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The picture restorer

Journal of the British association of paintings conservator-restorers

Reviews: Conferences, workshops and events Cleaning Acrylic Paints: BAPCR/Tate practical workshop, 2 October 2010, Tate Britain, London. Acrylic Emulsion Paint Research Bibliography ACRYLIC PAINT PUBLICATIONS Modern paints general (relating to acrylics) Croll, S., `Overview of developments in the paint industry since 1930', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 17­29. Crook, J and Learner, T. (2000) The Impact of Modern Paints. Tate, London. Learner, T., `Modern paints: Uncovering the choices', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 3­16. Learner, T. (2005). 'Modern Paints', Sackler NAS Colloquium, Scientific Examination of Art: Modern Techniques in Conservation and Analysis. Learner, T., `A review of synthetic binding media in twentieth-century paints', The Conservator 24 (2000) 96­103 Learner et al. Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007). Acrylic paints general Digney-Peer, S., A. Burnstock, T. Learner, H. Khanjian, F. Hoogland, and J. J. Boon. (2004). `The migration of surfactants in acrylic emulsion paint films.' In Modern Art, New Museums: Contributions to the Bilbao Congress, 13­17 September 2004, eds. A. Roy and P. Smith, 202­7. London: IIC. Hayes, J., Golden, M., and Smith, G.D., `From formulation to finished product: causes and potential cures for conservation concerns in acrylic emulsion paints', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 58­65. Jablonski, E., Learner, T., Hayes, J., and Golden, M., `Conservation concerns for acrylic emulsion paints: a literature review', Reviews in Conservation 4 (2003) 3­12. Smithen, P., `A history of the treatment of acrylic painting', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern,

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London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 165­174. Dirt and soiling Abbott, J., and Smith, G. (2009). `The role of static charge on dirt accumulation on paintings'. Poster. American Institute of Conservation 37th Annual Meeting, Los Angeles, California. Dirt and Pictures Separated. (1990). Papers given at a conference held jointly by UKIC and the Tate Gallery, January 1990. Editorial Board: Stephen Hackney, Joyce Townsend, Nick Eastaugh ; Production Editor: Victoria Todd. Wolbers, R. (1992). The use of a synthetic soiling mixture as a means for evaluating the efficacy of aqueous cleaning materials on painted surfaces. Bulletin of the Association des Restaurateurs d'Art et d'Archéologie de Formation Universitaire (ARAAFU): Conservation-Restauration des Biens Culturels 4 : 22-29. Cleaning (general and effects) Bagley-Young A. (2005). The effect of selected materials used for surface cleaning of unvarnished Paintings'. Unpublished third year project, Courtauld Institute of Art, London. Brokerhof W., de Groot S., Luiz Perdesoli jr. J., van Keulen H., Reissland B., Ligterink F., (2002). `Dry Cleaning, The effect of new wishabs Spezialschwamm and Spezialpulver on paper'. Papier Restaurierung, Vol 3, no 2. Daudin-Schotte, M; Bisschoff, M; Joosten, I; van Keulen, H; van den Berg, K.J. (2011). `Dry Cleaning approaches for unvarnished paint surfaces'. Post prints Valencia international conference `'New Insights into the Cleaning of Paintings, (Cleaning 2010)''; Smithsonian Institution Scholarly Press, In press. Eipper, P-B., `Acrylfarben-Oberflächenreinigung', Museum aktuell 117 (2005) 10­22. Eipper, P.-B., and Frankowski, G., `Examination of cleaned acrylic paint surfaces by 3D-technology', Lacona VII, Book of Abstracts, Consejo Superior de Investigaciones Cientificas, Madrid, Spain (2007) 204. Golden Artists' Colors, `Techniques for Cleaning Acrylic Paintings', Just Paint 5 (1998). Golden Artist Colors. `Conservation of Acrylic Paintings'. (2001). Just Paint. Issue 9. Hagan, E., Ploeger, R., Shurvell, H.F., and Murray, A., `Acrylic emulsion paint films and their properties before and after exposure to water: overview of recent developments', in Modern Art, New Museums. Preprints of the Contributions to the IIC Bilbao Congress, 13-18 September 2004, ed. A. Roy and P. Smith, International Institute for Conservation, London (2004) 230. Hagan, E., and Murray, A., `Effects of water exposure on the mechanical properties of early artists' acrylic paints', in Materials Issues in Art and Archaeology VII: Symposium Held November 30-December 3, 2004, Boston, Massachusetts, U.S.A., ed. P.B. Vandiver, J.L. Mass and A .Murray, Materials Research Society, Warrendale, PA (2005) 41­48. Klein, T., Identifying suitable approaches used in the treatment of acrylic paintings: a census of art conservators on the conservation of acrylic paintings, Masters Project, Queen's University, Kingston, Canada (2000).

