought is Naught` in Parkett, No. 69 (2003), pp. 126-141. Biswas, Sutapa; Lubaina Himid; Boyce, Sonia: Tawadros, Gilane, Beyond the Boundary: The Work of Three Black Women Artists in Britain`, Third Text, n8/9, Autumn/Winter 1989, 121-150. El Sahali, Ibrahim: Beier, Ulli, The Right to Claim the World: Conversation with Ibrahim El Salahi`, Third Text n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany. Fu, Julie, Yin Xuizhan: Preece, Robert. Chinese Art, Manchester Style.` Asian Art News 8:6,1998. Hatoum, Mona: Guha, Tania, Andrea Fisher/Mona Hatoum.` Third Text no.28/9 Autumn/Winter 1994. Li Yuan-chia: Brett, Guy, Li Yuan-chia 1929-1994`, Third Text, 28/9, Autumn/Winter 1994, 3-4: obituary; Overy, Paul, After a long silence: the works of Li Yuan-chia`, Third Text, 55, 2001, 5162; Hill, Katie, Li Yuan jia`, Art AsiaPacific, 32, 2001.

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Liao, Jeff Chien-Hsing: review, Art in America, 94.9, October 2006. Lubaina Himid; Boyce, Sonia; Hatoum, Mona: Tawadros, Gilane, Black Women in Britain: A Personal and Intellectual Journey`, Third Text, n15, Summer 1991, 71-76. Medalla, David: Brett, Guy, David Medalla: From Biokineticism to Synpotic Realism`, Third Text, n8/9, Autumn/Winter 1989, 79-106; Brett, Guy, David Medalla: From Biokineticism to Synoptic Realism.` Third Text no.8/9, Autumn/Winter, 1989; Terra, Jun, David Medalla in London`, Third Text, n30, Spring 1995. Ocampo, Manuel: review, Art AsiaPacific, 22, 1999. Qu Leilei: Bright, Susan, A Journey into Memory` Asian Art News, vol. 8, no.1, January/February 1998. Runa Islam: Farver, Jane, Runa Islam` in Art Asia Pacific, Issue 37 (2003), p. 44. Shen Yuan: Carver, Antonia, Shen Yuan: Just like a fish in water`, Art AsiaPacific, no.35, 2002; Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts and Arnolfini Centre & Chisenhale Gallery, 2001. Singh, Amrit & Rabindra: review, Asian Art News, vol.11, no.4, 2001; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist`s Book Series, Shen Yuan: The Tongue, Kitakyushu: Center For Contemporary Art, 1999. Tsao, Richard: review, Art in America, vol. 93, iss. 9, Oct 2005. Vong Phaophanit: Hylton, Richard. Phaiphanit and Piper.` Third Text no31 Summer 1995; Dyer, Richard, Vong Phaophanit: Ash and Silk Wall`, Third Text, n26, Spring 1994, 91-93; Obussier, Claire, Vong Phaophanit`, Art AsiaPacific 29, 2001; Desai, Vishakha N., Vong Phaophanit` in Art Asia Pacific, Issue 37 (2003), p. 35. Wong, Sue-en: review, Art in America, 94.9, October 2006. Yanagi Yukinori: Dyer, Richard, Yukinori Yanagi: Union Jack Ant Farm`, Third Text, n27, Summer 1994, 91-93; Winther-Tamaki, Bert, Yukinori Yanagi; Image, Nation & Transnation. Co-Editor, primary author, with essays by graduate students of the Visual Studies Ph.D program. CD Rom. University of California, Irvine. 1998. Bhimji: Dewan, Deepali, Zarina Bhimji` in Art Asia Pacific, Issue 37 (2003), p. 38; Jumabhoy, Zehra, Vanishing Acts`, interview with Zarina Bhimji in Art India, Vol XIII, Iss. III & IV, 2008, p. 84-85

Asian Artists Transnational Activity ­ France General Works Clark, John, Chinese Artists in Paris`, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao, Nanjing, no.4, 1987, 31-33]. Clark J., Chinese Artists in France`, in Fisher, Jean & Mosquera, Gerardo, eds., Over Here, Cambridge, MIT Press, 2004 Fei Dawei, ed., Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l`art & Editions Carte Segrete, 1990 Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INiVA, 1997 Jouanno, Evelyne; Hou Hanru, Paris pour escale, [escale= port of call`]; Paris, ARC- Musée d`Art Moderne de la Ville de Paris, 2000 (Foreword by Suzanne Pagé, Preface by Laurence Bossé, other texts by Gilane Tawadros, Michel Wieviorka, 27 artists, 6 Chinese: Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang Jiechang). Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004 Teil, D. Indian Painters in Paris", Lalit Kala Contemporary, no.4. Individual Artists Chang Yu/Sang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ; Wong, Rita, Sanyu: l`écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,