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Learner, T., and Ormsby, B., `Cleaning acrylic emulsion paints: Putting research into context', in Art to day, cultural properties of tomorrow. The conservation and restoration of contemporary artwork. Proceedings of the SF-IIC conference, INP, Paris, 24-26 June 2009, ed. M. Stefanaggi and R. Hocquette, SF-IIC, Champs-sur-Marne (2009) 193­199. Markopoulou, E., Cleaning surface dirt from unvarnished acrylic paintings, Masters Thesis, Northumbria University (2004). Murray, A., Contreras de Berenfeld, C., Chang, S.Y.S., Jablonski, E., Klein, T., Riggs, M.C., Robertson, E.C., and Tse, W.M.A., `The condition and cleaning of acrylic emulsion paintings', in Materials Issues in Art and Archaeology VI: Symposium held November 26 30, 2001, Boston Massachusetts, USA, ed. P.B. Vandiver, M. Goodway and J.L. Mass, Materials Research Society, Warrendale, PA (2001) 1-8 Ormsby, B., and Smithen, P. (2010). `Surface Cleaning Acrylic Emulsion Paintings: Case Studies at Tate.' The Picture Restorer, No. 37, Autumn. The British Association for Picture ConservatorRestorers (BAPCR), London: 7-10, 24. Ormsby, B. (2010). Tate AXA Art Modern Paints Project (TAAMPP): 2006-2009 Research Summary. URL: http://www.tate.org.uk/research/tateresearch/majorprojects/ conservation_modernpaints.htm. Ormsby, B., and Learner, T. (2009). `The Effects of Wet Surface Cleaning Treatments on Acrylic Emulsion Artists' Paints ­ A Review of Recent Scientific Research.' Reviews in Conservation, 10: 29-41. Ormsby, B. and Phenix, A. (2009) `Cleaning Acrylic Emulsion Paintings.' Conservation Perspectives: The GCI Newsletter 24.2 (Fall 2009): 13-15. http://www.getty.edu/conservation/publications/newsletters/24_2/cleaning.html Ormsby, B. et al. (2009). TAAMPP Newsletter 6, November 2009. http://www.tate.org.uk/research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_6_November2 009.pdf Ormsby, B., Kampasakali, E., Miliani, C., and Learner, T. (2009). `An FTIR-Based Exploration of the Effects of Wet Cleaning Artists' Acrylic Emulsion Paints', in Infra-red and Raman Users' Group Meeting (IRUG), Vienna, 2008, e-Preservation Science 6: 186­195. Ormsby, B. et al. (2009). TAAMPP Newsletter 5, May 2009. http://www.tate.org.uk/ research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_5_May2009.pdf Ormsby, B., Smithen, P, Hoogland, F, Learner, T and Miliani, C. (2008). `A scientific investigation into the surface cleaning of acrylic emulsion paintings.' Preprints ICOM Committee for Conservation, 2008. Triennial Conference, India, September 2008. Scientific Research, Vol. II, 857865. Ormsby, B., Hagan, E., Smithen, P. and Learner, T. (2008). `Comparing contemporary titaniumwhite based acrylic emulsion grounds and paints: characterisation, properties and conservation.' In Preparation for Painting: The Artists' Choice and Its Consequences. Eds. J.H. Townsend, T. Doherty, G. Heydenreich and J. Ridge. Archetype, London: 163-171.

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Ormsby et al. (2008). Caring for Acrylics: Modern and Contemporary Paintings. AXA Art. http://www.tate.org.uk/research/tateresearch/majorprojects/conservation_modernpaints.htm Ormsby, B. et al. (2008). TAAMPP Newsletter 4, September 2008. http://www.tate.org.uk/research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_4_September 2008.pdf Ormsby, B. et al. (2008). TAAMPP Newsletter 3, January 2008. http://www.tate.org.uk/research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_3_January200 8.pdf Ormsby, B. (2007). TAAMPP Newsletter 2, May 2007. http://www.tate.org.uk/research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_2_May2007.p df Ormsby, B., Smithen, P., and Learner, T. (2007). `Translating research into practice ­ evaluating the surface cleaning treatment of an acrylic emulsion painting by Jeremy Moon'. Contemporary Collections. Australian Institute for the Conservation of Cultural Materials (AICCM) National Conference, Brisbane, Australia, 97-109. Ormsby, B., Learner, T., Foster, G, Druzik, J., and Schilling, M. (2007). `Wet-cleaning Acrylic Emulsion Paint Films: An Evaluation of Physical, Chemical and Optical Changes.' Modern Paints Uncovered, Tate Modern. Getty Conservation Institute, Los Angeles, 187-198. Ormsby, B., Foster, G., Learner, T., Ritchie, S., and Schilling, M. (2007). Improved Controlled Temperature and Relative Humidity Dynamic Mechanical Analysis of Artists' Acrylic Emulsion Paint Films: Part 1' Journal of Thermal Analysis and Calorimetry, Vol. 90. 249-253. Ormsby, B., Foster, G., Learner, T., Ritchie, S., and Schilling, M. (2007). `Improved Controlled Relative Humidity Dynamic Mechanical Analysis of Artists' Acrylic Emulsion Paints: Part 2. General Properties and Accelerated Ageing.' Journal of Thermal Analysis and Calorimetry, Online First, February 2007. http://www.springerlink.com/content/y577635286846144/ Ormsby, B and Learner, T. (2006). TAAMPP Newsletter 1. November 2006. http://www.tate.org.uk/research/tateresearch/majorprojects/pdf/TAAMPP_newsletter_1_October200 6.pdf Ormsby, B., Learner, T., Schilling, M., Druzik, J., Khanjian, H., Carson, D., Foster, G., and Sloan, M. (2006) `The Effects of Surface Cleaning on Acrylic Emulsion Paintings ­ A Preliminary Investigation'. Oberflächenreinigung; Materialien und Methoden. VDR Schriftenreihe 2, Ed. Cornelia Weyer, Theiss Verlag, Stuttgart 2006, 135-149. Also published in Tate Papers, Issue 6, Autumn 2006. http://www.tate.org.uk/research/tateresearch/tatepapers/06autumn/ormsby.htm Ormsby, B., Learner, T., and Wessel, T. (2006) `Tate-AXA Art Modern Paints Project: Evaluating the Effects of Cleaning Acrylic Paintings'. Poster. Modern Paints Uncovered conference, Tate Modern, May 2006. Ormsby, B., Learner, T., Druzik, J., Khanjian, H., Schilling, M., Carson, D., Foster, G., Sloan, M., (2004). `An Evaluation of Cleaning Methods for Acrylic Paintings'. Poster. American Institute for

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Conservation of Historic and Artistic Works (AIC), 32 Oregon.

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Annual Meeting, June 9-14, 66 Portland,