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Koutozis, Krebs &Wong]; Pai, Maggie, Escaping from the exile of memory`, Asian Art News, vol.11, no.1, 2001; Wang, Eugene Y., Sanyu Catalogue Raisonne: Oil Paintings`, Review on Chang Yu, Orientations, Volume 33, Number 2, February 2002. Chen Jianzhong: Liang,K.C., Chan Kin-chung, Guangzhou, Lingnan Publishing House, 1981; Jouffroy, A., Chan Kin-chung, Paris, Galerie Art Yomiuri, 1981; Asian Art News, 2, no.1, Jan/Feb 1992. Chen Zhen: Corrin, Lisa, G., et al, Chen Zhen, London, Serpentine Gallery, 2001; Chiu, Melissa, Chen Zhen in Art Asia Pacific, Issue 37 (2003), p. 33; Heartney, Eleanor, Parallel Lives` (Montien Boonma at Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 5052 Cui Guotai: Karetzky, P. E., Cui Guotai: Rust Never Sleeps, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, pp.32-40. Du Zhenjun: Du Zhenjun: Être humain trop lourd (Catalogue), Paris : stream-tease.tv (art involvement), 2003 Huang Yongping: Hou Hanru, Huang Yongping, [La Biennale de Venise 48e Exposition Internationale d`Art, Pavillon Français], Paris, Association Française d`Action Artistique-Ministère des Affaires Etrangères, 1999 ; La Collection: Fondation Cartier pour l`art contemporain, Paris, Fondation Cartier pour l`art contemporain, 1998; Hou Hanru, Huang Yong Ping` in Art Asia Pacific, Issue 37 (2003), p. 55 Ju Ming: Nuridsany, Michel. Shadow Boxing at the Place Vendome: Ju Ming.` World Sculpture News 4:1 Winter 1998. Kawamata Tadashi: Rosen, Miriam, Tadashi Kawamata`, Artforum International, Vol.36, Issue 8, April 1998; review Art AsiaPacific 29, 2001; Gould, Claudia, Balkon- Kwamata`s Miracle` Parkett, No. 35, 1993; Pontegnie, Anne, Tadashi Kawamata`, Artforum International, Vol.39, Issue 6, February 2001 Shen Yuan: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute of International Visual Arts and Arnolfini Centre & Chisenhale Gallery, 2001; Tawadros, Gilane., The Leftovers of Translation: The Works of Shen Yuan`, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.78-87. Szeto Lap: Binks, Hilary, Of light and silence`, Asian Art News, vol.10, no.4, 2000 Wang Du: Wang Du Magazine: je veux être un média, no.1, été, 2001, Paris, Design Mental Yan Peiming: Besson, Christian, Yan Peiming, Paris, Éditions Hazan, 1999; Marcadé, Bernard, Yan PeiMing, les assuats de la peinture`, Artpress, Juillet/ Août, 1989 ; Botz-Bornstein, T., The Transcendental Blandness of Yan Pei-Ming`sw International landscapes, in Yishu Journal of Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, p. 18-31. Yang Jiechang: Domino, Christophe, Enlightened writings`, Asian Art News, vo.11, no.4, 2001; review, Asian Art News, vol.9, no.1, 1999; Geczy, Adam, Yang Jiechang` (Review Gallery 4A, Sydney) in Art Asia Pacific, No. 38 (Fall 2003), pp. 77-78 Zhao Wuji / Zao Wou-ki: Cheng, F., Zao Wou-ki, Paris, Grand-Palais, 1981; Zhao Wuji, Hong Kong Arts Centre, 1982; Leymarie, J., Zao Wou-ki, Paris, Editions Cercle d`Art, 1986; Zhu Dechun / Chu Te-chun: Juin, H.L., Chu Teh-Chun, Paris, Musée de Poche, Gamma, 1979; Chu Tehchun, Hong Kong, Institute for the Promotion of Chinese Culture, 1986; Binks, Hilary, Passion for Life`, Asian Art News, vol.7, no.6, 1997. Asian Artists Transnational Activity ­ Elsewhere in Europe General Works Acret, Susan, 49th Venice Biennale: Northern Hemisphere Blues`, Art AsiaPacific, no.33, 2002. Kapoor, Kamala Art across oceans: The Containers 96` exhibition in Copenhagen`, Art AsiaPacific, no.14, 1997. Komissar, Mariann, Crosscurrents: Indian, Norwegian & British Artists in Oslo`, Art AsiaPacific, no.21, 1999. Malik, Dr. Sarita, DNA Asia: Mapping the Future of South Asian Arts in the UK` in Art Asia Pacific, No. 38 (Fall 2003), p. 20

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Vos, Ken, Sharing Collections and Presenting Cultural Heritage in Asian-European Exchange: AEMUS conference Marketplace of Museum`s`, IIAS Newsletter, No. 28, July 2002 Wear, Eric Otto, Uncertainties at the Sao Paolo Bienal`, Asian Art News, vol. 7, no. 2, 1997. Individual Artists Arif, Saleem: Hubbard, Sue. The Art of Saleem Arif.` Third Text no.27 Summer 1994. Berlin, East-West: Garrett, Louise, East-West in Berlin`, Art AsiaPacific, 30, 2001 Cai Guoqiang: Stringa, Nico, Terrecotte Cinesi dalla 48a Biennale di Venezia (Chinese Terracota at the 48th Venice Biennial), Cornuda: Antiga Edizoni, 2003 Chu, Julia Nee: Asian Art News, 2, no.4, Jul/Aug 1992. Dai Pedro: Tseng Yung-lu, Pedro Dai`, Free China Review,Aug-Sep,1986 Gupta, Snil: Carver, Antonia, Getting them between the eyes: an interview with Sunil Gupta`, Art AsiaPacific, no.16, 1997. Hanayo: review, Art AsiaPacific, 30, 2001 Kabir, Shahid: Karim, Ziaul, Process and memory`, Asian Art News, vol. 8, no.2, 1998. Lopez, Sebastian: Preece, Robert, On gatekeeping`, Art AsiaPacific, 30, 2001 Ming Fay: Magnan, Kathleen, F., The Alchemist of Spirits`, Asian Art News, July/August 1994. Ngan Wayne: Asian Art News, 2, no.2, Mar/Apr 1992. Qadri, Soham: Kwint, Marius, Modernism Beyond Modernity`, in Asian Art News, v. 18(2), March/April, 2008, pp. 80 ­ 85. Sah, Cynthia: Millichap, John. A Feeling for Stone: Cynthia Sah.` Asia-Pacific Sculpture News 2:1 Shiota, Chiharu: Koplos, Janet, 'Chiharu Shiota at Kenji Taki', Art in America, Vol. 91, Issue 4, April 2003 Wilfredo Lam: Tancock, John, Wilfredo Lam` in Art Asia Pacific, No. 40 (Spring 2004), pp. 60-64 Xiao Qin / Hsiao Ch`in: Asian Art News, 2, no.1 Jan/Feb 1992. PRE-HISTORIES OF EURAMERICAN MODERN ART Crow, T. E., Painters and Public Life in 18th century Paris, New Haven, Yale University Press, 1985 Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991. Duro, Paul, The academy and the limits of painting in seventeenth-century France, New York, Cambridge University Press, 1997. EURAMERICAN THEORIES OF MODERNITY (selected)

Theories, Logics & Ideologies

Baudrillard, Jean, Modernity` (1985), Canadian Journal of Political and Social Theory, Vol. XI, no.3, 1987. Baudrillard, Jean, Simulacra and Simulation, [tr. Glaser, S. F.], Ann Arbor, University of Michigan Press, 1994. Bauman, Zygmunt, Postmodern Ethics, Oxford, Blackwell, 1993. Bernstein, Richard J., ed., Habermas and Modernity, Cambridge, MIT Press, 1985. Deuleuze, G., Guattari, F. A Thousand Plateaus [tr Massumi, Brian], Minneapolis, University of Minnesota Press, 1987. Habermas, Jürgen The Theory of Communicative Action, vol: 1, Reason and the Rationalization of Society, vol.2 Lifeworld and System: A Critique of Functionalist Reason, [tr. Thomas McCarthy], London, Heinemann, 1984. Habermas, Jürgen, The Philosophical Discourse of Modernity, Cambridge, MIT Press, 1987. Hookway, Christopher, Pragmatism: commonsense and the limits of science`, in Stone M.W.F. and Wolff, Jonathan, eds., The Proper Ambition of Science, London, Routledge, 2000. Marlais, Michael Maurice Denis` Conservative Modernism, in Conservative Echoes in Fin de Siècle Parisian Art Criticism, Pennsylvania State University Press, University Park, Penn., 1992, 185-217