Ormsby, B. (1992). Scanning electron microscope analysis of the surface of acrylic paint layers after cleaning, unpublished research project, University of Canberra, Australia, 1992. Owen, L., Ploeger, R., and Murray, A. (2004). `The effects of water exposure on the surface characteristics of acrylic emulsion paints', Journal of the Canadian Association for Conservation 29: 8­25. Perry, R. (1990). `Problems of Dirt Accumulation and its Removal from Unvarnished Paintings: A Practical Review' in Dirt and Pictures Separated, United Kingdom Institute for Conservation and the Tate Gallery, London: 3-6. Ploeger, R., A. Murray, S. Hesp, and D. Scalarone. (2005). `An investigation of the chemical changes of artists' acrylic paint films when exposed to water.' Materials Issues in Art and Archaeology VII: Symposium Held November 30­December 3, 2004, Boston, Massachusetts, U.S.A., eds., P. B. Vandiver, J. L. Mass, and A. Murray, 49­56. Warrendale, PA: Materials Research Society. Ploeger, R.E., Shurvell, H.F., Hagan, E.W., and Murray, A. (2005). `Infrared analysis of materials leached by water from acrylic paint films', in Proceedings of the Sixth Infrared and Raman Users Group Conference (IRUG 6), Florence, Italy. 29 March ­ 1 April 2004, ed. M. Picollo, Il Prato, Padova: 46­51. Ploeger, R., Murray, A., Hesp, S., and Scalarone, D. (2007).`Morphological changes and rates of leaching of water-soluble material from artists' acrylic paint films during aqueous immersions', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 1619, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 201­207. Saulnier, G. (2002). Cleaning Acrylic Emulsion Paint Using Dry-Cleaning Methods, Master's Project, Queen's University, Kingston, Canada (2002). Van Keulen et al., 2010. Dry Cleaning Products analysed and tested at the Netherlands Institute of Cultural Heritage, website: http://www.scribd.com/doc/28005037/Painting-Dry-Cleaning-Table Whitmore, P., Morris, H.R., and Colaluca, V.G. (2007). `Penetration of liquid water through waterborne acrylic coatings', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles (2007) 217­226. Wolbers, R. (2000). Cleaning painted surfaces: aqueous methods, Archetype, London. Zumbühl, S., Attanasio, F., Scherrer, N., Müller, W., Fenners, N., and Caseri, W. (2007). `Solvent action on dispersion paint systems and the influence of morphology ­ changes and destruction of the latex microstructure', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 257­268. Chemical analysis Boon, J.J., and Learner, T. (2002). `Analytical mass spectrometry of artists' acrylic emulsion paints by direct temperature resolved mass spectrometry and laser desorption ionisation mass spectrometry', Journal of Analytical and Applied Pyrolysis 64. 327­244.

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Boon, J.J., Hoogland, F.G., and van der Horst, J. (2007). `Mass spectrometry of modern paints', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 85­95. Hoogland, F.G., and Boon, J.J. (2009). `Development of MALDI-MS and nano-ESI-MS methodology for the full identification of poly(ethylene glycol) additives in artists' acrylic paints', International Journal of Mass Spectrometry 284: 66­71. Hoogland, F.G., and Boon, J.J. (2009). `Analytical mass spectrometry of poly(ethylene) glycol additives in artists' acrylic emulsion media, artists' paints, and microsamples from acrylic paintings using MALDI-MS and nanospray-ESI-MS.', International Journal of Mass Spectrometry 284: 72­80. Learner, T.J.S. Analysis of Modern Paints. (2005). Getty Conservation Institute, Los Angeles. Smith, G. D. (2005). A "single-shot" separation and identification technique for water extractable additives in acrylic emulsion paints. Preprints of the 14th Triennial Meeting, ICOM Committee for Conservation, The Hague, ed. I. Verger, 824­32. London: James and James. Scalarone, D., and Chiantore, O. (2004). `Separation techniques for the analysis of artists' acrylic emulsion paints', Journal of Separation Science 27(4): 263­274. Scalarone, D., and Chiantore, O. (2005). `FTIR monitoring of surfactant phase-separation and stability in waterborne organic coatings and artists' acrylic paints', in Proceedings of the Sixth Infrared and Raman Users Group Conference (IRUG 6), Florence, Italy. 29 March ­ 1 April 2004, ed. M. Picollo, Il Prato, Padova: 52­57. Scalarone, D., Lazzari, M., Castelvetro, V., and Chiantore, O. (2007). `Surface monitoring of surfactant phase separation and stability in waterborne acrylic coatings', Chemistry of Materials 19: 6107­6113. Physical properties, environment and ageing Chiantore, O., and Scalarone, D. (2007). `The macro- and microassessment of physical and aging properties in modern paints', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 96­104. Erlebacher, J.D., Mecklenburg, M.F., and Tumosa, C.S. (1992). `Mechanical behavior of artists' acrylic paints with changing temperature and relative humidity', , Polymer Preprints: Polymers in Museums Symposium 33(2): 646­647. Erlebacher, J.D., Brown, E., Tumosa, C.S., and Mecklenburg, M.F. (1992). `The Effects of Temperature and Relative Humidity on the Rapidly Loaded Mechanical Properties of Artists' Acrylic Paint', In Materials Issues in Art and Archaeology III: Symposium Held April 27-May 1, 1992, San Francisco, California, U.S.A, ed. P.B. Vandiver, J.R. Druzik, G.S. Wheeler, and I.C. Freestone, Materials Research Society, Pittsburgh, PA: 359­370. Golden Artists' Colors (2003). `Safe handling and transportation of acrylic paintings', Just Paint 11. Hagan, E., Charalambides, M., Learner, T.J.S., Murray, A., and Young, C. (2007). `Factors affecting the mechanical properties of modern paints', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 227­235.