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Pollock, Griselda, Avant-Garde Gambits 1883-1893: Gender and the Colour of Art History, Walter Neurath Memorial Lecture 1992, Thames and Hudson, London, 1992

Taxonomy and Evolutionary Speciation

Crombie, A.C., Styles of Scientific Thinking in the European Tradition: The history of argument and explanation especially in the mathematical and biomedical sciences and arts, 3 volumes, London, Duckworth, 1994. Darwin, Charles, The Illustrated Origin of Species, [abridged and introduced by Richard Leakey from sixth edition of 1872], London, Faber & Faber, 1979 [updates Darwin`s theories or his evidence]. Fletcher, Roland, Organized Dissonance: multiple code structures in the replication of human culture`, in Maschner, Herbert D.G., Darwinian Archaeologies, New York, Plenum Press, 1998. Gee, Henry, Deep Time: Cladistics, The Revolution in Evolution, London, Fourth Estate, 2001 Gould, Stephen Jay, Wonderful Life: The Burgess Shale and the Nature of History, London, Penguin Books, 1989. Hull, David, Science as a Process, Chicago, University of Chicago Press, 1988 Mayden et al, Species: the units of evolution, 1997 Mayr, Ernst, Principles of Systematic Zoology¸ New York, McGraw-Hill, 1969 Mayr, Ernst, Darwin`s influence on modern thought`, Scientific American, vol 283, no.1, July 2000. Monod, Jacques, Chance and Necessity, [tr. Wainhouse, A.], New York, Alfred A. Knopf, 1971 & London Collins/Fontana, 1974. Sterelny, Kim & Griffiths Paul E., Sex and Death: an introduction to the Philosophy of Biology, Chicago, University of Chicago Press, 1999.

Literary and Linguistic Theories

Bakhtin, M. M., The Dialogic Imagination, [tr. by Emerson, C. & Holquist, M.], Austin, University of Texas Press, 1981. Benveniste, Emile Problems in General Linguistics, [1966] (tr Meek Mary E.), Coral Gables, University of Miami Press, 1971 Fletcher, Angus, Allegory: The Theory of a Symbolic Mode, Ithaca, Cornell University Press, 1964, 1970. Todorov, Tzvetan, Theories of the Symbol [1977] (tr. Porter, C.), Ithaca, Cornell University Press, 1984. Watt, Ian, Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe, Cambridge, Cambridge University Press, 1996; Canto Edition, 1997.

Cultural Hybridity and Cultural Comparison

Amselle, Jean-Loup, Mestizo Logics: Anthropology of Identity in Africa and Elsewhere, (tr. Royal, Claudia), Stanford, Stanford University Press, 1998. Appiah, K. Anthony, Identity, authenticity, survival` in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton University Press, 1992, 1994. Bennet, Tony, The exhibitionary complex`, New Formations, no. 4. Berghuis, Thomas J., Parallel Conversions: Reflections on the Asian presence at The 32nd CIHA Conference in Melbourne`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 50 ­ 52. Bhabha, Homi K., The Location of Culture¸ London, Routledge, 1994. Brah, Avtar, Coombes, Annie E., Hybridity and its discontents: Politics, Science, Culture, London, Routledge, 2000 Canclini,Néstor Garcìa, Too much determinism or too much hybridization?`, Travésia: Journal of Latin American Cultural Studies, 1, 2, 1992. Chan, D., The Dim Sum vs. the Meat Pie: On the Rhetoric of Becoming an In-Between AsianAustralian Artist`, in Alter/Asians: Asian-Australian Identities in Art, Media and Popular Culture, Ang, I., Chalmers, S., Law, L., and Thomas, M., eds., Sydney, Pluto Press, 2000, pp: 141 ­ 151. Chiu, M. Asian-Australian Artists: Cultural Shifts in Australia`, in Art in Australia, v. 37(2), 1999, pp. 252 ­ 261.

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Coombes, Annie E., The recalcitrant object: culture contact and the question of hybridity`, in Barker, F., Hulme,P., Iversen M., Colonial Discourse/Postcolonial Theory, Manchester, Manchester University Press, 1994. Coombes, Annie E., Inventing the Post-Colonial: hybridity and constituency in contemporary curating`, New Formations, 18, Winter 1992. Derrida, Jacques, Monolingualism OR The Prosthesis of Origin [1996] (tr.Mensah, Patrick), Stanford, Stanford University Press, 1998. Canclini, Néstor García, Hybrid Cultures: Strategies for Entering and Leaving Modernity, (tr. Chiappari Christopher L. & López, Silvia L.) Minneapolis, University of Minnesota Press, 1995 Gilroy, P., Cruciality and the Frog`s Perspective`, Art+Text, 32,Autumn 1989. Gilroy, P., It ain`t where you`re from, it`s where you`re at the dialectics of diasporic identification`, Third Text, 13, Winter 1991. Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness, Cambridge MA, Harvard University Press, 1994. Glissant, Edouard, Poetics of relation (1990), Ann Arbor, University of Michigan Press, 1997. Gaudibert, Pierre, Métissages artistiques` in Métissage: Nouvelle Revue d`ethnopsychiatrie, no.17, La Pensée Sauvage`, 1991. Hall, Stuart, Cultural Identity and Diaspora`, in Rutherford, Jonathan, ed., Identity, Community, Culture, London, 1990. Hardt, Michael; Negri, Antonio, Empire, Cambridge, Mass., Harvard University Press, 2000. Joppke, Christian; Lukes, Steven, eds., Multicultural Questions, Oxford, Oxford University Press, 1999. Lee Weng Choy, now and them. Another asia, Rabindranath Tagoe & Okakura Tenshin, by Rustom Bharucha, Oxford University Press, 2006`, in Contemporary Visual Arts + Culture Broadsheet, vol. 37, no. 2, June, 2008, pp. 110 ­ 113. Lee, G. B., Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism and Hybridity in China and its Others, Durham, Duke University Press, 1996. Mahamood, Muliyadi, Japanese Style in Malaysian Comics and Cartoons`, in International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 194-204. Maharaj, Sarat, Perfidious Fidelity, the untranslatability of the other`¸ Fisher, Jean ed., Global Visions: Towards a new internationalism in the visual arts, London 1994. Mankekar, Purnima, Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film` in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 731-761 Papastergeriadis, Nikos, Restless Hybrids`, Third Text, XXXII, Autumn 1995. Park, Kyeyoung, I am Floating in the Air: Creation of a Korean Transnational Space among KoreanLatino American Remigrants` in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 667-695 Pinney, Christopher; Thomas, Nicholas, eds., Beyond Aesthetics: Art and the technologies of Enchantment, Oxford, Berg, 2001. Purdom, Judy, Mapping Difference`, Third Text, XXXII, Autumn 1995. Taylor, Charles, The Politics of Recognition`, in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton University Press, 1992, 1994. Thomson, Jonathon, Contemporary Buddhist Sculpture`, in World Sculpture News, v. 13(3), Summer, 2007, pp. 36 ­ 39. Verwoert, Jan, World in Motion: Jan Verwoert on New Modernism` in Frieze, Issue 84 (June/July?August 2004), pp. 90-95 Wai-ming Ng, Japanese Elements in Hong Kong Comics: History, Art, and Industry`, in International Journal of Comic Art, Vol. 5, No. 2, Fall 2003, pp. 184-193. Werbner, P., Modood, T., eds, Debating Cultural Hybridity, London Zed Books, 1997. Wood-hung Lee and Shaw, Yomei, A Textual Comparison of Japanese and Chinese Editions of Manga: Translation as Cultural Hybridization`, in International Journal of Comic Art, vol. 8, no. 2, Fall, 2006, pp. 34 ­ 55.