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Hagan, E. (2004). A comparison of age, climate, and aqueous immersion effects on the mechanical properties of artists' acrylic emulsion paints, Master's Project, Queen's University, Kingston, Canada. Hamm, J., Gavett, B., Hayes, J., Golden, M., Kelly, C., Messinger, J., Contompasis, M., and Suffield, B. (1993). `The discoloration of acrylic dispersion media', in Saving the Twentieth Century: The Conservation of Modern Materials, ed. D. Grattan, Canadian Conservation Institute, Ottawa: 381­392. Howells, R., Burnstock, A., Hedley, G., and Hackney, S. (1984). `Polymer dispersions artificially aged', in Adhesives and Consolidants. Preprints of the Contributions to the IIC Paris Congress, 2-8 September 1984. ed. N.S. Brommelle et al, International Institute for Conservation, London : 36­43. Learner, T., O. Chiantore, and D. Scalarone. (2002). `Ageing studies of acrylic emulsion paints.' In th 13 Triennial Meeting, Rio de Janeiro, 22­27 September 2002, Preprints, ICOM Committee for Conservation. ed., R. Vontobel, 911­919. London: James and James. Mecklenburg, M.F., Tumosa, C.S., and Erlebacher, J.D. (1994). `Mechanical behaviour of artist's acrylic paints under equilibrium conditions', Polymer Preprints: Polymers in Museums Symposium 35(2): 297­298. Morris, H.R., Whitmore, P.M., and Colaluca, V.G. (2003). `Preventing discolouration in films of acrylic artists' media by exposure to ambient light', Studies in Conservation 48(2): 95­102. Scalarone, D., Chiantore, O., and Learner, T.(2005). `Ageing studies of acrylic emulsion paints. Part II. Comparing formulations with poly(EA-co-MMA) and poly (n-BA-co-MMA) binders', in ICOM Committee for Conservation, 14th Triennial Meeting, The Hague: Preprints, ed. I. Verger, James & James, London, Vol. 350­357. Smith, G.D. (2007). `Aging characteristics of a contemporary acrylic emulsion used in artists' paints', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 236­246. Tumosa, C.S., and Mecklenburg, M.F. (2003). `Weight changes in acrylic emulsion paints and the implications for accelerated ageing', WAAC Newsletter 25(3): 12­14. Tumosa, C.S., and Mecklenburg, M.F. (2004). `Moisture isotherms of acrylic emulsion paints', WAAC Newsletter 26 (3): 12­14. Whitmore, P.M., and Colaluca, V.G. (1995). `The natural and accelerated aging of an acrylic artists' medium', Studies in Conservation 40: 51­64. Whitmore, P.M., Colaluca, V.G., and Farell, E. (1996). `A note on the origin of turbidity in films of an artists' acrylic paint medium', Studies in Conservation 41(4): 250­255. Whitmore, P.M., Colaluca, V.G., and Morris, H.R. (2002). `The light bleaching of discolored films of an acrylic artists' medium', Studies in Conservation 47: 228­236. Young, C. (2007). `Interfacial Interactions of Modern Paint Layers', in Modern Paints Uncovered, Proceedings from the Modern Paints Uncovered Symposium, May 16-19, 2006, Tate Modern, London, ed. T.J.S. Learner, P. Smithen, J.W. Krueger and M.R. Schilling, Getty Conservation Institute, Los Angeles: 247­256.

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