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Yao Soucho, ed., House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore, Institute of Southeast Asian Studies, 2001.

Cultural Globalization

Appadurai, Arjun, Modernity at Large: Cultural Dimensions of Globalization; Minneapolis, University of Minnesota Press, 1996. Appadurai, A. Globalization, Durham, Duke University Press, Balfe, Judith Huggins, Art works as symbols in international politics;` The International Journal of Politics, Culture, and Society, 1, 2 Winter 1987. Bydler, Charlotte, The Global Art World Inc.; on the globalization of contemporary art, Uppsala, Acta Universitatis Upsaliensis, 2004 Dirlik, Arif, The Postcolonial aura: Third World criticism in the age of global capitalism, Boulder, Westview, 1997. Dirlik, Arif. Global in the Local in Global/Local: Cultural production and the Transnational Imaginary. Durham and London: Duke University Press, 1996, 21-45. Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press in association with in IVA, 1994. Gikandi, Simon, Globalization and the Claims of Postcoloniality`, The South Atlantic Quarterly, 100.3, Summer 2001 Grewal, Inderpal, Travelling Barbie: Indian Transnationality and New Consumer Subjects` in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 799-826 Griffin, Tim, Global Tendencies ­ Globalism and the Large Scale Exhibition` in Artforum (November 2003), pp. 154-162 Hirst, P.; Thompson, G., Globalization in Question, Cambridge, Polity, 1996. Holton, Robert J., Globalization and the Nation-state, Basingstoke, Macmillan, 1998. Hopkins, A.G., ed., Globalization in World History, London, Pimlico, 2002. Huang, D, A few questions on the relationship between the development of Chinese contemporary art and the development of contemporary international art`, in The First Academic Exhibition of Chinese Contemporary Art, Hong Kong, China Oil Painting Gallery, Ltd., 1996, pp. 39 ­ 43. Jameson, Fredric; Miyoshi Masao, eds. The Cultures of Globalization, Durham N.C., Duke University Press, 1998. Jantjes, G., ed., A Fruitful Incoherence: Dialogues with Artists on Internationalism, London, Institute of International Visual Arts, 1998. King, Anthony. The Times and Spaces of Modernity in Global Modernities, ed. Featherstone et al. London: Sage, 1995, 108-123. King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991. Kristeva, Julia, Nations without Nationalism, New York, Columbia University Press, 1993. Lee, Pamela M., Boundary Issues: The Art World Under the Sign of Globalism` in Artforum (November 2003), pp. 164-167 Liu, Lydia H., Beijing Sojourners in New York: Postsocialism and the Question of Ideology in Global Media Culture` in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 763-797 Merewether, C., Translation and Transnationalism: Reading the Local Otherwise.` In ARS 01: Unfolding Perspectives, pp. 57-66. Helsinki: Museum of Contemporary Art, Kiasma, 2002. Meyer, James, The Global Exhibition` in Artforum (November 2003), pp. 154-162 Nagahara, Yutaka, 1952-, Monsieur le Capital and Madame la Terre Do Their Ghost-Dance: Globalization and the Nation-State`, The South Atlantic Quarterly, 99.4, Fall 2000 Ong Aihwa, Flexible Citzizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999. Papastergiadis, Nikos & Araeen, Rasheed, a monument against monuments` in Best, Susan & Green, Charles, eds. in the every day, critical and theoretical speculations on the 11th biennale of sydney, Sydney, Artspace, 1998. Rifas, Leonard, Globalizing Comic Books from Below: How Manga Came to America`, in International Journal of Comic Art, Vol. 6, No. 2, Fall 2004, pp. 138-171. Robertson, R., Globalization: Social Theory and global culture, London, Sage, 1992.

273

Sakai, Naoki, 1946- "You Asians:" On the Historical Role of the West and Asia Binary`, South Atlantic Quartely, 99.4, Fall 2000 Schein, Louisa, Diaspora Politics, Homeland Erotics, and the Materializing of Memory` in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 698-729 Tai, Mikala, Defining and Curating the Global`, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September, 2007, pp. 171 ­ 173. Tomlinson, John, The Globalization of Culture, Cambridge, Polity Press, 1999.

Theories of Art [selected]

Ben-Amos, Dan, The seven strands of tradition`, Journal of Folklore Research, no.21, 1984. Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, [1992, tr. Emanuel, S.], Cambridge, Polity Press, 1996. Couteau, Jean, Toward a Consensual Definition of Contemporary Art?`, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 38 ­ 49. Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998. Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984, Adorno, T., Horkheimer, M., The Dialectic of Enlightenment [1944, 1969], London, Verso, 1979 Adorno,T., Minima Moralia [1951], London, Verso, 1978 Anderson, P., Modernity and revolution`, New Left Review, no.152, July/August 1985 Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987 Berman, Marshall, All that is Solid Melts into Air: The Experience of Modernity, Simon and Shuster, New York, 1982 Bürger, P., Theory of the Avant-garde, [1974], Minneapolis,University of Minnesota Press, 1984 Crary J., Suspensions of perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001. Eagleton, T., Capitalism, Modernism, and Postmodernism`, New Left Review, no.152, July/August 1985 Eliot, T.S, Tradition and the Individual Talent, 1919, various editions. Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983, and London, Pluto Press,1987; Foster, H., Recodings, Seattle, Bay Press,1985 Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, University of California Press, 1976. Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and Row, New York, 1982. Guilbaut, Serge, How New York Stole the Idea of Modern Art, Chicago: University of Chicago Press, 1983. Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989. Haskell, F., Past and Present in Art and Taste, New Haven, Yale University Press, 1987 [review by Duro, P., Art History, vol.11, no.4, December 1988]. Hess, W., Dokumente zum Verständnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956; Hofmann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Kröner Verlag, 1978; Huyssen, A., Mapping the Postmodern`, New German Critique, 33, Fall 1984, 5-52; Huyssen, A., The Search for Tradition: Avant-Garde and Postmodernism in the 1970s`, New German Critique, 22, Winter 1981, 23-40; Iversen, M., The Positions of Postmodernism`, Oxford Art Journal, 12:1, 1989, pages 31-34; Jameson, F., Marxism and Postmodernism`, New Left Review, 176, November / December 1989, 31-45; Jameson, F., Postmodernism: the cultural logic of late capitalism` New Left Review, 146, July/August 1984, 53-92; Jameson, F., The Politics of Theory: Ideological Positions in the Post modernism debate`, New German Critique, 33, Fall 1984; Jameson, F., Postmodernism, Durham, Duke University Press, 1992. Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986. Lyotard, J-F,, The Postmodern Condition, Minneapolis, University of Minnesota Press, 1984; Matisse, H., Écrits et propos sur l`art, Paris, Hermann, 1972; Mercer, Kobena, Black Hair/Style Politics`, New Formations, no.3, Winter 1987.

274

Nietzsche, Notes` (1873). In W. Kaufmann, editor and translator, The Portable Nietzsche, Viking Press, 1954 Nochlin, L., Realism, Harmondsworth, Penguin, 1971. Pollock, G., Artists` mythologies and media genius, madness and art history`, Screen, 21, no.3, 1980 Pollock, G., and Orton, F., Vincent Van Gogh, Artist of his time, Oxford, Phaidon, 1978. Ray, W., The Logic of Culture: authority and identity in the modern era, Oxford, Blackwell Publishers, 2001. Rubin, William, ed.. & curator, Primitivism in Twentieth Century Art, New York, The Museum of Modern Art, 1984. Schmidt, B., Postmoderne - Strategie des Vergessens, Darmstadt und Neuwied, Hermann Luchterhand Verlag, 1986. Sontag, Susan, On Style` &`Notes on Camp`, in Against Interpretation, New York, Farrar, Straus, Giroux, 1961, 1966. Spooner, Brian, Weavers and dealers: The Authenticity of an Oriental Carpet`, in Appadurai, Arjun, ed., The Social Life of Things, Cambridge, Cambridge University Press, 1986. Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983 Wollheim, R., On Art and the Mind, Cambridge, Harvard University Press,, 1974 Zaya, Octavio; Michelson, Anders, Interzones: A work in progress, Tabapress, 1996.

Art Movements

Ackerman, J., The Demise of the Avant-Garde`, Comparative Studies in Society and History 11, no. 4, October, 1969 Bürger, Peter, Theory of the Avant-Garde,[1974,1980] (tr. Shaw, M.; foreword by Schulte-Sasse, Jochen), Minneapolis, University of Minnesota Press, 1984. Calinescu, M., Five Faces of Modernity, Durham : Duke University Press, 1987. Calinescu, M., Avant-Garde`: Some Terminological Considerations, Yearbook of Comparative and General Literature, 23/4, 1974, at pg. 69. Danto, Artur C., After the end of art: contemporary art and the pale of history, Princeton, Princeton University Press, 1997. Lehman, David, Politics, Protest and the Avant-Garde, Dissent, Fall 1998. Hess, T.B. & Ashberry, J., Avant-Garde Art, London, Collier-Macmillan, 1967, 1968. Jones, Caroline, Machine in the Studio, Chicago, University of Chicago Press, 2000. Krauss, Rosalind .E., The 0riginality of the Avant-Garde and Other Modernist Myths, Cambridge, The MIT Press, 1986, 1993. Poggioli, Renato, The Theory of the Avant-Garde, [1962, tr. Fitzgerald, G.], Cambridge, The Belknap Press, 1968. Szabolsci, M., Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions, New Literary History: Modernism and Postmodernism, III/1, Autumn, 1971. Wood, P., ed., The Challenge of the Avant-Garde, New Haven, CT : Yale University Press ; London : Open University, 1999. Corporeal Theories (selected) Ames, Roger T. and Kasulis Thomas P., with Dissanayake, Wimal, Self as body in Asian theory and practice, Albany : State University of New York Press, c1993. Butler, Judith, Bodies that matter: on the limits of discursive sex, New York, Routledge, 1993. Elkins, James, Pictures of the body : pain and metamorphosis, Stanford, Calif. : Stanford University Press, 1999 Haraway, Donna, Simians, Cyborgs and Women: the reinvention of Nature, New York, Routledge, 1991 Kemp, Martin and Wallace, Marina, Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now, Berkeley: University of California Press, 2000 Kristeva, Julia [tr. Roudiez, Leon S.], Powers of Horror: An essay on abjection, New York, Columbia University Press, 1982. Merleau-Ponty, Maurice, Phenommenology of Perception, London: Routledge & Kegan Paul, 1962 Leder, Drew, The Absent Body, Chicago: University of Chicago Press, 1990

275

Zito, Angela and Barlow, Tani E., Body, subject & power in China, Chicago : University of Chicago Press, 1994. ASIA, AFRICA AND ISLAM IN PRE-MODERN EURAMERICAN ART Bugner, L. ed., The Image of the Black in Western Art, in progress 1989, Menil Foundation distributed by Harvard University Press. 1. Vercoutter, J., From the Pharoahs to the Fall of the Roman Empire 2. From the Early Christian Era to the Age of Discovery 2.1. Devisse, J., Courtes, J.M., From the demonic threat to the incarnation of Sainthood 2.2. Devisse, J., Mollat, M., Africans in the Christian ordinance of the world, 14th to 16th centuries 3. Africa and Europe 16th to 18th centuries [in progress] 4 From the American Revolution to World War I, Dalton, Karen C.C., associate editor 4.1. Honour, H., Slaves and Liberators 4.2 Honour, H., Black Models and White Myths Coombs, A.E.S., For God and For England:contributions to an image of Africa in the first decade of the twentieth century`, Art History, Vol.8, No.4 ,December 1985 Coombs, A.E.S., Edwards, S., Site Unseen: Photography in the Colonial Encounter. Images of Subconscious Eroticism`, Art History, vol.12, no.4, December 1989 Coombs, A.E.S., Lloyd,J., Lost and Found at the Museum of Mankind`, Art History, vol.9, no.4, December 1986 Daniel, N., Islam and the West, the Making of an Image, 1962 Daniel, N., The Arabs and Mediaeval Europe, London and Beirut, Longman, 1975 Daniel, N., The Cultural Barrier, Edinburgh UP, 1975 Farago, Claire, Reframing the Renaissance: visual culture in Europe and Latin America, 1450-1650, New Haven, Yale University Press, 1995 [see essays by Farrago, Klein, Mitchell]. Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of Australian National University, 1994. Gruzinski, Serge, Painting the conquest : the Mexican Indians and the European Renaissance (translated by Deke Dusinberre), Paris: Unesco : Flammarion, 1992 Islam and the Medieval West, [catalog], Binghampton, State University of New York, 1975. Lach, D.F., Asia in the Making of Europe, 3 vols., Chicago, University of Chicago Press, 1965, 1994. Lévine, David, dir., Americas Lost, Paris, Bordas SA, 1992 Mackerras, C., Western Images of China, Hong Kong, Oxford University Press, 1989 The Meeting of Two Worlds. Cultural Exchange between East and West during the Period of the Crusades, Ann Arbor, University of Michigan Museum, 1981 Wichmann, Siegfried, (Entwicklung and Leitung), Weltkulturen und moderne Kunst München, Verlag Bruckmann, 1972 NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY General Archer-Straw, Petrine, New World Imagery Contemporary Jamaican Art, London, South Bank Centre, 1995. Ahmad, A., Orientalism and After: Ambivalence and Cosmopolitanism in the work of Edward Said`, Economic and Political Weekly, 25.7.1992. Ahmad, A., In Theory, London, Verso, 1992. Ahmad, A., Third World Literature and the Nationalist Ideology`, Journal of Arts & Ideas, nos. 17/18, June 1989. Ahmad, Aijaz, On Communalism and Globalization: Offensives of the Far Right, New Delhi: Three Essays Press, 2002. Biggs, Bryan et al, Trophies of Empire, Liverpool, Bluecoats Gallery, 1994.

276

Fanon, F., The Wretched of the Earth, Harmondsworth, Penguin, 1965 Kapoor, Geeta, Globalisation and Culture.` Third Text no.39 Summer 1997 Kapoor, Geeta. Contemporary Cultural Practice: Some Polemical Categories.` Third Text no.11 Summer 1990 Okakura Kakuzô [Tenshin], The Ideals of the East, London, John Murray, 1903, Okakura Kakuzo [Tenshin], Notes on Contemporary Japanese Art`, International Studio, 16, April 1902, 126-30. Okakura, Kakuzô [Tenshin], Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984 O`Hanlon, R., Recovering the subject Subaltern Studies and Histories of Resistance in Colonial South Asia`, Modern Asian Studies, 22, 1, 1988. Rofel, Lisa, Modernity and its Discontents`, positions east asia cultures critique, Vol. 9, Number 3, Winter 2001 Africa Abiodun, Rowland et al, Yoruba: Art and Aesthetics, Zurich, Center for African Art & Rietberg Museum, 1991. Appiah, Kwame Anthony, review, Critical Inquiry, no.17, Winter 1991. Appiah, Kwame Anthony, In my father`s house: Africa in the philosophy of culture, New York, Oxford University Press, 1992. Ekpo, Denis, How Africa Misunderstood the West: The Failure of Anti-West Radicalism and Postmodernity`, Third Text, n35, Summer 1996, 3-13. Enwezor, Owiu; Zaya, Octsavio, Moving In: eight contemporary African artists`, Flash Art, XXIX, 186, Jan/Feb 1996. Gabriel, T.H., Third Cinema in the Third World, Ann Arbor, UMI Research Press, 1982 Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for African Arts, 2001 Hassan, Salah M., The modernist experience in African art: towards a critical understanding in Hassan, Salah M., Altbach, Phillip G., The muse of modernity: essays on culture and development in Africa, Trenton & Asmara, Africa World Press, 1990 Hassan Salah M.; Enwezor, Okwui, New Visions: recent works by Six Contemporary African Artists, Eatonville: Zora Neal Hurston National Museum of Fine Arts, 1995. Hassan, Salah M., Oguibe, Olu, Authentic / Ex-Centric: Conceptualism in Contemporary African Art, Ithaca, Forum for African Arts, 2001. Hylton, Richard, Re-Framing Africa: Reading the Contemporary: African Art from Theory to the Marketplace edited by Olu Oguibe and Okwui Enwezor`, Third Text, n50, Spring 2000, 122-4: McEvilley, T., Fusion: West African Artists at the Venice Biennale, New York, Museum for African Art, 1993. Mudimbe, Y.Y., The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge, Bloomington, Indiana University Press, 1988. Ngugi wa Thiong`o, Decolonising the Mind, London, James Carrey, 1986 Ngugi, wa Thiongo, Moving the Centre: The Struggle for Cultural Freedom, London, Heinemann, 1993. Oguibe, Olu, The painting and prints of Uzo Egonu: 20th century Nigerian artist, PhD Thesis SOAS, 1992 Oguibe, Olu, In The Heart of Darkness`, Third Text, no.23, 1993. Oguibe, Olu, Uzo Egonu: An African artist in the West, London, Kala Press, 1995. Oguibe, Olu; Enwezor, Okwui, Reading the contemporary: African Art from Theory to Marketplace, London, in IVA, 1999. Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London, inIVA,1999. Pollack, Barbara, Okui Enwezor: recharting borders`, Art News, 100, 11, 2001 Pietz, William, The Problem of Fetish`, part 1, Res, no.9, Spring 1985; part 2, Res, no.13, Spring 1987, part 3a Res, no.16. Autumn 1988 Senghor,Léopold Sédar, Liberté III: Négritude et Civilisation de l`Universel, Paris, Seuil,

277

Australia Cramer, Sue, C., ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane, Institue of Modern Art, 1989. Dallas, C., Conjuring Tricks`, Artscribe, September/October,1989 Fry, T., Art as Ethnocide: The Case of Australia`, Third Text, no.5. Fry, T., Willis, A-M., Aboriginal Art:Symptom or Success?`, Art in America, July 1989. Gascoigne, John, The enlightenment and the origins of European Australia, Cambridge, Cambridge University Press, 2002. Gibson, Ross, Postcolonialism and the narrative construction of Australia, Bloomington, Indiana University Press, 1992 Gunew, Sneja & Rizvi, Fazal, Culture, Difference, and the Arts, Sydney, Allen and Unwin, 1994. Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne University Press, 1994. Murphy, B., Provincialism Refigured` or Culture Disfigured?`, Art Monthly [Australia], no.15, October 1988 [reply to Smith,T., below] Smith, T., Provincialism Refigured`, Art Monthly [Australia], no.13, August 1988 [and the reply to Murphy, no.15, in no.16, 1988]. Smith, T., Second person/first peoples: writing about post-colonial art`, Art Monthly Australia, 64, October 1993 Smith, T., The Provincialism Problem`, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes: Smith, Terry, What is Contemporary Art?, Sydney, Artspace, 2001. Smith, Terry, Transformations in Australian Art, Volume One: The Nineteenth Century ­ Landscape, Colony and Nation; Volume Two, The Twentieth Century, Modernism and Aboriginality, Sydney, Craftsman House, 2002 [review by Ian Maclean, Art Monthly Australia, no.164, October, 2003] The Islamic World Ali, W., Modern Islamic Art: Development and Continuity, Gainesville, University Press of Florida, 1997 Ali, W., ed., Contemporary Art from the Islamic World, London, Scorpion Publishing, 1989 A History of Turkish Painting, Seattle, University of Washington Press, 1988. Khatbi, Abdelkébir, L`art contemporain arabe, Paris, Institut du Monde Arabe, 2001 Renda G., Kortepeter, Carl M., eds, The Transformation of Turkish Culture, Princeton, Kingston Press, 1986 Meso- and South America Baddeley, Oriana, Nostalgia for a New World`, Third Text, n21, Winter 1992/93, 29-34. Berelowitz, Jo-Anne, Conflict over Border Art: Whose subject, whose border, whose show?`, n40, Autumn 1997, 69-83 Berg, Stephen, An Introduction to Oswald de Andrade`s Cannibalist Manifesto`, n46, Spring 1999, 8991 Camnitzer, Luis, Spanglish Art`, Third Text, n13, Winter 1990/91, 43-47. Canclini, Nestor Garcia, Remaking Passports: Visual Thought in the Debate on Multiculturalism`, Third Text, n28/9, Autumn/Winter 1994, 139-146. Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, University of Minnesota Press, 1995 Craven, David, The Latin American Origins of Alternative Modernity, Third Text, n36, Autumn 1996, 29-44 Goldman, Shifra M., Metropolitan Splendors: The buying and selling of Mexico` Third Text, 14, Spring 1991. Goldman, Shifra M., How Latin American Artists in the US View Art, Politics and Ethnicity in a Supposedly Multicultural World`, Third Text, n16/17, Autumn/Winter 1991, 188-192. Goldman, Shifra M., Metropolitan Splendors: The Buying and Selling of Mexico`, n14, Spring 1991,

278

Goldman, Shifra M., Dimensions of the Americas: Art and social change in Latin America and the United States, Chicago, Chicago University Press, 1994. Gray, Nicola, Excellente: Hybridity and Travel in Art from Mexico City and Beyond; El Super Show de Puro Pop: Television from Greater Mexico`, Third Text, n45, Winter 1998-99, 90-4 Linsley, R., Wilfredo Lam:painter of negritude`, Art History, vol.11, no.4., December 1988 Livingston, Jane; Beardsley, John, The poetics and politics of Hispanic Art: a new perspective` in Karp, Ivan; Lavine, Steven D., Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington, Smithsonian Institution Press, 1991. Merewether, Charles, The phantasm of origins: New York and the Art of Latin America`, Art & Text 30, 1989. Merewether, Charles, Mito y Magia en América: Los Ochenta (Myth and Magic in America: the 1980s) Monterey, Museum of Contemporary Art, 1991 Mosquera, Gerardo, Goodbye ideology, welcome difference: from Latin American Art to Art of Latin America`, Third Text, 56, 2001, 25-32 Mosquera, Gerardo, editor, Beyond the Fantastic: contemporary art criticism from Latin America, London, inIVA, 1995 Paz, Octavio, The Power of Mexican Art`, New York Review of Books, 6 December 1990 Paz, Octavio, Essays on Mexican Art [1987, tr. Lane H.], New York, Harcourt Brace, 1993 Ramìrez, Mari Carmen, Brokering identities. Art curators and the politics of cultural representation`, Bard College Seminar, 1994 Ramìrez, Mari Carmen, Brokering Identities` in Greenberg, Rebecca; Ferguson, Bruce W.; Nairne, Sandy, eds., Thinking about Exhibitions, London, Routledge, 1996 Ramìrez, Mari Carmen, Constellations: Toward a Radical Questioning of Dominant Curatorial Models`, Art Journal, Spring, 2000. Richard, Nelly, Postmodernism and Periphery`, Third Text, no.2 Winter, 1987/88 Richard, Nelly, Latin America: Cultures of Repetition or Cultures of Difference`, in Private Symbol: Social Metaphor, Sydney, Fifth Biennale, 1984. Richard, Nelly, Postmodern decentredness and cultural periphery: The disalignments and realignments of cultural power` in Richard, Nelly & Murphy, Berenice, eds. Art from Latin America, La Cita Transcultural, Sydney: Museum of Contemporary Art, 1993 Richard, Nelly, Postmodernism and Periphery`, Third Text, n2, Winter 1987/88, 5-12. POSTCOLONIALISM AND `THIRD' CRITIQUES AT THE CENTRE Periphery and Center: Survey ­ Recentred?`, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006. Akbar, Ali Nobil, Whose underground: Asian cool and the poverty of hybridity`, Third Text, 54, 2001. Albertazzi, L., The Magicians convene in Paris`, Contemporanea, July/August 1989 Anderson, Perry, Modernity and Revolution`, New Left Review, 144, 1984. Appadurai, Arjun, Modernity at large: cultural dimensions of globalization, Minneapolis, University of Minnesota Press, 1996. Appiah, K. Is the post in post-modern the post in post-colonial?` Critical Inquiry, vol. 17, Winter 1991. Araeen, R., From Primitivism to Ethnic Arts`, Third Text, no.1, Autumn 1987 Araeen, R., ed., The Other Story, London, South Bank Centre, 1989; see also Special Issue of Third Text, 8/9.reviews: Archer-Straw,P., The Other Story`, Art Monthly[UK] 133, February 1990; Solanke, A., From another world`, Art Monthly[UK] 132, December January, 1989-90 Araeen, Rasheed, A New Beginning: Beyond Postcolonial Cultural Theory and Identity Politics`, Third Text, n50, Spring 2000, 3-20 Araeen, Rasheed, How I iscovered my Oriental Soul in the Wilderness of the West`, Third Text, n18, Spring 1992, 85-102.

279

Araeen, Rasheed, Sleeping with the enemy and revisiting postcolonial theory`, Third Text, 56, 2001, 7579. Benjamin, Walter, Paris, the Capital of the Nineteenth-Century, 1935, in The Arcades Project, trans. Howard Eiland and Kevin McLaughlin, The Belknap Press of Harvard University Press, Cambridge and London, 1999 Bhabha, Homi K., ed., Nation and Narration, New York, Routledge, 1990. Bhabha, Homi K., The Location of Culture, New York, Routledge, 1994. Bharucha, Rustom, Beyond the Box: Problematising the New Asian Museum`, Third Text n52, Autumn 2000, 11-19 Bharucha, Rustom, Interculturalism and its Discriminations: Shifting the Agendas of the National the Multicultural and the Global`, Third Text, n46, Spring 1999, 3-24. Boehmer, Elleke, Colonial & Postcolonial Literature: Migrant Metaphors, New York, Oxford University Press, 1995. Bréon, Emmanuel et al, Coloniales 1920-1940, exh. cat. Musée Municipal de Boulogne-Billancourt, 1990 Buchloh, B.H.D., The Whole Earth Show`, [interview with Jean-Hubert Martin], Art in America, May 1989 Buchloh, Benjamin H.D. and Jean-Hubert Martin, Interview` Third Text, n6, Spring 1989, 19-27 Buell, Frederick, National Culture and the new Global System, Baltimore, The John Hopkins University Press, 1994. Çelik, Zeynep, "Speaking Back to Orientalist Discourse", in Orientalism`s Interlocutors, eds. Jill Beaulieu and Mary Roberts, Durham and London, 2002, 19-41 Chakrabarty, D., Postcoloniality and the Artifice of History: Who speaks for Indian pasts?` Representations, 37, Winter 1992. Chambers, E., The Artpack a history of black artists in Britain, London, Minorities` Arts Advisory Service, 1988 Chambers, Iain, Exposure, Abeyance and Dislocation: Some Comments on Benita Parry`s Discussion of Homi Bhabha`s The Location of Culture `, Third Text, n31, Summer 1995, 108-110 Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998. Chow, Rey, Writing Diasporas, Bloomington, Indiana University Press, 1992. Clark, John, What Contemporary Asian Art Is [or Is Not]: The View from MoMA and the View from Asia`, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 295-317. Clark, John, A Short Review of a Very, Very Long Book`, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Clark, John, On Two Books by Edward W. Said, Jurnal Bicara Seni, 1996, 20-47 Clarke, David, The Influence of Oriental Thought on Postwar American Painting and Sculpture, New York, Garland Publishing, 1988. Clifford, J., The Predicament of Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard UP, 1988 Clifford, James, On Orientalism, in The Predicament of Culture: Twentieth Century Ethnography, Literature and Art, Harvard University Press, Cambridge, 1988, 255-276 Crary, Jonathan, Critical Comment`, Art Forum, February 1994 Craven, David, Some Reflections on the Achievements of Third Text`, Third Text, n52, Autumn 2000, 88-90 Dirlik, Arif, The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism, Boulder, Westview Press, 1997. Featherstone, Mike, ed., Global Culture, Nationalism, Globalization and Modernity, London, Sage, 1990 Fisher, Jean, Magiciens de la Terre + Bildung`, Artforum, 28, no.1, September 1989. Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press, 1994.

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Greenhalgh, Paul Education, Entertainment and Politics: Lessons from the Great International Exhibitions` in Vergo, Peter ed The New Museology. Reaktion Books, London, 1991, 74-98 Greenhalgh, Paul, Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World`s Fairs, 18511939, Manchester, Manchester University Press, 1988. Grynstejn, Madeleine, The Pittsburgh biennial ­ The Carnegie International: a history in brief`, in Heinrich, B., ed., Das Lied von der Erde / The Song of the Earth, catalogue, Kassel, Museum Fridericianum, 2000. Hotta-Lister, Ayako, Japan`s Participation in Exhibitions`, Appendices A and B to her The Japan British Exhibition of 1910, Richmond, Curzon Press, 1999. Karp, Ivan, Culture and Representation` in Karp, Ivan & Lavine, S., eds Exhibiting Cultures: The Poetics and Politics of Museum Display, Smithsonian Institution Press, Washington DC, 1991. Kreps, Christine K (2003) Liberating culture : cross-cultural perspectives on museums, curation, and heritage preservation (London ; New York : Routledge). Mitchell, Timothy, The World as Exhibition`, Comparative Studies in Society and History, vol 31, no.2, 1989. Mitchell, Timothy, Orientalism and the Exhibitionary Order` in N. Mirzoeff ed. The Visual Culture Reader 2nd edition, Routledge, London and New York, 2002. Pastor Roces, Marion Crystal Palace Exhibitions` in Mosquera Gerard & Fisher, Jean (eds) Over Here: International Perspectives on Art and Culture , Boston, MIT Press, 2005. Preziosi, Donald, Brain of the earth's body : art, museums, and the phantasms of modernity, Minneapolis, University of Minnesota Press, 2003. Preziosi, Donald & Farago, Claire (eds), Grasping the world : the idea of the museum, Burlington, Ashgate Publishers, 2004 Sola, Tomislav, Essays on museums and their theory : towards the cybernetic museum, Helsinki : Finnish Museums Association, 1997 Sherman Daniel & Rogoff, Irit (eds) Museum culture : histories, discourses, spectacles, Minneapolis, University of Minnesota Press, 1994 Asian Art, Modern and Contemporary [duplicates some sections above] Akbar, Shireen, curator, Rickshaw Painting: Traffic Art in Bangladesh, Fukuoka, Fukuoka Asian Art Museum, Fukuoka, 1994 Clark, John, Modernities in Art: how are they other?` in World Art Studies: exploring Concepts and Approaches, eds. Wilfried van Damme and Kitty Zijlmans, Amsterdam: Amsterdam University Press, 2006. Clark, John A spectacle of questions`, Asian Art News, vol.16, no.1, January/February, 2006, 68-72. Clark, John, Between the worlds: Chinese art at Biennales since 1993` in Yishu, A journal of Chinese Contemporary Art, 2005 [Extended version reprinted as Chapter Three here] Clark, John, Entry on Modern and Contemporary Asian Art` in Grove Art Online / The Dictionary of Art, New York, Oxford University Press, September 2005 Clark, John, on Japanese Contemporary Art and Globalization` presented at conference Globalization, Localization, and Japanese Culture in the Asia Pacific Region` organized by the International Center for Japanese Studies, Kyoto, and the Department of Japanese Studies of the National University of Singapore from October 28th to 30th, 2004. [reprinted as Chapter Two here] Clark John, essay for www.anthology-of-art.net What in the context of contemporary art, is your vision of a future art?`, February, 2002. Clark, John, Asian Modernisms`, Humanities Research, 2, 1999 & Marg, March 2002. Clark, John editor and contributor, Chinese art at the end of the millennium, Hong Kong, New Art Media, 2000 Clark, John, Modern Asian Art: its construction and reception`, in Asian Contemporary Art Reconsidered, Tokyo, Japan Foundation Asia Center, 1998.

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